View allAll Photos Tagged PushProcessing
Uncertain why both walkers were moving in relative lockstep. To be honest, I wasn't looking for much longer; not with snow pouring over my glasses.
Tri-X @ 1600 in HC-110. Really happy with how my initial test rolls with HC-110 came out (though in retrospect, it wasn't wise to start with a push-- and two rolls in the same tank).
Bolehill Quarry, The Peak District, Derbyshire.
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/150
No movements
f32
10 seconds
Kodak T-Max 100 (at EI 200)
Gitzo GT3532LS
Arca-Swiss Z1
N+1 development in DD-X 1:4 at 20°C for 9 mins
Digitised with DSLR using 9-shot stitch
Square crop
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(Best viewed fullscreen in the lightbox)
A short photostory from Baden and surrounds on those wet days of Summer.
Committed to expired Ilford HP5 using a Leica M3 and 50 mm Summicron DR. Developed in Ars-Imago FD with a one-stop push and digitised with a digital camera and macro lens. Positive conversion and contrast done with Negative Lab Pro. Dust removal and further contrast adjustment in Photoshop.
Film: Rollei Retro 400S @ 1600 ISO | Develop: HC-110B, 16:00 mins @ 20°C | Scan: Plustek OpticFilm 8200i
Anyone else tried to use a hairdryer to dry their negs more quickly???
Patience is a virtue I do not posess!
Bronica C, Nikkor 50mm lens, Fuji Neopan Acros, 1.5 hour exposure, processed in Rodinal 1+50 for 15 minutes, dried using hairdryer for about 3 minutes in order to completely ruin the negative because I'm an impatient stupid £#€%.
Phoenix, Arizona
Kodak Portra 800 (Pushed 1 Stop)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
Silverlake, Los Angeles
Asahi Pentax Spotmatic
Super-Takumar 1:1.4/50
Kodak Tri-X 400
Push Processed to 3200
HC-110 1:100 2 hours Stand-Dev.
Scan of Kentmere Pan 400 pushed 2 stops and reversed to slide in PQ Universal + toned in Kala Namak or Himalayan Black Salt.
The vignette comes from stacked filters.
Nicole Fiorentino of Veruca Salt, Smashing Pumpkins - 07.14.23 by Johnny Martyr - Leica M6 TTL 0.85 | Leitz 90mm Summicron | Kodak TMAX P3200 @ 6400
Pentax SV, Super Takumar 28/3.5, Kodak Tri-X 400@800, push +1 stop process - HC-110 dil. b, 8.5 min.
Film: Rollei Retro 400S @ 800 ISO | Develop: HC-110B, 10:45 mins @ 20°C | Scan: Plustek OpticFilm 8200i
May2025. Detail of the derelict irrigation pump a mile later. More info: www.hmdb.org/m.asp?m=192660 Foma100@200.Minolta505SI-super.MinoltaAF50mmMacro.YellowFilter.HC110-E.AGOFilmProcessor@6minutes.CameraScan:FujifilmXH1
Kagawong ON - A lateral view of Bridal Veil Falls in Kagawong on Manitoulin Island. July 2021.
Taken on a Hasselblad 500C/M medium format camera w/ Carl Zeiss Planar T* 80mm f2.8 lens + polarizer. JCH Street Pan 100 B&W film pushed to 400.
Pentacon Six TL w/ Carl Zeiss Jena Biometar 120mm f/2.8 and Ilford FP4+ @ EI ?? (Kodak Xtol 1:1, Ilford rapid fixer). f/4, 1/60s. Epson V600 and EpsonScan @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.
One of the things that always amaze me is how well FP4+ takes abuse. This film I unintentionally underexposed (tricky light). I thought that I exposed for EI 140, but it was probably something like EI 250. I discovered that something was wrong when I went through my logs for my Nikon F3HP that was loaded with TMax 400, which had chosen the same settings.
I developed this roll as EI 500, according to Kodak's instructions for Xtol and FP4+.
Model: Madita Krull (ModelWerk)
Testing Fomapan R 100 Push 3 reversal in a building frozen in time: Latvijas universitātes Polimēru mehānikas institūts where I source my chems at enola.lv
R100... I find it lacks sharpness and resolving power - something quite critical in projection...
Fomapan R 100 pushed 3 stops and reversed in PQ Universal, Ilford Reversal Processing