View allAll Photos Tagged PushProcessing

Nikon FE - Nikkor 28 2.8 - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr scan

Uncertain why both walkers were moving in relative lockstep. To be honest, I wasn't looking for much longer; not with snow pouring over my glasses.

 

Tri-X @ 1600 in HC-110. Really happy with how my initial test rolls with HC-110 came out (though in retrospect, it wasn't wise to start with a push-- and two rolls in the same tank).

november 2020

 

leica m2 | ms optical perar 4/28 | tri-x at 1600

2015-01-18

 

Hasselblad 500C/M

Hasselblad 80mm f/2.8 CF T* lens

Kodak Portra 160 (250-push) 120 film

Rolleiflex 3.5 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Bolehill Quarry, The Peak District, Derbyshire.

 

Linhof Technikardan S45

Schneider-Kreuznach Apo-Symmar L 5.6/150

No movements

f32

10 seconds

Kodak T-Max 100 (at EI 200)

Gitzo GT3532LS

Arca-Swiss Z1

N+1 development in DD-X 1:4 at 20°C for 9 mins

Digitised with DSLR using 9-shot stitch

Square crop

Toned

 

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

 

(Best viewed fullscreen in the lightbox)

august 2020

 

leica m2 | ms optics perar 4/28 | tri-x pushed to 1600

A short photostory from Baden and surrounds on those wet days of Summer.

  

Committed to expired Ilford HP5 using a Leica M3 and 50 mm Summicron DR. Developed in Ars-Imago FD with a one-stop push and digitised with a digital camera and macro lens. Positive conversion and contrast done with Negative Lab Pro. Dust removal and further contrast adjustment in Photoshop.

Film: Rollei Retro 400S @ 1600 ISO | Develop: HC-110B, 16:00 mins @ 20°C | Scan: Plustek OpticFilm 8200i

Revueflex AC2

SMC Pentax-M 2.8/35

Kodak Tri-X @ 1600

HC-110

Fomapan R 100 pushed 2 stops and reversed in PQ Universal, Ilford Reversal Processing

Anyone else tried to use a hairdryer to dry their negs more quickly???

Patience is a virtue I do not posess!

 

Bronica C, Nikkor 50mm lens, Fuji Neopan Acros, 1.5 hour exposure, processed in Rodinal 1+50 for 15 minutes, dried using hairdryer for about 3 minutes in order to completely ruin the negative because I'm an impatient stupid £#€%.

Holga - Kodak T-Max100 (pushed 3 stops)

Phoenix, Arizona

 

Kodak Portra 800 (Pushed 1 Stop)

Nikon F3

Nikkor 50mm 1.4

Processed @ Oscar's Photo Lab

Nikon F3, Nikkor 50/1.5, Fuji C200@400, push +1 stop developing.

Rolleiflex 3.5T with orange filter - Ilford HP5+ @800 - Rodinal 1+50 - dslr scan

Silverlake, Los Angeles

Asahi Pentax Spotmatic

Super-Takumar 1:1.4/50

Kodak Tri-X 400

Push Processed to 3200

HC-110 1:100 2 hours Stand-Dev.

Self developed, Nikon FE2 + 50mm 1.2 + Ilford HP5 pushed to 1600, developed with HC-110.

Scan of Kentmere Pan 400 pushed 2 stops and reversed to slide in PQ Universal + toned in Kala Namak or Himalayan Black Salt.

The vignette comes from stacked filters.

Nikon FE - Nikkor 50 1.2 - HP5@800 - Rodnal 1+50 - dslr scan

Pentax 6x7

Kodak Portra 160VC (pushed to 400)

S-M-C Takumar 105mm

Nicole Fiorentino of Veruca Salt, Smashing Pumpkins - 07.14.23 by Johnny Martyr - Leica M6 TTL 0.85 | Leitz 90mm Summicron | Kodak TMAX P3200 @ 6400

Pentax SV, Super Takumar 28/3.5, Kodak Tri-X 400@800, push +1 stop process - HC-110 dil. b, 8.5 min.

Nikon FE - Nikkor 50 1.2 - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr "scan"

macro-ish stuff made with jupiter 8 lens mounted on canon ftb

 

hp5 shot at ei 1600, developed in d76

Nikon FE - Nikkor 50 1.2 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Rolleiflex 3.5 - Ilford HP5+ pushed to 800 - Adox Rodinal 1+25 - dslr scan

Nikon FE - Nikkor 50 1.2 - Ilford HP5+ @ 3200 - Rodinal 1+25 - dslr scan

Film: Rollei Retro 400S @ 800 ISO | Develop: HC-110B, 10:45 mins @ 20°C | Scan: Plustek OpticFilm 8200i

Nikon FE - Nikkor 28 2.8 - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr scan

May2025. Detail of the derelict irrigation pump a mile later. More info: www.hmdb.org/m.asp?m=192660 Foma100@200.Minolta505SI-super.MinoltaAF50mmMacro.YellowFilter.HC110-E.AGOFilmProcessor@6minutes.CameraScan:FujifilmXH1

hp5 exposed at ei 3200 and developed in rodinal 1+25 (18min)

Kagawong ON - A lateral view of Bridal Veil Falls in Kagawong on Manitoulin Island. July 2021.

 

Taken on a Hasselblad 500C/M medium format camera w/ Carl Zeiss Planar T* 80mm f2.8 lens + polarizer. JCH Street Pan 100 B&W film pushed to 400.

Nikon F-601, AF Nikkor 50/1.8 D, Fuji Venus 800@1250, push +1 stop developing.

Nikon FE - Nikkor 50 1.2 - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr scan

Mamiya M645 1000s

Sekor C 45mm f/2.8

Ilford HP5+ @800

ID11 1+2 19:00 min

Pentacon Six TL w/ Carl Zeiss Jena Biometar 120mm f/2.8 and Ilford FP4+ @ EI ?? (Kodak Xtol 1:1, Ilford rapid fixer). f/4, 1/60s. Epson V600 and EpsonScan @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.

 

One of the things that always amaze me is how well FP4+ takes abuse. This film I unintentionally underexposed (tricky light). I thought that I exposed for EI 140, but it was probably something like EI 250. I discovered that something was wrong when I went through my logs for my Nikon F3HP that was loaded with TMax 400, which had chosen the same settings.

 

I developed this roll as EI 500, according to Kodak's instructions for Xtol and FP4+.

 

Model: Madita Krull (ModelWerk)

 

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Rolleiflex 3.5 Automat - Ilford HP5+ @ 1600 - Rodinal - dslr scan

Testing Fomapan R 100 Push 3 reversal in a building frozen in time: Latvijas universitātes Polimēru mehānikas institūts where I source my chems at enola.lv

 

R100... I find it lacks sharpness and resolving power - something quite critical in projection...

 

Fomapan R 100 pushed 3 stops and reversed in PQ Universal, Ilford Reversal Processing

New York City

 

Leica M6

Kodak Tri-X 400

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