View allAll Photos Tagged PushProcessing
After traveling around the world for many months, Akida decided to stop by Los Angeles for some Californian sunshine (and take some pictures with me and Jaxting).
Downtown Los Angeles, California.
It's been a while since my last upload and around flickr in general. I hope you have all been well. :-)
One of the main problems with the pandemic in Barcelona is the diminutive size of the majority of flats - not ideal when there are curfews, mobility restrictions and most facilities are either closed or open for only limited hours.
Frances Rosario's "In the Realm of the Selves" solo.
"the woman invisible to herself " is a site specific performance installation in and around the old Sunshine Biscuit Factory in Oakland, CA by Dance-Theater Choreographer Mary Armentrout. I have done work with Mary in various capacities (on and off stage) for the past decade and the thing I love about her work is that it is very abstract yet extremely accessible to the non-artist (i.e. you can see her work and be able to "get it" without being an MFA), yet not so dumbed down to not be poignant to career artists as well. On this show I'm setting up and operating all the A/V gear and this go around she let me bring my Hasselblad to do a little shooting during the performances.
Illford XP2 super - C41 (pushed 2 stops) - (processed @ Light Waves Imaging)
SEKONIC L-778 DUAL SPOT F METER
(Shot at 1600ASA, exposure unrecorded, as you can see it's a very healthy fraction of a second)
Hasselblad 500C (1968) w/120mm f5.6 Zeiss S-Planar T*
Epson PERFECTION V750-M PRO SCANNER
(20110716_XP2_pushed2_C41_511040_009)
After loving a lot of the results that other photographers had achieved with HP5+ pushed to 1600, I decided to give it a go myself. The extra grain combines well with the falling snow and gives everything a gritty, harsh texture.
Film: HP5+ pushed to 1600
Camera: Konica Autoreflex T3 with 28 mm lens
Development: Ars-Imago FD developed for 2 stop push
Digitised with a digital camera and small contrast adjustments in LR
June2025. Coke bottling plant in Little Rock, Arkansas USA IlfordFP4push400.Minolta505si-super.MinoltaAF50mmMacro.YellowFilter.Diafine3+3.CameraScan:FujifilmXH1
Kentmere Pan 400 pushed 2 stops and reversed in PQ Universal + toned in Kala Namak or Himalayan Black Salt.
Project page:
There's something about this photo that really creaps me out, hence the name. Minolta XG-M, 55mm f1.7, HP5+ pushed ISO 800, DDX (1+4) developer
From thedailylumenbox.com Rollei RPX-25 pushed to ISO 50 with 1949 Leica Ic and Chroma Double Glass 24mm f/11 lens. Developed in Cinestill Df96 monobath.
Mary Huff of Southern Culture on the Skids live in Charlottesville at The Southern Cafe and Music Hall 3/4/22
Nikon FE - Nikkor 50 1.2 - Ilford HP5+ @ 1600 - Rodinal 1+50 - 24 minutes at 68° - agitate every 3 minutes - dslr scan
Sometimes you show up to the party and end up having to shoot at EI3200 instead of EI800... but I think Tri-X and Microphen did pretty well here!
Contax 137MD, Planar 50/1.7, Kodak Tri-X 400 @ EI3200, Microphen stock 21:30 at 21.5C, scanned on Plustek 7500i.
Come join me on Instagram (@10rolls_of_film) and at my podcast:
Keep shooting them film photos!
Toronto ON - The RC Harris Water Treatment Plant at the east end of the Beaches in Toronto. An art deco masterpiece featured as a prison or mental hospital in at least a dozen movies. May 2023.
taken on a Canon F-1 slr w/ 50mm FD f1.8 lens + polarizer. Kosmo Foto Agent Shadow 400 B&W film pushed to 1600.
Canon EOS 5
Yashinon-DX 50mm f1.4
Kodak T-Max 400 @500
Rodinal R-09
SCAN:
Sony a7
extension tubes
Helios 44-M 58/2
Looking at this image, I am mildly frustrated at my composition of it. Not terribly so, but certainly a little. A little laziness perhaps, and not quite having grasped the lens, which I think was a Takumar 28/3.5, but may have been a 35/3.5. Whatever the case of that, I cannot by any means be disappointed by how the reflection was and came out...
Trees reflected in water, Blenheim Park, Oxon, late 2020. Pentax SPII, Takumar lens, either 28/3.5 or 35/3.5. Adox CHSII 100 @ 200 in ID-11.
Ilford HP5 EI1600, Rodinal 1:100 stand development, 120mins
The Banker public house facing onto the River Thames, London, with Cannon Street Railway Bridge to the left.
Cannon Street Railway Bridge was originally named Alexandra Bridge after Alexandra of Denmark who was the wife of the future King Edward VII.
"the woman invisible to herself " is a site specific performance installation in and around the old Sunshine Biscuit Factory in Oakland, CA by Dance-Theater Choreographer Mary Armentrout. I have done work with Mary in various capacities (on and off stage) for the past decade and the thing I love about her work is that it is very abstract yet extremely accessible to the non-artist (i.e. you can see her work and be able to "get it" without being an MFA), yet not so dumbed down to not be poignant to career artists as well. On this show I'm setting up and operating all the A/V gear and this go around she let me bring my Hasselblad to do a little shooting during the performance.
This is my first attempt at push processing C-41 film. This is shot via available light on the rooftop of the old factory just after sunset, so It was getting dark fast. In this shot I was also panning with the dancers' movement. Pretty interesting results (although it's very grainy).
Ilford XP2 super - C41 (pushed 2 stops) - (processed @ Light Waves Imaging)
SEKONIC L-778 DUAL SPOT F METER
(shot @ 1600ASA, exposure unrecorded, no filtration used)
Hasselblad 500C (1968) w/120mm f5.6 Zeiss S-Planar T*
Epson PERFECTION V750-M PRO SCANNER
(20110716_XP2_pushed2_C41_511041_017)