View allAll Photos Tagged PushProcessing
Nikon FE - Nikkor 50 1.2 - Ilford HP5+@800 - home-developed in Rodinal 1+50 - dslr scanned and processed in Lightroom - finished in Photoshop
Using a Kodak Tri-X 400 simulation, shot at 1600 ISO for increased grain.
Fujifilm X-Pro3 with Fujinon XF 23mm f2 R WR lens. Straight out of camera with no post processing.
Inkjet transfer on birch wood.
A light coat of stain, scorched with a plumber's torch and sealed with a couple of coats of paste wax. More info on my blog.
Original shot taken with a Brownie Hawkeye Flash with an inverted lens.
Looking over the Rotunda's colonnaded courtyards toward Pavilion 1 at UVa.
Nikon FE - Nikkor 28 2.8 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan
What is the creek? Is it the water? Is it the rocks? The mud? The algae? The fish? Isn't the creek all of those things and much more? Does the creek even exist?
Nikon FE - Nikkor 50 1.2 - HP5@800 - Rodinal 1+50 - dslr scan
Asahi Pentax Spotmatic, SMC Takumar 1.8/55
Fujifilm Neopan ACROS 100@400
1/125, f5.6, yellow filter
On tumblr: theatreofthemundane.tumblr.com
On Instagram: lemonhats
2022-05-27
Nikon FE2
Nikon Ai 35mm f/2 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
A scan of slide derived from Kentmere Pan 100 pushed 3 stops and reversed in PQ Universal
Best enjoyed with Dark Ambient / URBEX
Available Light B&W 35mm Photojournalism by Johnny Martyr
Available Light B&W 35mm Photojournalism by Johnny Martyr
Thanks for checking out my work!
May2025. Abandoned cinderblock Church in Woodson, Arkansas USA. IlfordFP4@400.PentaxSuperProgram.Vivitar19-35AF.YellowFilter.DD-X
@18minutes.AGOProcessor.CameraScan:FujifilmXH1 Note: 4th use of same batch of Ilfotec DD-X. Still getting excellent results.
Hasselblad 501CM
Carl Zeiss Makro-Planar T* 4/120 CF
f8
1/500th second
Fuji Acros 100 (at EI 200)
Hand held
Self developed in Pyrocat-HD 1:1:100 at 21.5 C for 21 minutes (minimal agitation)
Digitised with DSLR
(best viewed fullscreen in the lightbox)
Double Exposure at night on pushed film.
Canon A-1, Canon FD 50mm f/1.4, Fujifilm Superia X-Tra 800 pushed one stop to 1600 and push processed in Unicolor. Film expired in 2016.
Leica M2
Ultron 28mm f1.9
Kentmere 400 @ 1600iso
Rodinal 1+50, 24min @ 20c
Epson Perfection V500 via Epson Scan
This is the from the first roll I've developed myself in three or four years. Previously I just didn't have the time or care enough. Paying $7 per roll for develop only is kind of steep, though, so I bought myself some chemicals and am getting re-acquainted with the process.
I took a similar shot last March on 35mm film, and although the focus was out the result was good enough to keep trying with analog. I took medium format this time and made sure of the focus. The only issue is that Cinestill 800T is tungsten balanced, and without tungsten temperatures come out incredibly blue. Actually, though, I don't mind it. I shot at EI3200 and pushed the development using the "rodinal push" technique. This has given grain, but it's very acceptable. I have also found that cinestill 800t needs at least 2 extra stops of exposure for reciprocity.
Dubbo, NSW, Australia.
October 2019.
Cinetsill 800T at EI3200.
Developed with R09 push (1:100 stand 10min) followed by a Cinestill C41 kit standard development.
Hasselblad 500c/m.
Zeiss C 40mm/f4.
1 hour exposure at f/4.
Scan Epson V600. LR CC dust and tones.
Phoenix, Arizona
Cinestill 50Daylight (Pushed 2 Stops)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
Phoenix, Arizona
Cinestill 50Daylight (Pushed 2 Stops)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab