Two weeks down, and plenty more to go in the new One-A-Day project. Excitement toward shooting x-ray film is still high, and this week I'm going to keep exploring the response of this film in both super high and super low contrast scenarios.

Just after a late afternoon's rain over at my parent's house in Deshler, OH, I decided it was time to bring out the 8x10 for a quick shot in their backyard. It was still very overcast outside, making for an exposure with a severely high contrast range. Was x-ray film up to the challenge? This stuff definitely doesn't respond like Kodak Tmax films, but it handled the job none-the-less!

Somewhat insane side-note, but my parent's German shepherd, Maizey, stayed pretty still considering the length of this exposure. Perhaps I have a new wet plate subject? ;)

Eastman Commercial B 8x10

Fujinon W 210mm f/5.6

30 sec. @ f/32ish + front fall

Kodak Green Latitude X-Ray Film

Obsidian Aqua 1:500

Semi-Stand in stainless steel hangers and tanks

www.matmarrash.com

July2024.film:Retro80s@25.camera:NikonFe2.lens: Nikkor24mmAI.developer:CafenolCLstand1hr+.scan:Fujifilm XH2wLoawaDreamer

April2024.FP4125@100.PentaxSuperProgram.?smcPentax30f2.8.510Pyro1to100.scan:Fujifilm XH2

One foggy Saturday in December 2013.

Taken with Honeywell Pentax Spotmatic SP F camera and Super-Multi-Coated Takumar 28mm F3.5 on expired Kodak Professional T400 CN film, pulled to 125 ASA.

Scanned with Canon CanoScan 8800F with VueScan.

Revisited some frames from Mini World last year, got a new workflow so that I only end up saving the final version to JPEG and do all the work before hand in NEF and PSD files with Lightroom and Photoshop. The benefits of this being much cleaner folders and generally a much safer way of working, there will also be less JPEG compression - not that it makes an ounce off difference to my work!

Chinon CE-4s

Rikenon 50mm f/1.4 + K2 Yellow Filter

Arista Premium 400 @ 200

ID-11 1+3 @ 21°C 8m 30s

#staypoorshootfilm

Damn there's signs everywhere.

Shot with LC-A+, using Fuji Sensia 400, rated at 200 ISO (1 stop over-exposed). Pull processed by 1 stop to compensate, and reduce contrast.

KODAK Professional T-MAX 100 pulled to iso 50

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press L for a better view ;)

Glen Canyon Park, San Francisco (10/22/2011)

Kodak Plus-X (expired 6/2003?) - Rodinal (processed @ www.gammasf.com)

(Pull Processed 2 stops)

SEKONIC L-778 DUAL SPOT F METER

EV7 (no reciprocity failure compensation) : 1s @ f11

(spot-metered shadows through the filter @ 100ASA and placed them at Zone 3)

B+W (MC) RED-ORANGE #041 (22) FILTER

5mm upward shift

Hasselblad Flexbody w/80mm CF Zeiss Planar T*

Epson PERFECTION V750-M PRO SCANNER

(20111022_PlusX_Pulled2_Rodinal_49611_011)

One foggy Saturday in December 2013.

Taken with Honeywell Pentax Spotmatic SP F camera and Super-Multi-Coated Takumar 28mm F3.5, on expired Kodak Professional T400 CN film, pulled to 125 ASA.

Scanned with Canon CanoScan 8800F, with VueScan.

C20LET engine conversion in a 1991 Mini, with a direct exit pipe just for kicks - apparently only just got it stable for the first time the night before the show, brave.

Would've been great to see it on track but it wasn't ready!

Owner's Instagram - @gwynnie89

Decided to pull back the Arista to 200 so the grain didn't pull so much of the detail away, worked out alright!

Chinon CE-4s

Rikenon 50mm f/1.4 + K2 Yellow Filter

Arista Premium 400 @ 200

ID-11 1+3 @ 21°C 8m 30s

#staypoorshootfilm

Been away for sometime doing a PC rebuild, reinstalling and transferring my data, but I think I'm in the clear and will get back to normality soon enough, and hopefully get my darkroom up and running more often too!

2015-05-08

model: Xiea Hull

location provided by: Scott Russell and Marie Killen

Nikon F90X

Nikon Ais 85mm f/1.4 lens

Kodak Tri-X 400 (50-pull) 35mm film

Agfa Adonal (1+50) developer

20ºC - 7min

Taken with: Bronica S, Nikkor 50mm Lens

Taken on: Kodak Ektar 100, Metered @ 25

Developed: C-41 Process, pulled 1 stop

Scanned: Epson V600 (LightroomCC;PhotoshopCC)

North American Yale

0.5sec, f5.6

What better use of a rainy day than to explore a museum with a camera. The Warplane Heritage Museum in Hamilton, Ontario, has a large collection of vintage warplanes, flightworthy and otherwise.

Pentax K2, SMC Pentax f2/55mm. Ilford XP2 Super, ISO 100, Kodak HC-110, Hasselblad X1 scan.

*Can someone recommend me a good kid's point & shoot digital camera for this 3-1/2 yr. old dude to play with? :) View On Black

1/1 'NorthLittleRock: Along Broadway Street(US-70) in North Little Rock Arkansas. A Mexican Food Restaurant.film:CatLabs80@50.camera:FujiGW69ii.developer:HC110orL110(e).scan:FujifilmXH2.date:June2024

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Shot on (new) Kodak T-MAX 3200 at EI 800.

Black and white negative film in 35mm format.

Pull processed two-stops.

Leica M6 TTL 0.85 + 7artisans 35mm f/2.

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Read on at: emulsive.org/photography/35mm-format/twins-shot-on-kodak-...

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Filed under: #35mmformat, #Photography, #2018April, #35MmFormatFilm, #7Artisans35MmF2, #BlackAndWhiteNegativeFilm, #EI3200, #EI800, #EMULSIVEDailyPhoto, #ISO3200, #ISO800, #Kodak, #KodakTMAX3200TMZ, #Leica, #LeicaM6TTL085, #PullProcessing, #PullingFilm

#shootfilmbenice #filmphotography #believeinfilm

2015-05-08

model: Xiea Hull

location provided by: Scott Russell and Marie Killen

Nikon F90X

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (50-pull) 35mm film

Agfa Adonal (1+50) developer

20ºC - 7min

When you're in a very inspiring area such as the Cuyahoga Valley National Park, it's actually a challenge to limit one's self with a set number of photos. Every rock you step over or tree you pass shares something unique. Having already walked two miles with the 55lb. 8x10 setup, I was starting to tire, but couldn't head back without first grabbing a few more shots. This one was going to be challenging, b/c I just had to have some detail in the rocks leading up the trail (even at the cost of flaring/nuked highlights).

Eastman Commercial B 8x10

Schneider Super Angulon 121mm f/8

5min. @ f/45

Ilford HP5+, N-1 Development

Pyrocat HD 1:1:100

2014-01-25

model: Katie Robinson

wardrobe: Bob Smithey with At The Ritz Costumes

Greensboro, NC

Hasselblad 500C/M

Hasselblad 80mm f/2.8 CF T* lens

Ilford Delta 3200 (1600-pull) 120 film

Kodak Xtol (1+1) developer

20ºC - 18min

looks familiar?

Spotmatic II | Sears 55mm Macro | Fomapan 100

Burbank --> Hills of Griffith Park --> City of Los Angeles.

Roll #111, Frame 23. 2 min; f/8 [ev 0]

Dev: D-76 (1:1) (225ml), 8 min @ 20°C (EI 50). 5 sec rolling agit / min.

© István Pénzes

Please NOTE and RESPECT the copyright.

17 June 2012

Leicaflex SL2

Summilux 80mm

Agfa APX100 @ 50 ASA

Rodinal 1:50

Coolscan 5000

One foggy Saturday in December 2013.

Taken with Honeywell Pentax Spotmatic SP F and Super-Multi-Coated Takumar 28mm F3.5, on expired Kodak Professional T400 CN film, pulled to 125 ASA.

Scanned with Canon CanoScan 8800F, with VueScan.

Spotmatic II | Super Takumar 135mm | Fomapan 100

This very fine house of great renown

It's cracked and shaking

tumbling down

Shadow detail: a sliver of twilight is present. Shot from the same spot as frame 19. Enough wind was coming up the canyon to have to brace the tripod.

Roll #111, Frame 21. 1m; f/8 [ev 1]

Dev: D-76 (1:1) (225ml), 8 min @ 20°C (EI 50). 5 sec rolling agit / min.

Nikon FM2, PanF @ 25ASA

decluttr

Glen Canyon Park, San Francisco (10/22/2011)

The backlit Pampas Grass (Cortaderia selloana?) caught my eye (you can also see one across the canyon), and the rays of the rapidly falling sun were just a bonus (helped by the 091 Filter).

Kodak Plus-X (expired 6/2003?) - Rodinal (processed @ www.gammasf.com)

(Pull Processed 2 stops)

SEKONIC L-778 DUAL SPOT F METER

EV8 (no reciprocity failure compensation) : 1s @ f16

(spot-metered shadows through the filter @ 100ASA and placed them at Zone 3)

B+W (MC) DARK RED #091 (29) FILTER

2deg backward tilt, 8mm downward shift

Hasselblad Flexbody w/80mm CF Zeiss Planar T*

Epson PERFECTION V750-M PRO SCANNER

(20111022_PlusX_Pulled2_Rodinal_49611_007)

2015-05-08

model: Xiea Hull

location provided by: Scott Russell and Marie Killen

Nikon F90X

Nikon Ais 85mm f/1.4 lens

Kodak Tri-X 400 (50-pull) 35mm film

Agfa Adonal (1+50) developer

20ºC - 7min

2016-02-19

Hasselblad 500C/M

Hasselblad 80mm f/2.8 CF T* lens

Ilford Delta 3200 (800-pull) 120 film

Kodak Xtol (1:1) developer

20ºC - 7.5min

Rolleiflex 2.8GX, Ilford XP2 Super, ISO200, HC-110 1+49, 4 minutes, Hasselblad X1 scan.

Development details on FilmDev

2016-02-19

Hasselblad 500C/M

Hasselblad 80mm f/2.8 CF T* lens

Ilford Delta 3200 (800-pull) 120 film

Kodak Xtol (1:1) developer

20ºC - 7.5min

2016-02-19

Hasselblad 500C/M

Hasselblad 80mm f/2.8 CF T* lens

Ilford Delta 3200 (800-pull) 120 film

Kodak Xtol (1:1) developer

20ºC - 7.5min

Revisited some frames from Mini World last year, got a new workflow so that I only end up saving the final version to JPEG and do all the work before hand in NEF and PSD files with Lightroom and Photoshop. The benefits of this being much cleaner folders and generally a much safer way of working, there will also be less JPEG compression - not that it makes an ounce off difference to my work!

Chinon CE-4s

Rikenon 50mm f/1.4 + K2 Yellow Filter

Arista Premium 400 @ 200

ID-11 1+3 @ 21°C 8m 30s

#staypoorshootfilm

Mamiya C220TLR + Mamiya Sekor 80mm/f2.8 + Fujifilm NPZ800 (pull to 400), diy C-41 rotary development in Jobo CPE2 for 3.15 min at 38C

2015-05-08

Nikon F90X

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (50-pull) 35mm film

Agfa Adonal (1+50) developer

20ºC - 7min

Mamiya 7 Camera, Neopan 400 Black & White Film-Pulled 3 Stops. Nikon Coolscan 8000 ED

2015-05-08

model: Xiea Hull

location provided by: Scott Russell and Marie Killen

Nikon F90X

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (50-pull) 35mm film

Agfa Adonal (1+50) developer

20ºC - 7min

Again with the woods under full brutal sun...

Pentax 6x7, 55mm f4, Agfa APX 100 @ ISO 25 pulled two stops in Rodinal to compress tonal values.

15-1578-1579-1582-1583_tu3_tm1

Chinon CE-4s

Rikenon 50mm f/1.4 + K2 Yellow Filter

Arista Premium 400 @ 200

ID-11 1+3 @ 21°C 8m 30s

#staypoorshootfilm

From the Canary Islands section of The UC Berkeley Botanical Garden.

Kodak Plus-X (expired 7/2011) - Xtol 1+3 (processed @ www.gammasf.com)

(Pull Processed 2 stops)

SEKONIC L-778 DUAL SPOT F METER

(Exposure and camera movements unrecorded).

Hasselblad Flexbody w/50mm f4 Zeiss Distagon CF T*

Epson PERFECTION V750-M PRO SCANNER

(20130317_Kodak125PX_Exp201107_Pull2_Xtol1to3_Flexbody50mm_BerkeleyBotanicalGardens_52420_006)

Kiev 88.

Fomapan 200, developed in Kodak HC-110.

Lithprint on Agfa Multicontrast Premium (MCP), developed in Moersch Easylith.

Taken with: Bronica S, Nikkor 50mm Lens

Taken on: Kodak Ektar 100, Metered @ 25

Developed: C-41 Process, pulled 1 stop

Scanned: Epson V600 (LightroomCC;PhotoshopCC)

Fairchild PT-26 Cornell

1sec, f3.5

What better use of a rainy day than to explore a museum with a camera. The Warplane Heritage Museum in Hamilton, Ontario, has a large collection of vintage warplanes, flightworthy and otherwise.

Fuji 6x9 Camera, Neopan 400 (Pulled 3 Stops). Heidelberg Drum Scanner

The Major Deegan Expressway shot from the High Bridge, with the Cross Bronx Expressway and the Washington Bridge in the background, as well as the Metro North Hudson Line and the Harlem River at the left. Multi-modal transportation.

Paul Ruldoph's Tracey Towers in mid background.

Semflex 154 Semi-Oto

Som Berthiot 75mm f/3.5

Tri-X-Pan

1/60 at f/8, pulled two stops in development