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Fomapan 400 (200ASA)
Fomadon Excel stock 5:30Min
camera scan
Fujifilm X-Pro 2
Micro-Nikkor-PC Auto 55mmF3.5
Valoi 360
NegativeLabPro
Fomapan 400 (200ASA)
Fomadon Excel stock 5:30Min
camera scan
Fujifilm X-Pro 2
Micro-Nikkor-PC Auto 55mmF3.5
Valoi 360
NegativeLabPro
Madera, California
Fujichrome Velvia 50 (Pulled 1 Stop)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
The Ahwahnee Hotel
Yosemite National Park, California
Fujichrome Velvia 50 (Pulled 1 Stop)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
The Ahwahnee Hotel
Yosemite National Park, California
Fujichrome Velvia 50 (Pulled 1 Stop)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
Yosemite National Park, California
Fujichrome Velvia 50 (Pulled 1 Stop)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
Simple joys of life on the Atzelbergplatz last spring.
Canon A-1 and Canon FD 35-70mm 1:2.8-3.5 S.S.C., Kentmere 400 in Rodinal 1+50 for 21 min @ 20°C and digitalized using kit zoom and extension tubes.
Thank you everyone for your visits, faves and comments, they are always appreciated :)
On a deserted beach, Waiheke Island, New Zealand
Kodak Retina IIIC, Schneider-Kreuznach Xenon 50mm f/2
Kodak Tri-X @ EI 200
XTOL 1+0, 6' 34" @ 20C (compensated for usage)
Epson V800
C'est bien connu. And it would have been a pity not to have the European Central Bank on the first roll with the Stereo Colorist.
Three Dimension Company TDC Stereo Colorist and its two Rodenstock 35mm f/3.5 Trinar, Kentmere 400 shot as 200 in Rodinal 1+50 for 15 min @ 20°C and digitalized using kit zoom and extension tubes.
Thank you everyone for your visits, faves and comments, they are always appreciated :)
Cathedral Peak
Yosemite National Park, California
Fujichrome Velvia 50 (Pulled 1 Stop)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
I always find it interesting when I see a tree in the middle of winter that even after a snowstorm with some high winds still has a few leaves hanging on.
This is a shot taken from my first pull processed roll of film. Canon Elan 7E, HP5+ ISO 400 pulled to ISO 200, ID11(1+1) developer
Very heavy snow from this storm cause many smaller and some larger trees to lean. The smaller branches towards the bottom were nearly touching my driveway. canon Elan 7E, 50mm f1.8, HP5+ pulled ISO 200, ID11 (1+1)
Madera, California
Fujichrome Velvia 50 (Pulled 1 Stop)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
September2024.
Clarendon water in Clarendon, Arkansas.
Foma100@50.PentaxSuperProgram.DDX1to4.@9m.Scan:FujifilmXH2
Olmsted Point
Yosemite National Park, California
Fujichrome Velvia 50 (Pulled 1 Stop)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
San Bernardino, California
Fujichrome Velvia 50 (Pulled 1 Stop)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
Phoenix, Arizona
Cinestill 50Daylight (Pushed 2 Stops)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
November and December 2024. Double Exposure.Kentmere400@200.Taken on one camera in November(PentaxZ1p) and then re-spooled in December(Pentax KX). I’m guessing Z1p on the first camera.Caffenol-CH@20minutes.Scanned:FujifilmXH1
Click Here To See In Full Resolution
Yosemite National Park, California
Fujichrome Velvia 50 (Pulled 1 Stop)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
The next step on England’s “Roadmap out of Lockdown”. Rob and I are still keeping it local by taking another turn around Colwick Country Park, but now that we aren’t obliged to pretend that our getting together is only for exercise we don’t actually need to stay on the move. If we want to stop for a few minutes and enjoy the sunset on this mild spring evening, we can! If we want to rest for a while longer and make the most of these gloriously clear skies, really savour the last of the daylight, perhaps make a little bonfire to keep ourselves warm... fuck it, I’m going to assume we can!
29th March 2021 — GBR, Nottinghamshire
Ilford Delta 3200 Professional (pulled to 1600)
Voigtländer Bessa R3M
Voigtländer Nokton 40mm f/1.2 VM aspherical
B+W 022 medium yellow filter
Madera, California
Fujichrome Velvia 50 (Pulled 1 Stop)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
May2024. J & J soul Food diner from last year. The building now sits vacant with a new white wash paint job. I posted a picture of this earlier in this thread. “Vanishing Soul” www.flickr.com/photos/200106881@N04/54500628715/in/photol... RollieRetro80S@64ASA.NikonFE2.Nikkor35mmAIS.CaffenoCL@1:10.CameraScan:FujifilmXH1
Rodney Street, Liverpool.
25th September 2013 — GBR, Merseyside
Ilford Delta 3200 Professional (pulled to 1600)
Canon EOS Rebel G (500N)
Canon EF 85mm f/1.8 USM
Sather Tower, Berkeley California, 10/1/2011
Sather Tower is a campanile (bell and clock tower) on the University of California, Berkeley campus. It is more commonly known as The Campanile due to its resemblance to the Campanile di San Marco in Venice, and serves as UC Berkeley's most recognizable symbol. It was completed in 1914 and first opened to the public in 1917. The tower stands 307 feet (93.6 m) tall, making it the third tallest bell and clock-tower in the world. It was designed by John Galen Howard, founder of the College of Environmental Design, and it marks a secondary axis in his original Beaux-Arts campus plan. Since then, it has been a major point of orientation in almost every campus master plan. The tower has seven floors, with an observation deck on the eighth floor. Some floors are used to store fossils. (from [en.wikipedia.org/wiki/Sather_Tower])
An interesting result from a failed experiment in trying to achieve a hyperfocal using the Scheimpflug principle. What resulted is two distinct focal planes between the camera and infinity (see notes, when viewing I saw that the clockface and the Ivy was in focus and foolishly thought everything in between would be when I stopped down, as it turned out the Ivy was just too close to achieve the desired effect). Another part of the experiment was pulling Plus-X 2 stops using Xtol. The sun was going down leaving a very contrasty scene, the flattening of the contrast by this exposure/developer combination yielded all sorts of details in the shadows and different tonalities between the different species of trees in the shot. Also, the bells in the top of the tower were only barely visible in the shadows to the naked eye but have all kinds of detail in this flattened contrast shot. I'm *really* starting to like this exposure/developer combination for medium format kodak films (while they last, I suppose) to flatten high contrast scenes.
Kodak Plus-X (expired 6/2003?) - Xtol (processed @ www.gammasf.com)
(Pull Processed 2 stops)
SEKONIC L-778 DUAL SPOT F METER
No Filtration
EV8 : 1/4s @ f8 (spot-metered shadows @ 100ASA and placed them at Zone 3)
2deg backward tilt, 10mm downward shift (hence vignetting at the top)
Hasselblad Flexbody w/80mm CF Zeiss Planar T*
Epson PERFECTION V750-M PRO SCANNER
(20110924_PlusX_old_Pull2Xtol_49467_004)
Walking back from the Lohrberg last week I came through Seckbach, which I never realized still has a number of old houses - half timberd and others - still standing. I'll have to go back there some day. Now old houses for now, just some tombstones in front of the local church.
Canon A-1 and Canon FD 50mm f/1.4, Kentmere 400 exposed as ISO 200 in Rodinal 1+50 for 15 min @ 20°C and digitalized using kit zoom and extension tubes.
Thank you everyone for your visits, faves and comments, they are always appreciated :)
Phoenix, Arizona
Cinestill 50Daylight (Pushed 2 Stops)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
Throwback Thursday!
Remember house parties? Remember staying out all night? Remember the blinding sunrise saying, “GO HOME! YOU’VE GOT WORK THIS AFTERNOON”?
29th August 2019 — GBR, Nottinghamshire
Ilford Delta 3200 Professional (pulled to 1600)
Canon EOS-3
Sigma 35mm f/1.4 DG HSM Art
B+W 022 medium yellow filter