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Kiev 60 with Volna-3 2,8/80mm.
Fomapan 400@250 ASA, developed in HC-110.
Printed on Adox Fine Print Vario Classic a.k.a. Efke Varycon, developed in Moersch Eco4812 with Finisher Blue.
ILFORD DELTA 3200 pulled to 1600
Self develop: 8 mins in Ilford DD-X 1:4, 20 deg
Leica M2
Leica SUMMICRON Rigid 1:2/50mm
B+W medium yellow 022 filter (2X)
Straight negative scan
Kiev 60.
Fomapan 400 in Kodak HC-110.
Adox Fine Print Vario Classic a.k.a. Efke Varycon in Moersch Eco4812 with Finisher Blue.
Mallard Lake, Golden Gate Park, San Francisco 10/8/2011
A very contrasty, largely backlit scene. Even this film pulled 2 stops didn't fully flatten the contrast. I think I actually like the IR version of this scene better, as the added foliage highlights in the center shadow area were more prevalent.
Kodak Plus-X (expired 6/2003?) - Xtol (processed @ www.gammasf.com)
(Pull Processed 2 stops)
SEKONIC L-778 DUAL SPOT F METER
B+W (MC) RED-ORANGE #041 (22) FILTER
EV7 : 1/2s @ f8 (spot-metered shadows through filter @ 100ASA and placed them at Zone 3)
8mm downward shift
Hasselblad Flexbody w/80mm CF Zeiss Planar T*
Epson PERFECTION V750-M PRO SCANNER
(20110924_PlusX_old_Pull2Xtol_49467_011)
2014-03-05
Hasselblad 500C/M
Hasselblad 150mm f/4 C lens
Kodak T-Max 400 (200-pull) 120 film
Adox Adonal (1+50) developer
20ºC - 8min
My first attempt at pulling film, and it was successful! Pulled HP5+ from 400 to 200, love the look of this film at this speed already - got a feeling I'll be shooting a hell of a lot more of this stuff at this speed!
Chinon CE-4s
Ilford HP5+ 400 pulled to 200
ID-11 1:1 24°C 7:30 minutes
Rapid Fixer 4:1 24°C 4 minutes
FPP Debonair, 60mm f/8 Super lens, K2 yellow filter, Kodak Tri-X 400 exposed at EI200 and developed in HC-110 (B) for 4:45 at 68F, 1/100 sec at f/8.
2014-03-05
Hasselblad 500C/M
Hasselblad 150mm f/4 C lens
Kodak T-Max 400 (200-pull) 120 film
Adox Adonal (1+50) developer
20ºC - 8min
© István Pénzes.
Please NOTE and RESPECT the copyright.
11th., November 2010, Meilenwerk, Düsseldorf, Test shots with the T-max 3200 @ 1600.
Nikon F6
Nikon Nikkor AIS 35mm 1,4
Kodak T-Max P3200 @ 1600
T-max developer 19 degrees Celsius 11 Minutes
Coolscan 5000
© István Pénzes
Please NOTE and RESPECT the copyright.
17 June 2012
Leicaflex SL2
Summilux 80mm
Agfa APX100 @ 50 ASA
Rodinal 1:50
Coolscan 5000
Spotmatic II | Industar 50-2 | Arista Premium 400 (@ 200)
This was one of those voice-in-your-head going "SHOOT NOW!" moments. And not in a 'Son of Sam' sense.
LACMA, Los Angeles CA.
Roll #94, Frame 10. 1/125; f/3.5 [ev 9.5]
Dev: Rodinal 1:25 (500ml); 4:30 @ 20°C. 2 inversions & 1 roll / min.
© István Pénzes
Please NOTE and RESPECT the copyright.
16th March 2012
Leicaflex SL2
Summilux 80mm
Agfa APX100 @ 50 ASA
Rodinal 1:50
Coolscan 5000
© István Pénzes.
Please NOTE and RESPECT the copyright.
11th., November 2010, Meilenwerk, Düsseldorf, Test shots with the T-max 3200 @ 1600.
Nikon F6
Nikon Nikkor AIS 35mm 1,4
Kodak T-Max P3200 @ 1600
T-max developer 19 degrees Celsius 11 Minutes
Coolscan 5000
Canon P, Voigtlander 35mm f/2.5 Color-Skopar, Ilford HP5+ @ 100 (oops), HC-110 dil h, 7:45 @ 66º. 22-092
Canon P, Voigtlander 35mm f/2.5 Color-Skopar, Ilford HP5+ @ 100 (oops), HC-110 dil h, 7:45 @ 66º. 22-092
Spotmatic II | Super Takumar 135mm | Fomapan 100
On this darkling stretch
of Foothill Freeway
which takes you from
Tujunga to Glendale / Montrose
We rode forever
In search of more
or of some element
That would demand
Greater poetic exertion
So we drove on
tripod braced against the wind
borne ceaselessly
towards the 2
and the 134
www.youtube.com/watch?v=_HB7Jy0Us1M&
Roll #111, Frame 22. 2 min; f/8 [ev 0]
Dev: D-76 (1:1) (225ml), 8 min @ 20°C (EI 50). 5 sec rolling agit / min.
ILFORD DELTA 3200 pulled to 800
Self develop: 6 mins 30s in Tmax Developer 1:4, 20 deg
Leica M2
Leica SUMMICRON-M 1:2/35mm
B+W medium yellow 022 filter (2X)
Straight negative scan
ILFORD DELTA 3200 pulled to 800
Self develop: 6 mins 30s in Tmax Developer 1:4, 20 deg
Leica M2
Leica SUMMICRON-M 1:2/35mm
B+W medium yellow 022 filter (2X)
Straight negative scan
Canon P, Voigtlander 35mm f/2.5 Color-Skopar, Ilford HP5+ @ 100 (oops), HC-110 dil h, 7:45 @ 66º. 22-092
Delta 3200 pull processed at asa 1000..
At least that's what I asked the lab to do.
I have my doubts ...
Gorgeous afternoon yesterday meant a good opportunity to burn a second roll in my F3HP, I had one roll of Tmax 100 left and I decided to try rating it at ISO 50 and also go with a super diluted rodinal stand development with minimal agitation. I am really impressed with the results and I've only scanned 10 shots so far!
All of them are with the F3HP and 105/2.5. The chemistry setup was;
Rodinal 1:100
3 agitations initially (not quite inversion becuase I had a double tank that was only filled up to cover the one roll*)
3 agitations at 30 min
Timer was set for 59 min but I missed the cut off, probably went 1 hr 10 min or so
*I only filled it up to cover the one roll becuase I was thinking that the idea of stand developing is for the developer to slowly exhaust itself and I worried that having twice the needed developer, even with limited agitation might lead to extra development that I didn't want. Not sure this is true maybe someone can educate me.
**Second 'innovation' to me I forget where I read this, I think it was on photo.net's b/w darkroom forum but I managed to not squeege this roll preferring to do a normal distilled water with photoflo final water bath then I hung the roll slightly diagonally in my shower to dry. Some combo of getting a low enough photoflo dilution and the diagonal resulted in extra clean images compared to what I'm used too.
KODAK 400TX pulled to 200
Self Develop: 5mins in Tmax Developer 1:4, 20 deg.
Leica M2.
Carl Zeiss Planar T* 2/50
Straight negatve scan
Taken with my Rolleiflex automat k4/50 on tmax 400 film accidentely exposed at 100 iso, and developed in HC110 Dil H for 8.30 mins @ 20°.
Spotmatic II | Industar 50-2 | Arista Premium 400 (@ 200)
__
The decision was made late in developing to place this roll of 400tx-like emulsion directly out of the fixer under the running water in the sink: a 3°C temperature gain. It produced the predictable astigmatized micro-reticulated results in the film: soft edges and clumpy grain. Roll #93, Plus-X, although being developed simultaneously in the same tank and subject to all the same processes, came out the better for wear as I've come to expect of that particular emulsion.
One might think it could be attributable to this roll being pulled to 200 or a 1:25 dilution being used rather than 1:50, but experience points to temperature variation during processing, during the wash cycle in particular. And, again I must marvel, the phenomenon seems to only occur when the wash medium is warmer than the chemicals; Colder wash water seems to actually improve results!
And then, we have our demonic wild card factor: the ambient temperature of the room in which the film dries!
Roll #94, Frame 33. 1/250; f/16 [ev 15]
Dev: Rodinal 1:25 (500ml); 4:30 @ 20°C. 2 inversions & 1 roll / min.
© István Pénzes
Please NOTE and RESPECT the copyright.
16th March 2012
Leicaflex SL2
Summilux 80mm
Agfa APX100 @ 50 ASA
Rodinal 1:50
Coolscan 5000
Ilford Pan 100 rated 50, shot with Kiev-4 and Helios-103 f1.8 50mm lens. Developed in Ilfotec LC29 1+19 6m30s at 20ºC.
Canon P, Voigtlander 35mm f/2.5 Color-Skopar, Ilford HP5+ @ 100 (oops), HC-110 dil h, 7:45 @ 66º. 22-092
Shot on the South Bank, just before it started raining. Sensia 400 shot at 200, pull-processed by 1 stop to compensate.
KODAK 400TX pulled to 200
Self Develop: 5mins in Tmax Developer 1:4, 20 deg.
Leica M2.
Carl Zeiss Planar T* 2/50
Straight negatve scan
The beautiful little side garden at St. Peter's in Capitol Hill caught just a touch of afternoon light a couple weeks ago as I was walking by. I liked how it gave a nice rim of light on the statue of the Virgin's shoulder and also lit up the grasses in front, I wish I'd separated the two a bit more in my framing to show the juxtopositioning fo the two features illuminated but I think its still kind of cool. This is a shot that was really made decent through stand development in my opinion, so much is in shadow that the long development pulled plenty of detail and created nice tonality. In LR I did mess with the curves to make the statue a bit more middle grey to bring out detail.
Nikon F3HP
NIkon 105/2.5 AI'd
Kodak Tmax 100, rated at 50
Rodinal 1:100
3 agitations initially (not quite inversion becuase I had a double tank that was only filled up to cover the one roll*)
3 agitations at 30 min
Timer was set for 59 min but I missed the cut off, probably went 1 hr 10 min or so
ILFORD DELTA 3200 pulled to 800
Self develop: 6 mins 30s in Tmax Developer 1:4, 20 deg
Leica M2
Leica SUMMICRON-M 1:2/35mm
B+W medium yellow 022 filter (2X)
Straight negative scan
ILFORD DELTA 3200 pulled to 1600
Self develop: 8 mins in Ilford DD-X 1:4, 20 deg
Leica M2
Leica SUMMICRON Rigid 1:2/50mm
B+W medium yellow 022 filter (2X)
Straight negative scan