2011-10-05

Hasselblad 500C/M

Hasselblad 80mm f/2.8 CF T* lens

Fujifilm Neopan 100 Acros (50-pull) 120 film

Photographer's Formulary PMK Pyro (1+2+100) developer

20ºC - 11min

Agfa APX 100 shot at 50 developed in Xtol 1:1 for 8min, Contax G2, Carl Zeiss Sonnar T* 90mm, Orange filter

All shot on Delta 400 @ 100, pulled in Xtol Replenished 24 celsius to 5 minutes 10 seconds, with agitation every minute after the first 30 seconds of initial agitation.

August2024.film:Foma100@50.camera:NikonFA.Lens:Nikkor35mmAI.developer:DDX1 to4.scan:FujifilmXH2.Lens:LaowaDreamer

Spotmatic II | Industar 50-2 | Arista Premium 400 (@ 200)

Guys, you're all shooting in the wrong direction!

5x7 fiber based print, 8.3.12.

10 sec @ f/11 (#3 filt). Nikkor 75mm lens.

Roll #94, Frame 29. 1/250; f/16 [ev 15]

Dev: Rodinal 1:25 (500ml); 4:30 @ 20°C. 2 inversions & 1 roll / min.

Once home of Pearl Coles and late husband Leslie.

Tmax 400 shot wrongly at 125, so I pulled development a little. Perhaps some reticulation happening. Hot, cold water.

Brimstone Head in distance at left.

4th of July. Ventura, California.

Kodak Gold 400. This was an old roll that must have been sitting around for at least five years in less than ideal conditions.

ILFORD DELTA 3200 pulled to 1600

Self develop: 8 mins in Ilford DD-X 1:4, 20 deg

Leica M2

Leica SUMMICRON Rigid 1:2/50mm

B+W medium yellow 022 filter (2X)

Straight negative scan

ILFORD DELTA 3200 pulled to 800

Self develop: 6 mins 30s in Tmax Developer 1:4, 20 deg

Leica M2

Leica SUMMICRON-M 1:2/35mm

B+W medium yellow 022 filter (2X)

Straight negative scan

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Shot on (new) Kodak T-MAX 3200 at EI 800.

Black and white negative film in 35mm format.

Pull processed two-stops.

Leica M6 TTL 0.85 + 7artisans 35mm f/2.

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Read on at: emulsive.org/photography/35mm-format/condensed-shot-on-ko...

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Filed under: #35mmformat, #Photography, #2018April, #35MmFormatFilm, #7Artisans35MmF2, #BlackAndWhiteNegativeFilm, #EI3200, #EI800, #EMULSIVEDailyPhoto, #ISO3200, #ISO800, #Kodak, #Leica, #LeicaM6TTL085, #PullProcessing, #PullingFilm

#shootfilmbenice #filmphotography #believeinfilm

Chinon CE-4s

Rikenon 50mm f/1.4 + K2 Yellow Filter

Arista Premium 400 @ 200

ID-11 1+3 @ 21°C 8m 30s

#staypoorshootfilm

KODAK Professional T-MAX 100 pulled to iso 50

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press L for a better view ;)

© István Pénzes

Please NOTE and RESPECT the copyright.

16th March 2012

Leicaflex SL2

Summilux 80mm @ 1,4

Agfa APX100 @ 50 ASA

Rodinal 1:50

Coolscan 5000

2016-02-19

Hasselblad 500C/M

Hasselblad 80mm f/2.8 CF T* lens

Ilford Delta 3200 (800-pull) 120 film

Kodak Xtol (1:1) developer

20ºC - 7.5min

2014-01-25

model: Katie Robinson

wardrobe: Bob Smithey with At The Ritz Costumes

Greensboro, NC

Hasselblad 500C/M

Hasselblad 80mm f/2.8 CF T* lens

Ilford Delta 3200 (1600-pull) 120 film

Kodak Xtol (1+1) developer

20ºC - 18min

Zenza Bronica S2A, Zenzanon 100mm/2.8

Ilford PANF Plus @25

Studio Ghost Stories Pt. III

My friend suggested that we should take a couple of spooky pictures with light coming from below like from a torch. Here are excerpts from that photo shoot.

KODAK Professional T-MAX 100 pulled to iso 50

press L for a better view ;)

Brekkeparken Open-Air Museum, Skien, Norway.

Ilford FP4 125 (Exp Apr 1987). Exposed as ISO 64.

Developed in Rodinal 1+100.

Scanner: Epson Perfection V750 Pro

I like to eat here

Spotmatic F, Takumar 85/1.8, Ilford Delta 3200 / 800

Steph wasn't actually listening to music but rather using the head phones as earmuffs. Air was crisp and with a stiff breeze on occasion so I also wound up loaning my gloves to her.

Unlike the previous photo of her, in this one I actually increased the contrast just a little bit.

This was taken with the Pentax ME Super (she was handling my K2) using a Sears 135mm f/2.8 on HP5+ with an XO (yellow-green) filter on the lens. Although I could have shot it at box-speed, it was bright and sunny and so I decided to pull it one stop to 200 to thwart any tendencies towards too high contrasts. Developed in Ilfotec for 8 minutes at 20 deg.

Rollei 16 subminiature camera with 16mm Eastman Kodak Double-X film, rated EI 125. Developed in Ilfotec LC29, 1+29, 6m30s at 20ºC. Scan from print on Kentmere VC Select.

photo-analogue.blogspot.co.uk/2017/11/rollei-16.html

Suvarnabhumi Airport, Bangkok

Thailand

Yashica Mat 124G

Film:Ilford HP5+ (pulled to ASA 200)

HC110 (1+36) @ 20C, 4min

Ilford Rapid Fixer @ 20C, 7 min 30sec

May2024.Company Sign.film:FP4125@100. camera:PentaxSuperProgram.developed:510pyro@1to100.scan:FujifilmXH2

Leica M7

Summicron-M 35mm f/2 ASPH

Fuji Neopan 400 CN @ 100 ASA 135 Film

Me thinks my light seal is Kaput !

2014-03-05

Hasselblad 500C/M

Hasselblad 150mm f/4 C lens

Kodak T-Max 400 (200-pull) 120 film

Adox Adonal (1+50) developer

20ºC - 8min

ILFORD DELTA 3200 pulled to 1600

Self develop: 8 mins in Ilford DD-X 1:4, 20 deg

Leica M2

Leica SUMMICRON Rigid 1:2/50mm

B+W medium yellow 022 filter (2X)

Straight negative scan

© István Pénzes

Please NOTE and RESPECT the copyright.

17 June 2012

Leicaflex SL2

Summilux 80mm

Agfa APX100 @ 50 ASA

Rodinal 1:50

Coolscan 5000

© István Pénzes

Please NOTE and RESPECT the copyright.

16th March 2012

Leicaflex SL2

Summilux 80mm

Agfa APX100 @ 50 ASA

Rodinal 1:50

Coolscan 5000

Don't cry for me Argentina, it's just El Fin Del Mundo. Shit happens

ILFORD DELTA 3200 pulled to 800

Self develop: 6 mins 30s in Tmax Developer 1:4, 20 deg

Leica M2

Leica SUMMICRON-M 1:2/35mm

B+W medium yellow 022 filter (2X)

Straight negative scan

Kiev 88.

Fomapan 200, developed in Kodak HC-110.

Printed on Efke Varycon (Adox Vario Fine Print Classic), developed in Moersch Eco4812 and Finisher Blue.

2014-03-05

Hasselblad 500C/M

Hasselblad 150mm f/4 C lens

Kodak T-Max 400 (200-pull) 120 film

Adox Adonal (1+50) developer

20ºC - 8min

2014-01-25

model: Katie Robinson

wardrobe: Bob Smithey with At The Ritz Costumes

Greensboro, NC

Hasselblad 500C/M

Hasselblad 80mm f/2.8 CF T* lens

Ilford Delta 3200 (1600-pull) 120 film

Kodak Xtol (1+1) developer

20ºC - 18min

Every once in a while I happen to come across this rare day where everything is just about perfect: The weather, the location, the lot.

This happened to me today, more to the point, around 7.30am in Battery Park. It's too early for the tourist to have flooded and spoiled the place, so all you will encounter is the handful of locals doing an early work-out as well as a few people dipping their fishing rods into the Hudson.

I've fallen into the habit of never taking more than one lens with me. This morning, it was the Sears 135mm f/2.8 (which I had to replace several times till I finally got a specimen with a working diaphragm), with a yellow-green filter screwed onto it. Camera was the Pentax K2 whose metering I've come to trust better than that of my smaller ME Super.

This morning would have maybe called for color film but Ilford Delta 400 was what I had. I shot it at ASA 200 and developed it in Ilfotec DD-X for six minutes at 20/68 deg.

It occurred to me that I hadn't actually used a traditional 35mm SLR in a very long time so I decided to grab the K2 on a mild and sunny Sunday morning to head out to the Upper West Side where I was to meet Stephanie who suggested we should try a particular West Indian restaurant.

We were there earlier than expected and had to kill some time before the restaurant even opened. An excellent excuse therefore to drag her to nearby Morningside Park and under her stern protests take a few photos of her - light was after all nice and soft but not too mushy.

I had on me the Pentax M-120mm f/2.8 which is not a lens known for its biting sharpness, certainly not when you slightly misfocus it as I did here. I nonetheless like it for its diminutive size and its focal length which is right in my wheel house. I shot this either at f/4 or wide-open at f/2.8 on HP5+ at ASA 200. It was developed in HC-110 (dilution B) for 4 minutes.

One thing I did which I haven't done before is add a thin black border to the image. I like it and may do so again from now on.

On closer inspection, it seems almost irrelevant that there is a black frame around it with flickr using a black background by default.

Kiev 60 with Volna-3 2,8/80mm.

Fomapan 400@250 ASA, developed in HC-110.

Printed on Adox Fine Print Vario Classic a.k.a. Efke Varycon, developed in Moersch Eco4812 with Finisher Blue.

1946 Summitar lens on a 1964 M3 camera

TX400 pull processed to 200

© István Pénzes.

Please NOTE and RESPECT the copyright.

14 December 2013, Test shots with the T-max 3200 @ 1600 and the Nikon Nikkor AFS 200mm 2.0 VR.

Nikon F6

Nikon Nikkor AFS 200mm 2.0 VR

Kodak T-Max P3200 @ 1600 [Film expired in 2010]

Kodak T-max developer

Imacon Flextight 343

© István Pénzes

Please NOTE and RESPECT the copyright.

16th March 2012

Leicaflex SL2

Summilux 80mm @ 1,4

Agfa APX100 @ 50 ASA

Rodinal 1:50

Coolscan 5000

Pentax SFXn, 50mm 1.7, Kodak T-Max 3200 @ 1600 (expired 2008), HC-110 B, Epson V500

Kiev 60 with Volna-3 2,8/80mm.

Fomapan 400@250 ASA, developed in HC-110.

Printed on Adox Fine Print Vario Classic a.k.a. Efke Varycon, developed in Tetenal Variospeed W.

Taken with my Rolleiflex automat k4/50 on tmax 400 film accidentely exposed at 100 iso, and developed in HC110 Dil H for 8.30 mins @ 20°, I find the results quite satisfying for a mistake.