View allAll Photos Tagged PullProcessing,
One foggy Saturday in December, 2013.
I'm not sure what happened here, why is there that vertical stripe - it's on negative, so it can be film defect, development defect (most likely), or even shutter defect...
Taken with Honeywell Pentax Spotmatic SP F camera and Super-Multi-Coated Takumar 28mm F3.5 lens, on expired Kodak Professional T400 CN film, pulled to 125 ASA.
Scanned with Canon CanoScan 8800F, with VueScan.
leica M6 // voigtlander nokton 35mm f1.2 v II // kodak portra 400
i accidentally shot this roll at 100 instead of 400, so two stops overexposed. i wasn't sure whether or not to take advantage of portra's latitude and just process normally, but in the end i had the lab pull process two stops to compensate for my mistake. the photos turned out better than i had a right to expect!
This was the last photo I took while on my trip to the Porcupine Mountains. It's such an amazing location, every way you turn there is another photograph waiting to be taken. This is why I must return for the fall turnover. The idea of such landscapes under canopies of color is too much to resist.
July 2012
Overlooked Falls - Little Carp River
Porcupine Mountains State Park, MI
Camera/Tech data:
Mamiya RZ67 Professional
110 mm Mamiya Sekor Z f/ 2.8
120 Kodak E100VS Color Transparency Film
Cokin Polarizing Filter
Exp: 30 sec @ f/ 32
Film pull processed 1/2 stop to keep highlights in check.
Scanned on Epson v750 Pro
One foggy Saturday in December 2013.
Taken with Honeywell Pentax Spotmatic SP F camera and Super-Multi-Coated Takumar 28mm F3.5 lens, on expired Kodak Professional T400 CN film, pulled to 125 ASA.
Scanned with Canon CanoScan 8800F, with VueScan.
June2025. Part of the façade of a building, still standing after the rest of the building is gone. Grady, Arkansas USA. KodakDoubleX[5222].NikonF90X.Nikkor60mmMac-AF.YellowFilter.CaffenolCH-9minutes.CameraScan:FujifilmXH1.
Hiking on foggy and windy autumn day on the Dipsea Trail near the Dear Park Fire Road, Muir Woods National Monument, Marin County, California. We stopped to have lunch here and I stayed awhile longer and set up my flexbody.
Kodak Plus-X (expired 6/2003?) - Xtol (processed @ www.gammasf.com)
(Pull Processed 2 stops)
SEKONIC L-778 DUAL SPOT F METER
EV4 (+reciprocity failure compensation) : 60s @ f11 (spot-metered shadows @ 100ASA and placed them at Zone 4)
camera on side. 4deg swing
Hasselblad Flexbody w/80mm CF Zeiss Planar T*
Epson PERFECTION V750-M PRO SCANNER
(20110924_PlusX_old_Pull2Xtol_49467_001)
2016-02-19
Hasselblad 500C/M
Hasselblad 80mm f/2.8 CF T* lens
Ilford Delta 3200 (800-pull) 120 film
Kodak Xtol (1:1) developer
20ºC - 7.5min
One foggy Saturday in December 2013.
Taken with Honeywell Pentax Spotmatic SP F camera and Super-Multi-Coated Takumar 135mm F3.5 lens, on expired Kodak Professional T400 CN film, pulled to 125 ASA.
Scanned with Canon CanoScan 8800F, with VueScan.
© István Pénzes.
Please NOTE and RESPECT the copyright.
11th., November 2010, Meilenwerk, Düsseldorf, Test shots with the T-max 3200 @ 1600.
Nikon F6
Nikon Nikkor AIS 35mm 1,4
Kodak T-Max P3200 @ 1600
T-max developer 19 degrees Celsius 11 Minutes
Coolscan 5000
Spotmatic II | Sears 135mm | Arista Premium 400 (@ 200)
Meanwhile the battle had raged furiously along the whole line. The rattle of musketry would swell into a full continuous roar as the simultaneous discharge of ten thousand guns mingled in one grand concert, and then after a few minutes, become more interrupted, resembling the crash of some huge king of the forest when felled by the stroke of the woodman's axe. Then would be heard the wild yells which always told of a rebel charge, and again the volleys would become more terrible and the broken, crashing tones would swell into one continuous roll of sound, which presently would be interrupted by the vigorous manly cheers of the northern soldiers, so different from the shrill yell of the rebels, and which indicated a repulse of their enemies. Now and then the monotony of the muskets was broken by a few discharges of artillery, which seemed to come in as a double bass in this concert of death, but so impenetrable was the forest that little use was made of artillery, and the work of destruction was carried on with the rifles. [George T. Stevens, 6th Corps, Army of the Potomac]
John B. Williams. LACMA, Los Angeles CA. Pull processed.
Roll #94, Frame ?
Dev: Rodinal 1:25 (500ml); 4:30 @ 20°C. 2 inversions & 1 roll / min.
2015-05-08
Nikon F90X
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (50-pull) 35mm film
Agfa Adonal (1+50) developer
20ºC - 7min
December2024.Abandoned but well kept service station at the corner of Broadway (US-70) and Daisy L. Gatson Bates (14th St.) in Little Rock, Arkansas. Hope to post more shots of this gem.Foma100@50. Minolta70.MinoltaAF28-105.CafenolCL@1hr.Scan:FujifilmXH1
leica M6 // voigtlander nokton 35mm f1.2 v II // kodak portra 400
i won't lie, i've been feeling more than a little envious of all the wonderful and bokehful blossom shots that have been popping up in my flickr feed from all of my lovely and talented photographer contacts in portland. (OT: why are there so many amazing female film photographers in portland?) so much so that i left work early one day last week and drove around santa barbara like a crazy person looking for cherry/plum/peach blossoms, anywhere, anywhere at all, only to learn that the scant number of cherry trees around here actually flowered almost two months ago. so, i will make do with this little wisteria border on my next door neighbour's fence, which is really not the same thing at all, and just be grateful that i get to experience the beautiful blossoms of the northwest through flickr!
October2024.Painted advertisement on building in Star City, Arkansas.Kentmere400.Pentax645.DDX1to4.scan:FujifilmXH2andLaowaDreamer
At long last, we've reached the end of my mini-series of shots taken at the Cuyahoga Valley National Parks. Nearly 1 block from yesterday's photo, I just had to have a picture of these wicked looking roots! The way they were clinging on to this upward slope, the way one of the roots swirled downward into the ground. The detail in them was just mesmerizing, and made the super long wait for the exposure all the more worth-while.
Eastman Commercial B 8x10
Schneider Super Angulon 121mm f/8
5 min. @ f/32, movements applied
Ilford HP5+, N-1 Development
Pyrocat HD 1:1:100
One foggy Saturday in December 2013.
Taken with Honeywell Pentax Spotmatic SP F camera and Super-Multi-Coated Takumar 28mm F3.5 lens, on expired Kodak Professional T400 CN film, pulled to 125 ASA.
Scanned with Canon CanoScan 8800F, with VueScan.
Test of new Pentacon Six, finally back from being repaired and serviced in Germany, after the mirror broke during shipment from Ukraine. I had one ten years ago and regretted selling it. Kept 3 lenses though, a 45mm, 80mm, and 180mm. The test was successful but one must load the film carefully in this camera, ensuring it is tight and straight. I expect to be using this camera often in the years to come.
I tried to shoot and develop this Ilford Delta 3200 at 800 speed but I think it lost one or two stops from the ten year expiration. Probably should have shot it at 800 and developed as 3200.
Aloe vera are easy to grow indoors under bright light and propagate readily from asexual reproduction. Small "pups" grow next to the larger plants. I started with 5 a few years ago, I think there are around 20 now. You can use them to soothe burned or irritated skin. Some people ingest them but I have heard that may not be healthy. They can tolerate months or even longer without water as well as extremely hot temperatures.
One foggy Saturday in December 2013.
Taken with Honeywell Pentax Spotmatic SP F camera and Super-Multi-Coated Takumar 28mm F3.5 lens, on expired Kodak Professional T400 CN film, pulled to 125 ASA.
Scanned with Canon CanoScan 8800F, with VueScan.
One foggy Saturday in December 2013.
Taken with Honeywell Pentax Spotmatic SP F camera and Super-Multi-Coated Takumar 28mm F3.5, on expired Kodak Professional T400 CN film, pulled to 125 ASA.
Scanned with Canon CanoScan 8800F, with VueScan.
One foggy Saturday in December 2013.
Taken with Honeywell Pentax Spotmatic SP F and Super-Multi-Coated Takumar 28mm F3.5, on expired Kodak Professional T400 CN film, pulled to 125 ASA.
Scanned with Canon CanoScan 8800F, with VueScan.
September 2024. Found this sign oddly enough in a rural area south of Wrightsville.film:RolleiSuperPan200.camera:PentaxSuperProgram .developer:DDX1to4.scan:FujifilmXH2
Double-exposure. Wish I'd done triple or quadruple exposure :(
Shot with LC-A+, using Fuji Sensia 400, rated at 200 ISO (1 stop over-exposed). Pull processed by 1 stop to compensate, and reduce contrast.
I was taking a break from driving home and I decided to test how Sensia performs when cross processing.
1) 1-stop under exposed, no post-processing.
2) Exposed correctly, no post-processing.
3) 1-stop over exposed, no post-processing.
4) 1-stop under exposed, automatic correction.
5) Exposed correctly, automatic correction.
6) 1-stop over exposed, automatic correction.
I think it looks nicest with 1 stop over exposure with auto exposure during scanning.
Shot with LC-A+, using Fuji Sensia 400, rated at 200 ISO (1 stop over-exposed). Pull processed by 1 stop to compensate, and reduce contrast.
2015-05-08
model: Xiea Hull
location provided by: Scott Russell and Marie Killen
Nikon F90X
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (50-pull) 35mm film
Agfa Adonal (1+50) developer
20ºC - 7min
One foggy Saturday in December 2013.
Taken with Honeywell Pentax Spotmatic SP F camera and Super-Multi-Coated Takumar 28mm F3.5, on expired Kodak Professional T400 CN film, pulled to 125 ASA.
Scanned with Canon CanoScan 8800F, with VueScan.
One foggy Saturday in December 2013.
Taken with Honeywell Pentax Spotmatic SP F camera and Super-Multi-Coated Takumar 28mm F3.5 lens, on expired Kodak Professional T400 CN film, pulled to 125 ASA.
Scanned with Canon CanoScan 8800F, with VueScan.
ILFORD DELTA 3200 pulled to 1600
Self develop: 8 mins in Ilford DD-X 1:4, 20 deg
Leica M2
Leica SUMMICRON Rigid 1:2/50mm
B+W medium yellow 022 filter (2X)
Straight negative scan
Chinon CE-4s
Rikenon 50mm f/1.4 + K2 Yellow Filter
Arista Premium 400 @ 200
ID-11 1+3 @ 21°C 8m 30s
#staypoorshootfilm
One foggy Saturday in December 2013.
Taken with Honeywell Pentax Spotmatic SP F camera and Super-Multi-Coated Takumar 28mm F3.5 lens, on expired Kodak Professional T400 CN film, pulled to 125 ASA.
Scanned with Canon CanoScan 8800F with VueScan.
San Francisco City Hall 10/6/2011
This shot is really astounding to me. Pulling Plus-X 2 stops in Xtol really flattens the contrast, but this shot has detail I didn't see with the naked eye when viewing the scene. I have no idea what's going on in the sky here, it looks like it's city light reflecting from overcast cloud layer but the sky was virtually cloudless (with a few exceptions seen in the other shots of this scene). Most of the detail in the foreground and the trees I couldn't see, it was dusk before they turned on the floodlamps (as you can see in the IR version of the scene). The statuesque details in the unlit truss was also unseen. The angled rays from the lights on the roof I never noticed before, and I've been there since and can't see them. It's simply amazing what this film can pull out of the shadows when pulling it to this extreme!
Kodak Plus-X (expired 6/2003?) - Xtol (processed @ www.gammasf.com)
(Pull Processed 2 stops)
SEKONIC L-778 DUAL SPOT F METER
EV0 (+reciprocity failure compensation) : 82s @ f4 (spot-metered shadows @ 100ASA and placed them at Zone 3)
5mm downward shift
Hasselblad Flexbody w/50mm f4 Zeiss CF Distagon T*
Epson PERFECTION V750-M PRO SCANNER
(20110924_PlusX_old_Pull2Xtol_49467_007)
Brekkeparken Open-Air Museum, Skien, Norway.
Ilford FP4 125 (Exp Apr 1987). Exposed as ISO 64.
Developed in Rodinal 1+100.
Scanner: Epson Perfection V750 Pro
One foggy Saturday in December 2013.
Taken with Honeywell Pentax Spotmatic SP F camera and Super-Multi-Coated Takumar 28mm F3.5, on expired Kodak Professional T400 CN film, pulled to 125 ASA.
Scanned with Canon CanoScan 8800F, with VueScan.