Nikon F3HP

NIkon 105/2.5 AI'd

Kodak Tmax 100, rated at 50

Rodinal 1:100

3 agitations initially (not quite inversion becuase I had a double tank that was only filled up to cover the one roll*)

3 agitations at 30 min

Timer was set for 59 min but I missed the cut off, probably went 1 hr 10 min or so

Canon P, 10.5cm f/2.5 Nikkor-P, Ilford HP5+ @ 100 (oops), HC-110 dil h, 7:45 @ 66º. 22-092

2011-10-05

Hasselblad 500C/M

Hasselblad 80mm f/2.8 CF T* lens

Fujifilm Neopan 100 Acros (50-pull) 120 film

Photographer's Formulary PMK Pyro (1+2+100) developer

20ºC - 11min

Finally, a pic I was happy with in the Underground! Actually there is another, but its of my sister and her fella, which I haven't uploaded.

So what have I learned? I like Sensia, but I want to try it shot at rated speed. Indoors it'll give you an extreme green cast. I kind of knew that already. Colour-corrected prints looks lovely with it though. Useable green cast, with bumped up contrast.

Sensia 400 shot at 200, pull-processed by 1 stop to compensate.

Canon A-1 with Kentmere Pan 400, rated 200. Developed in Ilfotec LC29 1+19 for 8 minutes at 20ºC.

photo-analogue.blogspot.com/2019/11/kentmere-pan-400.html

Taken with my Rolleiflex automat k4/50 on tmax 400 film accidentely exposed at 100 iso, and developed in HC110 Dil H for 8.30 mins @ 20°.

© István Pénzes.

Please NOTE and RESPECT the copyright.

11th., November 2010, Meilenwerk, Düsseldorf, Test shots with the T-max 3200 @ 1600.

Nikon F6

Nikon Nikkor AIS 35mm 1,4

Kodak T-Max P3200 @ 1600

T-max developer 19 degrees Celsius 11 Minutes

Coolscan 5000

© István Pénzes

Please NOTE and RESPECT the copyright.

24th. April 2011, The Netherlands, test shot with the old Summaron after the CLA.

Leica M3

Summaron 35mm 2,8 M3

Agfa APX100 @ 50 ASA

Rodinal 1:50

Coolscan 5000

© István Pénzes

Please NOTE and RESPECT the copyright.

17 June 2012

Leicaflex SL2

Summilux 80mm

Agfa APX100 @ 50 ASA

Rodinal 1:50

Coolscan 5000

2011-10-05

Hasselblad 500C/M

Hasselblad 80mm f/2.8 CF T* lens

Fujifilm Neopan 100 Acros (50-pull) 120 film

Photographer's Formulary PMK Pyro (1+2+100) developer

20ºC - 11min

Rollei 16 subminiature camera with 16mm Eastman Kodak Double-X film, rated EI 125. Developed in Ilfotec LC29, 1+29, 6m30s at 20ºC. Scan from print on Kentmere VC Select.

photo-analogue.blogspot.co.uk/2017/11/rollei-16.html

Kiev-4 (Helios 103 lens) with Ilford Pan 400 rated 200, developed in R09 One Shot diluted 1+25, 5m30s at 19ºC.

photo-analogue.blogspot.com/2019/09/ilford-pan-400.html

Spotmatic II | Industar 50-2 | Arista Premium 400 (@ 200)

Ach! It's that infernal building again.

Impromptu dev report: First time developing two rolls (this and roll #93) at once in single stainless steel tank. As above frame indicates, the lack of air space and its effect on developer circulation in this setup is not ideal (at least on the bottom reel) if you're after professional looking images.

Roll #94, Frame 30. 1/250; f/16 [ev 15]

Dev: Rodinal 1:25 (500ml); 4:30 @ 20°C. 2 inversions & 1 roll / min.

Also with blood, sweat & tears. To feed the family back home.

His name is Alem, and he is from Chittagong.

LegacyPro400 @EI200, 5' in R09 1:49, 28C.

This is what happens when you let a chemist man the BBQ.

Cosina Voigtlander Bessa R3A

Canon 50mm f/1.4 LTM

Fuji Neopan 400 (pulled to 100)

Epson V500

ILFORD DELTA 3200 pulled to 1600

Self develop: 8 mins in Ilford DD-X 1:4, 20 deg

Leica M2

Leica SUMMICRON Rigid 1:2/50mm

B+W medium yellow 022 filter (2X)

Straight negative scan

© István Pénzes

Please NOTE and RESPECT the copyright.

17 June 2012

Leicaflex SL2

Summilux 80mm

Agfa APX100 @ 50 ASA

Rodinal 1:50

Coolscan 5000

© István Pénzes

Please NOTE and RESPECT the copyright.

16th March 2012

Leicaflex SL2

Summilux 80mm

Agfa APX100 @ 50 ASA

Rodinal 1:50

Coolscan 5000

Perceptol 1+3 16:00 @ 200 TXT

Pentax ME super, smc Pentax-M 50mm 1.7, medium yellow filter, Ilford Delta 3200 @ 1600, HC-110 B, Epson V500

title says all.

Leica M3

Summilux 50/1.4 V1

Kodak Trix 400@200 (HC-110)

Spotmatic II | Sears 28mm | Arista Premium 400 (@ 200)

Roll #94, Frame 34. 1-2m; f/16 [ev 1±]

Dev: Rodinal 1:25 (500ml); 4:30 @ 20°C. 2 inversions & 1 roll / min.

Renton. Wa. almost Halloween 2007

© István Pénzes.

Please NOTE and RESPECT the copyright.

11th., November 2010, Meilenwerk, Düsseldorf, Test shots with the T-max 3200 @ 1600.

Nikon F6

Nikon Nikkor AIS 35mm 1,4

Kodak T-Max P3200 @ 1600

T-max developer 19 degrees Celsius 11 Minutes

Coolscan 5000

© István Pénzes

Please NOTE and RESPECT the copyright.

24th. April 2011, The Netherlands, test shot with the old Summaron after the CLA.

Leica M3

Summaron 35mm 2,8 M3

Agfa APX100 @ 50 ASA

Rodinal 1:50

Coolscan 5000

Fuji Neopan 400 @ ISO 50, home-developed with Ilford ID-11.

Development details on FilmDev.

View Large On Black

My experiments often start out as mistakes. Case in point: the latest roll I shot in the Yashica-Mat LM was a roll of Acros 100. After shooting three shots of that roll, I realized that my Nikon N2000, which I use for metering, was still set to the ISO of the previous roll I shot, which was Ilford Pan F Plus 50. Oops. So this roll became an experiment in overexposing by one stop and then pull-processing. The Sprint Systems website recommends that when pulling film by one stop there should be no change from the usual development time (typically 10 min. at 68ºF for Acros,) but I decided to go ahead and reduce the development time by about 30 seconds anyway. (I originally intended to reduce the development time by more, but I had a little mishap with my timer. Yet another mistake/experiment.) A few shots came out overexposed/overdeveloped, but most of the shots turned out OK.

Yashica-Mat LM with Yashinon lens, f/22, manual exposure (about 2 seconds.) Fuji Neopan Acros 100 shot at ISO 50, Sprint Systems developer (1+9 dilution, 9 min. 30 sec. at 68ºF)

Or rather...with blood, sweat & tears.

His name is Ohid.

LegacyPro400 @EI200, 5' in R09 1:49, 28C.

Stumbled across Chinatown, while looking for a McDonalds to take a leak in - wasn't going to buy anything, just use their toilet for free. That'll teach em.

Sensia 400 shot at 200, pull-processed by 1 stop to compensate.

© István Pénzes

Please NOTE and RESPECT the copyright.

16th March 2012

Leicaflex SL2

Summilux 80mm @ 1,4

Agfa APX100 @ 50 ASA

Rodinal 1:50

Coolscan 5000

At our old house.

LegacyPro400 @EI200, 5' in R09 1:49, 28C.

Common work site in downtown Bucharest.

Contax G1 with Zeiss Planar 45/2 on Fuji Neopan 1600, pulled 2 stops

KODAK 400TX pulled to 200

Self Develop: 5mins in Tmax Developer 1:4, 20 deg.

Leica M2.

Carl Zeiss Planar T* 2/50

Straight negatve scan

© István Pénzes.

Please NOTE and RESPECT the copyright.

11th., November 2010, Meilenwerk, Düsseldorf, Test shots with the T-max 3200 @ 1600.

Nikon F6

Nikon Nikkor AIS 35mm 1,4

Kodak T-Max P3200 @ 1600

T-max developer 19 degrees Celsius 11 Minutes

Coolscan 5000

And he was very watchful indeed. The security guard kept staring at me the whole time I was taking light readings and trying to compose. Not sure if he was gonna chase me away or just found my camera interesting. Either way I wouldn't be able to understand him. I find the "rule of third" to be exceptionally hard to follow in square format. Probably time to take out the Hasselblad with a C16 back mounted and take it for a spin.

Bangkok, Thailand

Yashica Mat 124G

Film:Ilford HP5+ (pulled to ASA 200)

HC110 (1+36) @ 20C, 4min

Ilford Rapid Fixer @ 20C, 7 min 30sec

© István Pénzes & Jochen Oetinger

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23th. April 2011, The Netherlands, Jochen was shooting with my M3.

Leica M3

Rigid Summicron 50mm

Agfa APX100 @ 50 ASA

Rodinal 1:50

Coolscan 5000

Taking advantage of having a Rental Car I took off into small town New Jersey, with a stop first at Unique Photo, then to nearby Butler, often raved about downtown on the Film Photography Podcast.

Rolleiflex 2.8F

Carl Zeiss Planar 80mm 1:2.8

Ilford HP5+ (Exposed at ISO-100, Pulled 2 Stops)

© István Pénzes.

Please NOTE and RESPECT the copyright.

15 December 2013, Test shots with the T-max 3200 @ 1600 and the Nikon Nikkor AFS 200mm 2.0 VR.

Nikon F6

Nikon Nikkor AFS 200mm 2.0 VR

Kodak T-Max P3200 @ 1600 [Film expired in 2010]

Kodak T-max developer

Imacon Flextight 343

This is the view from the Brooklyn Heights Promenade towards the lower tip of Manhattan with a medium telephoto (Sears 135mm f/2.8).

Taken with the Pentax ME Super on HP5+ pulled one stop to 200 with an XO (yellow-green) filter on the lens. Developed in Ilfotec for 8 minutes at 20 deg.

© István Pénzes.

Please NOTE and RESPECT the copyright.

11th., November 2010, Meilenwerk, Düsseldorf, Test shots with the T-max 3200 @ 1600.

Nikon F6

Nikon Nikkor AIS 35mm 1,4

Kodak T-Max P3200 @ 1600

T-max developer 19 degrees Celsius 11 Minutes

Coolscan 5000

Taken with: Bronica S, Nikkor 50mm Lens

Taken on: Kodak Ektar 100, Metered @ 25

Developed: C-41 Process, pulled 1 stop

Scanned: Epson V600 (LightroomCC;PhotoshopCC)

Douglas C 47 Dakota

1sec, f4

What better use of a rainy day than to explore a museum with a camera. The Warplane Heritage Museum in Hamilton, Ontario, has a large collection of vintage warplanes, flightworthy and otherwise. I had the pleasure of going up in this aircraft last year.

Kiev-4 (Helios 103 lens) with Ilford Pan 400 rated 200, developed in R09 One Shot diluted 1+25, 5m30s at 19ºC.

photo-analogue.blogspot.com/2019/09/ilford-pan-400.html