View allAll Photos Tagged Published
This shot is in the Dec/Jan edition of the South Sound Magazine. It all stems from our first visit to the Hedman House bed & breakfast in Puyallup, Washington (near Tacoma). The night I arrived it had just snowed and the place looked so lovely that it was begging to be photographed.
Fast forward about 20 months, and I'm contacted by South Sound Magazine asking permission to use this for an article they are running about B&Bs in the south Puget Sound area. Of course I said yes, cause this is a great B&B.
I just didn't know they would use it for the cover page of the article. All the other B&Bs got a thumbnail size photo (one place didn't even get a photo).
Just now when I went to insert a link to the original photo, I found that this isn't one that I posted to flickr. Unfortunately, a recent crash of my portable hard drive has wiped out all the other photos of this trip. Luckily I gave Normajeanne at Hedman House copies of all the shots. Maybe I should aske for a set back from her.
Trijata’s Dream is nothing
but Gayatri Mantra
( Shodasi : Secrets of the Ramayana )
From “ Shodasi : Screts of The Ramayana by Seshendra Sharma
( Translation of “ Shodasi : Ramayana Rahasyamulu , Telugu Original) Published in 2015 )
- Seshendra Sharma
Visionary Poet of the millennium
I am going to tell about a secret in the Ramayana which no one has recognized so far. There is in Sundara Kanda a story known as Trijata’s dream. What is it really? Is it only a mere dream? A dream is very well known to be a random experience without any explanation like cause and effect. Is the Trijata’s Dream just such a dream? Will a Sage like Valmiki speak about such a dream? Based on a suspicion that some secret may have been hidden, I proceeded to examine it closely and found its truth with great surprise and satisfaction. The Rakshasis in Lanka,who were commanded by Ravana, tormented Sita to accept Ravana. When Sita rejected their words as blade of grass, they threatened that they will kill her and eat her. Then, one Rakshasi among them, called Trijata, warned them by saying; ‘Protect your own selves. You can never eat Sita. I saw a dream. In the dream, Rama in the form of Lakshmana, protected Sita, and took her away. Ravana and other Rakshasas and Lanka were destroyed.’ She explained to them all that she saw in the dream. That is a brief account of that dream. Rama appears to Trijata four times in this dream in four different forms. In the first time,:Gaja danta mayeem divyaam sibikaam antarikshagaam yukthaam hamsa sahasrena swayam aasthaaya Raghavah, suklamaalyambara-dharo Laksmanena sahaagatah’. Rama came in a palanquin made of elephant tusks and carried by thousand swans. The second time, ‘Raghavascha mayaa drishtah chaturdantam maha-gajam aaruudhah sailasamkaasam cha kaasa saha lakshmanah’. It means that Rama came riding an elephant (Airavatam) in a ‘bright’ form. The third time, ‘Pandararshabha yuktena rathenaashta yuja swayam ihopayatah kaakutsah seetayaa saha bharyayaa’. It means: Rama came accompanied by Sita in a chariot drawn by eight white bulls. For the fourth time, ‘Lakshmanena saha bhrataa vimaane pushpake sthita sukla-maalyambara-dharo lakshmanena samaagatah’. Rama came accompanied by Lakshmana wearing white clothes in Pushpaka Vimana These are the four visions. Thereafter, it was stated: ‘Aruhya Pushpakam divyam vimaanam suryasannibham uttaraam disamaalokya Shodasi Seshendra Sharma 127 jagaama purusharshabhah.’ Further, ‘an account of the miserable state of Ravana and others is given’. But, the topics to be examined are the four narrations given above. The commentators interpreted these statements as forecasting some auspicious events according to the science of dream interpretation. If we see that as a mere dream, there can be no significance for it. But, see the secret meaning that I could get from it In the first vision, a palanquin made of ivory, which is made of elephant tusk, gaja-danta (in Sanskrit). The word gaja has two meanings, one is elephant and the other is the ‘number eight’. (See Apte’s dictionary). The word danta indicates for the number ‘thirty two’. (No explanation is given for this; probably it is a way of representation using anatomy of human being who has thirty two teeth!), Hence, this palanquin has a ‘number eight thirty two’. In the second vision the vehicle is maha-gajam. The word maha-gajam is literally maha-eight. Finally the word maha-gaja chaturdantam is maha-eight which has four thirty two. What is all this? This is a ‘gross’ description of Gayatri Mantra itself!!!. The heart of the Ramayana is Sundara Kanda. The heart of Sundara Kanda is the Dream of Trijata. Please find out where the Dream of Trijata is described in Ramayana. It is located at the exact middle of the Ramayana which has twenty four thousand verses. The first verse containing the story of Trijata’s dream is the thirteen thousand first verses. The actual story is at the middle of the section. ‘Bhartru-rankaa tsamutpatya tatah kamala lochanaa’ is the beginning of the verse (Su. 27-15) whose first syllable is ‘Bha’. This is also the syllable in the words ‘Bhargo devasya dheemahi’ of the Gayatri Mantra. It is the first syllable of the second part of Gayatri Mantra. Or it is the central syllable of Gayatri Mantra itself. The commentators of this verse said: ‘Tatastasya nagasyaagra iti - atra dwaadasa slokaa gataah – trayodasa sahasraadi moyam slokah gayatrastrayodasa maksharam atra bodhyam bharturiti’ therefore, among the twenty four thousand verses of the Ramayana garland of beads, the dream of Trijata is situated as the Central bead. We have to take the message of the Sage in this way. How can the dream of Trijata be interpreted as Gayatri Mantra? This is the way. In the first vision. Which was described by the words, gaja danta mayaee, the word gaja indicates the number eight, which is the first Shodasi Seshendra Sharma 128 part of Gayatri Mantra. Similarlay, the word danta indicates all the thirty two syllables of Gayatri Mantra. Each pada of Gayatri has eight syllables and there the four padas of Gayatri and so Gayatri mantra has thirty two syllables. The second vision is described by the words, chaturdantam maha bhujam. In these words, the two words danta and gaja are not new. They are part of the first vision. The word chatuh is a new one. It is used to indicate that there are four padas of Gayatri, the fourth one, paro rajasi saavadom, being given only to those who accept the fourth Ashrama, which is Sanyasa / That is Purna Gayatri! The first vision: The palanquin has thirty two auspicious marks corresponding to thirty syallbles of Gayatri mantras and the sacred foot of Rama who is no other than Paramaatma has eight auspicious marks. It can move in the sky corresponding to visuddha chakram whose intrinsic tattva is aakaasa. It is the seat of sound or song. Gayatri Mantra is recited and it protects the Sadhaka, Gayantam trayata iti gayatri. Rama came riding the chariot of Gayatri. Here no distinction is recognized between Rama and the Adhistthana Deity of Gayatri who is Parabrahman itself. The third vision is described by the words; ‘Pandurarshabha yuktena rathena ashtayujaa swayam’ that is a mantra describing the chariot.The chariot is drawn by eight white bulls. What is this bull? Why are there eight bulls? Why are they white? Sruti describes bull; “Chatusrigo sameedgaura etat ….tridhaa baddho vrishabho roraveeti.’ This refers to the bull mentioned in the Sruti which is also stated by Valmiki. It is no other than ‘Omkaara’. That is stated as ‘Gauran’. That is Pandurarshabha. Then why is there a qualifier, ‘eight’? Because, there are eight Omkaras for Gayatri! Om bhuh, Om bhuvah and so on, which has seven vyahritas are seven bulls, and another one with ‘Om tat savitur varenyam….., making a total of eight Omkaras. The chariot is drawn by eight white bulls. The chariot Ratha means ramante atra iti rathah. Paramatma enjoys there! In the fourth vision, Sage said, ‘Divyam vimanam surya-sannibham’, without any further qualifiers in order to be consistent with the fourth state of Nirguna Brahma. The deity meditated upon by Gayatri Mantra is Sun indeed! What more exists to be stated further? The Sage had performed just that only. If the Sage did not entertain such a goal, he need not have used phrases, such as: Gaja-dantamayee pandu-rarshabah and the corresponding Shodasi Seshendra Sharma 129 imagery. He could have used a different kind of words and depicted another group of images. Not only this. In order to be sure that the intended goal is realized he gave another clue also. In the first vision he showed Hamsa, and in the second vision he brought chaturdanta maha gaja which corresponds to Airaavata. In the third vision he described a Bull. What are all these? They are not some random examples. They are the vehicles of the presiding Deities of the three Sandhyas in Sandhya Vandanam! That is Tripada gayatri saguna brahma-atmakam. The Tureeya paadam is Nirguna Brahmatmakam. In brief, Tripada is confluence of Brahma Vishnu and Maheswara. ‘Gunatrayaatmika prokta Brahma Vishnu Maheswarah’ (Devi Bha.71) Guna traya saamya vasthaatmika maya sabda Brahma tripada Gayatri. Hence She shines in the three Sandhyas as Brahma, Vishnu and Maheswara along with the corresponding vehicles and attendants In the Devi Bhagavatam itself we read: ‘Hamsa-sthaa, Garuda-rudha thatha Vrishabha vaahanaa’. (Devi Bha. 12th Sk, Ver, 5). Let us see the commentary on this by Neelakantha: ‘Gayatri raktaa, Savitree swetaa, Saraswatee krishnaa, tisruunaam kramena vayovasthaa maha (baalaa, yauvanee vriddhaa) hamsasstha braahmee, garudaaruudaa saraswatee, vrishabha vaahana savitree – devataa trayasya kramena veda-trayot-padaka maahaa’ Following this sequence, the three visions of Gayatri in the dream of Trijata, correspond to the appearance of the presiding deity of Gayatri riding on Hamsa, Garuda and a Bull. There may be a doubt regarding the appearance of Airavatam instead of Garuda of the presiding deity at noon. The answer to this question is that the Aagama scriptures described Vishnu rode on Airavata also. He is not only Vishnu but also Upendra. Further, we read in Devi Bhagavatam (Sk 12 Adh 6, verse 26): ‘Gayatri airavatee ruudha, aindraanee airaavatee ruudhaa chaihika aamushmika pradaa’, ‘Khecharee khagavahanaa also is used. Though the topic is one, such deviations are inevitable in order to grasp the message. If it is very transparent it loses its value. That is not the purpose of a Kavya. Hence airavatam was mentioned. Over and above this, there is no damage to the main objective of conveying the essential message. However there is one special feature here. The order followed so far is slightly different from other scriptures. For example, the text of Gayatri Kalpam, the ‘Gayatri-ashtottara-sata-nama stotram’ of Vasishta, Gayatri Shodasi Seshendra Sharma 130 Upanishad, and Kasi Khanda, follow a different order of Brahma, Maheswara and Vishnu in the meditation of Gayatri Upasana, but not the sequence of Brahma, Vishnu and Maheswara. That means the Vahana in the midday is a Bull and Garuda and Garuda Vahana would be in the evening. Even the Jagadguru Adi Shankara Acharaya followed this sequence in his commentary of the Yajurveda Sandhya Vandanam. While the sequence, Garuda and Bull is consistent with the cyclic idea of Srishti, Sthiti and Laya (Creation, Existence and Dissolution), it is necessary to examine why a different sequence is also accepted. Whatever that may be, the three visions described by Valmiki are consistent with the sequence of Brahma, Vishnu and Maheswara, and also in agreement with the verse I quoted from Devi Bhagavatam. Hence it is concluded that the Sage created an external image in the form of a dream of Trijata but gave an inner meaning of Gayatri Mantra and the presiding Deity of Gayatri Mantra. This unprecedented creation was named by the Sage as the Dream of Trijata. There is already a secret in the very name of Trijata. Trijata is not some unknown Raakshasi (demoness). Trijata is one of the names of Gayatri’s thousand names! In Devi Bhagavatam (12th Sk, 6 Adh. 72 ver), we read; ‘Trijata tittiree trushna trividha tarunaa kritih. Hence we find its inner meaning of Trijata in the Ramayana. One of the commentators of the Ramayana, Govinda Raju, stated that Trijata is the daughter of Vibheeshana, probably on the basis of a statement ‘Trijata vibheeshana Putree’, which is an unfounded statement. This statement acquired currency subsequently. But Valmiki wrote in the Ramayana: ‘Rakshasi Trijata vriddhaa prabuddha vaakya mabraveet’. Trijata is vriddhaa which means Trijata is aged. Ravana was not aged.He was described as: ‘Samakshamiva kandarpam apaviddha saraasanam’ And Vibheeshana is the younger than Ravana. How can the daughter of Vibheeshana be aged? Valmiki said: ‘Jyeshtaa Kanyaa Nala naama Vibheeshana sutaa kape’. (8u 37-11). Therefore the daughter of Vibheeshana is Nala. The description; ‘ ’is the most appropriate use. The words ‘Saayam sandhyaa vriddha prabuddha’ describe a state of wisdom (evening Sandhya is jnana swaruupini). Another point: In the narration of the dream it was stated: ‘Sukla – maalya –ambara-dharo lakshmanena- sahaagatah’; ‘Thatasthau nara saarduulau …sukla-maalyambara- dharau’ ….’seetaa sukla-ambara-dharavritaa’, all which shows that Rama and Lakshmana and Sita were wearing white clothes or white garlands. They are all One from a transcendental point of view. It was known: ‘Lakshmee rasyaa stheti Lakshmanah. Which means: He who has grace of Lakshmi is ‘Lakshmana.’ He is Rama only! When we say ‘Rama Lakshmana’, the word ‘Lakshmana’ is a qualifier of Rama. Take another example. ‘Na chirat drakshyase Ramam, Lskshmanam cha maha balam madhye vaanara koteenaam sugreevam chamitaujasam’.(Su 34-38). This means: ‘You will see very soon Rama, Lakshmana Sugreeva.’ It is the direct meaning. The implied meaning is: You will soon see the One who has the grace of Laksmi and who has a beautiful ‘neck’ (voice or speech; madhye-vaa-nara koteenaam). There is no need to speak further about the inseparability of Sita and Rama. Where is the difference between Siva and Shakti? Their inseparability was revealed by Valmiki already in (Su 15-57): ‘Asyaa devyaa yathaa ruupam anga pratyanga saushtavam Ramasya cha yathaaa ruupam thasyeva masithekshanah’ Rama Tapinyupanishad says: ‘Chinmayesmin sthrayodasa svabhurjyothi sthisrah sita ramaavekaa jeeva vaachee shasthih …’ It is, therefore quite in order to say that the description of the white dress of Rama, Lakshmana and Sita in the dream is essentially the indication of Gayatri being meditated in Sweta varna – ‘Sweta Varna Saamkhyaayana sa gotra Gayatri’. The triple colors of Rakta, Sukla and Krishna varnas are intended only for three daily meditations, but in other occasions, Gayatri is always known in white color. The description of the Trijata Dream is seen to be slightly different in different publications. For example a publication of Ramayana of DVS Kalasala Research center, Lahore is seen to have a slight variation in the details of Trijata’s dream. A few verses are reproduced to illustrate the variations in the details. “Taasaam eta dwacha sshutwaa trijataa vriddha raakshasee! Vaktum kritaanjaliputaa tam swapnam upachakrame !! * Sa parvata vanaam kritnaam grasamaano maheem imaam! Swapne raamo mayaa drishto rudhiram peethavaan bahu!! * Gajadantamayeem divyaam shivikaam antharikshagaam! Yuktaam naaga sahasrena swayam aasthaaya raaghavaha!! * Shodasi Seshendra Sharma 132 Swapne chaadya mayaa drishtaa seethaa shuklaambaraavrithaa Saagarena parikshiptham aaruhya swethaparvatham! Raamena sangathaa sithaa bhaaskarena yathaa prabhaa!! * Ihopayaathaha kaakusthaha sithaa yaa sahabhaaryayaa! Lakshmanena saha bhraathaa vimaane pushpake sthithaha!! * Raaghavascha Mayaa Drishta schathuranthe mahaagaje ! Aaroodha shailasankaasho vicharan saha bhaaryayaa!! 6 * Tatastthou nara shaadhoolou deepthamaanou swathejasaa! Shuklamaalyaambaradharou jaanakeem paryupasthitou!! 7 * Tata sthasya nagasyaagraath aakaashasthanya danthinaha! Bharthraa parigriheethasya jaanakeeskandha maapluthaa!! 8 * Bharthu rankaa tsumutpatya tataha kamalalochanaa! Chandrasooryou mayaa drishtaa paaninaa parimaarjathee!! 9 * Tata staabhyaam kumaaraabhyaam aastthito sou gajotthamaha! Sitayaa cha vishaalaakshyaa lankaam paryabhitaha sthitaha!! 10 * Paandura rshabhayuktena rathenaastthayujaha swayam! Shuklamaalyabaradharo lakshmanena samaagathaha!! 11 * Vimaanaath pushpakaath aadya ravanaha pathitho mayaa! Krishyamaanaha striyaa drishto mundaha pithaambaro hi saha!! 12 * Ushtrena cha mayaa drishtaha prayatho dakshinaam dishaam! Samaajashcha mayaa drishto geethaa vaadithra nrityavaan!! 13 * * * * * * * * * * * * * * * * * * * * * * * * ” There are a few variations in this publication. One of them is the phrase ‘Naga sahasrena’ in stead of ‘Hamsa sahasrena’. The second is the phrase ‘Rathenashta yujah’ in stead of ‘Rathenashta yujaa’. The third is ‘Ushtrena’ in stead of ‘Kharena’. These are not significant and do not change the message and content of Trijata’s Dream. They are due to local differences which influenced the literary standards. There is a possibility of the influence of political changes that occurred in the north more often than in the south. It is likely that the southern texts are relatively unaffected by political changes in the south. Hence these changes need not be interpreted as changes in the original texts. Shodasi Seshendra Sharma 133 It seems that the secret of Trijata Dream was not noticed by the authors of the Bhaarata, the Adhyatma Ramayana, the Bhagavata, the Devi Bhagavata and the Champu Ramayana. If you are interested, please read them and find it out yourself. Thus, Valmiki Maharshi introduced an apparent episode of Trijata’s Dream and made Gayatri Mantra and Gayatri Matra’s presiding deity’s description reverberate in it. Well meaning souls may appreciate this ultimate truth and be blessed.
- Seshendra Sharma
Translated by
Dr. Gurajada Suryanarayana Murthy
Physicist
BARC
Mumbai: India
---------
Copyright:
Saatyaki S/o Seshendra Sharma
62 Years
MA ( Pol.Science ) JNU : New Delhi
Publisher & Coordinator
Gunturu Seshendra Sharma Memorial Trust (Non-Profit)
Hyderabad : India
Contact: saatyaki@gmail.com , +91 9441070985, 7702964402
काश्यश्च परमेष्वासः शिखण्डी च महारथः । धृष्टद्युम्नो विराटश्च सात्यकिश्चापराजितः ॥ kāśyaśca paramēṣvāsaḥ śikhaṇḍī ca mahārathaḥ. dhṛṣṭadyumnō virāṭaśca sātyakiścāparājitaḥ ৷৷ Bhagawat Gita : 1.17 ৷৷
Kaasyas cha parameswaasah sikhandee cha Maha Rathah
Drushtadyumno viraatas cha saatyakis chaaparaajitah
Bhagavath Geetha : 1st Chapter : 17th Sloka
---
Important Note
This book was published in the form of a series of articles in Telugu, in Andhra
Prabha, Telugu Daily, in 1965. The 1st edition was published in 1967 by the author
himself. 2nd edition was published by Tirumala Tirupathi Devasthanams, Tirupathi
in 1981. 3rd and 4th editions were published by Saatyaki S/o Seshendra Sharma in
2000, 2013, e published (e book is online) on 3rd October 2014. English Translation
e published (e book is online) on 30th May 2015. First Edition of Shodasi: Secrets of
the Ramayana was printed in August 2015.
----------
SHODASI : SECRETS OF THE RAMAYANA
Kundalini Yoga & Gayathri Mantra in Valmiki Ramayana
ENGLISH HINDI AND TELUGU ORIGINAL
AUTHOR : SESHENDRA SHARMA
Seshendra : Visionary Poet of the Millennium
REVIEWS :
FARMERS INDEPENDENT WEEKLY March 30, 2006. READY FOR SPRING: Water will soon be flowing under the historic suspension bridge in Souris.
This photograph was published in the Illustrated Chronicle on the 31st October 1916
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
Published in Seventeen Magazine
Interview, Content and Layout Design By: Divina Tutaan
Photography By: Tootoots Leyesa
Nice boatride at Epidemais Croisieres.
.
Excellent trip for the whole family, nothing really happens during this trip but there is so much to see.
Photo May 2016, Parc Astérix (April 30, 1989) after 27 years in time.
---
Photo - Richard Poppelaars.
© About Pixels Photography: #AboutPixels / #signs #epidemais #themepark #attraction #boatride at #EpidemasCroisieres #LaGaule #ParcAsterix in #Plailly #France
Details
Parc Asterix
Parc Astérix (Est. 1989) - a theme amusement park based on the comic book series "Asterix" by Albert Uderzo and René Goscinny. France's best-selling comic abroad with more than 370 million copies sold worldwide in 111 languages.
Info: en.wikipedia.org/wiki/Parc_Astérix.
Published at - Flickr
Submitted the photo online.....(demam apetah tetibe submit...kekeke...)luckily i was on leave that monday and bought the star newspaper, to see that the photo got published...oh well...
The Boulevard. A local publication in the Fallbrook and surrounding areas in 2010, announcing the Wheels of Desire motorcycle exhibition.
Published in Nov/Dec 08 Scrap N' Art
Paper, "Love" tag, grungy frame, rickrack from Playtime for the Doodlers; swirl doodle from Yes kit; staple, doodled heart (modified) from Playtime for the Girls; all by Carina Gardner
Doodled arrow from Girlfriends: Makenzie kit by Duchess Designs
Children & Youth Affairs Minister James Reilly publishes major report on childcare
Minister for Children and Youth Affairs James Reilly has today published a major report which proposes how best to invest in childcare services over the coming years.
The report puts forward options to enhance affordability for parents, improve the quality of services and outcomes for children, and promote greater accessibility in the sector.
Commenting on the report, Minister Reilly said:
Affordability, quality and accessibility are the big concerns for us all. This document offers a clear vision for future investment in early years and school-age services. It represents the most ambitious, detailed and costed plan for childcare ever produced by Government, and it follows a period of very productive consultation with parents, providers and the general public.
Some of the key recommendations in the report include:
A longer period of parental leave to enhance outcomes in the first year of a child’s life;
An enhanced ECCE provision (currently the ‘free pre-school year’) which would be extended to the point at which primary school starts;
and
A new, single subsidy scheme for pre-school and school-going children with simplified eligibility based on income.
At today’s launch Minister Reilly said:
I am pleased that the Group has looked in depth at the international evidence. It has pointed to the shortfalls in the current provision in Ireland and has put forward costed options which can be of real benefit to children, parents, families and society. As the economy improves, we now have opportunity for strategic investment that will help achieve better outcomes for children, offer greater supports to parents, improve quality, and upskill the sector.
- See more at: www.merrionstreet.ie/en/News-Room/News/Minister_Reilly_pu...
This is the National Geographic Traveler book on Romania that one of my pictures was published in. Using blurry camera phone pics as my camera is at home.
In Fontainbleau, 1999, I took this photo. It was such an exquisite place to visit.
From my European contiki tour
via Tumblr ift.tt/16yt6gd
New Post has been published on ift.tt/1d7O3Oz
Grace To The Nations Conference Speakers & Schedule Nov 7-9 Atlanta
SPEAKERS
Click for the 2013 Grace To The Nations conference dates, times, and more details
Andrew Farley
Andrew Farley is the author of The Naked Gospel: The Truth You May Never Hear in Church, and lead pastor of Ecclesia: Church Without Religion, a non-denominational church that has resided on the high plains of west Texas for more than 55 years. Andrew is a bestselling author of five Christian books, which have been published in ten languages. Andrew’s writings have been featured in national news and media outlets including PBS, CBS, and FOX. You can hear Andrew Farley LIVE, a nationwide call-in program, every Sunday afternoon at 2pm Eastern onSirius XM, Channel 131.
Andrew and his wife Katharine and their son Gavin live in Lubbock, TX.
Francois Botes
Francois Botes is an internationally recognized Prophet whose ministry strives to bring insight and encouragement to the church body. He studied classical piano and voice at university, where he got saved in 1980. He is a psalmist with a passion for worship, and his main ministry is through prophetic song and Biblical teaching. In addition to his personal ministry, he oversees a number of prophetic training seminars.
Francois travels extensively throughout Europe, Africa, and the North American continent.
He is currently based in England.
Greg Haswell
Gregory Haswell is the Senior Pastor ofNorthlands Church in Atlanta, Georgia and Chairman of the 4-11 Foundation. His 30-year ministry alongside his wife, Michelle, includes the founding of one of South Africa’s largest Christian radio stations, a counseling hotline, and church leadership positions in churches in Africa and North America. He is also the author of Beyond Leadership, a manual for church leaders that examines Biblical church governance. Pastor Greg has keen insight into the gospel of grace and is known especially for his ministry to church leaders. He is passionate about Scriptural church leadership, and speaks to governmental issues in local churches.
SCHEDULE NOVEMBER 7 – 9 2013
Big Ant TV Media LLC ©
published freelance photographer
PAID SHOOTS ARE PRIORITY
“LIMITED” Basis TFP
“PORTFOLIO BUILDING” SHOOTS
“INQUIRE WITHIN”
#fffweek #sbfw #nyfw
#fashionphotographers
#canon5DMarkIV
#Canon5DMarkIII
#UrbanModeling
#plussizemodeling
#sportsphotographers
#BigAntTVMedia #editorialphotographers
#ModelsCasting #fashionblogger #biganttv
#BiggsthePhotographer