View allAll Photos Tagged Prompting
Prompt was Tom Hanks brother and to use wood because their voices sound so alike he does Woody for products like video games. I got many pictures on this page.
outdoor rock fireplace -- top one is using line work to define texture and shapes; bottom is less line work and uses color to inform textures. Even though i think the top one looks more defined and crisp, I enjoy the feeling of looseness and implying the textures more than trying to really be specific about them. Im learning who I am as an artist :-)
Prompt #18 from Janel of "Run with Scissors" Journal prompts
Journal Prompt 18: Music is one of my most favorite things ever!! It translates emotions that I can't even imagine putting into words. I love it. Today I want you to create a playlist of some kind. It can be your summer playlist, your July playlist, songs from your wedding day, or favorite songs of all time :) This one will be another fun one to look at down the road :)
This is some of my favorite songs on my summer playlist. :)
2010-05-25, acrylic and collage in my Art Journal. Inspired by Jeannine's class Mining the metaphor and the prompt "Map your heart".
Prompt #23 was a free choice page. Janel did a page similar to this and I was so inspired, I decided to do one too. I traced around Michael and my hands, cut them out and glued them on the page. I totally tried to do the same thing with the cats - and umm, that was less than successful - ha. You should of seen me following them around with a piece of patterned paper, trying to get ahold of a foot. They were not having any of that. In the end, I settled for cutting their paws out of a photograph...
3259. 01-16-2010
by Rachel over at 'a year in the life of an Art Journal'
What is the prompt [holds you back?]
Things I wrote down: gel medium, 7 gypsies, more Jenni Bowlin, Paintsticks, Silver Bella and other Artsy Travels, more on-line classes, designer Fabrics, lots more threads, different kinds of glue, sealants, healthy supply of gessos and decoupages. I Zentangled the dollar and cent stencils(I did not fill them in with pencil) and added the peace stamp because it looks Zentangle-y and also because of the word peace(I like how in some places it is crisp and in others it is blurry-I'm not always happy with taking that 5th or 6th spot in my hubby's budget plan). The bigger journaling spots are from a plant tag and the smaller one is traced from a chipboard frame after pieces are punched out. I traced them onto the back of a pink legal size paper that was tea bag stained and than glued to smooth corrugated cardboard. There's even an old list of stuff over on the left from 2004 or 2005.
Words on the other tag are: Holds me back? I tend to not want to use my stuff. What I do~ make lists of stuff I want and mark it off as I go along, use my stuff anyway, being thankful for what I do have, pray.
The Paparazzi Bots is a series of five autonomous robots each standing at the height of the average human. Comprised of multiple microprocessors, cameras, sensors, code and robotic actuators on a custom-built rolling platform, they move at the speed of a walking human, avoiding walls and obstacles while using sensors to move toward humans. They seek one thing, which is to capture photos of people and to make these images available to the press and the world wide web as a statement of culture's obsession with the “celebrity image” and especially our own images. The flash autonomously goes off, capturing people’s photos and elevating them to “celebrity” in a kind of momentary anointing by the robots. The robots also become celebrities through their association to the “famous people” at the exhibition that are captured by the Paparazzi Bots.
Each autonomous robot can make the decision to take the photos of particular people, while ignoring other humans in the exhibition, based on things such as, whether or not the viewers are smiling or the shape of their smile. When the robots identify a person or group they will automatically adjust their focus and use a series of bright flashes to record that moment.
Surveillance technologies straddle a delicate balance that we have in contemporary culture, where we are all photographed without our knowledge by cell phones, hidden cameras and sometimes “celebritized”. This is a kind of modern baptism with the camera flash and the spectacle of being the focus of the camera becoming a kind of techno anointing.
This work explores ideas surrounding the shifting territories of self and machine and how machines can manipulate the other (us) in a grand co-evolutionary dance of emerging robot-human relations.
The recent emergence of social networks and their ability to connect people through software prompts via the world wide web is a prime example of the co-evolution of humans and their intelligent machines. The fact that the software prompts exploit our social needs for connectivity and social space is so easily exploited in this new critical juncture in our emerging machine human relations.
This camera can track your head and be set to take a photo if you smile mildly, medium-smile or pull-a-muscle smile. When set to smile mode, they do seem to prefer even smiles rather than crooked smiles so here the machine is making determinations about issues of "beauty". I have considered holding a robot beauty contest as an addition to this work.
By Ken Rinaldo.
Special Thanks to Shirley Madill curator who invited these works to Toronto for Nuit Blanche
Special Thanks to Amy Youngs the midwife to the birth of these robots.
Thanks to the Dynasty Foundation, Russia and Dmitry Bulatov Curator, for funding this robot Commission.
Thanks to Malcolm Levy who invited the production of three more Paparazzi Bots for the Vancouver Olympics in 2010
Thanks to the College of Arts and Humanities for further funding of this project.
PROMPT:
A stunningly intricate (((drawing))) by Casey Baugh, representing a (((young, skinny farm worker girl))) with nothing but a tiny, flimsy summer dress to cover her figure, exposing an impressive navels, in a (sunny, south of France setting)
A self-service McDonalds panel at M6 Sandbach motorway services appears to be stuck at boot, or at some kind of start-up process. I do love it when tech goes wrong with the general public all to see.
Assuming the time is correct it has been 'Running np6' for over a hour.
blog.esper.io/what-is-the-mcdonalds-pos-system-in-2022/
McDonalds buy their self-service tech from...
this is not dead on the prompt. I've done every hobby and craft known to mankind. but this is a story of how on hobby came in handy
Back in the 70’s I remember
my Mom making a Lazy
Daisy afgan. She worked on
it for years. Then itjust
disapeared. No one thought
much about it. It became a
distant memory. Four years
after my Mom passed Dad
had went to Texas to visit
her sisters. Vivian my Mom’s
sister had it. Mom had given
it to her to finish. But she
had forgotten about it. So
when I got it I worked on it
every day till Christmas. I
gave it to my daughter. Now
she a Afgan made by2
gererations. Her Grand-
Mother and her Mother.
There’s alot of LOVE
handcrafted in that Afgan.
stella and rose paper
cricut imagine lori's garden
flowers made by my mother
My front door -- This lesson is very helpful to me - I am constantly plagued by wonky, misshapen structures when I draw. I find measured setup helps a lot in getting the core lines established and its easy to build upon from there. Thanks Liz!
A kind of scrapbooky page in honor of my brother.
Made for Dawn Sokol's Art Journal Stimulus Project. (www.dblogala.com/)
Prompt #5 from Janel of "Run with Scissors" Journal prompts
Journal Prompt Number 5:
We are all obviously bloggers right, or else you wouldn't be here :) Even if you don't have a blog, I know that you read them.
This page is dedicated to your favorite blogs!! What are they? Are there any blogs that you can't go a day without checking?
I don't really follow blogs but these are the two I've gotten into recently :)
Built in 1935-1936, this Art Deco and Stripped Classical Revival-style building was designed by Edward B. Green and Sons and Lawrence Bley and Duane Lyman to house the United States District Courthouse, utilizing funds from the Public Works Administration (PWA), part of the New Deal. The building was dedicated by then-president Franklin Delano Roosevelt in 1936 upon its completion, and is one of many federal buildings around the United States that were funded by the New Deal in the 1930s. It was renamed in 1986 in memory of Internal Revenue Service (IRS) Officer Michael J. Dillion, who was killed while trying to collect back taxes from a US Citizen in 1983. The building is located on an oddly-shaped block bounded by Niagara Square, Court Street, Niagara Street, and Franklin Street, leading to the pentagon-shaped footprint of the building, and was originally intended to have twelve floors, which had to be downsized to seven floors due to funding limitations. The building is clad in sandstone with a granite base, with bands of low-relief ornamentation around the base of the first floor windows, below the sills of the second floor windows and third floor windows, and around the base of the upper parapet, with the most notable and ornate relief being in a band around the top of the parapet where the building sets back at the fifth floor. The building has aluminum windows, with the windows on the third, fourth, and fifth floors aligned in recessed vertical columns with decorative aluminum spandrel panels, and separated by fluted pilasters, with two windows in the bays over the main entrances on Court Street and Niagara Street, with a central aluminum pilaster between the windows, and the windows on the sixth and seventh floors aligned into vertical columns with aluminum spandrel panels on every facade except the Court Street facade, where the windows extend vertically across both floors. The main entrances feature decorative stone surrounds topped with sculptures including eagles with shields and volutes, with the words “United States Courthouse” carved into the stone above the doors, decorative aluminum screens on the transoms above the doors, with two Art Deco-style aluminum lampposts flanking the doorway at the Court Street entrance and two similar Art Deco-style wall sconces flanking the doorway at the Niagara Street entrance. The interior of the building features well-preserved lobbies with terrazzo and stone floors, decorative chandeliers, aluminum radiator grilles, trim, doors, and railings, ceilings with decorative borders, stone-clad fluted columns, and dark green marble wainscoting in the elevator lobbies of the building. The building originally served as a federal office building, Downtown Buffalo branch of the US Post Office, and a federal courthouse, with the post office moving out in the late 20th Century to make way for additional space for federal offices, and eventually federal offices outgrowing the building entirely and ending up scattered about Downtown Buffalo. In 2011, the new Robert H. Jackson Federal Courthouse was completed, prompting the federal courts and offices to move out of the building. After the federal courts and offices moved out, the building was purchased by the City of Buffalo in 2016, and adapted to house the headquarters of the Buffalo Fire Department and the Buffalo Police Department.
Prompt #14 from Janel of "Run with Scissors" Journal prompts
Journal Prompt 14: Ok, now that we have all of the yucky insecurities out of our system, I want us to completely focus ONLY on the things that make you the amazing person that you are. What are the qualities that you possess that make you so wonderful? Don't be shy and don't be modest either on this one :)
I had a hard time with this one. I couldn't really think of anything. But I do really care a lot about other people.