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When I read the prompt I knew exactly which photo I would like to use, the only problem was I didn't have a printed copy but I did have negatives. It was before my digital days so I trekked to the photo store to get a print and because I wanted matte, I couldn't get it until tomorrow. Too late for LOAD. So I switched gears and picked another photo--that I couldn't find. While I was looking for the second photo, I found the this one. Funny how things work out because this is truly my favorite photo and all the more precious because I know someday it will probably become faded. Glad to finally have it preserved so I can enjoy it while it lasts. I love LOAD!
Prompt: Create a 19th century photograph of a Civil War soldier laid on a photography table, with the figure emerging from the photograph in a three-dimensional bas relief.
PROMPT:
Capture the exquisite essence of a stunning 18 - year - old skinny girl as the photographer Evgeny Matveev will do it - in an award - winning, dramatic, and visually striking close - up photograph. She is a lovely nerdy girl with a cheeky sweet smile. Indoor scene - Another tent in the bedouin camp, showing two young touareg girls - girl talking. Donning a very worn blue second-hand mesh clothes with many holes and rather torn grunge-like style. I prefers using caramel, and also considers flint, pebble, white, corn and 'muted colors'. Please draw inspiration from the styles of Zdzisław Beksiński, as well as abstract expressionism. Each image should be of high quality and suitable for international art magazines.
These disks are included in our new Nursery Rhyme Activity Pack. You can place the disks in a bag, then during circle time pass the bag around. Sing the rhyme that is prompted!
Mothing Night 7/25/14. Here's what I wrote about this moth: I don't believe the coincidence! I spent at least two hours today going over photos of Desmia funeralis and Desmia maculalis from May and June. I have no idea what prompted this. GUESS WHAT SHOWED UP TONIGHT. A DEFINITE Desmia funeralis. And do you know HOW I know it is funeralis and not maculalis? TOTAL KISMET. As I was studying Desmia funeralis and Desmia maculalis publicly on my FB page, the wise and wonderful Linda Phillips asked me how I knew the difference. Well, I wanted to make sure I was giving her accurate information, so I checked out what the Peterson field guide, MPG and BugGuide had to say on the matter. I discovered on BugGuide that you had to go to a lot more effort to tell them apart than I thought. I didn't know I had to get a dorsal photo to sex the moth, a ventral photo to show the markings on the abdomen and then an accurate measurement of wingspan! In the past, I'd only referred to the wisdom of the Peterson field guide, which made it sound so easy, writing that maculalis "...Resembles Grape Leaffolder [Desmia funeralis] but is smaller. HW often has a stepped white median band. Top of head is dusted with white scales." Well, BugGuide says different and that there's a lot more to it:
From Brian Scholtens [on BugGuide]:
"The character that I use is the extent of the white patch on the underside of the abdomen. D. funeralis individuals have a solid white patch on the underside of the abdomen on segments 1-5 (or may have a slight break on segment 3). D. maculalis individuals have a broken white patch, where about 1/2 of segments 3 and 4 are clearly dark. Basically, maculalis looks striped on the underside, whereas funeralis looks like it is basically solid white."
There is considerable size overlap between male Desmia maculalis and female D. funeralis so it is necessary to sex the moth to be able to identify the species. Fortunately, sexing the 2 species is relatively easy.
Males of D. funeralis and D. maculalis have a distinct notch or joint at about the mid-point of each antenna. The hindwing spot on the females of both species is pinched in the middle and on rare occasions may be divided into 2 smaller spots."
So, here are four shots -
1. dorsal (notice the notches on the antennae, so it is a male),
2-3. ventral (notice there is no broken white patch on the abdomen, so it is funeralis) and
4. WS is approximately 24mm! There!
Desmia funeralis!
Whew!
Card I've made using a printable template.
The free template and a video tutorial are posted onCreativity Prompt.
You just gotta do what you gotta do!
I believe life should be lived to the max - You only get one crack at it.
Digi page for Roc's 2011 Prompts
Thanks for another great prompt Roc
The Cathedral Church of St. Barnabas was opened in 1844. It was an event of undoubted importance as witnessed by this engraving reproduced from the London Illustrated News of 31st August that year.
Prior to that, the Church of St. John the Evangelist, on George Street, had been the home to Nottingham's ever growing band of Catholics. This growth in the population, prompted the then Parish Priest, Fr. Robert Willson, to set out to raise funds for a larger Church.
Lord Shrewsbury, a champion of the Gothic Revival, stepped forward with financial support and employed A.W.N. Pugin as architect.
The Blessed Sacrament Chapel is considered by many to be the 'jewel in the crown' of St. Barnabas Cathedral. It is richly decorated as Pugin had originally intended and is the very heart of the Cathedral. In addition to being used for private prayer, the Chapel is also the centrepiece for more organised group prayer, such as that for Vocations on a Saturday morning.
More detailed information can be found:
taking-stock.org.uk/Home/Dioceses/Diocese-of-Nottingham/C...
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Cathedral Church of St Barnabas (RC), Nottingham, 1841-44.
By Augustus Welby Northmore Pugin (1812-1852).
For John Talbot, 16th Earl of Shrewsbury (1791-1852).
Grade ll* listed.
Cathedral History . . .
The Cathedral Church of St. Barnabas was opened in 1844. It was an event of undoubted importance as witnessed by this engraving reproduced from the London Illustrated News of 31st August that year.
Prior to that, the Church of St. John the Evangelist, on George Street, had been the home to Nottingham's ever growing band of Catholics. This growth in the population, prompted the then Parish Priest, Fr. Robert Willson, to set out to raise funds for a larger Church.
Lord Shrewsbury, a champion of the Gothic Revival, stepped forward with financial support and employed A.W.N. Pugin as architect.
The Blessed Sacrament Chapel is considered by many to be the 'jewel in the crown' of St. Barnabas Cathedral. It is richly decorated as Pugin had originally intended and is the very heart of the Cathedral. In addition to being used for private prayer, the Chapel is also the centrepiece for more organised group prayer, such as that for Vocations on a Saturday morning.
www.stbarnabascathedral.org.uk/02_Barnabas/History.html
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The Cathedral Church of St. Barnabas in the city of Nottingham, England, is a cathedral of the Roman Catholic church. It is the mother church of the Diocese of Nottingham and seat of the Bishop of Nottingham.
Location
It is located on the corner of Derby Road and North Circus Street, on the opposite side of which are the Albert Hall and the Nottingham Playhouse (Wellington Circus).
History
It was built between 1841 and 1844, costing £15,000 (equivalent to £1,510,000 in 2019), and was first consecrated in 1844, fifteen years after the Catholic Relief Act ended most restrictions on Catholicism in the United Kingdom. A substantial amount of the cost was paid by the important Catholic Lord Shrewsbury. The architect was Augustus Welby Northmore Pugin who also designed the interior of The Houses of Parliament. It was built in the Early English Plain Gothic style, although in contrast, the Blessed Sacrament Chapel was richly decorated and Pugin's later churches were built in that Decorated Gothic style throughout. Pugin was retained as architect by Rev Robert William Willson, then priest in charge of Nottingham. In 1842 he was named as Bishop-Elect of Hobart, Tasmania, and had to leave the work in Nottingham before completion.
Following the establishment of a new Catholic hierarchy in England and Wales in 1850 by the decree of Pope Pius IX, it was raised to cathedral status in 1852, becoming one of the first four Catholic cathedrals in England and Wales since the English Reformation. It is the seat of the Bishop of Nottingham.
The cathedral is a Grade II* listed building of the lancet style of architecture, and is considered to be one of the best specimens of Pugin's work. Most of Pugin's decorative scheme was destroyed in the upheaval that surrounded the Second Vatican Council, when the old high altar was discarded, and most of the painted decoration smothered and painted plain. Other fittings removed at this time include the old cathedra, as well as the figures of St Mary and St John from the rood screen (the figures were reinstated in 1993). Buildings of England wrote: ‘The whole effect could hardly be further from the richness of decoration and atmosphere that Pugin intended’. A fragment of the scheme is preserved in the Blessed Sacrament chapel, and is the highlight of the interior. The replacement high altar from the 1960s was replaced again in 1993 with one in a more sympathetic style. Fragments of Pugin's decoration, such as the roundels in the nave, were uncovered and restored, but most remains lost.
The clergy of the Cathedral also serve the church of St. Augustine on Woodborough Road.
en.wikipedia.org/wiki/Nottingham_Cathedral
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CATHEDRAL CHURCH OF ST BARNABAS AND ATTACHED BOUNDARY WALL, DERBY ROAD, NOTTINGHAM
Heritage Category: Listed Building
Grade: II*
List Entry Number: 1247533
Date first listed: 11-Aug-1952
Details
NOTTINGHAM
SK5640SE DERBY ROAD 646-1/13/187 (South side) 11/08/52 Cathedral Church of St Barnabas and attached boundary wall (Formerly Listed as: DERBY ROAD Roman Catholic Cathedral of St Barnabas)
GV II*
Roman Catholic church, created a cathedral in 1851. 1841-44. By Augustus Welby Northmore Pugin for John Talbot, 16th Earl of Shrewsbury, and Ambrose Philipps de Lisle. Altered late C19, 1927, 1962. Restored 1933 and c1990. Ashlar with slate roofs. Gothic Revival style. PLAN: cruciform plan, nearly symmetrical, with crossing tower and spire. EXTERIOR: plinth, coped gables with crosses. Windows are mainly plain lancets. Choir with eastern chapel and side chapels, crossing and transepts, nave with aisles and 3 porches. East end has a projecting central gable with 3 graduated lancets. Side chapels have single lancets to east and 2 lancets to the returns. Choir has a round east window with plate tracery, and 3 pairs of lancets to the clerestory. Side chapels have buttresses to east, and 3 lancets. Transepts have buttresses to east, and very tall triple lancets with quatrefoils above, all with hood moulds. Organ chamber, to north-east, has 2 lancets. Blessed Sacrament chapel, to south east, has 3 lancets. sacristy corridor, to south east, linked to adjoining presbytery. Square crossing tower, 2 stages, has a recessed bell stage with two 2-light pointed arched openings with moulded surrounds. Octagonal broach spire with diagonal buttresses containing niches. Between them, single lucarnes. Nave has 5 pairs of clerestory lancets. West end has clasping buttresses and a moulded doorcase with hood mould and triple shafts. Above it, a triple lancet and quatrefoils. Aisles have 4 side lancets and single west windows. Off-centre porches with moulded pointed arched doorways.
INTERIOR: Pugin's decorative scheme was never completed, and was further reduced late C19 and 1962. The Blessed Sacrament (SE) chapel was restored to Pugin's design by Alphege Pippet in 1933. Redecorated 1971-74. Double chamfered arches throughout. Choir has arch braced roof, and arcades with quatrefoil piers, 3 bays, with wooden screens. East end has a moulded double arch with octagonal pier. West arch, flanked by figures in niches, has a hanging crucifix by Pugin. Crypt, 3 bays, has segmental pointed arches on round piers, and contains the tombs of 5 bishops. Blessed Sacrament chapel has elaborate stencilled decoration. North arcade, 3 bays, with wooden screen. Arch braced roof with wall shafts and angel corbels. East end has a baldacchino with marble pillars and cusped arch, under a gable. Windows have stained glass, that to south designed by Pugin and made by Wailes. Central east chapel has arch and screen on each side, aumbry, piscina and sedilia to east, and ashlar blind arcade at east end. North and south chapels are similar, without sedilia. All have scissor braced roofs. Ambulatory, 3 bays, has shrine with figure on bracket, and door to Presbytery at south end. Crossing has an arcaded corbel table with 4 pointed arched openings above it, and cross beam ceiling. Transepts have stained glass windows. On the east sides, pointed arches into the organ chamber and south-east chapel. Nave has arcades, 5 bays, with octagonal piers, double clerestory windows and strutted king post roof with collar purlins. Aisles have lean to roofs and eastern arches.
Fittings include C19 square font on round columns. Other fittings mid and late C20. Aisle windows have stained glass by Pugin. Transepts have stained glass, mid C20, by Nuttgens. No memorials of special interest. Attached boundary wall, ashlar with gabled coping, bordering Derby Road and North Circus Street. Approx 60m x 40m. (The Buildings of England: Pevsner N: Nottinghamshire: London: 1979-: 241-242; Nottingham Cathedral: a history of Catholic Nottingham: Mgr. M Cummins: Nottingham: 1977-1985: PASSIM).
Listing NGR: SK5672040028
Sources
Books and journals
Monsignor Cummins, M , Nottingham Cathedral a History of Catholic Nottingham, (1985)
Williamson, E, The Buildings of England: Nottinghamshire, (1979), 241-242
One thing about working faster (Prompt A Day, ya know...) is that I have to give up some of my fidgety perfectionist worrying. Can't cry over something when it doesn't work out the way I'd hoped. WIth this one, I used a freaking gluestick over damp paper. The focal image was on very thick glossy paper. And overnight the image wrinkled and buckled -- I think it's a combination of the paper, glue and dampness. C'est la vie.
Another interesting combination of colors on the background. This is a really weak journal to work in...the paper is not so great, but part of the Prompt A Day process is to work with what you have. So...this paper sucks. It's too thin, and started to really rub off when I worked each layer of paint. HOWEVER -- the end result is so super rich. I can't wait to try these colors on something sturdier. They remind me of some Klimt color combination. It's really rich.
I'd pick fresh bread or something salty over most sweets. I think some of that is from working as a bakery manager for 10 years...I made a lot of sweet stuff over those years. This page made me think of my sister's blue ribbon county fair prize-winning brownies, some incredible pies I've had over the years, Sweet Life Bakery's berry custard cake, lovely creamy eclairs and my grandma's yeasted cinnamon rolls. I'm also very tempted this time of year by peanut butter cups and York peppermint patties. But the rest of the year, not so much of a candy eater.
I do love cute/cute/sweet things -- I've had on-going love affair with HK for probably 30 years. If that kitty was made of chocolate I wouldn't eat it...I'd build a shrine to it!
The easy-to-use DTV Prompt digital shower system puts total control of your shower experience at your fingertips.
The easy-to-use DTV Prompt digital shower system puts total control of your shower experience at your fingertips. Select the number of sprays and temperature, all at the push of a button.
this picture was an accident. i had some sermon notes in my sketchbook and decided to try the shadow shape thing over the notes because the page was kind of wasted. i love this and hope to do a larger version.
Catching up :) The prompt for the week 12 (yep, that long ago) was A Day In The Life Of Me. Sakura Glaze white as a resist, Twinkling H2O watercolours, ink stamping, a spraying of Dylusions inks, Pigma Micron lettering... Well, bits and pieces, therefore appropriate, 'cose that's what my days are :)
CHATSWORTH - A prompt call to 9-1-1 from a passerby brought the Los Angeles City Fire Department and allied agencies to quickly conquer a small non-injury brush fire in the 11500 block of North Topanga Canyon Boulevard on September 29, 2020.
© Photo by Austin Gebhardt
LAFD Incident: 092920-0711
Connect with us: LAFD.ORG | News | Facebook | Instagram | Reddit | Twitter: @LAFD @LAFDtalk
When I was a tiny girl, my mom would always pick me up and set me beside her in her large comfy chair. I would curl up in her lap, holding a piece of her silky nightgown (the one I am wearing in the photo) or robe in my hand as I fell asleep. It was so comforting for some reason and to this day relaxes me if I feel restless. I am no longer small enough to fit in anyone's lap, nor do I have my mother or the chair, but I find the same comfort in the memory of her and the love she had for me. I miss my mother so much these days and so, naturally, this prompt brought about memories of her before any others. :)
The project is developed using various pre-set text-to-image models, processing text prompt inputs. On the borderline between sensitive content and an easy slip into topics of violence, this project visualizes the depths of the subconscious of these models, excavating the influences of media and online information exchange. The quantified traces of reality and collective histories allow algorithms to generate content that recycles the past – building the spine of quasi-historical narratives – often obfuscated with prejudice and misinformation, along with the author’s personal bias. Generated outputs are presented inside a hypertext object – a tent that the audience can enter, as it were.
Photo: Florian Voggeneder
Variation of a text-prompt generation in AI Deep Dream. The text contained the words LEADER, DESTROYED CITY and SURREAL.
The option of Text Prompt is a new feature on Deep Dream.
A lost leader in his destroyed city - I think this is the best one so far I was able to generate with the use of a photograph as the image prompt.
Cosy Prompt: Visitor please Sidewalk
温馨提示: 游客请周走人行道
Obviously means, Friendly hint: Visitors, please walk on the sidewalk.
Babelfish doesn't do much better:
Warm prompt: The tourist invites the week to leave the profession.
Update 2011.10.29 Used as a feature photo on the BBC Magazine!