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The project is developed using various pre-set text-to-image models, processing text prompt inputs. On the borderline between sensitive content and an easy slip into topics of violence, this project visualizes the depths of the subconscious of these models, excavating the influences of media and online information exchange. The quantified traces of reality and collective histories allow algorithms to generate content that recycles the past – building the spine of quasi-historical narratives – often obfuscated with prejudice and misinformation, along with the author’s personal bias. Generated outputs are presented inside a hypertext object – a tent that the audience can enter, as it were.
Photo: Florian Voggeneder
One thing about working faster (Prompt A Day, ya know...) is that I have to give up some of my fidgety perfectionist worrying. Can't cry over something when it doesn't work out the way I'd hoped. WIth this one, I used a freaking gluestick over damp paper. The focal image was on very thick glossy paper. And overnight the image wrinkled and buckled -- I think it's a combination of the paper, glue and dampness. C'est la vie.
Another interesting combination of colors on the background. This is a really weak journal to work in...the paper is not so great, but part of the Prompt A Day process is to work with what you have. So...this paper sucks. It's too thin, and started to really rub off when I worked each layer of paint. HOWEVER -- the end result is so super rich. I can't wait to try these colors on something sturdier. They remind me of some Klimt color combination. It's really rich.
I'd pick fresh bread or something salty over most sweets. I think some of that is from working as a bakery manager for 10 years...I made a lot of sweet stuff over those years. This page made me think of my sister's blue ribbon county fair prize-winning brownies, some incredible pies I've had over the years, Sweet Life Bakery's berry custard cake, lovely creamy eclairs and my grandma's yeasted cinnamon rolls. I'm also very tempted this time of year by peanut butter cups and York peppermint patties. But the rest of the year, not so much of a candy eater.
I do love cute/cute/sweet things -- I've had on-going love affair with HK for probably 30 years. If that kitty was made of chocolate I wouldn't eat it...I'd build a shrine to it!
Artwork created by Midjourney from a sequence of text.
Unexpected results using the Latin name (Desmodus rotundus) for the common vampire bat. rotundus is round in Latin so that probably explains the circular results.
The Prompt gallery and nightclub site is at promptgallery.space where there are event listings for shows in AltspaceVR - also see account.altvr.com/channels/abstraction. The world code for the Prompt is YQT013
There are videos of the Prompt Events here www.youtube.com/playlist?list=PLfzKgAP3NhxBe0FW2bXY5Xvk8h...
Just a quick pick snapped by the piano pedals right before going to sleep, because we were visiting grandsweeties and got to see our very newest grandsweetie for the very first time. No time to play with dolls.
25/30 - 7-25-18 ~ Mini Nanea's photo a day in July
Prompt not followed
DALL-E 2024 prompt:
The scene is set in a 16:9 widescreen format, within an atelier in an old, worn-down building. A white robot painter is in the center of the room, actively painting one of the younger models on a canvas. The models are standing along the right wall, both with long, messy black hair and worn clothes. This widescreen image captures both the models in the background and the white robot painter in the foreground, emphasizing the contrast between the rustic human element and the sleek mechanical nature of the robot. Atmospheric lighting highlights the textures of the old building and the subjects.
365/123 I am ready to take writing seriously in 2014. This is our jar of writing prompts, we draw one out each night that we write.
Don't look too closely at stitching, my machine acted up and actually broke down on the top stitching of lining to bag! So sad. I'm no seamstress, I just put things together. I put extra pockets in the inside. Whoops must have deleted it somehow. 1) I'm a blue jeans girl. I wear mostly jeans. I love clothing with pockets, can't have enough pockets! 2) I am not a seamstress nor a tailor and marvel when someone can sew clothing. I can't follow patterns very well. I cut my jeans up without measuring and sewed this purse together just by eyeballing it. I once sewed a leg hole to an arm hole and visa versa. I also bombed Home Economics sewing 7th grade (they wouldn't let me take wood shop as it was only for boys). I had a plaid skirt I was supposed to make, the plaid didn't line up and I couldn't get the zipper right. I was poor and the money for my pattern, material and thread came out of our food money. My mother was mad. I never wore the skirt and never took it home. Of course I didn't have the build for it either but it was the fashion of the time and we were supposed to make a skirt with a plaid fabric. I did go home that summer and I made two pair of short shorts in cotton fabric and scarf tops, my summer attire. I also made a wrap around skirt and sun dress that had no zippers or armholes. I did it just to prove I could make clothing, but it was all cotton and very simple designs I could see from the picture how it went together. I never really made clothing after that. I did make a few simple dresses for my daughter. When I'm following patterns I usually find out halfway through that I didn't do it right and just continue on hoping it will sort itself out now.
The project is developed using various pre-set text-to-image models, processing text prompt inputs. On the borderline between sensitive content and an easy slip into topics of violence, this project visualizes the depths of the subconscious of these models, excavating the influences of media and online information exchange. The quantified traces of reality and collective histories allow algorithms to generate content that recycles the past – building the spine of quasi-historical narratives – often obfuscated with prejudice and misinformation, along with the author’s personal bias. Generated outputs are presented inside a hypertext object – a tent that the audience can enter, as it were.
Photo: Florian Voggeneder