View allAll Photos Tagged Problems,
Mind Your Head..!!
The problem with 14th Century Builders was that they never expected a 21st Century TGirl in high heels would be visiting..!!
😅😉💋
"I'm telling you, these aren't a new version of Stormtrooper."
Stormtrooper Steve and Stuart encounter problems after a delivery mix up.
Re-edited and Re-posted - 27/09/11
“Wowsers, Sky, what have you been up to? You look shattered.” Asked Bertie as he watched his friend still struggling with a jar of honey.
“I’ve been trying to sort out a problem we have, Bertie. At the moment the problem is winning.”
“Is it anything to do with that jar of honey, and all these tools, Sky?”
“It is all to do with these tools and this jar of honey, plus all the other jars of honey we have in hiding.”
“I borrowed some from Posh rather than start my own honey this morning. I think it was older and I didn’t want his jars to go out of date and then him have to throw it away.”
“That is very good of you, Bertie, to think about Posh’s honey and how bad he would feel having to throw some away. It does not, however, help me to solve this problem any more than all these tools have done.”
“Hello, Bertie, Sky, looks like the man is going to use his picture taking thingy again. What are you doing, Sky?” Asked Posh as he joined his friends sitting down beside them.
“We have a problem, Posh. The people the man buys his groceries from have either changed or they have changed the honey they are supplying. The problem is that I can’t seem to get the top off the jars. I have tried three or it could have been two, I’m not that good at counting, but I do know that I couldn’t get to the honey.”
“I see, yes, it is a different size jar, I can see that. Have you tried the thing that wraps around the top of the jar and sometimes opens it?”
“Of course, it didn’t help. You try and see if you can move it, Posh. You are bigger and stronger than me so you might be able to open it.”
“Very well, you hold onto the jar, Sky, and I’ll try and remove the lid.” Said Posh Bear as he grasped the lid and tried to turn it.
“No, sorry Sky, I can’t move it. We’ll have to come up with another way to open the jar.” Said Posh.
“Can I try, Sky, I might be able to open it for you?” Asked Bertie.
“If Posh can’t open it then I don’t think you’ll be able to, Bertie. I could ask Buttons to open it but he wants to have half the jar every time he opens one.” Said Sky scratching his head with his paw.
“Well, tell him he can’t have half the jar after he has opened it, Sky. Just say that it is wrong to take advantage like that.” Said Bertie trying not to grin.
“Bertie, have you seen the size of that bear? If he says Easter is in December this year, I’m not telling him it isn’t. He is a bit of a grump at any time and anyway, it wouldn’t improve his mood telling him he couldn’t have some honey.” Said Sky now looking desperate.
“Are you sure I can’t try and open it for you, Sky? I wouldn’t want half a jar in payment.” Said Bertie softly.
“I know, Bertie and thank you for your kind offer but I honestly feel that if Posh has tried and I have tried, and failed, then it is going to take someone extra strong to get this open. I wonder if the shop we get our honey from sells a honey jar opener. Maybe that is the answer.” Said Sky slightly brightening up at the idea.
“That would be good long term, Sky, but that won’t help you right now.” Said Posh Bear.
“Thanks Posh, that has really cheered me up. Which school did you go to, to learn such tact and diplomacy? Here comes the man and he is ready for the picture I think.” Said Sky trying to smile and failing.
The photograph taken the bears waited until the man began clear things away before they too started to move. Bertie picked up the jar of honey in his paws, placed it between his leg paws and gripped it tightly then took hold of the lid and twisted. There was a slight hiss, and the lid came off.
“Sky, you need to be careful when you take your jar of honey back as the lid is off.” He said smugly.
“But how, what did you do, how did that…? Stammered Sky.
“It was easy, you just need the knack. Let us go back to your stock and then I’ll show you how it is done on two more jars, one for Posh and the other for me.”
“But, but two jars?” Asked Sky in astonishment.
“Yes, Sky, I think it is about time you began sharing like the rest of us. It is the only way you are going to get any more honey.” Said Bertie firmly.
“I’m going to really enjoy this jar of honey.” Said Posh bear smiling. “A jar of Sky’s honey, that is a first!”
Suecia - Helsingborg
***
ENGLISH
Helsingborg (Swedish pronunciation: [hɛlsɪŋˈbɔrj]; spelled Hälsingborg between 1912 and 1970) is a town and the seat of Helsingborg Municipality, Scania, Sweden. It had 140,547 inhabitants in 2016. Helsingborg is the centre of the northern part of western Scania. There is no formal metropolitan area, but the municipality of Helsingborg City and its neighbouring five municipalities (within Scania) had in spring of 2013 a population of 269 489 inhabitants at an area of 1,353 square kilometres (522.396 square miles), a population density of 200 people/km2. This makes Helsingborg the fourth largest population area in Sweden. The city is also Sweden's closest point to Denmark, with the Danish city Helsingør clearly visible on the other side of the Øresund about 4 km (2 mi) to the west, closer than to the city's own remoter areas. If including all population around the northern part of Øresund, as a Helsingborg-Helsingør metropolitan area, its population increases to 732 450 at an area of 2,802 square kilometres (1,081.858 square miles). The busy ferry route, known as the HH Ferry route has through history been operated by several shipping lines. As of 2014 more than 70 car ferries departures from each harbour every day.
Following the Swedish orthography reform of 1906 many place names in Sweden got a modernized spelling. In 1912 it was decided to use the form Hälsingborg. In preparation for the local government reform. In 1971 the Hälsingborg city council proposed that the new, enlarged municipality should be spelled with an "e". This was also the decision of the Government of Sweden, effective from 1 January 1971.
Historic Helsingborg, with its many old buildings, is a scenic coastal city. The buildings are a blend of old-style stone-built churches and a 600-year-old medieval fortress (Kärnan) in the city centre, and more modern commercial buildings. The streets vary from wide avenues to small alley-ways. Kullagatan, the main pedestrian shopping street in the city, was the first pedestrian shopping street in Sweden.
Helsingborg is one of the oldest cities of what is now Sweden. It has been the site of permanent settlement officially since 21 May 1085. Helsingborg's geographical position at the narrowest part of Øresund made it very important for Denmark, at that time controlling both sides of that strait. From 1429 Eric of Pomerania introduced the Øresundstolden (the Sound Dues), a levy on all trading vessels passing through the sound between Elsinore and Helsingborg. This was one of the main incomes for the Danish Crown. Crossing traffic, like fishermen, was not subject to the tax, which was initially directed against the Hanseatic League.
The Sound Dues helped Helsingør to flourish, and some of it spilled over to Helsingborg. The northern narrow inlet to Øresund with its relatively high coastlines made impression on many mariners, and when Kronborg during the Renaissance was rebuilt from a fortress to a Palace the area got famous. Evidence of this is William Shakespeare's Hamlet, which unfolds at Kronborg; the titular Prince of Denmark may well have hidden himself from his uncle in Helsingborg. The era of the Renaissance helped the Kingdom of Denmark, but towards the middle of the 17th century, the situation worsened.
Following the Dano-Swedish War (1657-1658) and the Treaty of Roskilde Denmark had to give up all territory on the southern Scandinavian peninsula, and Helsingborg became submitted to new rulers. King Charles X Gustav of Sweden landed here on 5 March 1658 to take personal possession of the Scanian lands and was met by a delegation led by the bishop of the Diocese of Lund, Peder Winstrup. At that time the town had a population of barely 1,000 people. He soon attempted to erase Denmark totally from the map, by attacking Copenhagen but failed (Treaty of Copenhagen (1660)), and died in Gothenburg soon afterwards. Not much changed for some 15 years, but when Charles XI was declared of age, the new king indeed was unsatisfied with his former rulers[clarification needed] (known as "Förmyndarräfsten" in Swedish history).
Its situation on a conflict-ridden border caused problems for Helsingborg. Denmark recaptured Scania twice, but could not hold it. The last Danish attempt to regain Scania was in 1710, when 14,000 men landed on the shores near Helsingborg. The Battle of Helsingborg was fought on the 28th of February just outside the city, which was badly affected. It took a long time to recover; even in 1770 the city had only 1,321 inhabitants and was still growing slowly.
On 20 October 1811 Jean-Baptiste Bernadotte, Marshal of France and crown prince-elect of Sweden (later king Charles XIV John) took his first step on Swedish soil in Helsingborg on his journey from Paris to Stockholm.
From the middle of the 19th century onwards, however, Helsingborg was one of the fastest growing cities of Sweden, increasing its population from 4,000 in 1850 to 20,000 in 1890 and 56,000 in 1930 due to industrialization. From 1892 a train ferry was put in service, connecting Helsingborg with its Danish sister city Helsingør. A tramway network was inaugurated in 1903 and closed down in 1967.
***
ESPAÑOL
Helsingborg ( pronunciación sueca: [hɛlsɪŋˈbɔrj] ; deletreada Hälsingborg entre 1912 y 1970) es una ciudad y la sede del municipio de Helsingborg , Scania , Suecia. En 2016 tenía 140,547 habitantes. Helsingborg es el centro de la parte norte del oeste de Scania . No existe un área metropolitana formal, pero el municipio de Helsingborg City y sus cinco municipios vecinos (dentro de Scania) tenían en la primavera de 2013 una población de 269 489 habitantes en un área de 1,353 kilómetros cuadrados (522.396 millas cuadradas), una densidad de población de 200 personas / km 2 . Esto convierte a Helsingborg en la cuarta mayor población de Suecia. La ciudad es también el punto más cercano de Suecia a Dinamarca , con la ciudad danesa Helsingør claramente visible al otro lado del Øresund, a unos 4 km (2 millas) al oeste, más cerca que a las áreas más remotas de la ciudad. Si incluye a toda la población de la parte norte de Øresund, como área metropolitana de Helsingborg-Helsingør, su población aumenta a 732 450 en un área de 2,802 kilómetros cuadrados (1,081.858 millas cuadradas). La ruta ocupada del ferry, conocida como la ruta HH Ferry, ha sido operada a través de la historia por varias líneas navieras. A partir de 2014 más de 70 transbordadores de automóviles salen de cada puerto todos los días.
Tras la reforma de la ortografía sueca de 1906, muchos nombres de lugares en Suecia obtuvieron una ortografía modernizada. En 1912 se decidió utilizar la forma Hälsingborg. En preparación para la reforma del gobierno local. En 1971, el ayuntamiento de Hälsingborg propuso que el nuevo municipio ampliado se escribiera con una "e". Esta fue también la decisión del Gobierno de Suecia, efectiva desde el 1 de enero de 1971.
La histórica Helsingborg, con sus muchos edificios antiguos, es una pintoresca ciudad costera. Los edificios son una mezcla de iglesias antiguas construidas en piedra y una fortaleza medieval de 600 años (Kärnan) en el centro de la ciudad, y edificios comerciales más modernos. Las calles varían desde amplias avenidas hasta pequeños callejones. Kullagatan, la principal calle comercial peatonal de la ciudad, fue la primera calle comercial peatonal en Suecia.
Helsingborg es una de las ciudades más antiguas de Suecia. Ha sido el lugar de asentamiento permanente de forma oficial desde el 21 mayo de 1085. La posición geográfica de Helsingborg en la parte más angosta del estrecho fue muy importante para Dinamarca, cuando en aquel momento tenía control sobre ambos lados de ese estrecho. A partir de 1429 los daneses introdujeron el "Deber del Estrecho" (Sound Dues), un impuesto sobre todos los buques comerciales que pasaran por el estrecho entre Elsinor y Helsingborg. Este fue uno de los principales ingresos para la corona danesa.
I have a serious problem with Cardinals - whenever I see one I am compelled to take a picture of them. The usual scenario is this: I'm in the middle of tracking another bird that I've been following for countless minutes, waiting for it to show itself. Then along comes this beautiful Cardinal to distract me and it works. Of course as soon as I go to shoot the Cardinal the other bird comes out in the open for a second and naturally I miss the shot. I'm sure the Cardinal knows exactly what it is doing - just look at that expression on his face.
Ran to photograph this eagle before a gal with a cell phone camera got too close and scared it off - a common problem
Problem Ink - Cali Short
50% Off Fatpack only for Happy Weeknd
available on the Store
Legacy Jake Gianni Davis Cz Slim Kario
Denver & Rio Grande Western K-36 #489 is working hard as she hauls a mixed freight across the Los Pinos Creek near Milepost 324.52, on a westbound run to Chama, NM via Cumbres Pass. The train is on the east leg of the nearly 5-mile, hair-pin-shaped detour that the railroad takes, up and down the Los Pinos Valley, to keep the grade leading to Cumbres Pass manageable.
This image was captured during an October 2024 photo shoot on the Cumbres & Toltec Scenic Railroad, which featured the 1925 Baldwin K-36, #489. The 489 is one of two K-36 Locomotives that the railroad converted to oil firing in 2021, to help mitigate the fire risk in this relatively dry region. As can be seen here, oil-burning locomotives have no problem creating smoke for photographers at events such as this one.
FINALEMENT J'AI GAGNE !!!!
texture problem has solved
left: PNG, right: TGA (24bit)
「テクスチャをPNGでなく、他の形式にしてみたらどうか」
というアドバイスに従ってTGA形式で作ってみた。
左のうさぎはPNGのテクスチャ、右はTGA。
ありがとうございます！！！！
失敗例
gyazo.com/a5acfa924907224400f73db7c6db4bee
・耳が曲がっていない
CurvをApplyし忘れていた。
Object modeの時しか曲がらず、Edit modeになった時に耳が真っ直ぐになることには気づいていたものの、UPするときには曲がってるだろうと思い込んでいた。
・片耳が透明
平面で作った耳をミラー反転させた結果、右耳は裏の透明部分が表に出ている。（Solidifyに気付く前にうｐした例なので）
厚みをつける時、外側につけるか、内側につけるかにも気をつける必要あり。
If you have a problem, don't say it to "Anyone" because 20% of people don't care about it and the other 80% are glad you have it!!!
All rights reserved
: )
Hôm nay, tôi cảm thấy có lỗi rất nhiều với 1 người, cái ng mà tôi-cho-là-quan-trọng-với-tôi ý :)
Tôi chẳng biết mình đã làm gì sai, nhưng người ấy lại k nói chuyện với tôi, hôm nay..
Không là gì của nhau, nhưng người ấy nói thích nói chuyện với tôi.. Vì lâu rồi "Không-ai" nói chuyện với người ấy ...
Và ..
Ng ấy vừa chia tay người yêu :)..
... Còn tôi :)
Lại thầm thương người ấy , nhưng ng ấy nào biết ^^. Nhưng tôi chọn cách không thổ lộ tình cảm của mình ra, vì tôi sợ, tôi sợ người đó sẽ từ chối tình cảm của tôi và 1 điều nữa là tôi sẽ mất đi 1 người bạn :) 1 người mà tôi rất thích :)
Hnay, có vẻ như k đc vui vẻ như mọi ngày, hnay ng đó cũng lạnh nhạt với tôi. Không lẽ, tình cảm của tôi đã bị ng đó biết ?!? Tôi đang tự đặt dấu chấm hỏi cho mình là.. Nên tiếp tục nuôi nấng cái tình cảm sớm có chiều tàn này không? .. Khó lắm, rất khó để chấp nhận cái tình khác không-đc-bth này :)
Cái tình cảm mà tôi đã nuôi nấng mấy nay .. Không lẽ nó sẽ phải dập tắt ngay như thế này sao? Tôi không cam, nếu như vậy thì tôi không tài nào cam lòng được :).
Tìm mọi cách để có thể gần gũi người đó .. Người đó mỗi lúc lại làm cho cái gói hy vọng của tôi càng ngày càng to lên :)
Hnay, người đó đã mua nước cho tôi ý :). Hỏi tôi có uống không? Eventhough tôi nói tôi không uống, nhưng ng đó vẫn mua và vẫn đưa cho tôi, tôi sẽ trân trọng chia nc ấy :). Sẽ và đang trân trọng cái hy vọng mà ng ấy mang đến ..
Đây là lần đầu tiên tui cầm đc lòng, k thổ lộ tình cảm với người khác, và có lẽ đây cũng là lần đầu tiên tôi có cảm giác thích 1 người là như thế nào và dành trọn tình cảm của tôi cho người ấy .. Nói thật, tôi yêu người ấy lắm ..
Cái chữ yêu của tôi nó lớn lắm, nó to lắm, và nó đáng đc nâng niu lắm :) Nhưng có lẽ, tôi đã hy vọng quá nhiều ..
Tôi k biết người ấy có yêu tôi như vậy không? chỉ mong, lúc nào cũng đc thấy ng đó vui cười, hạnh phúc ..
Có lẽ thói quen gõ nick của người đó mỗi khi vào yahoo đã dần dần là 1 phần gì đó không thê thiếu của tôi :) .. Thói quen ấy có lẽ, ăn đứt vào trong người tôi rồi. Không thể nào gạt bỏ đc ng đó ra khỏi suy nghĩ trong đầu..
Nhiều lúc, tự dặn bản thân đừng nên đặt quá nhiều t.c cho 1 người, nhưng lí trí tôi lại không cho phép :)
Mặc dù nó chỉ xảy ra trong 1 thời gian không-đc-gọi-dài-là-bao nhưng cũng đủ cho nước mắt của tôi để tuôn chảy :)
Nếu điều đó khiến người ấy vui, nếu điều đó làm cho người ấy thấy thoải mái thì tôi sẽ trả cho người ấy sự tự do ...
Vì đơn giản tôi chỉ có thể là như thế thôi ..
Vì với người ấy .. đó là niềm vui :)
I wanted to state that this is not my house; although I wish it were. When we were kicking around the idea to move to Massachusetts, we flew out during Thanksgiving week to make sure we wanted Massachusetts to become our new home. I had been drooling over this house on a real estate website so we decided to drive out and take a look during an open house. First of all, the house is PINK! I loved the idea of living in a pink house. This house felt so right to me; the owner was selling because his girlfriend (I don't think they were married) had passed away and I believe he wanted to get away and start over. She was an artist and the walls were covered with her art. I will confess, I teared up when I walked inside. It was built in the late 1800's and had charm oozing out of its walls. We weren't in the position to buy at that time (we still had a house in Seattle to sell), but I'll never forget this house. So glad I took photos that day.
Not the scanning software problem but the Windows app. It was too easy using. That was the flaw. Was not designed for people looking for great results. Adobe did fine
Blind Jack sitting on a bench, with a surveyor's wheel, facing the pub named after him.
John Metcalf (1717–1810), also known as Blind Jack of Knaresborough or Blind Jack Metcalf, was the first professional road builder to emerge during the Industrial Revolution.
Blind from the age of six, John had an eventful life, which was well documented by his own account just before his death. In the period 1765 to 1792 he built about 180 miles (290 km) of turnpike road, mainly in the north of England.
In 1765 Parliament passed an act authorising the creation of turnpike trusts to build new toll funded roads in the Knaresborough area. There were few people with road-building experience and John seized the opportunity, building on his practical experience as a carrier.
He won a contract to build a three-mile section of road between Minskip and Ferrensby on a new road from Harrogate to Boroughbridge. He explored the section of countryside alone and worked out the most practical route.
Metcalf built roads in Lancashire, Derbyshire, Cheshire and Yorkshire, including roads between:
Knaresborough and Wetherby
Wakefield, Huddersfield and Saddleworth (via the Standedge pass)
Bury and Blackburn with a branch to Accrington
Skipton, Colne and Burnley
Metcalf believed a good road should have good foundations, be well drained and have a smooth convex surface to allow rainwater to drain quickly into ditches at the side. He understood the importance of good drainage, knowing it was rain that caused most problems on the roads. He worked out a way to build a road across a bog using a series of rafts made from ling (a type of heather) and furze (gorse) tied in bundles as foundations. This established his reputation as a road builder since other engineers had believed it could not be done.
He acquired a mastery of his trade with his own method of calculating costs and materials, which he could never successfully explain to others.
Competition from canals eventually cut into his profits and he retired in 1792 to live with a daughter and her husband at Spofforth in Yorkshire. Throughout his career he built 180 miles of road. At 77 he walked to York, where he related a detailed account of his life to a publisher.
Blind Jack of Knaresborough died aged 92 on 26 April 1810, at his home in Spofforth. He is buried in the churchyard of All Saints' Church, Spofforth.
Portrait of an owl of the zoo of Zürich. It's an Ural owl to be precise.
Actually I think that it has a problem at the eye, because I came many times to the enclosure and one eye was always half closed. I hope it's not too serious...
Made it in Explore, #334, April 5th, 2010, 200th picture to be in Explore.
Ghosts of Feature Film: A Cinematography Project
This project is an experimental collaboration where shots were composed from a cinema standpoint, incorporating actors actually acting out scenes, in-character, instead of modeling or just being photographed. With Joseph Petito acting on-camera as the main star, I lensed different scenes from 7 films. Each sequence is part of that specific film's larger story, each film having it's own style and distinct types of shots & angles. We designed this project to create a cohesive cinematic illusion that these are real movie screenshots, but for movies that don't actually exist... hence Ghosts of Feature Film.
Joseph Petito as Chris Platt
Jennifer Rizzi as Victoria
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
The problem with losing weight is that things that I thought would fit when I go thrift shop cruising turn out to be a little big. as is the case with dress. its fine for walking around but not very good for dancing in as things don't get held in place as they should.
Still my hair held up better than the dress did even if I do have a rather high forehead.
I actually like this look and I am a little disappointed about the dress but all is not lost as my wife is on a diet (hence my getting thinner) and the dress can go her way :-)
Makes a change.
Our Daily Challenge - Feb 21, 2019: "Metaphor"
Pretty sure that poor Cookie has reached... "the point of no return"!
Daily Dog Challenge 2663.
"What a Treat"
The is Toby's first "Catching Cookies" shoot, and the pup did pretty good!
He already knew how to catch treats, but this is the first time I've tried doing it when I'm on the floor.
Plus he needed to stay where I put him and wait patiently for me to toss the Cookie.
Neither of those things caused him the slightest problem.
I'd say he thinks "Catching Cookies" is the way all shoots should be!
Stop on by Henry and Toby's blog: bzdogs.com - The Secret Life of the Suburban Dog
The popular funicular railway which takes tourist to the top of the Reichenbach Falls. The falls were made famous as being the point where Sir Arthur Conan Doyle's hero, Sherlock Holmes fights to the death with his arch rival Moriarty.
is a phrase that I love. The weather and various other things did not want to play ball this morning, but I still got this shot and some others that I love.
A friend who is busy helping me polish my website referred me to a song "Proud To Be A Problem" by Tom MacDonald. The lyrics (please do go have a listen) put an even bigger grin on my face while I sat in front of the PC editing this image.
In short, if I had played it safe, stayed home, and chose not to be a “problem,” I would’ve missed this moment entirely near Granger Bay Harbour in beautiful Cape Town. In fact, I wouldn't even be in the City. I’m so glad I didn’t give up and chose to be a "problem".
! 🔥
La biomimética o biomímesis, es una ciencia que estudia y aplica los principios biológicos para resolver problemas tecnológicos. En el transcurso de 3.800 millones de años de evolución, la naturaleza ha dado origen a diversos procesos, materiales y estructuras biológicas con un “diseño óptimo” para las condiciones ambientales en las que habitan las especies, y que pueden imitarse para propósitos humanos.
A nadie le resulta extraño que la forma de los aviones y de los submarinos imite la de aves y peces respectivamente, pero la biomimética abarca un campo aún más amplio, que involucra el desarrollo de nuevos materiales, procesos industriales y tecnologías que ayudan a minimizar el consumo energético y el impacto ambiental. La investigación en este campo se orienta a desarrollar aplicaciones a partir de la morfología, fisiología y bioquímica de los organismos.
Nikon D850
Micro Nikkor 200 f4
Mitutoyo BD PLAN 10x
Apilado 50 fotos