View allAll Photos Tagged Problems,
M7 + Noctilux at f 1,0, Provia 100 so shutter 1/15th. Focus on top edge of clipboard, DoF nil!. Slide scan is horribly noisy and this jpeg is compressed. (excuses excuses)
A bad vacation start for this guy and his family - didn't pay the parking fee for their Eriba caravan.
Hii Beauty 😘
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Dedicated to Saint Peter, the abbey church of Champagne is not located, as one would think, in the bubbly-producing hills of northeastern France, but much further south, on the banks of River Rhône, between Lyon and Valence, in the northern part of the département of Ardèche, i.e., in the old province of Vivarais.
Stylistically, this large church, built right next to the busy and noisy thoroughfare that Highway 86 is today, is very homogeneous and was built around 1150, replacing an older, 11th century church of which two capitals have been re-used in the nave. Numerous sculpted fragments from the previous church were also gathered as demolition progressed and reinserted haphazardly in the new one. But built by whom exactly, and for what exact purpose? That is much more mysterious.
From the scant written evidence that has come to us, we can surmise that it was originally built by the Albon family of powerful local lords, probably for regular canons of one or the other obedience. In 1275, it has become a priory of the Benedictine abbey of Saint-Chef. In 1172, the canons of the chapter of the Saint Maurice Cathedral in Vienne had given a number of churches to the abbey of Saint-Chef, but the charter doesn’t specify which ones. If we are right in thinking that the Champagne church was originally owned by canons, it is possible that those canons were the ones from the Vienne chapter, and if so, the Champagne church may have been among those turned over to the abbey in 1172. The deal would have been facilitated by the fact that, from 1119, the archbishop of Vienne was also the protector of the abbey of Saint-Chef. Furthermore, it has been noted (in particular in my Zodiaque collection reference book, Vivarais et Gévaudan romans, by Robert Saint-Jean) that the Champagne church offers many similarities with the abbey church of Saint-Chef, in a more accomplished version, as the former came half a century after the latter.
The link between Saint-Chef and Champagne, however, did not last. Because of deep and enduring management problems at Saint-Chef where the monks could not elect a new abbot, the archbishop of Vienne was first appointed as abbot ad perpetuitam by a papal Bull of John XXII in 1320. A second Bull, in 1328, took away from the abbey the Saint Peter Priory, under the pretext that its income was not sufficient to support the prior and his monks. The church then became a simple parish church. However, let’s not forget that, at the time, the Rhône River was the border between the kingdom of France and the Holy Roman Empire: the archbishop of Vienne had his seat on the left bank, on the Empire side, while the Saint Peter Priory was on the right bank, on the kingdom side; the archbishop may have wanted to be able to take refuge in France in the event things went sour on the Empire side... which would explain why the priory compound was indeed fortified at the same time!
Seriously damaged during the Wars of Religion in the 1560s, the church undertook important repairs during the early 1600s: it is then the the three cupolas on squinches roofing the nave were put in place in lieu of the previous Romanesque barrel vault. The church, much too big for such a small village, continued to degrade over the decades. By 1750, the upper floors of the tower-porch that framed the western entrance were in ruin, and one century later, what was left of that tower-porch was razed to allow for the enlargement of what was then the royal road number 86. This veritable act of vandalism prompted the authorities to protect the monument in 1854 by listing it as a Historic Landmark.
A systematic restoration took place between 1888 and 1894, during which (it is a rare enough occurrence to be duly noted and lauded!) all the add-ons erected after the end of the Romanesque period were eliminated. The original church was saved. In 1968, three regular Augustinian canons from a Swiss convent came and settled in Champagne, reviving the Saint Victor offshoot of the Augustinians which had been dead since the French Revolution. They proved extremely successful and in 1976, Pope Paul VI elevated the priory to abbey status. Today, the church is both canonical and parochial.
However, the very exceptional characteristic of this abbey is that, because the original monastery buildings had been destroyed after the French Revolution and replaced by ordinary village houses, the Augustinians had to build anew where there was space available, i.e., a couple hundred meters away from the church...! Thus, there is no proper enclosure, the canons live in the middle of the village, and walk across it to go attend to their duties. This is much too in sæculum for my taste, and not a proper way to practice the life of a so-called “regular” canon. I understand the appeal that the church may have had, but my opinion is that, owing to the present-day configuration of the village, it should have been deemed unsuitable. Likewise, the liturgy of this congregation does not truly meet with my approval, the same way “reality TV” doesn’t: a floor-heated church, cleverly designed lighting everywhere, a discreet and elaborate sound system... quite a bit too Hollywoodian for me. But obviously, just like reality TV, it does have its appeal.
As announced yesterday, this is a closeup view of one of the twin-arched openings into the side wall of the nave, seen from the tribune. These openings are located in front of the high windows and allow some light to pass into the upper nave. In the background, you can glimpse the same opening on the other side of the nave.
Oops. Got a little problem, here. This is a brand new dress, and I didn't realize it had such a full skirt. Look, could you help me out? The door locked on me. I don't want to have to ruin a brand new dress. Could you get the janitor to unlock the door? What's so funny, anyway? Where are you going? No, don't tell anyone else! I don't want all the men to see me this way! Come on! Help me, somebody, please! This is so humiliating.
Seeking to "norm" problem drinking by making hilarious boasts about it could be indication that someone isn't handling alcohol well.
The roller coaster at the seaside near me was carrying out maintenance on its roller coaster. The entire amusement park is surrounded by a tall wall topped with barbed wire. It always looks incongruous to me... I always see it as an amusement prison. This is, of course, one of the roller coaster cars and the grey strip is the roller coaster track...although it looks rather like a pole!
O dia nacional e mundial da água foi criado como forma de preservação da mesma
Desde os primórdios da humanidade, sabemos que o homem sempre se estabeleceu em locais próximos aos rios e mares, para garantir seu sustento através da agricultura.
A história do Egito faz uma excelente demonstração desse fato, quando os homens, às margens do rio Nilo, fizeram os primeiros aglomerados humanos e construíram as primeiras cidades do mundo. Ali já se registrava o quanto o homem era dependente da água.
Porém, com o passar dos anos, com a evolução da humanidade, a água passou a ser tratada com desrespeito, sendo poluída e desperdiçada.
Por esses motivos, a ONU – Organização das Nações Unidas criou o Dia Mundial da Água, em vinte e dois de março de 1992, para promover discussões acerca da consciência do homem em relação à mesma.
Em dez de dezembro de 2002, o senado brasileiro aprovou o dia nacional da água através do projeto de lei do deputado Sérgio Novais (PSB-CE). O texto destaca que esse deverá “oferecer à sociedade brasileira a oportunidade e o estímulo para o debate dos problemas e a busca de soluções relacionadas ao uso e à conservação dos recursos hídricos.”
A preocupação surgiu através dos grandes índices de poluição ambiental do planeta, envolvendo a qualidade da água que consumimos.
A ONU elaborou um documento com medidas cautelosas a favor desse bem natural, trazendo também informações para garantir a cultura de preservação ambiental, a consciência ecológica em relação à água.
Na Declaração Universal dos Direitos da Água, criada pela ONU, dentre as principais abordagens estão:
- Que devemos ser responsáveis com a economia de água, pois essa é condição essencial de vida;
- Que a mesma é um patrimônio mundial e que todos nós somos responsáveis pela sua conservação;
- Que a água potável deve ser utilizada com economia, pois os recursos de tratamento são ainda lentos e escassos;
- Que o equilíbrio do planeta depende da preservação dos rios, mares e oceanos, bem como dos ciclos naturais da água;
- Que devemos ser responsáveis com as gerações futuras;
- Que precisamos utilizá-la tendo consciência de que não devemos poluí-la ou envenená-la;
- Que o homem deve ser solidário, evitando o seu desperdício e lutando pelo seu equilíbrio na natureza.
Com esse documento, a Organização das Nações Unidas tornou obrigatório que todos os homens sejam responsáveis pela qualidade da água, bem como pela sua manutenção, tendo assim, formas de garantir a melhoria de vida no planeta.
Por Jussara de Barros
Graduada em Pedagogia
Equipe Brasil Escola
When the storms arrive and "For The Problems" they can cause who could be to concerned when they bring such pleasure to hikers, cross country skiers and photographers. The beauty of fresh snow doesn't last to long so make the best of and keeping shooting and sharing.
South Beach, Florida
When shooting in the street don't wait to get permission, because if they say no, you get nothing instead of something. But in this case, I had no problems. Had a lot of on-lookers, and even people in their condos watching. My buddy Kevin helped me out and took some behind the scenes pictures and videos, and it was hilarious watching people just walk by and stare, we even had dropped jaws by married guys.
Strobist:
Profoto Pro 7b
Profoto Prohead
Profoto Beautydish w/ 25 percent grid
To view more of my images, of Belton House, please click "here" ! Click any image to view large!
Please, no group invites; thank you!
Belton House is a Grade I listed country house in Belton near Grantham, Lincolnshire, England. The mansion is surrounded by formal gardens and a series of avenues leading to follies within a larger wooded park. Belton has been described as a compilation of all that is finest of Carolean architecture, the only truly vernacular style of architecture that England had produced since the Tudor period. The house has also been described as the most complete example of a typical English country house; the claim has even been made that Belton's principal facade was the inspiration for the modern British motorway signs which give directions to stately homes. Only Brympton d'Evercy has been similarly lauded as the perfect English country house. For three hundred years, Belton House was the seat of the Brownlow and Cust family, who had first acquired land in the area in the late 16th century. Between 1685 and 1688 Sir John Brownlow and his wife had the present mansion built. Despite great wealth they chose to build a modest country house rather than a grand contemporary Baroque palace. The contemporary, if provincial, Carolean style was the selected choice of design. However, the new house was fitted with the latest innovations such as sash windows for the principal rooms, and more importantly completely separate areas for the staff. As the Brownlows rose from baronets to barons upward to earls and then once again became barons, successive generations made changes to the interior of the house which reflected their changing social position and tastes, yet the fabric and design of the house changed little. Following World War I (a period when the Machine Gun Corps was based in the park), the Brownlows, like many of their peers, were faced with mounting financial problems. In 1984 they gave the house away—complete with most of its contents. The recipients of their gift, the National Trust, today fully open Belton to the public. It is in a good state of repair and visited by many thousands of tourists each year The Brownlow family, a dynasty of lawyers, began accumulating land in the Belton area from approximately 1598. In 1609 they acquired the reversion of the manor of Belton itself from the Pakenham family, who finally sold the manor house to Sir John Brownlow I in 1619. The old house was situated near the church in the garden of the present house and remained largely unoccupied, since the family preferred their other houses elsewhere. John Brownlow had married an heiress but was childless. He became attached to two of his more distant blood relations: a great-nephew, also called John Brownlow, and a great-niece, Alice Sherard. The two cousins married each other in 1676 when both were aged 16; three years later, the couple inherited the Brownlow estates from their great-uncle together with an income of £9,000 per annum (about £ 1.17 million in present day terms) and £20,000 in cash (equivalent to about £ 2.59 million now). They immediately bought a town house in the newly fashionable Southampton Square in Bloomsbury, and decided to build a new country house at Belton. Work on the new house began in 1685. The architect thought to have been responsible for the initial design is William Winde, although the house has also been attributed to Sir Christopher Wren, while others believe the design to be so similar to Roger Pratt's Clarendon House, London, that it could have been the work of any talented draughtsman. The assumption popular today, that Winde was the architect, is based on the stylistic similarity between Belton and Coombe Abbey, which was remodelled by Winde between 1682 and 1685. Further evidence is a letter dated 1690, in which Winde recommends a plasterer who worked at Belton to another of his patrons. Whoever the architect, Belton follows closely the design of Clarendon House, completed in 1667. This great London town house (demolished circa 1683) has been one of the most admired buildings of its era due to "its elegant symmetry and confident and common-sensical design". Sir John Summerson described Clarendon House as "the most influential house of its time among those who aimed at the grand manner" and Belton as "much the finest surviving example of its class". John and Alice Brownlow assembled one of the finest teams of craftsmen available at the time to work on the project. This dream team was headed by the master mason William Stanton who oversaw the project. His second in command, John Thompson, had worked with Sir Christopher Wren on several of the latter's London churches, while the chief joiner John Sturges had worked at Chatsworth under William Talman. The wrought-ironworker John Warren worked under Stanton at Denham Place, Buckinghamshire, and the fine wrought iron gates and overthrow at Belton may be his. Thus so competent were the builders of Belton that Winde may have done little more than provide the original plans and drawings, leaving the interpretation to the on-site craftsmen. This theory is further demonstrated by the external appearance of the adjoining stable block. More provincial, and less masterful in proportion, it is known to have been entirely the work of Stanton.
Got a Corona problem? Make a Corona idol! It's a traditional method. What could possibly go wrong? That picture was made on a roll of long expired Agfa Vista 400 (the real thing, not the now discontinued Fujifilm rebranding) that had 07/03 written on it, and 20 views (not 24) on it. I've gone though a few expired films, this one is definitely on the more psyhedelic end of the spectrum. The palm still goes tho a roll of Konica VX 400 - see bellow.
Pentax ME and SMC Pentax 50mm f/1.7, expired Agfa Vista 400 (exposed as ISO 125) developed with the Rollei C41 kit and digitalized using kit zoom and extension tubes.
Thank you everyone for your visits, faves and comments, they are always appreciated :)
Hi Everyone,
Just a quick note to let everyone know what it happening!! My wife was admitted to the hospital on Tuesday and will just say that the issues have not resolved!! Please no emails at this time because I don't have time to address them!! We only have questions at this time and no answers so it will do no good to speculate!! I ask that for those of you who pray that we would appreciate it if you kept her in your prayers!! I will try to get back here as soon as possible and fill everyone in but it has been a 20 hour day today! Peace and blessings to everyone!!
Thanks to all. Jerome
DSL_1115uls
I have a problem photographing full dolls. I'm too drawn to their faces, unfortunately.
... I need to get rid of this habit.
PS: Thank you, Syndal - (because I put the wig on Chicken without asking!)
IN ENGLISH BELOW THE LINE
La meva Graflex Pacemaker Speed Graphic, la primer càmera que vaig fer servir per a plaques de col·lodió (en 4x5 polzades).
Es tracta d'un ambrotip de format 18x24 cm, realitzat amb una GOMZ FK 18X24 fabricada el 1960; objectiu Industar I-37 f4/300mm; Col·lodió Old Workhorse de Franalog; revelador Mammoth MD7.
Les plaques de col·lodió es realitzen al moment, cobrint una placa de vidre o planxa metal·lica negra amb col·lodió i sals de cadmi i/o potassi, sensibilitzat amb nitrat de plata. Aleshores s'ha de fer la fotografia i revelar-la en uns 5 minuts, abans no s'assequi la emulsió. És un dels processos fotogràfics més antics del món, inventat el 1851, i que dominà fins el 1880. Però ara ha resorgit, ja que les imatges, molt treballades, que dona són úniques, màgiques i i irrepetibles.
ca.wikipedia.org/wiki/Col%C2%B7lodi%C3%B3_humit
==========================================
My Graflex Pacemaker Speed Graphic, the first camera I used for wet plate collodion, shot in 18x24 cm with a quite larger camera.
Clear glass ambrotype in 18x24 cm format, made with a GOMZ FK 18X24 made in 1960; Industar-37 f4/300mm lens; Old Workhorse collodion by Franalog; Mammoth MD7 developer.
The collodion plates are made covering a glass plate or black metal plate with collodion and salts of cadmium and / or potassium, sensitized with silver nitrate. Then you have to take the photo and reveal it in about 5 minutes, before the emulsion dries. It is one of the oldest photographic processes in the World, invented in 1851, and which dominated photography until 1880. But now it has resurfaced, as the images, very elaborate to create, that it gives are unique, razor sharp, magical and unrepeatable.
en.wikipedia.org/wiki/Collodion_process
intrepidcamera.co.uk/blog/rikard-osterlund-guide-to-wet-p...
hey joey, wait up.
how ya doing', sal?
joey, you been hanging around my girl?
what? no way!
cause, you see, she and I relate in a certain manner, just the two of us, know what I mean?
yeah?
but when a third person gets involved, it messes up the whole thing. it's like, nothing works the same anymore. you follow?
I'm not sure I do.
well let me clarify: if you was involving yourself, it would make me very unhappy, and things might get a little out of whack.
I don't want that.
me neither. so that's why you're leaving town. ain't you?
uh, yeah. definitely.
I thought so. have a good trip.
thanks.
you're welcome.
Chapter 6:
Sally brought her boyfriend Jack to the shoot today. I have no problem with boyfriends, girlfriends or other people being there, so long as they're not a distraction. Which, unfortunately, turned out to be the case today. At every break (and there were many in the first little while) they would go off and have some very heated 'discussions', Sally more than once wiping away tears afterwards. I'd put the music back on, and (at her insistence) fire off some shots and we'd go through the motions... but whatever was going on was too much, and she was obviously in no condition to continue. I was just about to call off the shoot for the day, when Sally (again on break with Jack) stormed out. "What the hell?!!" I said to the BF. He gave me a look, knocked over a nearby giant-spider prop, and strormed out too... I ran out to look for Sally, but she nowhere to be found...
Chapter 7:
I thought that was the end of it really. Our project, come to an end before it had barely begun, and likely the last I had seen of Sally. So when I responded to the 3am "tap tap tap... tap tap tap... tap tap tap tap" at the door I really wasn't expecting.... "Sally!"
"I'm sorry", she said "I didn't mean to run out like that. It's just... just..." I could see she was fighting back tears. "It's OK" I said. "No problem - don't worry about it. Stuff happens, right?" "I just wanted to apologize and... and I really want to continue with the shoot... I mean if..." "Ummm... what time is it, anyways?" I said, rubbing my eyes and trying to find a fix on the clock. "Just past 3, I think". "Oh" was all I managed "sure, ummm... well..."
"Not now, silly!" she giggled. I'll come back" "Oh, OK. Well, you can... if you like..." "I'll be back." she interrupted, spinning around on her heels. And with a quick glance over her shoulder and a "bye" she was gone.
Deaths in the U.S. since January 2009
Swine Flu: 0
Regular Flu: 13,000
There is nothing that cannot be overreacted to. Fear and hysteria allow politicians to control the population and the media to get higher ratings.
Update 1: Saturday, May 2, 2009 — A 23-month-old boy visiting from Mexico has died in the U.S. from the A/H1N1 flu (swine flu). So now the score in the U.S. is:
Swine Flu: 1
Regular Flu: 13,000
Update 2: This photo was used to accompany an article, Swine Flue And School Closings, by Max Kalehoff, on May 20, 2009.
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Regular Flu Has Killed Thouands Since January
By Doug Gross
Tuesday, April 28, 2009
There had been no confirmed deaths in the United States related to swine flu as of Tuesday afternoon. But another virus had killed thousands of people since January and is expected to keep killing hundreds of people every week for the rest of the year.
That one? The regular flu.
An outbreak of swine flu that is suspected in more than 150 deaths in Mexico and has sickened dozens of people in the United States and elsewhere has grabbed the attention of a nervous public and of medical officials worried the strain will continue to mutate and spread.
Experts are nervous that, as a new strain, the swine flu will be harder to stop because there aren't any vaccines to fight it.
But even if there are swine-flu deaths outside Mexico — and medical experts say there very well may be — the virus would have a long way to go to match the roughly 36,000 deaths that seasonal influenza causes in the United States each year.
"That happens on an annual basis," Dr. Brian Currie said Tuesday. Currie is vice president and medical director at Montefiore Medical Center in Bronx, New York.
Since January, more than 13,000 people have died of complications from seasonal flu, according to the Centers for Disease Control and Prevention's weekly report on the causes of death in the nation.
No fewer than 800 flu-related deaths were reported in any week between January 1 and April 18, the most recent week for which figures were available.
The report looks at deaths in the 122 largest cities in the United States.
Worldwide, the annual death toll from the flu is estimated to be between 250,000 and 500,000.
About 9 out of 10 of those deaths are among people older than 65, Currie said. Most times, they already have health problems that the flu makes worse, he said.
"Regular influenza can be taxing," he said. "It causes their underlying disease to decompensate and then they don't have the reserves to get through it.
"While it may not be the direct cause listed on the death certificate, it certainly contributed."
One of the reasons medical experts are nervous about the swine flu outbreak is that many of the people who have died in Mexico have been young and otherwise healthy. The strains found in the United States have so far been weaker.
But even the regular flu is sometimes fatal for younger victims.
"It's not unheard of. It happens, either directly from influenza or they get a bacterial superinfection" like staph, said Currie.
While researchers haven't developed a vaccine to fight the new swine flu, it can be treated with antiviral drugs Tamiflu and Relenza, the same drugs used on the regular flu.
Many times, seasonal flu itself is tough to prevent because it has mutated to a form different than it was when the vaccine was made.
Seeking to put the swine flu outbreak in perspective Tuesday, Los Angeles County public health officer Dr. Jonathan Fielding echoed other public officials calling it "cause for concern, but not for alarm."
"Given the size of L.A. County, given the traffic between here and Mexico, it would be very surprising if we didn't have any cases," Fielding said.
He said the county, where the CDC had confirmed 10 cases of swine flu by Tuesday, sees more than 1,000 flu-related deaths every year.
"So it would also not be surprising if there were deaths with swine flu — even if it had the pattern of seasonal flu," he said. "Thus far, the pattern we see in the United States is very similar to that of seasonal flu — relatively mild to moderate cases."
Gross, Doug. "Regular Flu Has Killed Thousands Since January." CNN. 28 Apr. 2009. <www.cnn.com/2009/HEALTH/04/28/regular.flu/index.html>
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Note: I did not take the photo here.
This sculpture is titled The Young Family. It was made by artist/sculptor Patricia Piccinini as part of her We Are Family exhibition in 2003 at The Australian Venice Biennale Pavilion.
There is a We Are Family website that features a lot of her work.
You can find an essay, We Are Family, in PDF format on the Internet.
patricia-piccinini_the-young-family_a1_1067x800
Instagram: instagram.com/45surf
Subscribe to my new youtube channel and see how I used the divine section and golden rectangle, spiral, and ratio to get the cover of N-Photo Magazine! And see how Ansel Adams and the great painters and fine art masters used the golden mean in their compositions!
www.youtube.com/watch?v=JLlB_W3XG-k
www.youtube.com/channel/UC42cWDExI8K8stjROqOlLbQ
It shows up in a lot of my surf photos too!
Nikon D810 Photos Pro Women's Surfing Sports Photography With New Tamron SP 150-600mm F/5-6.3 Di VC USD Lens for Nikon!
Beautiful athletic swimsuit bikini wetsuit model goddesses!
The new Nikon D810 rocks for sports photography! New Instagram!
Goddess videos! vimeo.com/45surf
Nikon D810 Photos Pro Women's Surfing Van's US Open Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracles took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 14mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the brigth sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS< but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
Tamron SP 150-600mm F/5-6.3 Di VC USD Autofocus lens for Nikon AF-D Cameras.
The new Nikon D810 rocks for sports photography New Instagram!
Beautiful athletic swimsuit bikini wetsuit model goddesses!
Join me friends!!
www.facebook.com/elliot.mcgucken
www.facebook.com/45surfAchillesOdysseyMythology
Subscribe to my new youtube!
www.youtube.com/watch?v=JLlB_W3XG-k
All the best on your epic hero's odyssey! :)
Been hard at work on my books--my physics books on Dynamic Dimensions Theory (dx4/dt=ic) celebrating the hitherto unsung reality of the fourth expanding dimension which all the photons surf across the universe en route to making a photograph! Also working on an art, mythology, and photography book titled The Golden Hero's Odyssey! All the best on your Epic Hero's Odyssey! Always love hearing from y'all! :)
This alternative interpretation of the proposed Foden tri-axle bus has previously appeared in China Motor Bus livery. Foden had proposed a twin-steer design, with two axles at the front, but the practical limitations of such a layout might have become apparent had a prototype been built. In the event, it was Foden’s internal problems that caused it to withdraw from the bus and coach market. Thanks again to Keith McGillivray for the base image (22-Dec-22).
All rights reserved. Not to be posted on Facebook or anywhere else without my prior written permission. Comments on this image are welcome here but for everything else, please send a Flickr mail. Further information about my Flickr images can be found here:
www.flickr.com/photos/northernblue109/6046035749/in/set-7....