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We decided to go for a city break rather than sun in Tenerife again this September. Other than a few days in the North East we haven’t been away since last March and wanted a change and hopefully some sun. The problem is getting flights from the north of England to the places we want to go to. We chose Valencia as we could fly from East Midlands – which was still a pain to get to as it involved the most notorious stretch of the M1 at five in the morning. In the end we had a fairly good journey, the new Ryanair business class pre-booked scheme worked quite well and bang on time as usual. It was dull when we landed with storms forecast all week, the sky was bright grey – the kiss of death to the photography I had in mind. I was full of cold and wishing I was at work. It did rain but it was overnight on our first night and didn't affect us. There has been a drought for eleven months apparently and it rained on our first day there! The forecast storms didn't materialise in Valencia but they got it elsewhere.
You May notice discrepancies in the spelling of some Spanish words or names, this is because Valencian is used on signs, in some guide books and maps. There are two languages in common use with distinct differences. There may also be genuine mistakes - it has been known!
Over the course of a Monday to Sunday week we covered 75 miles on foot and saw most of the best of Valencia – The City of Bell Towers. The Old City covers a pretty large area in a very confusing layout. There was a lot of referring to maps – even compass readings! – a first in a city for us. The problem with photography in Valencia is that most of the famous and attractive building are closely built around, some have poor quality housing built on to them. Most photographs have to be taken from an extreme angle looking up. There are no high points as it is pan flat, there are a small number of buildings where you can pay to go up on to the roof for a better view and we went up them – more than once!
The modern buildings of The City of Arts and Sciences – ( Ciutat de Las Arts I de les Ciencies ) are what the city has more recently become famous for, with tourists arriving by the coachload all day until late at night. They must be photographed millions of times a month. We went during the day and stayed till dark one evening, I gave it my best shot but a first time visit is always a compromise between ambition and realism, time dictates that we have to move on to the next destination. I travelled with a full size tripod – another first – I forgot to take it with me to TCoAaS! so It was time to wind up the ISO, again! Needless to say I never used the tripod.
On a day when rain was forecast but it stayed fine, albeit a bit dull, we went to the Bioparc north west of the city, a zoo by another name. There are many claims made for this place, were you can appear to walk alongside some very large animals, including, elephants, lions, giraffe, rhino, gorillas and many types of monkey to name a few. It is laid out in different geographical regions and there is very little between you and the animals, in some cases there is nothing, you enter the enclosure through a double door arrangement and the monkeys are around you. It gets rave reviews and we stayed for most of the day. The animals it has to be said gave the appearance of extreme boredom and frustration and I felt quite sorry for them.
The course of The River Turia was altered after a major flood in the 50’s. The new river runs west of the city flanked by a motorway. The old river, which is massive, deep and very wide between ancient walls, I can’t imagine how it flooded, has been turned into a park that is five miles long. There is an athletics track, football pitches, cycle paths, restaurants, numerous kids parks, ponds, fountains, loads of bridges, historic and modern. At the western end closest to the sea sits The City of Arts and Sciences – in the river bed. Where it meets the sea there is Valencia’s urban Formula One racetrack finishing in the massive marina built for The Americas Cup. The race track is in use as roadways complete with fully removable street furniture, kerbs, bollards, lights, islands and crossings, everything is just sat on the surface ready to be moved.
We found the beach almost by accident, we were desperate for food after putting in a lot of miles and the afternoon was ticking by. What a beach, 100’s of metres wide and stretching as far as the eye could see with a massive promenade. The hard thing was choosing, out of the dozens of restaurants, all next door to each other, all serving traditional Paella – rabbit and chicken – as well as seafood, we don’t eat seafood and it constituted 90% of the menu in most places. Every restaurant does a fixed price dish of the day, with a few choices, three courses and a drink. Some times this was our only meal besides making the most of the continental breakfast at the hotel. We had a fair few bar stops with the local wine being cheap and pleasant it would have been a shame not to, there would have been a one woman riot – or strike!
On our final day, a Sunday, we were out of bed and down for breakfast at 7.45 as usual, the place was deserted barring a waiter. We walked out of the door at 8.30 – in to the middle of a mass road race with many thousands of runners, one of a series that take place in Valencia – apparently! We struggled to find out the distance, possibly 10km. The finish was just around the corner so off we went with the camera gear, taking photos of random runners and groups. There was a TV crew filming it and some local celebrity (I think) commentating. Next we came across some sort of wandering religious and musical event. Some sort of ritual was played out over the course of Sunday morning in various locations, it involved catholic priests and religious buildings and another film crew. The Catholic tourists and locals were filling the (many) churches for Sunday mass. Amongst all of this we had seen men walking around in Arab style dress – the ones in black looked like the ones from ISIS currently beheading people – all carrying guns. A bit disconcerting. We assumed that there had been some sort of battle enactment. We were wrong, it hadn’t happened yet. A while later, about 11.30 we could hear banging, fireworks? No it was our friends with the guns. We were caught up in total mayhem, around 60 men randomly firing muskets with some sort of blank rounds, the noise, smoke and flames from the muzzles were incredible. We were about to climb the Torres de Serranos which is where, unbeknown to us, the grand, and deafening, finale was going to be. We could feel the blast in our faces on top of the tower. Yet again there was a film camera in attendance. I couldn’t get close ups but I got a good overview and shot my first video with the 5D, my first in 5 years of owning a DLSR with the capability. I usually use my phone ( I used my phone as well). Later in the day there was a bullfight taking place, the ring was almost next to our hotel, in the end we had other things to do and gave it a miss, it was certainly a busy Sunday in the city centre, whether it’s the norm or not I don’t know.
There is a tram system in Valencia but it goes from the port area into the newer part of the city on the north side, it wouldn’t be feasible to serve the historic old city really. A quick internet search told me that there are 55,000 university students in the city, a pretty big number. I think a lot of the campus is on the north side and served by the tram although there is a massive fleet of buses as well. There is a massive, very impressive market building , with 100’s of stalls that would make a photo project on its own, beautiful on the inside and out but very difficult to get decent photos of the exterior other than detail shots owing to the closeness of other buildings and the sheer size of it. Across town, another market has been beautifully renovated and is full of bars and restaurants and a bit of a destination in its own right.
A downside was the all too typical shafting by the taxi drivers who use every trick in the book to side step the official tariffs and rob you. The taxi from the airport had a “broken” meter and on the way home we were driven 22 km instead of the nine that is the actual distance. Some of them seem to view tourists as cash cows to be robbed at all costs. I emailed the Marriot hotel as they ordered the taxi, needless to say no answer from Marriot – they’ve had their money. We didn’t get the rip off treatment in the bars etc. that we experienced in Rome, prices are very fair on most things, certainly considering the city location.
All in all we had a good trip and can highly recommend Valencia.
Success at last! I've tried a couple of times to get this shot right, and this one turned out as I wanted it too!
I do not have any problems with sleeping but when I fall asleep, I have this new problem of squeezing my teeth so badly that my jaw aches when I wake up. I guess It is time to dig into the deeps of some Freudian ideas
EOS 5D Mark III+Sigma 50mm F1.4 EX DG HSM
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5½ inch 80# cardstock circles, a good, stiff medium for this model.
Perfect model for CraftROBOing or die-stamping.
A fleeting visit on Sunday as I was here mainly to look for Hawfinches. But it such a fine church, and with history linking it to Jane Austen, whose brother is buried here and the memorial a thing that people come from over the world to see.
Another dull day, but bright and airy in the church, which I entered after it was opened in preparation for the eleven o'clock service.
As I was having computer problems last time I was here, some were unedited so are blurry, so all the better to redo some and post those.
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A simple, well-cared-for church which has an extremely complicated building history. The nave and western half of the chancel are Saxon in date, although there are no surviving architectural details of this period. Early in the twelfth century a northern tower with small apsidal chapel was added to the north of the nave. This has recently been restored and its round headed windows may be clearly seen. From the same period dates the remarkable stone carving of an archbishop that is now displayed in the chancel. It may be Archbishop Theobold (d. 1162) or Becket (d. 1170) and could have formed part of a tomb in Canterbury Cathedral. The church was restored by William Butterfield in the 1860s. His is the nice rood screen (painted by Gibbs) the angular font of Devonshire marble and the design for the east window. The screen is supported on thin columns so as not to destroy the congregation's view of the High Altar which the Victorians held so dear, although it is definitely in the medieval tradition. Fine Minton tiles were put in the sanctuary - the medieval tiles gathered up and carefully placed on the window-sill to preserve them. The twentieth century has done much to build upon Butterfield's restoration, including the fine south aisle east window by C.E. Kempe and Co. Ltd of 1923.
www.kentchurches.info/church.asp?p=Godmersham
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LOCATION: The church is situated close to the River Stour at c. 115 ft. above O.D. just south of the now - demolished (1955) Godmersham Court Lodge. This is in the gap where the river cuts through the North Downs.
DESCRIPTION: I have written a very full history of this church (published in Arch Cant 106 (1988), 45-81), which includes a full description of the fabric, so only a summary is needed here.
The earliest part of the church is the nave and western half of the chancel, which have quoins of Roman bricks and ferruginous sandstone. This is almost certainly the church mentioned in Domesday Book, but whether it was built just before, or just after, the Norman Conquest in uncertain.
In the early 12th century, a west door was inserted (blocked in 1865) and three rounded-headed windows were put into the north side of the nave. A north transept chapel (with apsidal east end) and tower was also constructed at this time. Though heavily restored in 1865-6, this still continues its hemidome over the apse. The arch into the east end of the nave was blocked in the later Middle Ages.
By the end of the 12th century a new south aisle and arcade had been added to the nave, but this was destroyed after the Reformation. The fine mid-12th century font (similar to that at Westwell) was also destroyed, but a few fragments of it are walled up in the west doorway.
In the mid - 13th century, at about the time when the fine new Court Lodge to the north was built, the chancel was extended to the east and given three fine new lancets, as well as a sedilia. There are some fine capitals, columns and bases on the inside of these features (The sedilia also has a moulded trefoil head).
In 1363 a new Chantry chapel of St Mary was built on the south-east side of the nave, but this too was demolished after its abolition as a Chantry at the Reformation (The final traces were removed when the family pew extensions were built in the early 18th century).
In the later 14th century a piscina, various new two-light windows were put into the chancel, as well as some new oak stalls (on the ends of three of these were carved TCP Ann. Dom. 1409). These were recorded in the early 18th century, but have long since disappeared.
The west window in the nave, and the surviving crown-post roof probably date from the 15th century. The fine three-light window towards the east end of the north side of the nave probably dates to the early 16th century. A new north doorway into the chancel was perhaps also built at this time.
The doors into the Rood stair at the north-east corner of the nave (now blocked) can also be seen. These were perhaps also made in the later 15th century when a new loft was built (fragments of the screen - now gone - were found in the West gallery in 1865).
In the 1720's the south side of the nave was rebuilt in brick, and the earlier south aisle disappeared and two new brick family pews (over vaults) were built projecting southwards over the side of the former chantry chapel. All of this, however, was swept away in 1865. Various drawings of these before 1865 are available). Two new diagonal buttresses to the chancel were also built at about that time, which survive, as well as a west gallery in the nave and west and north porches (demolished 1865).
As we have seen, a very major restoration of the church took place in 1865-6 under William Butterfield. A new south aisle, porch and south transept were built, as well as an organ - chamber south of the chancel. Much earth was dug away from the western and southern sides of the church at this time. The vicar and instigator of this work (Revd. Walter Field) made very useful notes and sketches of the state of the church before the restoration (in the parish records). Most of the windows were restored at this time, and the north (chancel) and west doorways were blocked after their 'mean' porches were removed. The top stage of the tower was rebuilt in brick with a flint external face, and a pyramid roof on top. There was also a new chancel roof and screen (painted 1875), and many new pews (to re-place the box ones), as well as a new pulpit and font.
BUILDING MATERIALS (incl. old plaster, paintings, glass, tiles etc.):
Flint rubble (with ferruginous sandstone and Roman brick quoins) is used for the earliest church with Caen stone dressings from the early 12th century. Some Reigate stone was used for jambs, etc., in the 13th century chancel extension. There is also some Ragstone for later windows.
Red brick was used for 18th century repairs and buttresses (and the family pews), and the large amounts of Bath stone was used for the 1865-6 repairs, restoration, Saisle, etc.
EXCEPTIONAL MONUMENTS IN CHURCH:
Bas-relief figure of Archbishop (12th cent.) on S. wall of chancel, put here in 1933. It came from the neighbouring Court-Lodge, but was probably originally from Canterbury.
1516 brass of W. Geoffrey on S. wall of chancel.
R. Bun memorial (1682) on N.E. side of nave, and T Knight (1894) by Shout in S. aisle.
CHURCHYARD AND ENVIRONS:
Size & Shape: The churchyard of c. 1½ acres is a rough square around the church, extending down to the river on the east.
Condition: Good
Boundary walls: c. 19th cent. stone & brickwalls around it.
Building in churchyard or on boundary: Small 19th cent. shed on boundary immediately N. of the tower with Medieval gravelmarker reused in gable.
Ecological potential: Good
HISTORICAL RECORD (where known):
Earliest ref. to church: Domesday Book, 3,13.
Evidence of pre-Norman status (DB, DM, TR etc.): Paid 28d, Chrisin in D.M.
Challock was a chapel-of-ease to Godmersham.
Late med. status (vicarage/appropriation): Vicarage with formal appropriation to the Priory in 1400 (the vicarage was endowed from 1380).
Patron: Canterbury Cathedral Priory (given by Archbishop in c. 1037) till Dissolution, then, from 1546, the Dean and Chapter of Canterbury.
Other documentary sources: For wills, (Test. Cant. (E. Kent 1907), 136-8. They mention various lights, the Roodloft, 'Holy Cross before the door' etc. For the Chantry of St. Mary, see Kent Chantries (ed. A Hussey) Kent Records XII (1932-6), 131.
See also Hasted (2nd ed. 1799), 328-32.
ARCHAEOLOGICAL RECORD:
Reused materials: - Roman bricks.
Finds from church\churchyard: Some Roman bricks and pottery found by the Revd. S G Brade-Birks. One discoid grave-marker still exists to the S. of the church, by the path. Old hand-bells were also found in the churchyard in 1865.
Finds within 0.5km: Grave-marker found in Court Lodge excavation to N.
SURVIVAL OF ARCHAEOLOGICAL DEPOSITS: Good. The chancel floor was apparently just covered up in 1865-6.
Outside present church: ? Quite good, but disturbed in 1865-6.
RECENT DISTURBANCES\ALTERATIONS:
To structure: In 1986 the c. 1687 bell-frame was removed from the tower (this is now stored at the Canterbury Archaeologist Trust). In 1992 the later N-S cross wall in the N. apsidal chapel was demolished.
To graveyard: None (but shed in churchyard to be restored as W.C. in 1993).
Quinquennial inspection (date\architect): Feb. 1989 - George Denny.
ARCHAEOLOGICAL AND HISTORICAL ASSESSMENT:
The church and churchyard: Despite very heavy restoration work in 1865-6, there are important remains here of an 11th century church with added north tower/transept with apsidal chapel of the early 12th century. Also an extended mid - 13th century chancel.
The wider context: Apsidal chapels in Kent parish churches are a very rare survival, as is the unique 12th century bas-relief now in the chancel.
REFERENCES: T. Tatton-Brown, 'The parish church of St. Lawrence, Godmersham: a history' Arch. Cant. 106 (1988), 45-81.
Guide Book: None, though there was one by an early long-serving vicar S G Brade-Birks (1930-77).
Plans & drawings: Plans before + after 1865-6 restorations, and 1865 sketches of church are in the parish records - see art. by Tim Tatton-Brown above.
DATE VISITED: 21/12/92 REPORT BY: Tim Tatton-Brown
www.kentarchaeology.org.uk/01/03/GOD.htm
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GODMERSHAM
LIES the next parish south-westward from Chartham, and is written in antient records, Godmersham, and in Domesday, Gomersham.
IT LIES in the beautiful Stour valley, a situation healthy and pleasant to the extreme, the river Stour glides through it from Ashford, in its course towards Canterbury; Godmersham house and park are the principal objects in it, both elegant and beautiful, the Ashford high road encircles the east side of the park, along which there is a sunk sence, which affords an uninterrupted view of the whole of it, and adds greatly to the beauty of this elegant scene, and leads through the village of Godmersham close to it, the whole village which contains about twenty houses, belongs to Mrs. Knight, excepting one house, as does the greatest part of the parish, excepting the lands belonging to the dean and chapter of Canterbury. There are about twenty more houses in the parish, and about two hundred and forty inhabitants in all. The church, and vicarage, a neat dwelling, pleasantly situated, stand at a small distance from the village, on the left side of the road, with the antient manor-house near the former, close to the bank of the river; the meadows in the vale are exceeding fertile, the uplands are chalk, with some gravel among them, the hills rise high on each side, those on the west being the sheep walks belonging to Godmersham-house, the summits of which are finely cloathed with wood, at proper intervals; the opposite ones are the high range of uninclosed pasture downs of Wye and Braborne. Among these hills, in the eastern part of the parish, is the seat of Eggerton, situated in a wild and bleak country of barren lands and flints.
At the southern boundary of the parish, on the Ashford road, is the hamlet of Bilting, part of which is in Wye parish. There was a family of this name who once resided here, as appears by their wills so early as 1460. Richard Mocket, gent. of Challock, died in 1565, possessed of the manor of Biltyng-court, in Godmersham, which by his will he directed to be sold. At length this estate of Bilting came into the possession of the Carters. Thomas Carter, gent. of Bilting, second son of George Carter, gent. of Winchcombe, died possessed of it in 1707, s.p. After which it at length came to his nephew Thomas Carter, gent. of Godmersham, who dying in 1744, left two daughters his coheirs, the eldest of whom Mary, marrying Mr. Nicholas Rolfe, of Ashford, he became in her right possessed of her father's estate at Bilting. After which it became the residence of Mrs. Jane, the sister of the late Mr. Knight, and after her death in 1793, of Thomas Monypenny, esq. who afterwards removing from hence sold it in 1797, to Mr. Richard Sutton, who now resides at it.
There is no fair, nor is there any one alehouse within this parish.
From the high road above-mentioned, which runs along the lower side of the western hills there is a most pleasing view over the valley beneath, in which the various beautiful objects of both art and nature combine to make it the most delightful prospect that can be imagined.
BEORNULPH, king of Mercia, in the year 822, gave Godmersham to Christ-church, in Canterbury, to the use of their refectory and cloathing, at the request of archbishop Wlfred, L.S.A. that is, Libere sicut Adisham, endowed with the same liberties and privileges that Adisham, which had been given to that church, originally was. But it appears afterwards to have been wrested from the church, and to have been again restored to it by archbishop Egelnoth, who made a new grant of it in the year 1036, having purchased it of duke Sired, for seventy-two marcs of pure silver, for the use of the monks in Christ-church; in whose possession Godmersham remained at the taking the general survey of Domesday, in which it is entered as follows, under the general title of Terra Monachorum Archiepi, i.e. the lands of the monks of the archbishop, as all the lands belonging to the monastery of Christ-church were.
In Feleberg hundred, the archbishop himself holds Gomersham. It was taxed at eight sulings. The arable land is twelve carucates. In demesne there are two, and sixty villeins, with eight cottagers, having seventeen carucates. There is a church, and two servants, and one mill of twenty-five shillings, and twelve acres of meadow. Wood for the pannage of forty hogs. In the time of king Edward the Confessor, and when he received it, it was worth twelve pounds, now twenty pounds, and yet it pays thirty pounds.
In the 7th year of king Edward I. the prior claimed a fair here, on the day of St. Laurence, which was allowed; and king Edward III. in his 38th year granted to the prior another fair here on the Thursday and Friday in every Whitsun-week, together with a market to be held here on a Tuesday weekly. In the 10th year of king Edward II. the prior obtained a charter of free-warren for this manor; about which time it was, with its appurtenances, valued at thirty-six pounds. The priors of Canterbury frequently resided at the manor-house here, which appears by the present state of it to have been a mansion large and suitable to their dignity. Prior Chillenden, at the latter end of king Richard II.'s reign, made large additions and repairs here, as did prior Sellyng in that of Edward IV. The house is situated on the bank of the river, a small distance northward from the church. It appears to have been a very large mansion formerly. The old hall of it is yet remaining, with the windows, door-cases, and chimney of it, in the gothic stile. Over the porch, at the entrance of the house, is the effigies of the prior, curiously carved in stone, sitting richly habited, with his mitre and pall, and his crosier in his left hand, his right lifted up in the act of benediction, and his sandals on his feet. This, most probably, represents prior Chillenden, above mentioned, who had the privilege of wearing those ornaments, granted to him and his successors by pope Urban, and repaired this mansion as before related. In which state this manor continued till the dissolution of the priory in the 31st year of king Henry VIII. when it came, with the rest of the possessions of the monastery, into the king's hands, who in his 37th year, granted the manor, rectory, and advowson of Godmersham, in exchange for other premises, to the dean and chapter of Canterbury, in pure and perpetual alms, at the yearly rent of 10l. 1s. 8d. (fn. 1) being then valued at 80l. 11s. in exchange for which they gave the king seven valuable manors in this and other counties; Canterbury college, in Oxford, and other premises, a scandalous bargain of plunder, like most others of the king's making; and yet in the deed it is said to have been made through his most gracious favor. Since which this manor has remained part of their possessions to the present time.
The court-lodge, with the demesne lands of this manor, are let to Mrs. Coleman, who resides in it, on a beneficial lease, but the manor itself, with the profits of the courts, &c. the dean and chapter retain in their own hands. A court baron is regularly held for it.
THE MANORS OF FORD AND YALLANDE were antiently part of the inheritance of the family of Valoigns, one of whom, Robert de Valoigns, died possessed of them and much other land in this neighbourhood, in the 19th year of king Edward II. and in his descendants they continued till the latter end of king Edward III.'s reign, when Waretius de Valoigns leaving by his wife, daughter of Robert de Hougham, two daughters his coheirs, one of them, married to Thomas de Aldon, entitled her husband to these manors as part of her inheritance; and in this name of Aldon they continued for some space of time. At length they became the property of Austen, or Astyn, as they afterwards spelt their name, and they continued possessors of it, till Richard Astyn, gent. of West Peckham, conveyed them, with all lands and tenements called Halton, in Godmersham and other parishes, to Thomas Broadnax, gent. late of Hyth, though there were descendants of that family, who wrote themselves gentlemen, remaining here in the beginning of king George I.'s reign, as appears by their wills in the prerogative-office. He afterwards resided at Ford-place, as his descendants, possessors of these manors, afterwards did, without intermission, to Thomas Broadnax, esq. (fn. 2) who in the 13th year of king George I. anno 1727, pursuant to the will of Sir Thomas May, and under the authority of parhament, changed his name to May, and in 1729 kept his shrievalty here. In 1732 he rebuilt this seat, and in 1738, pursuant to the will of Mrs. Elizabeth Knight, widow of Bulstrode Peachy Knight, esq. (who was her second husband, her first being William Knight, esq. of Dean, in that county); and under the authority of another act, he again changed his name to Knight, and in 1742 inclosed a park round his seat here, afterwards called Ford park, which name it seems since entirely to have lost, this seat and park being now usually called Godmersham-park. Thomas May Knight, esq. beforementioned, died here, far advanced in years, in 1781, a gentleman, whose eminent worth is still remembered by many now living; whose high character for upright conduct and integrity, rendered his life as honorable as it was good, and caused his death to be lamented by every one as a public loss. He married Jane, eldest daughter and coheir of William Monk, esq. of Buckingham in Shoreham, in Sussex, by whom he had several children, of whom only four survived to maturity, Thomas, his heir, and three daughters, who died unmarried. Thomas Knight, esq. the son, succeeded his father in estates, and was of Godmersham, the seat and park of which he greatly improved. He married Catherine, daughter of Dr. Wadham Knatchbull, late prebendary of Durham, and died in 1794, s.p. leaving her surviving. He bore for his arms, the coat of Knight, vert, a bend fusilly, in base, a cinquefoil, argent, quartered with nineteen others; the second being, Broadnax, or, two chevronels, gules, on a chief of the second, three cinquefoils, argent; and the third, May, gules, a fess between three billets, or. By his will Mr. Knight gave this seat, with the park, the manors before-mentioned, and the lands belonging to it, to his widow Mrs. Catherine Knight, for her life, with remainder to Edward Austen, esq. of Rolling-place. She afterwards resided here, but removing to the White Friars, in Canterbury, she gave up the possession of Godmersham house and park to Edward Austen, esq. before-mentioned, who now resides at it.
EGGARTON is another manor, situated on the opposite side of the river, at the south-east boundaries of this parish, among the hills, near Crundal. It was antiently the estate of the noble family of Valence, earls of Pembroke. Aymer de Valence, earl of Pembroke, held this manor at his death in the 17th year of king Edward II. He died s.p. and John, son of John de Hastings, by Isabel his wife, one of the earl's sisters, and John, son of John Comyn, of Badenagh, by Joane, another of his sisters, were found to be his coheirs; and upon the division of their estates, John de Hastings the son seems to have become wholly possessed of it. He died s.p. next year, leaving Joane, wife of David de Strabolgie, earl of Athol, and Elizabeth her sister, sisters and coheirs of John Comyn, of Badenagh, his next of kin. David de Strabolgie, earl of Athol, before-mentioned, died possessed of this manor, as appears by the inquisition taken after his death, in the 1st year of Edward III. leaving it to his son of the same name, who in the 7th year of Edward III. by deed settled it on his kinsman Sir Henry de Hills; which gift was confirmed by the countess his widow, in the 20th year of that reign. Gilbert de Hills, who lies buried in this church, with the marks of his figure in armour on his grave-stone, was a person of eminence in the age in which he flourished, and from him and Sir Henry de Hills, issued many worthy successors, who were proprietors of this manor till the reign of queen Elizabeth, when it was sold to Charles Scott, esq. eldest son of Sir Reginald Scott, of Scotts-hall, by his second wife. His grandson Thomas Scott, esq. of Eggarton, left a son Thomas, who died s.p. and a daughter Dorothy, married to Mr. Daniel Gotherson, who in her right at length became possessed of this manor, (fn. 3) though not without several contests at law by some collateral claimers to it. He afterwards sold it to Sir James Rushout, bart. who had been so created in 1661, and bore for his arms, Sable, two lioncels passant, guardant, within a bordure engrailed, or. He died in 1697, and by his will devised it to trustees, to sell for payment of his debts, which they accordingly soon afterwards did, to Peter Gott, esq. of Sussex, whose arms were, Per saltier argent and sable, a bordure counterchanged. His descendant Maximilian Gott, esq. resided at Eggarton, where he died in 1735; upon which this manor, with the rest of his estates in this county and in Sussex, came to his three sisters, Elizabeth, Mary, and Sarah; and on the death of the former, the two latter became entitled to the whole fee of it, as coparceners; Mrs. Sarah Gott usually residing at this mansion of Eggarton. Mary Gott died in 1768, and by will devised her moiety of her estates to Henry Thomas Greening, gent. of Brentford, in Middlesex, who afterwards, by act of parliament, assumed the name of Gott. Sarah Gott, the other sister, died at Eggarton, in 1772, and by will devised her moiety of her estates to the children of William Western Hugessen, esq. of Provender, deceased, to be equally divided between them. (fn. 4) Mr. Hugessen left three daughters his coheirs, of whom the two surviving ones, Dorothy, was afterwards married to Sir Joseph Banks, bart. and K. B. Mary, to Edward Knatchbull, esq. now Sir Edward Knatchbull, bart. who in their wives right became entitled to one moiety of this estate, they afterwards, together with Henry-Thomas Gott, esq. before-mentioned, possessor of the other moiety, joined in the sale of the entire property of this manor to Thomas Knight, esq. of Godmersham, who purchased it for the residence of his sister Jane, since deceased. He died in 1794, s. p. and by his will gave this seat, with the estate and manor, to Edward Austen, esq. before-mentioned.
Charities.
MARTIN MAYE, yeoman, of Godmersham, ordered by will in 1614, that his executors should pay to Thomas Scott, gent. and five others therein mentioned, 100l on condition that they should enter into a bond of 200l. to his executors, to settle 8l. per annum towards the maintenance of twenty of the poorest persons householders, in Godmersham, that from time to time should be there dwelling; which sum should be a perpetual payment of 8s. per annum to each of them. This charity is now vested in Mrs. Knight.
THOMAS SCOTT, ESQ. of Canterbury, by will in 1635, devised the house which he lately built in Godmersham, and ten perches of land adjoining to it, to such poor persons, born and living in Godmersham, as the heirs of his body, and for want of such heirs as the right heirs of his kinsman, Sir Edward Scott, K. B. should nominate from time to time, for ever. And if such heirs should neglect such nomination, for the space of three months, then that the churchwardens for the time being, should nominate in their room; and if they or he should fail to nominate, within one month, then that the archbishop of Canterbury should in such case nominate from time to time. And he willed one other house, with its appurtenances, which he had lately built in Godmersham, adjoining to that before limited, and 10 perches of land adjoining, in like manner as the other before-mentioned, with like nomination and limitation; and so from time to time for ever. This charity is now lost.
THOMAS CARKERIDGE. of Maidstone, by will in 1640, devised all those lands and tenements which he bought in Wye, Godmersham, and Crundal, to William Cooper and his heirs for ever, he paying out of them 6l. per annum, to the overseers of the poor of the parish of Wye, 3l. and to the overseers of the parish of Godmersham. the other 3l. for ever; and he willed that this 6l. should be every year bestowed to cloath four poor widows, two of Wye, and two of Godmersham; and if there were not such poor widows, then to cloath other poor women, each of them to have five yards and an half of good country kersey, to make a petticoat and a waistcoat, and so much lockram or other country cloth as would make every of them two smocks, and every of them a pair of hose and a pair of shoes. And he willed that this cloth and other things be given to those poor women the first Thursday in November every year; with power to distrain in any of his lands lying in Wye, Godmersham, and Crundall, &c. until the same should be paid accordingly.
JOHN FINCHE, gent. of Limne, by will in 1707, devised his messuage, tenement, and lands, containing 36 acres, in Bilting, and his messuage and tenement, and seven acres of land, and 9 acres of woodland, in Wye, Godmersham, and Crundall, and all those his six cowshares, lying in a meadow called Laines, between Ollantigh and Tremworth, in Wye and Godmersham, and a piece of meadow-ground called Temple-hope, adjoining, in Wye and Crundall, to the ministers, churchwardens, and overseers of the parishes of Wye and Godmersham, and their successors for ever, in trust, that the minister, &c. of Wye, and their successors, should dispose of the rents and profits of that land which lay in Wye, as is therein mentioned; and that the minister, &c. of Godmersham, and their successors, should dispose of the rents and profits of that land, with its appurtenances in Godmersham and Crundall, to six of the poorest and eldest people of Godmersham, or any other, half-yearly for ever. But that there should be paid out of the rents and profits of his last-mentioned lands, 40s. yearly upon Christmas-day for ever, without any deduction, to poor people of the like sort, being men; that is to say, 20s. to each of them yearly for ever. And further, that if any of the trustees, the ministers, &c. of these parishes, should at any time alter, contradict, or misapply these charities, or the rents and profits of the estates, that then the devise to such parish, the minister, &c. of which had so done, should cease and determine. And he willed that none of the said charities should be distributed to any other poor, but such as should be members of the church of England, as then by law established. This charity is now of the annual produce of 24l. 1s. 6d. and produces on an average 18l. per annum.
The present alms-houses in Godmersham-street, were erected by the father of the last Thomas Knight, esq. on the ground before devised to the parish. The building contains dwellings for eight poor people.
There is a school here, for reading and writing, supported by the voluntary benefaction of Mrs. Knight, in which about 20 children are daily taught.
The poor constantly relieved are about nineteen, casually as many.
THIS PARISH is within the ELESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Bridge.
The church, which is dedicated to St. Laurence, is a plain building, consisting of a body and a chancel, having a square low tower on the north side of the body, on which was formerly a steeple. There are five bells in it. The chancel is large and handsome. There were formerly eight stalls in it. On three of the upright end-boards of these stalls were these letters and date:P/TC An. Dom. 1409, in memory of Thomas Chillenden, prior A. D. 1409, for the use of the prior and monks of Christ church, when they came to reside at their manor here, and the other clergy who might be present at divine services, the like as they had usually in other churches where they had manors. On the south side of the church was formerly a chantry, which was dedicated to St. Mary, as appears by the will of William Geffrye, chaplain of it in 1517, who directed to be buried in it on the south side. It was suppressed in the 1st year of king Edward VI. There was a house and garden belonging to it in Godmersham-street. This chantry has been rebuilt, and is now made use of as two large pews, for the use of the owners of the mansion-houses of Ford and Eggarton. Underneath these pews, which are raised considerable higher than the level of the pavement, are vaults for the owners of these houses. In that of Eggarton lie many of the Hilles's, Scotts, and Gotts; and in that of Forde, several of the Broadnax's. The two monuments now against the south wall of the body of the church, for Thomas Carter and James Christmas, were formerly in the chantry, on the pulling down of which, they were removed hither. In the body of the church, near the steeple, is another vault for the Broadnax's, which is quite full, and the entrance closed up; and in the body of the church there are several grave-stones of them, the inscriptions of which are gone. In the church-yard, close to the wall of Mr. Knight's pew, is a small vault, built by the late Mr. Knight's father, in which he lies, with his wife and daughter Anne; and leaving only room for one more in it, in which his son was afterwards buried.
The church of Godmersham, with the chapel of Challock annexed to it, was antiently an appendage to the manor of Godmersham, and as such was part of the possessions of the priory of Christ-church, in Canterbury, to which it was appropriated in the 21st year of king Richard II. anno 1397, with the king's and pope's licence, towards the support of the fabric of their church, to which archbishop Arundel consented; for which the prior gave up to him the advowson of the two churches of St. Vedast and Amand, and St. Michael, Crooked-lane, London. (fn. 5) After which the rectory and advowson of the vicarage of this church remained with the priory of Christ church till its dissolution, in the 31st year of Henry VIII. when they were, with the manor of Godmersham, and the rest of the possessions of that priory, surrendered into the king's hands, where they remained till the 37th year of that reign, when the king granted the manor, rectory, and advowson of the vicarage of Godmersham, as has been already mentioned, to the dean and chapter of Chanterbury, in exchange for other premises, with whom the rectory remains at this time. But the advowson of the vicarage of Godmersham, with the chapel of Challock appendant to it, is now in the patronage of his grace the archbishop of Canterbury.
In the year 1254, Hugh de Mortimer, rector of this church, confirmed the exemption of the manor of Godmersham, belonging to the prior and convent of Christchurch, from the payment of small tithes arising from it; with a saving to the right of his successors.
Before the appropriation of this church archbishop Sudbury had in 1330, endowed a vicarage here, which with the chapel of Challock, is valued in the king's books at 9l. 3s. 9d. and the yearly tenths at 18s. 4¼d. It is exempt from the jurisdiction of the archdeacon.
¶In 1640 here were communicants two hundred and forty-three, and it was then valued at fifty pounds. In 1649 the parsonage was valued at one hundred and twenty pounds per annum.
There is a pension of ten pounds to the vicar yearly paid out of the parsonage.
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PROBLEMA :
Se cere rezolvarea rostului din pardoseala.
REZOLVARE:
Pentru acoperirea rostului trebuie tinut seama de urmatoarele date:
– Dimensiunea rostului este de 100mm
– Traficul va fi pietonal
– Miscarea este de 50mm.
Pentru dimensiunea data si incarcarea care trebuie...
Finger Lakes Food/Flower Gardens
Last year I had thought about putting another gate at the end of the run to make it easier to access the front yard. I called in a fencing company who wanted to charge me $500.00. Whoa!!! Can you say RIP-OFF! Needless to say we didn't hire that company!!! So the gates went into the garden, a good use for them! They will be used for the Cucs and Squash to climb on!
James Brown gets a Soul Train tribute here as he performs various hits like "Get On The Good Foot," "Soul Power," "Make It Funky," "Cold Sweat," "Try Me," "Hot Pants," "Get Up (I Feel Like A) Sex Machine," "Super Bad," "Please Please, Please" and "Say It Loud I'm Black and I'm Proud". Lyn Collins joins him at one point with "Never Gonna Give You Up"
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.....item 1).... youtube video ... James Brown Get On The Good Foot, Soul Power,Make It Funky Soul Train 1 ... 7:33 minutes
www.youtube.com/watch?v=1N5jY00z_Sk
MrThefunkmusicgame
Uploaded on Aug 9, 2011
Get On The Good Foot, Soul Power,Make It Funky Soul Train 1973
From The Soul Train DVD
Category
Music
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.....item 2A).... youtube video ... James Brown - Cold Sweat Part 1 ... 6:19 minutes ... CloneShadow
www.youtube.com/watch?v=J4Pg7MOTEEw&feature=related
Live At Boston Garden 5th April 1968
I had to split it in two. It was about 12 minutes.
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.....item 2B).... youtube video ... James Brown - Cold Sweat Part 2 ... 5:16 minutes ... CloneShadow
www.youtube.com/watch?v=zy-f0px7HQ0&feature=related
Live At Boston Garden 5th April 1968
I had to split it in two. It was about 12 minutes
License:
Standard YouTube License
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.....item 3)..... Letters to the Editor .... Tallahassee Democrate Newspaper ... www.tallahassee.com ....
Letters to the editor
11:26 PM, Dec. 12, 2011
FILED UNDER
Opinion
Letters
www.tallahassee.com/article/20111213/OPINION02/112130305/...
The Board of Governors is investigating the death of Florida A&M University drum major Robert Champion due to the possibility that his death was the result of hazing by FAMU band members. The FAMU Board of Trustees, in an effort to "control" what it sees as merely a public relations problem (rather than focusing on the real tragedy, the death of one of its own students), has attempted to create momentum to blame FAMU President Ammons for Champion's death. While the board's end game is unclear, the initial steps are thoroughly transparent: By publicly reprimanding Dr. Ammons for some nebulous charge of failing to "do more" following the tragedy, they get the ball rolling for general public outrage targeted at Dr. Ammons. The board, led by trustee Rufus Montgomery, is hiding the real problem, the possible hazing death of Robert Champion, by simply trying to blame the otherwise blameless Dr. Ammons.
Frankly, it appears that Dr. Ammons had been attempting to prevent this type of hazing before the incident occurred in the first place. Rules were in force and effect prior to Champion's death that forbade hazing and hazing-like behavior, of which the FAMU band members were aware.
But the trustees board isn't focusing on the efforts to curb this behavior — they are simply attempting to find Dr. Ammons guilty of failing to adequately prevent the public relations fallout from the incident. In fact, Montgomery was quoted as saying at a recent board meeting: "The Board of Governors stepped in to do our job (public relations management)..."
Furthermore, at the same meeting, the trustees agreed to hire a public relations firm to control what it saw as flak it was receiving from the media. This is shocking callousness by the board of a grievous circumstance. Rather than spending time and money on public relations firms and reprimanding Dr. Ammons, the board should take its cue from Dr. Ammons and focus on addressing the culture-level changes that need to take place to prevent this type of hazing from ever occurring in the first place.
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BENJAMIN RUST
benrust@benrustlaw.com
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.....item 4).... youtube video ... Lowell Fulson / Check Yourself ... 3:03 minutes ...
www.youtube.com/watch?v=NKPWV7woe3I
Checker Records release # 812 (1955)
Category:
Music
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blues
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Kolkata /koʊlˈkɑːtɑː/(Bengali: কলকাতা) formerly Calcutta /kælˈkʌtə/(Bengali: ক্যালকাটা) is the capital of the Indian state of West Bengal. Located on the east bank of the Hooghly river, it is the principal commercial, cultural, and educational centre of East India, while the Port of Kolkata is India's oldest operating port and its sole major riverine port. As of 2011, the city had 4.5 million residents; the urban agglomeration, which comprises the city and its suburbs, was home to approximately 14.1 million, making it the third-most populous metropolitan area in India. As of 2008, its gross domestic product (adjusted for purchasing power parity) was estimated to be US$104 billion, which would be third highest among Indian cities, behind Mumbai and Delhi. As a growing metropolitan city in a developing country, Kolkata confronts substantial urban pollution, traffic congestion, poverty, overpopulation, and other logistic and socioeconomic problems.
In the late 17th century, the three villages that predated Kolkata were ruled by the Nawab of Bengal under Mughal suzerainty. After the Nawab granted the East India Company a trading licence in 1690, the area was developed by the Company into an increasingly fortified trading post. Nawab Siraj ud-Daulah retook Kolkata in 1756 after the Company started evading taxes and due to increasing militarization of the fort. The East India Company retook it in the following year, and defeated the Nawab of Bengal (Mir Qasim) in 1764 when he tried to squeeze them out of the region. Per the treaty signed between the company and the Mughal emperor after the battle, the East India company gained the right to collect revenue from the province, thus becoming the imperial tax collector. In 1793 the East India company was strong enough and to abolish Nizamat (local rule), and assumed full sovereignty of the region. Under the Company rule and later under the British Raj, Kolkata served as the capital of British-held territories in India until 1911, when its perceived geographical disadvantages, combined with growing nationalism in Bengal, led to a shift of the capital to New Delhi. The city was a centre of the Indian independence movement; it remains a hotbed of contemporary state politics. Following Indian independence in 1947, Kolkata - which was once the centre of modern Indian education, science, culture, and politics -witnessed several decades of economic stagnation.
As a nucleus of the 19th- and early 20th-century Bengal Renaissance and a religiously and ethnically diverse centre of culture in Bengal and India, Kolkata has local traditions in drama, art, film, theatre, and literature. Many people from Kolkata - among them several Nobel laureates - have contributed to the arts, the sciences, and other areas. Kolkata culture features idiosyncrasies that include distinctively close-knit neighbourhoods (paras) and freestyle intellectual exchanges (adda). West Bengal's share of the Bengali film industry is based in the city, which also hosts venerable cultural institutions of national importance, such as the Academy of Fine Arts, the Victoria Memorial, the Asiatic Society, the Indian Museum and the National Library of India. Among professional scientific institutions, Kolkata hosts the Agri Horticultural Society of India, the Geological Survey of India, the Botanical Survey of India, the Calcutta Mathematical Society, the Indian Science Congress Association, the Zoological Survey of India, the Institution of Engineers, the Anthropological Survey of India and the Indian Public Health Association. Though home to major cricketing venues and franchises, Kolkata differs from other Indian cities by giving importance to association football and other sports.
ETYMOLOGY
The word Kolkata derives from the Bengali term Kôlikata (Bengali: কলিকাতা) [ˈkɔlikat̪a], the name of one of three villages that predated the arrival of the British, in the area where the city eventually was to be established; the other two villages were Sutanuti and Govindapur.
There are several explanations about the etymology of this name:
The term Kolikata is thought to be a variation of Kalikkhetrô [ˈkalikʰːet̪rɔ] (Bengali: কালীক্ষেত্র), meaning "Field of [the goddess] Kali". Similarly, it can be a variation of 'Kalikshetra' (Sanskrit: कालीक्षेत्र, lit. area of Goddess Kali").
Alternatively, the name may have been derived from the Bengali term kilkila (Bengali: কিলকিলা), or "flat area".
The name may have its origin in the words khal [ˈkʰal] (Bengali: খাল) meaning "canal", followed by kaṭa [ˈkata] (Bengali: কাটা), which may mean "dug".
According to another theory, the area specialised in the production of quicklime or koli chun [ˈkɔlitɕun] (Bengali: কলি চুন) and coir or kata [ˈkat̪a] (Bengali: কাতা); hence, it was called Kolikata [ˈkɔlikat̪a] (Bengali: কলিকাতা).
Although the city's name has always been pronounced Kolkata [ˈkolkat̪a] (Bengali: কলকাতা) or Kôlikata [ˈkɔlikat̪a] (Bengali: কলিকাতা) in Bengali, the anglicised form Calcutta was the official name until 2001, when it was changed to Kolkata in order to match Bengali pronunciation.
HISTORY
The discovery and archaeological study of Chandraketugarh, 35 kilometres north of Kolkata, provide evidence that the region in which the city stands has been inhabited for over two millennia. Kolkata's recorded history began in 1690 with the arrival of the English East India Company, which was consolidating its trade business in Bengal. Job Charnock, an administrator who worked for the Company, was formerly credited as the founder of the city; In response to a public petition, the Calcutta High Court ruled in 2003 that the city does not have a founder. The area occupied by the present-day city encompassed three villages: Kalikata, Gobindapur, and Sutanuti. Kalikata was a fishing village; Sutanuti was a riverside weavers' village. They were part of an estate belonging to the Mughal emperor; the jagirdari (a land grant bestowed by a king on his noblemen) taxation rights to the villages were held by the Sabarna Roy Choudhury family of landowners, or zamindars. These rights were transferred to the East India Company in 1698.In 1712, the British completed the construction of Fort William, located on the east bank of the Hooghly River to protect their trading factory. Facing frequent skirmishes with French forces, the British began to upgrade their fortifications in 1756. The Nawab of Bengal, Siraj ud-Daulah, condemned the militarisation and tax evasion by the company. His warning went unheeded, and the Nawab attacked; he captured Fort William which led to the killings of several East India company officials in the Black Hole of Calcutta. A force of Company soldiers (sepoys) and British troops led by Robert Clive recaptured the city the following year. Per the 1765 Treaty of Allahabad following the battle of Buxar, East India company was appointed imperial tax collector of the Mughal emperor in the province of Bengal, Bihar and Orissa, while Mughal-appointed Nawabs continued to rule the province. Declared a presidency city, Calcutta became the headquarters of the East India Company by 1772. In 1793, ruling power of the Nawabs were abolished and East India company took complete control of the city and the province. In the early 19th century, the marshes surrounding the city were drained; the government area was laid out along the banks of the Hooghly River. Richard Wellesley, Governor-General of the Presidency of Fort William between 1797 and 1805, was largely responsible for the development of the city and its public architecture. Throughout the late 18th and 19th century, the city was a centre of the East India Company's opium trade.By the 1850s, Calcutta had two areas: White Town, which was primarily British and centred on Chowringhee and Dalhousie Square; and Black Town, mainly Indian and centred on North Calcutta. The city underwent rapid industrial growth starting in the early 1850s, especially in the textile and jute industries; this encouraged British companies to massively invest in infrastructure projects, which included telegraph connections and Howrah railway station. The coalescence of British and Indian culture resulted in the emergence of a new babu class of urbane Indians, whose members were often bureaucrats, professionals, newspaper readers, and Anglophiles; they usually belonged to upper-caste Hindu communities. In the 19th century, the Bengal Renaissance brought about an increased sociocultural sophistication among city denizens. In 1883, Calcutta was host to the first national conference of the Indian National Association, the first avowed nationalist organisation in India.
The British moved the capital to New Delhi in 1911. Calcutta continued to be a centre for revolutionary organisations associated with the Indian independence movement. The city and its port were bombed several times by the Japanese between 1942 and 1944, during World War II. Coinciding with the war, millions starved to death during the Bengal famine of 1943 due to a combination of military, administrative, and natural factors. Demands for the creation of a Muslim state led in 1946 to an episode of communal violence that killed over 4,000. The partition of India led to further clashes and a demographic shift - many Muslims left for East Pakistan (present day Bangladesh), while hundreds of thousands of Hindus fled into the city.
During the 1960s and 1970s, severe power shortages, strikes, and a violent Marxist–Maoist movement by groups known as the Naxalites damaged much of the city's infrastructure, resulting in economic stagnation. The Bangladesh Liberation War of 1971 led to a massive influx of thousands of refugees, many of them penniless, that strained Kolkata's infrastructure. During the mid-1980s, Mumbai (then called Bombay) overtook Kolkata as India's most populous city. In 1985, prime minister Rajiv Gandhi dubbed Kolkata a "dying city" in light of its socio-political woes. In the period 1977–2011, West Bengal was governed from Kolkata by the Left Front, which was dominated by the Communist Party of India (CPM). It was the world's longest-serving democratically elected communist government, during which Kolkata was a key base for Indian communism. In the West Bengal Legislative Assembly election, 2011, Left Front was defeated by the Trinamool Congress. The city's economic recovery gathered momentum after the 1990s, when India began to institute pro-market reforms. Since 2000, the information technology (IT) services sector has revitalised Kolkata's stagnant economy. The city is also experiencing marked growth in its manufacturing base.
DEMOGRAPHICS
A resident of Kolkata is referred to via the demonym Calcuttan or Kolkatan. According to provisional results of the 2011 national census, Kolkata district, which occupies an area of 185 km2, had a population of 4,486,679; its population density was 24,252/km2. This represents a decline of 1.88% during the decade 2001–11. The sex ratio is 899 females per 1000 males - lower than the national average. The ratio is depressed by the influx of working males from surrounding rural areas, from the rest of West Bengal, and from neighbouring states, mainly Bihar, Uttar Pradesh, and Orissa; these men commonly leave their families behind. Kolkata's literacy rate of 87.14% exceeds the all-India average of 74%. The urban agglomeration had a population of 14,112,536 in 2011.
Bengali Hindus form the majority of Kolkata's population; Marwaris, Biharis and Muslims compose large minorities. Among Kolkata's smaller communities are Chinese, Tamils, Nepalis, Odias, Telugus, Assamese, Gujaratis, Anglo-Indians, Armenians, Greeks, Tibetans, Maharashtrians, Konkanis, Malayalees, Punjabis, and Parsis.:3 The number of Armenians, Greeks, Jews, and other foreign-origin groups declined during the 20th century. The Jewish population of Kolkata was 5,000 during World War II, but declined after Indian independence and the establishment of Israel; by 2013, there were 25 Jews in the city. India's sole Chinatown is in eastern Kolkata; once home to 20,000 ethnic Chinese, its population dropped to around 2,000 as of 2009 as a result of multiple factors including repatriation and denial of Indian citizenship following the 1962 Sino-Indian War, and immigration to foreign countries for better economic opportunities. The Chinese community traditionally worked in the local tanning industry and ran Chinese restaurants.
Bengali, the official state language, is the dominant language in Kolkata. English is also used, particularly by the white-collar workforce. Hindi and Urdu are spoken by a sizeable minority. According to the 2011 census, 76.51% of the population is Hindu, 20.60% Muslim, 0.88% Christian, and 0.47% Jain. The remainder of the population includes Sikhs, Buddhists, and other religions which accounts for 0.45% of the population; 1.09% did not state a religion in the census. Kolkata reported 67.6% of Special and Local Laws crimes registered in 35 large Indian cities during 2004. The Kolkata police district registered 15,510 Indian Penal Code cases in 2010, the 8th-highest total in the country. In 2010, the crime rate was 117.3 per 100,000, below the national rate of 187.6; it was the lowest rate among India's largest cities.
As of 2003, about one-third of the population, or 1.5 million people, lived in 3,500 unregistered squatter-occupied and 2,011 registered slums: 92 The authorised slums (with access to basic services like water, latrines, trash removal by the Kolkata Municipal Corporation) can be broadly divided into two groups - bustees, in which slum dwellers have some long term tenancy agreement with the landowners; and udbastu colonies, settlements which had been leased to refugees from present-day Bangladesh by the Government.:5 The unauthorised slums (devoid of basic services provided by the municipality) are occupied by squatters who started living on encroached lands - mainly along canals, railway lines and roads.:92:5 According to the 2005 National Family Health Survey, around 14% of the households in Kolkata were poor, while 33% lived in slums, indicating a substantial proportion of households in slum areas were better off economically than the bottom quarter of urban households in terms of wealth status.:23 Mother Teresa was awarded the Nobel Peace Prize for founding and working with the Missionaries of Charity in Kolkata - an organisation "whose primary task was to love and care for those persons nobody was prepared to look after".
WIKIPEDIA
The passengers on board 1F64 Scarborough to Liverpool Lime street have just disembarked as the train was terminated at Huddersfield on February the 25th 2020. The train manager described the issue as a Health and Safety problem with the train doors.
dear kelly smith sometimes I wish I was as amy winehouse oriented as you are and now my dreams are coming true
Brilliant line, great work by Will. I did the RH finish after this as wasnt sure what was what, get pocket with the LH and head right. "The Lash Out?" the right finish was a bit harder. My grade calibrater is malfunctioning at the moment.
[14:49] Amara turned the corner, walking into the restaurant and passing Leigh and Ayr as she moved to the counter. "Afternoon you two. Nick, I'd like a medium pie with broccoli, ham, olives, and extra cheese. To go."
[14:50] Leigh Parx (Kayleigh Jigsaw) just cracked up laughing. "That ain't a man. An' if you're bein' nice 'nuff ta listen, don't see why I can't do somethin' nice in return. Do you?" Leigh wasn't counting on Ayr fixing her problems, but she did know he usually managed to at least make things seem better. "Aight." Her attention shifted to the NPC waiter for a moment. "One pie with whatever meats ya'll got and a water. Plus whatever he wants despite what he says." She'd jerk her head slightly in Ayr's direction at the words. Amara got a nod. "Hey, boss. Lost your tail?"
[14:52] Ayr Bosatsu looks over to Amara when she walks in, chewing on the thoughts Leigh had given him. "I wanted to pick a Better time to do this, and it seems a bit abrupt to do it here and now. But," he'd clear his throat, "Amara I'd like you to Be Beta for a while. Since gage has surrendered her position we've been in need of a new one and few have stepped forward to offer their names. More than a few people have mentioned -your- name though. I'd like you to give it a try for a month and a bit, see how you feel with it." Looking down at his boots he'd huff slightly, "I'm getting too old for these lil heart-string moments."
[14:58] Amara was caught between blushing and crying at the announcement. She really had her heart set on just being the lead medic, but she felt rather humbled that others though her a capable Beta. "I'd be honored, Ayr, and I'll do my best. Count on it." She leaned against the counter for support as she smiled at Leigh. "My tails are fine thanks. Are you alright though after what happened yesterday?"
[15:07] Leigh Parx (Kayleigh Jigsaw) nodded. "Whatcha mean what happened? Only thing that rankled me any was when it seemed like you were undermining my doing my job." She'd shrug a bit. "Might wanna buy that lady a strap-on and some therapy though? She was compensatin' pretty hard for somethin'. You're welcome to join us." She'd think for a moment before pulling a business card from her pocket and holding it out to Amara.
[15:09] Ayr Bosatsu looks at Amara a long moment, even as Leigh speaks to her. His head nodded somewhat, mind scratching back like a broken record to his younger years. Lolling his head forward he'd plant his chin on the desk, stifling proud tears as his heart strings got plucked and played - so much so he could only manage a nod in return to her comment. Quickly standing up to try and shake himself out of it he'd make for the counter and order himself a drink with a lump in his throat, "Cola."
[15:14] Amara took the business card and read it over, taking a seat at the table while she waited for her pie to be made. "I do apologize for Lana; Ashagi's been going through some difficult times. Several employees have been attacked or mauled, and we have no idea who's behind them." She sighed, putting the card away knowing it would be useful later. "Her lover was attacked. Arwen was shot...and Adagio..." Amara bit her lip, stopping the sentence short. "She just didn't want someone else to be hurt on her watch. Nothing more."
[15:17] Mitka Dover walks in quietly stopping at the table nodding to the pack and leigh"you all been served?"
[15:21] Leigh Parx (Kayleigh Jigsaw) shrugged as the NPC put her water on the table. She'd keep her attention mostly focused on those she was with, for now. "Still, yer my boss. I'd rather see ya have someone competent if ya need someone. The way she was actin' ain't gonna do nothin' but end up gettin the people she's tryin' ta protect hurt." Her attention would then shift back to Ayr as she watched him. "So first thing I wanna ask ya is this. Am I a lady?" Yup, true Leigh fashion had the question seeming like it came out of nowhere.
[15:24] Ayr Bosatsu nods when Mitka comes in, pulling out his phone quietly. "Well," he scratched behind his ear. "Sometimes I wonder. You seem to be pretty much immune to any guy coming onto you," his eyes drifted to the left and the child outside. The one who gave him birthday cake, "...!" Scrabbling up quickly he'd look at Mitka then point at the child, screaming at the top of his lungs - "Get that child -whatever- she wants to eat, 'cause I'm frontin' the bill!" As his finger pointed at her it wiggled, so much tension and sincerity in his tone that it could not be misunderstood for a sudden paroxysm of drug-fuelled insanity. "...Yes, though, I think you fall under the class of things known as 'woman'." Sinking back down to the table he'd look about bashfully. "..She bought me cake...and i blew her off, sorta..So i feel hella bad."
[15:27] Amara nods. "Just waiting on my pizza to be made, Mitka. I'd like a glass of water though." She folded her arms just above her stomach and sighed. "I will look into a personal bodyguard, don't worry. Can't exactly afford injuries right now, but I need to stay close to the city more often than at ho-" She jumped back when Ayr suddenly proclaimed free food for a random child outside, eyes widened in surprise. "Woah...Ayr, don't scare me like that...please."
[15:29] Sally-Jean almost jumped when she heard someone yell at the top of their lungs.. OOhhh it was Mister Ayr! She'd look around to see if there was any other child he could be talking about.. didn't look like it so she'd sheepishly walk into the resturant, giving the adults a shy smile and a wave before going to the counter, smiling at Nick. " can I try some spaghetti and meatballs?" she'd ask quietly before glancing at the adults once more and taking her seat in one of the booths.
[15:29] Leigh Parx (Kayleigh Jigsaw) tilted her head curiously considering the words. "So you'd say I'm a woman, but not a lady? Explain, please." She glanced over her shoulder to see the child he'd indicated.
[15:31] Ayr Bosatsu nods profusely when the child wanders in, "AHHH! You can have it all! Will make sure I pay you back for the cake i didn't give you on your birthday!" Standing up again he'd knock over his chair, pointing at the NPC dude to chop chop to it. "...Food..Whatever she wants, all of it paid by me." Thumbing his chest he'd nod sharply and pick up his chair, "I mean. Women generally tend to respond to sexual advances. You don't from what I've seen. You got boobs and probably a ...you know," he made finger gestures akin to scissors, "..but uhm...You don' got the personality of a lady. You're a tom-boy, unashamedly so." Torn between Leigh, Amara and the kid he'd nod and point a techno viking-esque finger at Nick.
[15:33] Mitka Dover reaches into her top to grab her vibrating phone o ut , reads the message, and sets the phone down.She would grab a peice of paper and chucks it at Ayr's head mumbling
[15:35] Mitka Dover would also grab Amara the glass of water and walsk over setting it downi nfront of her.She sees the pizza done and brings it too over at the same time"there ya go, eat up Mara...your eating for two."
[15:37] Amara didn't know which to laugh at first - Ayr's eccentric manner as far as feeding a child, his definition of what it means to be a lady, or his inability to proper refer to female genitalia. "A lot of things define a lady, Ayr, not just her physical attributes or her response to sexual advances. It's how she carries herself." She smiled at the food and drink being delivered and handed Mitka payment. "Oh don't remind me - I don't even like olives, but that's all I've been craving for three days straight."
[15:39] Mitka Dover swats Ayr upside the head mumnbling something under her breath"told you i'd swat you for that ayr..."she closes her phone after sending a text back.She loosk at amara"it's been red meat for me.....and skittles"
[15:39] Sally-Jean blinked widely at the highly animated Ayr. She'd tilt her head even, blinking a few more times before speaking up. " Are.. are you okay Mister Ayr?" she'd tap her fingers against her bottom lip. " Maybe there was too much sugar in the cake.." She'd say softly before covering her mouth in a giggle when paper is thrown at him. She'd then widen her eyes as he dashed off like the flash.. she'd look to the adults and shrug her shoulders. " Maybe he needs a nap.. they used to make the younger kids take naps when they got all sugar crazy." she'd nod her head once before staring at her table.
[15:40] Leigh Parx (Kayleigh Jigsaw) just blinked. "So that makes me not a lady?" She'd consider this for a few moments before leaning back in her chair and putting her boots up on the edge of the table in Ayr's direction. If he looked, he'd get a nice view of the silky black panties barely covering her. "Alright, so where would you say I rank in the food chain? And feel free to contribute any of your thoughts to this, Amara. It would be welcomed." Her ankles crossed after a moment as an NPC brought out the pie she'd ordered right behind Mitka bringing Amara's. She fished her credits from her pocket and passed them to the guy delivering her meal.
[15:45] Amara shook her head at the young girl. "No dear, in all honestly, he's like that naturally sometimes. No sugar required." She nibbled on a slice of the cheesy pizza before gesturing for Leigh to help herself if she wanted a bite. "I think you're one of the more honest with yourself females on this island. It doesn't seem like you care what others think of you as long as you're at peace with yourself. You aren't walking around in heels or anything, but I'm not sure tomboy is the right term."
[15:45] Nikolay Fedoseev had turned around deciding he needed a slice and a moments break before heading back out on patrol.. he was in a significantly better mood since fighting with eli last night.. Heading in he just hears leighs comments glancing in her direction to see her sitting with ehr legs up and not crossed in a skirt half her ass hanging out... though he missed the panty shot... Trying to keep his face straight he cant help a small smirk... thank god she's not his daughter.
[15:47] Sally-Jean nodded slowly. " Ohhhh.." She'd say before smiling. She'd sit quietly as she waiting for Sam to cook up her spaghetti and meat balls. kind of listening to the grown ups, but at the same time trying to hide it.. as to not get into trouble for eavesdropping.
[15:52] Leigh Parx (Kayleigh Jigsaw) dropped her right hand to her lap lightly playing with the edge of her skirt as she continued to leave her feet on the table. "But lady isn't either?" Her left hand snagged a slice of pizza and she took a bite. She'd chew before studying Amara curiously. "But lady isn't the right term, either?" Her tongue ran over her teeth in thought before she took a second bite curiously waiting to see what the response would be.
[15:59] Amara nodded to Nik as he strolled in, giving him an acknowledging nod while she ate. "How's the leg fairing, Mr Fedoseev?" Moving on to her second slice, she thought about how to answer. "There are too many definitions for lady, Leigh. It could be a female of high society. To some it's just a proper woman. To others it's any female that looks like she bathes and uses makeup. Feminine is not a term I'd use in your case, but I see you are a lady purely due to your confidence. You don't help to get your shit done." She took one more bite of the pizza. "Not sure a 'lady' would flash her knickers though..." she winked.
[16:03] Ayr Bosatsu Clatters back into the restauraunt with a crash. "I needed my hat," he muttered and looked to LEigh and Amara, leaving them to talk as he sunk down into the booth next to lil Sally. "You eating properly?"
[16:05] Nikolay Fedoseev turned away form nick after ordering a coffee to glance at amara and then to ayr wondering what the man will do after the shit al stired up last night.. Watching him walk back in tosit with another girl he looks to amara.. "its doing good... this is the second one i've had put on... " he'd glance to leigh arching a brow as he is now in the right position to see her flicking her skirt up with ehr fingers.. giving a half amused snort he shakes his head.. "I'm not even going to touch that one... "
[16:06] Sally-Jean looked up. she was about to tell him she was still waiting for her food when Nick brought a medium sized plate of spaghetti and meatballs. Her eyes would widen and she'd smile " I'm about to!" she'd smile at N ick and give him thanks before leaning towards Ayr. " never had Meatballs and Spaghetti before.. so Imma try it." she'd stab a meatball with her fork, about to take a bite before asking. " Did you like your cake? I didn't know what kind you liked.. so I got cheesecake.. because everyone likes cheesecake.. I think.. and the toy fox and toy leopard where new, all clean and stuff."
[16:11] Leigh Parx (Kayleigh Jigsaw) just flashed the Judge a sweet smile. "Touch what?" She'd tilt her head back and look at Ayr upside down. "You gonna help me eat this pizza and finish our talk?" Her head was righted as she finished the slice in her hand. "So where would you say I rank on the food chain, all things considered?" Leigh wasn't sure who would know how much about her, even her boss. Well, she knew Ayr would know, but he seemed occupied with the other kid. A smirk crossed her features as she considered Amara's comment on the panty flashing. "I'm wearing knickers?"
[16:19] Ayr Bosatsu ((posts since it's been 8 mins and he fig's P.O don't matter here. )) leans over when she does to listen attentively. "Mm..I like meatballs and spaghetti, though I don't make a very good one." His head tilted towards Leigh, realizing he'd almost seen her underwear before scrabbling off. "..Battle Axe is calling," he muttered to Sally and pressed his hands onto the table. "Sáte do.." Dusting off his hands he'd bow to the child, "I really appreciate the Cake. Thank you for thinking of me and giving me it. I'll set up a tab here for you so you can get free nomz whenever you need it. Feel I owe you that much, 'N here's my number if you get a phone and you need some help cha," and thus he did meander back to his chair with a thunk, leaving behind his calling card. A piece of paper with a goofy looking Fox and his number.
[16:20] Amara giggled at Ayr. "All that commotion for a hat?" She knew she probably should not sound so surprised; it's Ayr after all. "It's your second leg? Maybe you should see Imrie or the folks at Straylight for a stronger limb, Nik." She glanced back to Leigh, leaned over to check, then asked, "Black...silk or satin I think. Are my eyes mistaken then?" Amara had seen Leigh in less so this hardly bugged her. "You're closer to the tomboy side of the scale than the overly girl side, Leigh. Still wearing skirts and other feminine attire, so calling you a tomboy outright isn't correct, but you aren't walking about half nude."
Tiesto during the TIESTO-Kaleidoscope World Tour performance held at InterContinental Hotels Doha Beach Area in Doha, Qatar, 01 October 2010.
DJ TIESTO live performance at the stage of InterContinental Hotels Doha, Beach Area on October 01, 2010 Doha, Qatar.
Music fans of local and foreign nationalities welcomes back in an up-close-and-personal experience the ever smiling world famous DJ as he performs his best selling music in unison with his own extravagant and jaw-dropping giant LED screen, animated light works and powerful sound system.
TIESTO "Kaleidoscope World Tour" was a success full house brought-in Doha, organized and managed by Jared Mcculloch of Global DJs.
Hotel InterContinental Doha Beach Area is the premier concert venue in Doha.
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TIESTO also known as DJ Tiësto, Allure, Da Joker, Drumfire, Handover Circuit, Paradise In Dubs, Passenger, Roze, Steve Forte Rio, Stray Dog, Tom Ace, Wild Bunch
Tiësto OON (Dutch pronunciation: [ˈcɛstoː]; born Tijs Michiel Verwest [ˈtɛi̯s miˈxil vərˈʋɛst] on January 17, 1969) is a Dutch musician, DJ and record producer of electronic dance music. Although he has used many aliases in the past, he is best known for his work as DJ Tiësto. On his latest productions, however, he has dropped the "DJ" label and is now known simply as "Tiësto", an alias which is a twist of his childhood nickname.
In 1997, he founded the label Black Hole Recordings with Arny Bink, where he released the Magik and In Search of Sunrise CD series. In 1999 and 2000 he collaborated with Ferry Corsten to create Gouryella. His 2000 remix of Delerium's "Silence" featuring Sarah McLachlan exposed him to more mainstream audiences. In 2001 he released his first solo album In My Memory which gave him several major hits that launched his career. He was named "World’s No.1 DJ" 3 consecutive times by DJ Magazine from 2002 through 2004.
Just after releasing his second studio album Just Be in 2004 at the Summer Olympics, he performed live at the opening ceremony in Athens, Greece, becoming the first DJ to play live on stage at an Olympics. Tracks he made especially for the Olympics were mixed together and released as the mix compilation Parade of the Athletes later that year. In April 2007 Tiësto launched both his radio show Tiësto's Club Life on Radio 538 in the Netherlands and released his third studio album titled Elements of Life. The album reached number one on the Dutch album chart as well on "Billboard Top Electronic Albums" in the U.S. and received a nomination for a Grammy Award in 2008. Tiësto released his fourth studio album called Kaleidoscope in October 2009.
Early Life and Career
Tijs Michiel Verwest was born in Breda, North Brabant, Netherlands on January 17, 1969. He had an interest in music since the age of twelve. When he was fourteen he decided to dedicate more time to it and began DJing professionally at school parties. He then moved on to become a resident DJ between 1985 and 1994 at several clubs in the Netherlands after his manager and friend Wilfred encouraged him. However, it was at The Spock, a small club in Breda, where he was able to fine-tune his own style by playing in a separate room from 10 p.m. until 4 a.m. on weekends. In the beginning of his career, as a DJ he played mostly New Beat and acid house.
In 1994, he began releasing material on Noculan Records' sub-labels Chemo and Coolman. During these years, he produced hardcore/gabber tracks under aliases such as Da Joker and DJ Limited. He was later discovered by the general manager of Rotterdam-based Basic Beat Recordings. In late 1994, he signed to Basic Beat where he met Arny Bink, Tiësto released records on the sub-label Trashcan, founded by Arny, and later created the Guardian Angel sub-label with Arny in which they introduced the popular Forbidden Paradise series. Meanwhile from 1995 to 1996 he released four extended plays on Bonzai Jumps and XTC, sub-labels of Lightning Records. In 1997, Tiësto joined his friend Yves Vandichel on his sub-label, DJ Yves, a division of the now defunct Human Resource label XSV Music. In the fall of 1997, both Arny and Tiësto decided to leave Basic Beat and create their own parent label, now known as Black Hole Recordings, Trashcan was discontinued and Guardian Angel continued releasing music until 2002. Through Black Hole, Tiësto released the Magik series and also created two major sub-labels in 1998; In Trance We Trust and SongBird.
From 1998 to 1999, Tiësto released music on Planetary Consciousness were he met A&R Hardy Heller and invited him to release some records on Black Hole. Tiësto later included the In Search of Sunrise series on SongBird. In 1999, Tiësto joined forces with fellow Dutch deejay Ferry Corsten to create the trance based duo of Gouryella. He also collaborated with Benno de Goeij from 1998 to 2000 under the name Kamaya Painters. Since November 1999 he performed monthly as a resident at Gatecrasher in Sheffield, one of the most popular clubs in England. In 1999 he also played in a 12-hour set, being his longest lasting concert in Amsterdam.
Late in 2000, Tiësto decided to concentrate on his personal work and left Corsten by himself to write and produce Gouryella's next single with John Ewbank, the record company was demanding more tracks and neither Tiësto or Ferry could work together at the time. Tiësto introduced Armin van Buuren, Johan Gielen and Ferry Corsten to the mainstream with his first compilations and the In Trance We Trust series. Summerbreeze became Tiësto's debut DJ mix album in the US with the help of a contract signed to Nettwerk. Summerbreeze featured his remix of Delerium's "Silence", it spent four weeks in the UK's Top Ten chart, it reached number three in the Billboard dance chart. In Search of Sunrise 2 was released in 2000. Tiësto decided to create a sub-label, known as Magik Muzik. The label began releasing Tiësto’s own releases, but it has also released tracks for the Filterheadz, Oliver Lieb, Mark Norman, Mojado, Phynn and Jes Brieden. The label became a trademark which stands for high quality electronic dance music which was due to the release of Tiësto's classic dance anthem "Flight 643" in 2001.
In My Memory era (2001–2004)
Tiësto's fame started to rise in the early 2000s after his set at the first ID&T Innercity party (Live at Innercity: Amsterdam RAI), and the release of In My Memory, his first solo album released in 2001 which contained 10 singles and 5 major hits; The singles from the album were: "Lethal Industry" which was actually produced in 1999 and had only 3 copies released at that time, the track was officially released in 2001 which was remixed by Richard Durand in 2006 along with "Flight 643" which was another leading single that was later adapted with vocals by Suzanne Palmer and released as "643 (Love's on Fire)". Other tracks were "Obsession" in which Tiësto worked alongside Junkie XL, the instrumental tracks "Dallas 4PM" and "Suburban Train" with "Urban Train" as its B-Side which contained some vocals. The last singles to be released were "In My Memory" which is the title track for the album as it only received high ratings in the United States and the opening track "Magik Journey" which opened Tiësto in Concert (2003). On February 2, 2002 Tiësto played nine consecutive hours during the second edition of the Dutch Dimension festival. On February 27 he was awarded a Zilveren ('Silver') Harp music award. The same year he also received a Lucky Strike Dance Award in the category Best DJ Trance/Progressive. In August he became part of Moby's Area2 Tour. For eighteen days he travelled through the United States with artists such as Moby himself, but also David Bowie and Busta Rhymes. In January 2003 Tiësto received the annual Dutch Popprijs ('Pop Award') during the Noorderslag festival. After touring with Moby, Tiësto remixed two songs from him, "We Are All Made of Stars" and "Extreme Ways" in the same year, having "We Are All Made of Stars" reach #13 in the Hot Dance Club Play. In 2002 he released his first In Search of Sunrise mix to feature a place on its name, In Search of Sunrise 3: Panama. On March 28, 2003; Tiësto, Dieselboy, Bad Boy Bill, and Noel Sanger joined the PlayStation2 Dual Play tour. Tiësto and Noel's appearance began on April 13 and ended on June 6.
His fame continued to skyrocket in the early 2000s, following his six-hour "Tiësto Solo" sets which he performed without other DJs or opening acts. This idea, of one DJ playing alone to a large crowd, was brought to its pinnacle when Tiësto was the first DJ to hold a solo concert in a stadium; on May 10, 2003, he performed for over 25,000 people in Arnhem's GelreDome. This concert was later called Tiësto in Concert, the event was an enormous success. He repeated the same type of concert the following year during two consecutive nights in late October. In addition to holding these two concerts for 35,000 of his fans, he held another concert for a crowd of 20,000 in Hasselt, Belgium the following week. DVDs of both his May 10, 2003 and October 30, 2004 concerts have been released, having the other DVD titled Tiësto in Concert 2. The DVD's show the journey from the first idea to the main event, it features live performances by Andain, Dinand Woesthoff, and Jan Johnston. The event includes live music and dancers performing at different times throughout the set. The theme of the event is a mystical, musical journey around the world based on the theme of Magik. It consists of 200+ minutes of performances with a second disc with special features, It includes a behind-the-scenes looking at The Making Of the event, the music video for his song "Traffic" and TV Commercials for the event. The second DVD has performances from Aqualung and violin player DJ Mason, Micha Klein and the Bulgarian Children of Orpheus choir. During this period, he was crowned as "No. 1. DJ in the World" by DJ Magazine (UK) in 2002, 2003, and 2004.
Just Be era (2004–2007)
In 2004, he released his second artist album Just Be, which featured his first single "Traffic" which is the first non-vocal track to reach number one spot in the Dutch national charts for 23 years. The track "Sweet Misery" was originally written for Evanescence but it did not meet the deadline for the release of their album. In support to his Just Be album, he played at Breda, Eindhoven, Utrecht, and Amsterdam; these stops were later named Just Be: Train Tour. On May 20, 2004 he was appointed Officer of the Order of Orange-Nassau by Her Majesty Queen Beatrix of the Netherlands.
The Athens Organizing Committee for the Olympic Games (ATHOC) asked Tiësto to perform at the Olympic Games, making him the first DJ to play live on stage at an Olympic Games at the 2004 Summer Olympics opening ceremony in Athens, where he played for 90 minutes. Tiësto flew to Athens in January 2004 to have a meeting with the ATHOC. His Tiësto in Concert DVD caught their attention, after which he was asked to write more tracks based on his opening tune "Adagio for Strings" which could fit in with the Olympic spirit and combine the classical with the modern age; They also requested that he play his own produced music. The first rehearsal was on Saturday August, 7, for an empty stadium; the second rehearsal was on Sunday August 8 with 35,000 volunteers, a lot of the people recognised some tracks like "Traffic" and "Adagio for Strings". The last rehearsal included almost 60,000 people in the stadium which was on Tuesday August 10, there were some technical problems, the mixer broke down, the monitors dropped out a couple of times and the music in the stadium was not continuously on the right volume.
During the parade on Friday, August 13, 2004, all participating nations introduced their athletes—10,500 in total There were 80,000 spectators, only 75,000 knowing about dance music. During the course of his performance the Dutch athletes started dancing in front of the DJ booth and had to be moved on by officials. The performance included new tracks produced especially for the Opening Ceremony and songs that were created to complement the spirit and theme of the ceremony. A condensed studio-recorded album of the songs played on the Olympic set was later released, including new songs specially composed for the occasion, entitled Parade of the Athletes in October 2004. In the liner notes, he noted the IOC requested that the music not contain any lyrics as they could be inadvertently misinterpreted.
In late 2004, he began his touring across Latin America, with his release of In Search of Sunrise 3: Panama in which he gained influence from the sun and sand in summer 2002. The tour continued in 2005, and Tiësto performed live at Brazil, Argentina, Panama, Peru, Costa Rica, Uruguay, Paraguay, Ecuador and Colombia. Following the tours, In Search of Sunrise 4: Latin America was released in 2005, featuring a second CD for the first time in the In Search of Sunrise series.
In 2005, his Perfect Remixes Vol. 3 compilation was released through Warlock Records, containing ten tracks which were created during the beginning of his career, between those is Junkie XL, Mauro Picotto and The Roc Project. On August 20, 2005, Verwest took Tiësto in Concert to the US when he played to 16,000 at the Los Angeles Memorial Sports Arena with Cirque du Soleil dancers. For the second year in a row he performed live at a New Year's Eve/New Year's concert in Las Vegas, Nevada at the Orleans Arena to a sell-out crowd. Despite his four-city US tour being postponed due to the hurricane damage in New Orleans and Miami, playing such cities further expanded and cemented his popularity among mainstream audiences. This was surpassed later in summer 2007 when some 250,000 danced on Ipanema Beach, Brazil, becoming the second largest concert in history. BPM magazine has an annual poll in the US which is unveiled in the WMC, in 2005 Tiësto took the No. 1 spot. The influences of Los Angeles remained with him and would later influence his In Search of Sunrise compilation.
A wax sculpture of Tiësto was placed behind a turntable at Madame Tussauds in Amsterdam where visitors can mix Tiësto's music together. In the fall of 2005 he went on a very successful tour across Central and Eastern Europe where he played once in each country to crowds of 10,000 to 15,000 fans. Stops were made in Ukraine, Slovakia, Serbia, Macedonia, Romania, Hungary, the Czech Republic, Turkey, Croatia, Poland and South Africa. The United States tour that was part of Tiësto in Concert was dwarfed by his appearance at Sensation White in 2006 where he performed to over 45,000 people in the world's biggest dance event in Amsterdam, Holland.
In Search of Sunrise 5: Los Angeles was released in 2006 which was certified Gold in Canada for sales over 50,000 copies. It also charted, peaking #34 in Canada and #59 in Austria. The compilation was launched in the Winter Music Conference at Mansion in South Beach Miami to support his release, Tiësto went on his In Search of Sunrise 5 Asia Tour for more than 3 weeks.
In September 2006, Tiësto was admitted to hospital after experiencing pain in his chest. He was diagnosed with pericarditis and subsequently had to cancel a number of shows. With the diagnosis, he was invited to support Dance4Life to help teens who are not aware of the risks of HIV/AIDS. He was chosen as the official ambassador for the Dance4Life foundation in May 2006, and released the song "Dance4Life" with Maxi Jazz to help spread the awareness of HIV/AIDS.
On April 6, 2007 Tiësto began presenting a new weekly two-hour radio show called Tiësto's Club Life on Dutch radio station Radio 538. It is syndicated worldwide and later released as a Podcast.
Elements of Life era (2007-2009)
On April 16, 2007, Tiësto released his third studio album Elements of Life, the album moved 73,000 units in its April release, according to Nielsen SoundScan. During the production of the album Tiësto in several cases sent a demo with the music to certain artists, and they replied back with the lyrics and vocals and other duration times. In the case of Christian Burns from BBMak, Tiësto met him through MySpace and got in contact with him and the production of the single "In the Dark". The album consists of rock, trance and experimental music, which shows the style Tiësto has grown throughout the years since his previous albums which contained lyrics, In My Memory and Just Be. Producer Brian Transeau collaborated with Tiësto in three tracks, he composed "Bright Morningstar" and "Sweet Things", he also performed the vocals in the single "Break My Fall". Together, they produced more tracks which were not released in the album, Tiësto has mentioned they would work again during the coming summer. In December 2007 it was announced that the album was nominated for a Grammy Award, in the category "Best Electronic/Dance Album." The album also received gold certifications in Belgium, Hungary, Netherlands, and Romania.[28] A special release party was held at the Heineken Music Hall in Amsterdam on November 3, 2007 for In Search of Sunrise 6: Ibiza.
His last three full-length releases broke the 70,000 mark, and the 2003 2CD compilation Nyana recently hit 87,000, according to Nielsen SoundScan. In support of the album, he embarked on his Elements of Life World Tour which had shows across the world. Tiësto's performance at Parken Stadium in Copenhagen, Denmark on November 10, 2007 was also sold out.[30] The Copenhagen: Elements of Life World Tour DVD was released in a party which was held on February 29, 2008 in London at the IndigO2 club.
Tiësto announced his residence at Privilege, officially recognised by the Guinness World Records as being the largest club in the world. He played in Ibiza every Monday, from July 7 until September 22. The gigs consisted of sets in the style of his In Search of Sunrise series. In 2007, he had released In Search of Sunrise 6: Ibiza which was inspired by the island. The residencies also featured the performance of guest deejays, all selected by Tiësto, such as Chris Lake, Andy Duguid, Mat Zo, Cosmic Gate, Alex Kunnari and Sander van Doorn as well as exclusive appearances by Fonzerelli and Airbase.
On April 28, Tiësto released Elements of Life: Remixed, a recompilation of the Elements of Life album with all songs being replaced by remixed versions. In mid-2008, Tiësto announced his In Search of Sunrise: Summer Tour 2008, which will be presented by Armani Exchange on May in support of his upcoming In Search of Sunrise 7: Asia compilation[34] and the previously released In Search of Sunrise 6: Ibiza. On August 8, 2008 Tiësto became the first DJ to perform at the famous O2 Arena in London as part of his In Search of Sunrise 7 summer tour, the event was sold out with a capacity of 20,000 people. Earlier that day, Tiësto had performed in-store at Armani Exchange on Regent Street in central London.
A sole production was prepared for Tiësto from June 8 to September 21 for his return at club Privilege for the second year in a row on Monday nights, after a successful year as a resident in 2008. During his time at Privilege he previewed tracks from his upcoming artist album. InTheBooth, the official members-only fansite of Tiësto launched July 17, 2009. On July 31, he was the first DJ to perform for 25,000 people at an exclusive outdoor concert in Victoria Park, London.
Kaleidoscope era (2009–present)
On October 6, 2009, Tiësto released his fourth studio album Kaleidoscope, which featured artists such as Priscilla Ahn, Calvin Harris, Tegan & Sara and Nelly Furtado. Unlike his earlier albums, which were all mostly trance, Kaleidoscope explores other electronic genres, and is considered Tiesto's most experimental album. The first single "I Will Be Here" featuring Sneaky Sound System being released in July 2009.[37][38][39] In its first week, the album reached the Top 10 chart on iTunes.
To release the album he has set up a new record label called Musical Freedom after parting ways with Black Hole Recordings. Tiësto felt that his music was evolving in a new direction and his focus as an artist was moving away from what Black Hole was set up to support. His new tour, sharing the name of his new album, called Kaleidoscope World Tour commenced in late September.
Tiësto contributed songs to both DJ Hero and DJ Hero 2 video games and is a playable character in the second game. He contributed two exclusive mixes to the second game, and used content from DJ Hero 2 to create the official video for his single 'Speed Rail' - the world's first music video to be created entirely using in-game footage.
Tiësto has produced a trance-flavoured song on Memphis rap duo Three 6 Mafia's upcoming album Laws of Power called "Feel It," which features Flo Rida and Sean Kingston.
On March 16, 2010, Tiësto released his greatest hits album called Magikal Journey: The Hits Collection 1998-2008, a two disc album focusing on his most famous songs and remixes of his songs.
On April 7, 2010, Tiësto announced that he would start a new compilation series called A New Dawn with his own label Musical Freedom. In his interview Tiësto furthermore confirmed that he will no longer have any more involvement with Black Hole Recordings.
On August 31, 2010 Kaleidoscope: Remixed was released, a remix album of his album Kaleidoscope.
On December 11, 2010, Tiësto was one of the headlining acts at ZoukOut 2010,[48] which was held in Singapore at Siloso Beach, Sentosa Island.
Philanthropy
On January 6, 2005, Tiësto performed in an outdoor fundraiser in De Dam, Amsterdam. The event was free, and many famous Dutch artists like Dinand Woesthoff, BLØF, Acda & De Munnik, Di-rect, Berget Lewis, Xander de Buisonjé and Trijntje Oosterhuis were involved in it to provide financial aid to the people who suffered from the 2004 Indian Ocean earthquake and tsunami in Southern and Southeastern Asia. All profits made of all TV commercials and live broadcast were given to the organisations collecting the relief funds.
In April 2006, Tiësto was named the official worldwide ambassador for the Dance4Life foundation promoting awareness of HIV/AIDS, as the foundation's ambassador he has helped the organisation with fundraising along with recording the track "Dance4life" that he recorded with Maxi Jazz from Faithless. The foundation consists on a better way of living with safe sex in exchange of entertainment to the young crowd.[50] The song was a huge success, peaking for five weeks in #3 and eleven consecutive weeks in the Top 10 of the Dutch Singles Chart, it also reached #5 in Belgium, #6 in Finland and also charting in the UK and Germany. With the successful release of Elements of Life, Tiësto and fashion designer Giorgio Armani collaborated together on a limited edition Tiësto T-shirt available at Armani Exchange stores. His single "Sweet Things" comes with the shirt including an exclusive "A|X Remix" by Tom Cloud which shows the great influence Tiësto has in fashion culture.[51] The charity raised over US$300,000.[34] On November 29, 2008 artists like Tiësto himself, Sied van Riel, Leon Bolier, Joop, and MC Gunner presented a concert at The Sand, Amsterdam promoted by Dance4Life, the sales from the event will go to the foundation to support next year's Schools4Life project.
Personal life
Until early 2006, Tiësto was in a relationship with Dutch model Monique Spronk. On January 10, 2008, Dutch newspaper De Telegraaf announced that Tiësto and his girlfriend Stacey Blokzijl were going to get married on October 10, 2008 in Cartagena, Colombia. He proposed to her in December 2007 while they were visiting Mauritius. Tiësto cancelled his wedding for October 10, because he claimed to have a busy schedule and too little time for the preparations. During Christmas 2008, Blokzijl broke off the engagement due to the constant delays to their wedding.
Source: Wikipedia
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Left-hand one is misbehaving. Right-hand one is better.
So that's annoying. New machine, set up with Marlin on RAMPS, the z-axis was always on (so the motors weren't released between layers). I thought that wasn't a bad idea, but it turns out that driving two motors (the z motors) continuously makes the stepper drivers go up to 110C, and they do a thermal cutout. Or at least, that's what it seems like. It manifests as the motors just not moving. When doing a "move 10mm" on the z-axis, it'll move, then just pause for a couple of seconds, before coming back on.
I have changed the row #define DISABLE_Z false in Marlin (Configuration) to true, and so it goes off between layers. I don't really trust microsteps to pickup where they left off, but at least it can print now. Also am going to add a fan to the electronics.