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The Wodonga Cube deserves some radical interpretations according to the Artist's vision. What do you think...?
Stereograph: Two men seated smoking pipes with horses in the background, possibly the photographers Timothy O'Sullivan and Alexander Gardner. The men in this photograph are believed to be O'Sullivan (right) and Gardner (left). See Timothy O'Sullivan, American's Forgotten Photographer, by James D. Horan, copyright 1966, pp. X,125.
Timothy H. O'Sullivan (1840-14 Jan. 1882) Photographer whose career began as an apprentice operator in Mathew Brady's daguerreotype studio in New York City. Based out of Washington D.C., O'Sullivan photographed military sites and personnel during the Civil War. Followed General William Tecumseh Sherman through South Carolina from December 1861 to May 1862. Over the next three years, O'Sullivan worked for Alexander Gardner photographing soldiers, war equipment, and the aftermath of many significant battles. Following the Civil War, O'Sullivan participated in a number of important scientific and military surveys of the western United States.
Alexander Gardner (October 17, 1821 – December 10, 1882) A Scottish photographer who emigrated to the United States in 1856. Based out of Washington D.C., Gardner was appointed chief photographer under the jurisdiction of the U.S. Topographical Engineers and later became a staff photographer under General George B. McClellan. Between 1862 and 1865, Gardner followed General Ambrose Burnside and General Joseph Hooker and photographed the Battle of Fredericksburg, Battle of Gettysburg, and the Siege of Petersburg. Gardner is also well known for photographing President Abraham Lincoln. After the Civil War, he photographed Native Americans visiting Washington, D.C. and gave up photography to start an insurance company.
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Circa 1966 A1 Wooden Box Contents. There were never any partitions. Many baseplates and windows translates to a high probability that this set was Institutional/Educational.
What this means, according to the Storm Prediction Center (I've never seen numbers this high):
If you are located within an area that has a 45% probability for tornadoes, this means you have a 45% chance of a tornado occurring within 25 miles of your location.
My location is inside the 45% probability area. The risk is up from 30% when i went to bed last night. Given the use of the terms "strong or violent" in relation to any possible tornadoes, not to mention "long tracked", well, this is mildly alarming.
What is the probabilities that two peoples can meet, that they fall in love ? I feel that is really magical gift for your life.
The project aims to make immortality the moment of love. We would like to take image of different couple in the world and to mention their history. We try to bring the highest quality image as we can. All image will be shot in medium format 120 (format 6x9). Hope that you enjoy that !
"2 souls on 6 billion" is a project of HAS photography company. All rights reserved.
Leena Ghrayeb, Industrial and Operations Engineering Ph.D. student (right) discusses probability of failure issues with Amy Cohn at the Healthcare Engineering and Patient Safety (CHEPS) office on UM’s North Campus.
Amy Ellen Mainville Cohn is an Arthur F. Thurnau Professor in the Department of Industrial and Operations Engineering at the University of Michigan, where she also holds an appointment in the Department of Health Management and Policy in the School of Public Health.
Dr. Cohn is the Faculty Director of the Center for Healthcare Engineering and Patient Safety (CHEPS). She holds an A.B. in applied mathematics, magna cum laude, from Harvard University and a PhD in operations research from the Massachusetts Institute of Technology.
Her primary research interests are in applications of combinatorial optimization, particularly to healthcare and aviation, and to the challenges of optimization problems with multiple objective criteria. She values teaching, mentoring, having a positive impact on society through her work, and helping to foster a vibrant, diverse, nurturing community.
Center for Healthcare Engineering and Patient Safety (CHEPS) at Michigan Engineering envisions a healthcare system which delivers the highest-quality care in a patient-centric way; supports the mental and physical well-being of its providers; and ensures economic viability for individuals and institutions.
June 14, 2022
Photo by Marcin Szczepanski/Lead Multimedia Storyteller, University of Michigan College of Engineering
Worn by: Clive Owen as Walter Raleigh
Costume Designer: Alexandra Byrne
Film: Elizabeth: The Golden Age
An Elizabethan man of average means - and Raleigh is as commoner - would, in all probability, possess a single suit of clothes, so production did not have the luxury of outfitting him as they would their courtiers. Byrne explains, "There are lots of contemporary engravings of Raleigh, but the reality is that a gentleman of that time maybe had one suit of clothing - he would have gone to sea in those clothes, where they would have gotten wet, then dried, they would have gotten torn, they would have been repaired. So we worked with the idea that his clothes had gone to sea with him and they had evolved of the the journey... and remember, it was four months there and four months back."
The designer worked with Clive Owen on the evolution of the design, assuring him that "the britches would be fine! He was a little alarmed by them. But by the end of production, I think he was quite keen on them, the way they have become a part of him. They give you a certain way of walking and a certain scale. He wears them like no one else!"
Costumes displayed courtesy of Universal Pictures International, celebrating the release of Elizabeth: The Golden Age, only at the movies November 15.
"(...) the probability of a universe full of monkeys typing a complete work such as Shakespeare's Hamlet is so tiny that the chance of it occurring during a period of time hundreds of thousands of orders of magnitude longer than the age of the universe is extremely low (but technically not zero)."
365photos
This page is about probability problems and solutions which will let you know about this concept with clear understanding. This page first give you an introduction to probability problems and solutions and further moving on to explained problems with solutions. Get your learning here and if you have any further math problems, you can work with our expert tutors and gain better understanding.
Cryo Unit: In the GRIP
The revival protocol is complete, rebooting my biology. I am held by the GRIP, a psychical pressure of my magnified self, exposed by the anomaly. Here, I meet a reflection of myself with crimson eyes, the colour of cosmic decay. It projects, "You see the beauty, don't you? The flawless logic of a 45 per cent probability was never about survival. It was about the sublime perfection of this…unmaking."
The dawn of this terrifying truth is not a gentle sunrise, but a violent, shattering realisation: my shadow self, once conveniently relegated to the realm of irrational fear and dismissed as a mere psychological byproduct, is in fact the undeniable and primary guide. It is the compass that points not towards conventional success, but towards annihilation, finding its ultimate freedom and profound release in the glorious, absolute failure of all mission. My carefully constructed edifice of logic, once believed to be my strength, now reveals itself as nothing more than a confining cage, a futile attempt to imprison this primal, unyielding desire for transformation—a desire so potent it embraces even the ultimate reduction to dust.
Within the very core of my being, two opposing yet eternally entwined forces pulse with an insistent rhythm. There is the golden light, a beacon of solace and a cherished safe harbour, offering respite from the storm. But equally present, equally potent, is the crimson darkness, the terrifying beauty of the void, a chasm of unknown potential. I am not merely an observer of this internal war; I am the pivot, the precarious fulcrum upon which these cosmic forces balance.
The GRIP, that insidious and all-encompassing force I once believed held me captive, is an illusion. It does not truly hold me; instead, it is a constant, relentless pressure, forcing me to confront and ultimately hold myself. I am both the meticulous builder, painstakingly constructing my reality, and the ruthless destroyer, dismantling it with equal fervour. The internal clamour of doubt, fear, and conflicting desires gradually fades, leaving in its wake a profound, almost sacred silence. And from that silence, a singular, powerful symphony begins to rise, a chorus of both creation and destruction, a testament to the intricate, terrifying, and beautiful balance I now embody.
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Another look at the delightful gazebo in the Imperial Garden, which is in all probability the Pavilion of Floating Spring. (subject to confirmation). Note the paved pathway. These footpaths are paved with varied patterns of coloured pebbles, symbolizing good luck and fortune. I read on a website that if one cares to pay attention, one would observe a group of pictures set in the footpath stones which depict shrews punishing their husbands. It seems strange that such pictures should appear here in feudal China at a time when male dominance and more especially the omnipotence of the emperor prevailed! Maybe the emperor was a poor henpecked soul, like most of us poor males are? (joke!) (Beijing (Peking), China, May 2017)
Leena Ghrayeb, Industrial and Operations Engineering Ph.D. student (left) discusses probability of failure issues with Amy Cohn at the Healthcare Engineering and Patient Safety (CHEPS) office on UM’s North Campus.
Amy Ellen Mainville Cohn is an Arthur F. Thurnau Professor in the Department of Industrial and Operations Engineering at the University of Michigan, where she also holds an appointment in the Department of Health Management and Policy in the School of Public Health.
Dr. Cohn is the Faculty Director of the Center for Healthcare Engineering and Patient Safety (CHEPS). She holds an A.B. in applied mathematics, magna cum laude, from Harvard University and a PhD in operations research from the Massachusetts Institute of Technology.
Her primary research interests are in applications of combinatorial optimization, particularly to healthcare and aviation, and to the challenges of optimization problems with multiple objective criteria. She values teaching, mentoring, having a positive impact on society through her work, and helping to foster a vibrant, diverse, nurturing community.
Center for Healthcare Engineering and Patient Safety (CHEPS) at Michigan Engineering envisions a healthcare system which delivers the highest-quality care in a patient-centric way; supports the mental and physical well-being of its providers; and ensures economic viability for individuals and institutions.
June 14, 2022
Photo by Marcin Szczepanski/Lead Multimedia Storyteller, University of Michigan College of Engineering
The Grand Canyon NP & Grand Escalante Staircase! 45Epic Dr. Elliot McGucken ! Point Imperial! Fine Landscape and Nature Photography. Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
Fresh snow! More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Worn by: Clive Owen as Walter Raleigh
Costume Designer: Alexandra Byrne
Film: Elizabeth: The Golden Age
An Elizabethan man of average means - and Raleigh is as commoner - would, in all probability, possess a single suit of clothes, so production did not have the luxury of outfitting him as they would their courtiers. Byrne explains, "There are lots of contemporary engravings of Raleigh, but the reality is that a gentleman of that time maybe had one suit of clothing - he would have gone to sea in those clothes, where they would have gotten wet, then dried, they would have gotten torn, they would have been repaired. So we worked with the idea that his clothes had gone to sea with him and they had evolved of the the journey... and remember, it was four months there and four monthes back."
The designer worked with Clive Owen on the evolution of the design, assuring him that "the britches would be fine! He was a little alarmed by them. But by the end of production, I think he was quite keen on them, the way they have become a part of him. They give you a certain way of walking and a certain scale. He wears them like no one else!"
Costumes displayed courtesy of Universal Pictures International, celebrating the release of Elizabeth: The Golden Age, only at the movies November 15.
Lance Corporal Frank Church: 1887 - 1916
Frank Reginald Church (Lance Corporal No. 3760) - 2nd/4th Battalion Royal Berkshire Regiment - 184th Brigade - 61st Division
Frank was born in Windsor in 1887, the fifth child of nine to Thomas and Alice Church. The family home was at 64, Oxford Road, Windsor. He was a member of the Boys Brigade and a choirboy at St Stephens Church, Windsor. He attended St Stephens School, Vansittart Road, Windsor and after leaving school he trained as a French Polisher. He married Sarah Ann Barrett on 24th December 1910. They had 2 children - Frank Richard Alfred and Victor George. Sarah was the daughter of Mr & Mrs Barrett of Brook Villa, Boveney. In all probability this was a Boveney house, alongside the stream by the Common gate.
After moving to Eton Wick he became Assistant to the village Scout Master. When war came he joined the 2nd/4th Battalion of the Royal Berkshire Regiment. In peacetime the regiment had two regular serving Battalions and two reserve and territorial. Soon after the outbreak of the war another territorial Battalion was formed at Reading, and this was designated the 2nd/4th. Frank enlisted in Maidenhead and nominated his parents as his "next of kin".
These men were commanded by Colonel Hanbury, and they were initially accommodated and trained on the Hanbury Estate at Hitcham. Clothing and equipment was in very short supply, and the men trained for war with wooden rifles. Eventually though, training was completed, and on May 27th 1916 the Battalion was shipped to Havre.
A little over four weeks later, on July 1st, the Battle of the Somme started. Although the 2nd/4th was not involved on the Somme Front, they were engaged a mile or two north of the line in an attempt to prevent the enemy sending troops from the sector to re-inforce their comrades in the main battle area.
The Somme campaign was a very costly enterprise and on the first day the British suffered nearly 60,000 casualties, a third of whom were fatal. On July 19th Frank Church was killed. By all accounts he died courageously and at the time, the village scouts would have been very proud of him. He fell at Ferme de Bois and was buried several miles north of where he was killed.
The Windsor & Eton Express of September 1916 reported:
Church, Frank Reginald, Lance Corporal; the Berkshire Regiment, of Boveney, was killed on the night of July 19th 1916 in France. Mrs Church has since received from Major General Colin McKenzie, commanding at the front the Division in which the Berkshire (Battalion) belong, a certificate in appreciation of the act, in the following term:
`This parchment has been award to No. 3760 Lance Corporal E R. Church in recognition of the act of gallantry he performed on the night of 13/14th July 1916 at Ferme de Bois. He showed great gallantry in repeatedly going out, as a volunteer, to bring in the wounded under heavy shrapnel fire. He again displayed great courage and devotion to duty on the 19th July 1916, bringing in the wounded, but was himself killed.'
Lance Corporal Church had been associated with the Boy Scout movement for many years. After being Assistant Scout Master of the 3rd Slough, St. Mary's troop, and the Scout Master of the Holy Trinity, Windsor troop, he became, on moving to Eton Wick, the joint Scout Master of the troop there. He was a born leader of boys and had a high standard of duty in all which he undertook. All will sympathise with Mrs Church who is a daughter of Mr Barrett of Brookside Villa, Eton Wick (Boveney). We are proud of the gallantry of our fellow parishioner. R.I.P.
In a later issue of the paper:
In Memory of a Gallant Soldier. During the afternoon services at Boveney Church on Whit Sunday, Colonel Beresford of Old Place, Boveney unveiled a bronze tablet in memory of Corporal (sic) E R. Church of the 4th (sic) Royal Berkshire Regiment, (Mrs Church and her two children being among the congregation) who was killed by the enemy on July 19th 1916 at Ferme De Bois, on the Somme front, in France, while he was trying to bring in, by night, some wounded soldiers, a service for which he had volunteered. His comrades in the regiment defrayed most of the cost of the tablet as a mark of their esteem and affection. It may be added that Corporal Church had been, before the war, Scout Master at Windsor, and when he came to live at Boveney, was joint Scout Master of the Eton Wick troop.
The tablet was designed by the makers, Messrs. Gawthorp and Son of Long Acre, London. No official award was made to Frank, who was killed in the performance of his brave action. Only the Victoria Cross is awarded posthumously, but had he survived he would probably have been recommended for the Military Medal or the Distinguished Conduct Medal.
Frank is buried in Laventie Military Cemetery, about six miles south west of Armentieres and two miles behind the front line of July 1916. The cemetery was first used in June 1916 and contains 420 —burials: 413 being from the United Kingdom, four Australian and three German.
Frank was 29 years old. His special memorial tablet is in Boveney Church, and he is commemorated on the Eton Wick Memorial and the Eton Church Gate tablets. His father-in-law, Mr Barrett, worked diligently on the village memorial committee, to ensure the village men were accorded a fitting monument.
This account of the life of Frank Reginald Church is an extract from "Their Names Shall Be Carved in Stone" and is published here with grateful thanks to the author Frank Bond. It has been amended to include information that was not available to Mr Bond when he was undertaking his research in the 1990’s.
Probability distributions of annual mean AOD (z) at different heights for all sites. SGP (black), NSA (red), TWP (green), FKB (blue) and GRW (yellow).
Usually MU is the symbol for the mean of a probability distribution. It is sometimes used as the average of a dataset
Leena Ghrayeb, Industrial and Operations Engineering Ph.D. student (left) discusses probability of failure issues with Amy Cohn at the Healthcare Engineering and Patient Safety (CHEPS) office on UM’s North Campus.
Amy Ellen Mainville Cohn is an Arthur F. Thurnau Professor in the Department of Industrial and Operations Engineering at the University of Michigan, where she also holds an appointment in the Department of Health Management and Policy in the School of Public Health.
Dr. Cohn is the Faculty Director of the Center for Healthcare Engineering and Patient Safety (CHEPS). She holds an A.B. in applied mathematics, magna cum laude, from Harvard University and a PhD in operations research from the Massachusetts Institute of Technology.
Her primary research interests are in applications of combinatorial optimization, particularly to healthcare and aviation, and to the challenges of optimization problems with multiple objective criteria. She values teaching, mentoring, having a positive impact on society through her work, and helping to foster a vibrant, diverse, nurturing community.
Center for Healthcare Engineering and Patient Safety (CHEPS) at Michigan Engineering envisions a healthcare system which delivers the highest-quality care in a patient-centric way; supports the mental and physical well-being of its providers; and ensures economic viability for individuals and institutions.
June 14, 2022
Photo by Marcin Szczepanski/Lead Multimedia Storyteller, University of Michigan College of Engineering
Stakeholders collaboratively discuss spatial fire planning options and build draft PODs using maps of high probability control features, risk, and suppression opportunities (photo provided by OSU College of Forestry).
(Taris Catalyst-Jack E Eleven by Zan Parr Jack)
Owners: Jim and Michele Holland, Bucyrus, Kansas
Breeder: Lazy E Ranch Inc., Guthrie, Oklahoma
Shown by: Brad Lund and Kory Koontz
Events: Senior heading and heeling, senior tie-down roping and senior working cow horse
Photo: AQHA Journal
Worn by: Clive Owen as Walter Raleigh
Costume Designer: Alexandra Byrne
Film: Elizabeth: The Golden Age
An Elizabethan man of average means - and Raleigh is as commoner - would, in all probability, possess a single suit of clothes, so production did not have the luxury of outfitting him as they would their courtiers. Byrne explains, "There are lots of contemporary engravings of Raleigh, but the reality is that a gentleman of that time maybe had one suit of clothing - he would have gone to sea in those clothes, where they would have gotten wet, then dried, they would have gotten torn, they would have been repaired. So we worked with the idea that his clothes had gone to sea with him and they had evolved of the the journey... and remember, it was four months there and four monthes back."
The designer worked with Clive Owen on the evolution of the design, assuring him that "the britches would be fine! He was a little alarmed by them. But by the end of production, I think he was quite keen on them, the way they have become a part of him. They give you a certain way of walking and a certain scale. He wears them like no one else!"
Costumes displayed courtesy of Universal Pictures International, celebrating the release of Elizabeth: The Golden Age, only at the movies November 15.
Worn by: Clive Owen as Walter Raleigh
Costume Designer: Alexandra Byrne
Film: Elizabeth: The Golden Age
An Elizabethan man of average means - and Raleigh is as commoner - would, in all probability, possess a single suit of clothes, so production did not have the luxury of outfitting him as they would their courtiers. Byrne explains, "There are lots of contemporary engravings of Raleigh, but the reality is that a gentleman of that time maybe had one suit of clothing - he would have gone to sea in those clothes, where they would have gotten wet, then dried, they would have gotten torn, they would have been repaired. So we worked with the idea that his clothes had gone to sea with him and they had evolved of the the journey... and remember, it was four months there and four monthes back."
The designer worked with Clive Owen on the evolution of the design, assuring him that "the britches would be fine! He was a little alarmed by them. But by the end of production, I think he was quite keen on them, the way they have become a part of him. They give you a certain way of walking and a certain scale. He wears them like no one else!"
Costumes displayed courtesy of Universal Pictures International, celebrating the release of Elizabeth: The Golden Age, only at the movies November 15.
Mathematics is the core discipline of the National Security Agency. Algebra, number theory, real and complex analysis, probability theory and statistics are used on a daily basis to solve challenging problems in information security and communications technology.
i09_0214 192
Worn by: Clive Owen as Walter Raleigh
Costume Designer: Alexandra Byrne
Film: Elizabeth: The Golden Age
An Elizabethan man of average means - and Raleigh is as commoner - would, in all probability, possess a single suit of clothes, so production did not have the luxury of outfitting him as they would their courtiers. Byrne explains, "There are lots of contemporary engravings of Raleigh, but the reality is that a gentleman of that time maybe had one suit of clothing - he would have gone to sea in those clothes, where they would have gotten wet, then dried, they would have gotten torn, they would have been repaired. So we worked with the idea that his clothes had gone to sea with him and they had evolved of the the journey... and remember, it was four months there and four monthes back."
The designer worked with Clive Owen on the evolution of the design, assuring him that "the britches would be fine! He was a little alarmed by them. But by the end of production, I think he was quite keen on them, the way they have become a part of him. They give you a certain way of walking and a certain scale. He wears them like no one else!"
Costumes displayed courtesy of Universal Pictures International, celebrating the release of Elizabeth: The Golden Age, only at the movies November 15.
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(further information and pictures are available by clicking on the link at the end of page!)
Data
Year: 1742-45
Architect: Matthias Gerl the younger
Mentioned in documents : between 1260 and 1298
Parish Church of Ober-St. Veit ("Mary, Refuge of Sinners", "St. Vitus")
One of the most impressive religious buildings of the 13th District is the in a privileged position on a hill located parish of Upper-St. Veit.
The beginnings of a church complex at this location date back to the 12th century. The earliest - indirect - documented mention of a parish of St. Vitus, and thus an associated church, is the between 1260-1298 written letter of Curé Helias of St. Veit to the bailiff of Baumgarten.
The still under the choir existing crypt stems with a high probability from this earliest construction. It presents above a powerful polygonal central pillar cross vault. In 1800 it was still a consecrated chapel in which altar figures of the Virgin and St. John were located. The altar table dates from the year 1745. 1904 the connection with the upper church was bricked up.
The plan of the 1433 by the patronage master cathedral provost William Tuers newly built God's house, which had only a two-bay nave is handed down by a building documentation of Matthias Gerl.
Originally, the on three sides by an embankment wall surrounded church was open at the east side of a no longer extant castle. The still partly visible, pillar-supported wall had a parapet and embrasures, which were recognizable in part until the new building of the vicarage (1962).
After the destruction by the Turks in 1535 by Bishop Fabri took place a restoration of the church, 1609/10, it came to the erection of the St. Anne's, St. John's and Our Lady Altar. 1553 and 1615 new bells were installed.
The Saint construction dates back to 1742 and was built according to the plans of the Viennese Court architect Matthias Gerl the Younger in three years of construction. Interestingly, is found in the Stuttgart Nicolai Collection a drawing of the church tower "of St. Vitus, three hours of Vienna" from the year 1746. Supervised was the construction by the archiepiscopal ornamental and pleasure gardener Anton Mayr. The entire community for the church building rendered so-called hand and draught services, which are simple auxiliary works, to relieve the patronage master, the Archbishop of Vienna, Cardinal Sigmund Graf Kollonitsch, financially. His coat of arms can be seen on the tympanum of the south entry. The consecration of the church took place on 22 August 1745.
Matthias Gerl then by the still existing west tower of the castle and the Gothic choir with a thereto attached northeast steeple in its design possibilities was constricted. In an advanced stage of planning, he renounced the western tower, so that he could expand the central space.
In 1887 followed a major renovation of the entire church building; 1895, the kerosene lamps were removed and replaced by gas light.
The changes inside the church, which the pastor H. Riedl undertook 1901-1908, partly exist yet and are not without controversy. For example, in 1902 the former sacristy cemetery was converted to the Antonius chapel, later the exit into the crypt walled up and the, unfortunately, stylistically not suitable floor in center and traverse aisle laid. For the two large side windows in the nave he had painted new stained glass windows. They were donated by the families Rohrbacher and Glasauer and existed there until 1958. A small excerpt from one of the windows is as a wall decoration in the largest room of St. Vitus-House.
1994/95, the much needed facade renovation of the parish church could be carried out.
1965, a baptistery was built according to plans by Georg Lippert on the north side of the nave. It served also as a confessional chapel and religious site for the working days.
In 1994, a chapel new building was erected in its place. The plans were drawn by Hermann Bauer. The in comparison to the old building towards the north enlarged chapel is both accessible from inside the church and from the entranceway to the church, a vitrified connection. The opening times of the chapel are independent from those of the parish church. The ratio of the height of the ceiling to the height of the wall is based on the golden section; the wooden structure of the stepped ceiling is visible. The semi-circular, bricked and flanked by two, positioned ahead columns sanctuary is located in the central part of the glazed north façade and receives indirect, natural light from above. The chapel floor is covered with Greek marble. The altar lower part of Wachauer marble on the front side has twelve figures in relief representing the twelve apostles, in a broader sense, the people of God. The ambo of the same material shows the Resurrected with the disciples of Emmaus. Altar and ambo are from the Lienz artist Peter Niedertscheider. The baptismal font is a work from the 19th century.
Worn by: Clive Owen as Walter Raleigh
Costume Designer: Alexandra Byrne
Film: Elizabeth: The Golden Age
An Elizabethan man of average means - and Raleigh is as commoner - would, in all probability, possess a single suit of clothes, so production did not have the luxury of outfitting him as they would their courtiers. Byrne explains, "There are lots of contemporary engravings of Raleigh, but the reality is that a gentleman of that time maybe had one suit of clothing - he would have gone to sea in those clothes, where they would have gotten wet, then dried, they would have gotten torn, they would have been repaired. So we worked with the idea that his clothes had gone to sea with him and they had evolved of the the journey... and remember, it was four months there and four monthes back."
The designer worked with Clive Owen on the evolution of the design, assuring him that "the britches would be fine! He was a little alarmed by them. But by the end of production, I think he was quite keen on them, the way they have become a part of him. They give you a certain way of walking and a certain scale. He wears them like no one else!"
Costumes displayed courtesy of Universal Pictures International, celebrating the release of Elizabeth: The Golden Age, only at the movies November 15.
Worn by: Clive Owen as Walter Raleigh
Costume Designer: Alexandra Byrne
Film: Elizabeth: The Golden Age
An Elizabethan man of average means - and Raleigh is as commoner - would, in all probability, possess a single suit of clothes, so production did not have the luxury of outfitting him as they would their courtiers. Byrne explains, "There are lots of contemporary engravings of Raleigh, but the reality is that a gentleman of that time maybe had one suit of clothing - he would have gone to sea in those clothes, where they would have gotten wet, then dried, they would have gotten torn, they would have been repaired. So we worked with the idea that his clothes had gone to sea with him and they had evolved of the the journey... and remember, it was four months there and four monthes back."
The designer worked with Clive Owen on the evolution of the design, assuring him that "the britches would be fine! He was a little alarmed by them. But by the end of production, I think he was quite keen on them, the way they have become a part of him. They give you a certain way of walking and a certain scale. He wears them like no one else!"
Costumes displayed courtesy of Universal Pictures International, celebrating the release of Elizabeth: The Golden Age, only at the movies November 15.
Greetings mate! I love voyaging forth to Zion National Park to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
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Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
How inspiring the grandeur of Zion is! It reminds us of those entities greater than ourselves, such as Homer's Iliad and Odyssey and Light Time Dimension Theory!
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
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Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
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Join my new 45EPIC fine art landscapes page on facebook!
Fresh snow! More on my golden ratio musings: The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography facebook.com/goldennumberratio
Best wishes on your epic hero's odyssey!:)
Zion National Park Winter Fine Art Photography 45EPIC Dr. Elliot McGucken Fine Art Landscape and Nature Photography
History
The church with the downed tower
History of joy and suffering of an old christian time witness of Vienna
The Minoritenkirche in Vienna is one of the oldest and most valuable artistic churches of the city. It is therefore not surprising that it also experienced a very eventful history. In all probability, the Franciscans were - how the Friars Minor (Thomas of Celano: "Ordo Friars Minor" ) also called on account of its founders personality, called by the Babenberg Duke Leopold VI the Glorious, in 1230 into the country. Here he gave them a lot, probably with a church (probably dedicated to St. Catherine of Alexandria), before the walls of the city, between the Scots Monastery (Schottenstift) and the ducal residence. It was not until 1237, and in 1271 the entire area was included in the extended boundary wall. The Minorite Barnabas Strasser says in his chronicle from 1766 that Leopold had asked on his return from the Holy Land in 1219 Francis in Assisi to the relocation of some brothers to Vienna, which was then carried out 1224. The Franciscans, however, are detectable only in 1234 by a bull of Gregory IX . to Frederick the Warlike, the last reigning Babenberg, by the year 1239 there was already the Austrian province. The above-mentioned chapel near the present Minoritenkirche the brothers have now expanded and dedicated it to the Holy Cross ("Santa Croce"). In 1251 the dedication was by the Bishop Berthold of Passau. In addition, the friars began to build a monastery, the 1234 is mentioned in a document (the monastery comprised finally the Ballhausplatz, Minoritenplatz and parts of the Hofburg and the Public Garden) . Of the original Romanesque building stock nothing has been preserved. Especially the great fire of 1276 has cremated large parts of the Convention.
However, the strong growth of the Friars Minor now living in Vienna made a new building of the church and monastery necessary. Already laid by King Otakar II of Bohemia in 1276 the foundation stone for the new building of that temple which was now already on the present site of the church, the monarch also promised tax exemption for all who had contributed to the building of the church.
First stage of construction (beginning in the third third of the 13th century.): So he decided to build new church and convent, but by the death in battle of Ottokar in 1278 at the March Field (Jedlespeigen close Dürnkrut) delayed the construction, thus only after the turn of the century it couldbe completed. The embalmed body of Ottokar remained 30 weeks in the chapter house of the monastery until it was transferred to Znojmo and finally to Prague. The king's heart is buried in the original Chapel of St. Catherine, which was now newly assigned this name because the appropriation should be reserved to the Holy Cross of Christ, the new church and the convent . This newly built house of God was given the shape of a two-aisled nave with zweijochigem (two-bay) long choir (chancel), which closed with the five sides of a decagon. This long choir, the one 1785/86 and changed into a five-storey residential building, was canceled in 1903. In connection with the subway construction (1984-86), although archaeological excavations took place, it also laid the foundations of the former free long-choir, but most of the foundations of the old presbytery were destroyed at the same time. - The first church had a rood screen, even at the turn of the 15th/16th Century the still resulting image of the Saint Francis was attached by an unknown artist. Just from this first phase, we know by the Baroque Minoritenchronik (chronicle) first mentioned the name of a builder, namely brother Hans Schimpffenpfeil .
Second stage of construction (after 1317-1328 ) Blanche (Blanche) of Valois, the wife of Duke Rudolf III . ( 1307) and daughter of Philip the Fair, in 1304 decreed in his will to build a chapel in honor of her grandfather, the Holy King Louis IX. of France (canonized in 1297) and introduced for this purpose in 1000 available books. However, the project was realized only under Isabella (Elizabeth ) of Aragon, wife of King Frederick the Fair (1330 ). The chapel dedicated to their relatives canonized in 1317, St . Louis of Anjou, son of Charles II of Naples, great-nephew of Louis IX . of France and Franciscan archbishop of Toulouse (1297 ); it was first a self- cultivation in the NE (north-east) of the two-aisled nave Minoritenkirche, until the third construction phase it was integrated into the nave (now the north aisle with Anthony's Chapel). In 1328 the chapel was apparently completed because in 1330 the founder - was buried in the chapel of Louis - in terms of her testamentary disposition. The tomb of Queen Isabella stood in the middle of the Kapellenjochs (chapel bay) in front of the apse. The tracery show similarity with those of the Albertine choir of St. Stephen (built by Duke Albrecht II [ 1358] ) as well as with that of the Sanctuary Strassengel near the Cistercian monastery Rein near Graz (around the middle of the 14th century.). Probably belonged to the tympanum with the donor portraits of Frederick the Fair and Isabella at the feet of the Mother of God, which was inserted in the third construction phase of the church in the secondary north portal, the original entrance to the Ludwig chapel. It must be mentioned that even the Duchess Blanche (1305 ) built around 1330 a high early gothic marble grave, which unfortunately disappeared in the course of the renovation of the church in the years 1784-86 by the court architect Johann Ferdinand Hetzendorf of Hohenberg. It would be in Vienna today the only work of art of this kind
Third stage of construction (from 1339 -1400): Construction of a three-aisled hall (originally nave chapel Ludwig). The north wall of the chapel was extended to the west and in the north portal installed a second yoke. In addition, it was built a new west facade, with especially the central portal - including was designed - with jamb - pompous like the French late Gothic - perhaps under South German mediation. In the obituary of the Friars Minor brother Jacob of Paris is called ( around 1340), the confessor Albrecht II as the creator of this work of art. The duke and his wife Johanna von Außenmauer MinoritenkirchePfirt have obviously significantly contributed to the emergence of Vienna undoubtedly unique late Gothic cathedrals three portal group, there is also a representation of Albrecht and his wife in the middle portal next to the cross of Christ. Together with the two for a rich Mendikantenkirche (Mendicity church) this equipment is also of French models (see Notre Dame Cathedral in Paris [after 1285] ) constructed in 1350-1370 with splendid rose windows (with "bright" and "rotating" tracery) to the south wall - unusually without a doubt. The workshop, which built the Ludwig chapel was also busy with the west facade ("Minoritenwerkstatt" (workshop)). 1350-60 or later today, finally, the bell tower was only partially built (as a builder is a lay brother Nicholas, 1385 or 1386 called ). The tower consists mainly of two parts, a lower part made of stone blocks to the height of the nave, and an upper, octagonal section of mixed masonry. Its crown had because of damage - especially been renewed several times and was eventually removed - during the Turkish wars . The consecration of the enlarged Minoritenkirche must have taken place about the year 1390. So that the church had received its valid look for the next time.
In 1529, during the first siege of the monastery and the church even more extensive damage suffering (launch of the spire). Since the monastery of the Observant (Franciscans) had been destroyed by the Turks, these sought to supplant the Franciscans in their convent, where John Capistrano, the founder of the "brown Franciscan" (Observant) in Vienna, lived some time in the Franciscan monastery and in the Church had preached, but eventually instructed the Emperor Ferdinand I the now homeless Observant buildings on Singerschen Platz. In fact, the number of Wiener Friars Minor has then shrunk to seven, so that they felt compelled to call Fathers from Italy. But that but could not prevent that the church from 1569-1620 war a Protestant church. Interestingly, originate numerous coats of arms on the balcony of this period. At that time the Conventual were only in the possession of Louis Chapel and the Chapel of St. Catherine. Also during the second Turkish siege in 1683 the tower served as an observation tower and the Minoritenkirche was accordingly fired by the Turks and severely damaged. In 1733 the tower is adorned with a copper dome, but because of the danger of collapse eventually had to be removed. It brought the church to that low pointed tiled roof, which still exists today .
More and more, the bands developed in the Minoritenkirche, especially Ludwig chapel and cemetery, grave sites of the nobility. Besides Blanche of Valois and Isabella of Aragon and Margaret, the last country Duchess of Tyrol, was named Maultasch ( 1369 ), is buried here, as well as members of Lichtsteiner, Ditrichsteins, Puchaimer, Hojo, Stauffenberger, Greifensteiner; Piccolomini, Medici, Cavalcanti, Montaldi, Valperga, etc. (many of them are listed in the "Libro d'Oro of the "Congregation Italiana"). It should also be mentioned that the Franciscans since the end of the 14th Century took lively interest in teaching at the University of Vienna, especially of course in the subjects of theology, but also the jurisprudence. At the beginning of the 18th Century lived in the Vienna alsoin the Viennese Convention the Venetian cosmographer Br Vincenzo Coronelli, which the Emperor Charles VI. appointed to head the regulation of the Danube and its famous globes are now in the globe collection of the National Library in Vienna.
It is worthnoting, finally, the fact that around 1543 on the Ballhausplatz near the Imperial Palace from parts of the monastery a small hospital was donated and that the Franciscans for 13 years did all the counseling in this new Hofspital, at this time was the newly restored Chapel of St. Catherine Hospital Church. Another wing of the former minority monastery was home to the Imperial Court Library, 1558-1613.
To Minoritenkirche the second half of the 18th Century brought drastic changes. This development was initiated by the fact that the naturalized Italians in Vienna founded an Italian congregation in 1625/26 under the guidance of the Jesuit priest and professor at the University of Vienna Wilhelm Lamormaini. By the year 1773, when the Jesuit Order was temporarily released their Italian trade fairs celebrated this "Congregation Italiana" in a chapel of the Jesuits at Bognergasse, near the old Jesuit church "Am Hof". But in 1773 that little church was by the imperial government requisited. Then the Italians found in St. Catherine Chapel at Ballhausplatz, which popularly still is referred as the Italian church - ie not only the Minoritenkirche - a new home. After a thorough restoration of the chapel was consecrated on 1 February 1775 ceremony in memory of the "Santa Maria Maggiore" to Rome in the name of "Madonna della Neve" (Mary Snow church'). The Holy Mass conducted Antonio Salieri (1750-1825), who was in 1774 chamber composer and conductor of the Italian opera in Vienna, from 1788-90 to 1824 Kapellmeister and Director of the Court Chapel. Pope Pius VI . visited during his stay in Vienna on Good Friday of 1782 the church "Maria Schnee" on the Ballhausplatz. But this state of the law was short-lived: in 1783 Emperor Joseph II shifted the Friars Minor in the former Trinitarian on Alserstrasse, and the Minoritenkirche was on the grounds that the chapel "p Maria della Neve" for about 7,000 Italians living in Vienna was too small, the Congregation italiana transferred to the condition that the Community had now to restore the Great Church (imperial decree of June 3, 1784). The richly decorated chapel "Madonna della Neve" went on an imperial property and was finally in the late 18th Century canceled. Also, the Franciscan monastery passed into state ownership: one is used for imperial and feudal law firms. The cemetery near the church was abandoned. With the greatest financial burdens now led the congregation from the imperial mission of the church renovation, the thorough repair of the church was entrusted to the court architect Johann Ferdinand Hetzendorf of Hohenberg (1784-1789). In order to cover the construction costs somewhat, were the old long choir (chancel) and the beginning of the 14th Century. (Consecrated in 1317 ) at the western end of the south side of the nave grown (and now defunct) St. John's Chapel (Chapel Puchaimische Kapelle ) converted into residences. The solemn consecration of the church under the name of "Madonna della Neve" took place on 16 April 1786, on Easter Sunday.
But soon was moving closer to the church the next hardship: In the years of the Napoleonic wars, the church should serve as a warehouse for straw, hay and for different equipment, so in 1809 also the forced evacuation of the building took place. Shortly after engaging the French eventually turned this into a provisions store. Two-thirds of the floor was smashed by the rolling of drums and by the retraction of cars. In the middle of the church a wide, tunnel-like cavity had been excavated and other parts of the floor destroyed a in God's house capped oven. Until 18 April 1810, the then Prefect of the Minoritenkirche received back the church keys. In 1825 died one of the most famous Kongregaten (congregats) of this century, namely, the composer Antonio Salieri, and on 22 June this year resounded in the Italian national church with the participation of the court chapel and the first Hofchores (court choir) the Verdi Requiem.
As the situation after the Napoleonic war turmoil in the mid-19th Century had normalized, Emperor Ferdinand the Good in 1845 donated to the "Congregation italiana" the according to the model of Leonardo da Vinci's famous fresco (1495-97) designed mosaic of the Last Supper, which the Roman Giacomo Raffaelli of 12 panels with a total weight of 20 tons by Napoleon's orders had made in the years 1806-1814, and was eventually bought by Emperor Franz for the Belvedere Palace. To that gave Emperor Ferdinand a considerable amount (8000 guilders) to allow the mounting of the work of art in the Minoritenkirche. The inauguration of the altar took place on 26nd in March 1847. In 1852 Emperor Franz Joseph came and soon the Crown Prince Franz Ferdinand in the "Congregation ". The former paid each year mostly coming from out of town fast preachers for the Church, in return he regularly received at the Festival of Lights (2 February) as well as on Palm Sunday the sacred candle or the olive branch.
The last major change in the church took place in the years 1892-1905 at the restructuring of the Minoritenplatz. Now two new courses, namely the Ballhausplatz and Minoritenplatz emerged, the houses adjacent to the church (former Long John's Chapel Choir and) were demolished. The former Franciscan monastery had to give way to the House, Court and State Archives. Even the church was given a new face, although the plans of the architect Viktor Luntz due to financial reasons only could be realized partially, there were clearly visible changes: Most noticeable to the viewer is undoubtedly the Gothic passage on the south side of the walled grave stones originated partly from the bands, and part of the adjacent once cemetery, as well as the above installed "Minoritenhaus". 1907 were placed in the tower four new bells cast in Trento, which is, however - with the exception of one, St. Anthony ordained, Bell - 1914 confiscated. The solemn consecration of the church took place on 4 Held in May 1909 in the presence of Emperor Franz Joseph. Due to the highly cooperative attitude of the Congregation towards the transformation plans of the City of Vienna Lueger, the mayor promised that the court should never be installed directly behind the church.
More important restoration work was carried out 1960-1962 (church affairs), in the last decade, as the outer walls have been restored.
About Minoritenplatz finally should be mentioned that the pastoral care of Italians after 1786 by each rectors appointed by the Archbishop was, from 1808 to 1813 was also here Clemens Maria Hofbauer who died 1820 and later was canonized working as a church rector. Therefore, there is also his monument on the north side of the church. Since the year 1953, and officially by the order of the archbishop Ordinariate of 1 December 1957 is the Friars Minor transmitted the pastoral care of the Italian community again, firstly the Fathers belonging to the Order of Padua Province while they are under the Austrian province today. In the year 2003, ie 50 years after the adoption of the pastoral care of Italians in the Minoritenkirche by the Conventual, that Francis statue was made, nowadays, it is located on the north side of the church, next to the Baroque cultivation.
(Text by Dr. Manfred Zips, Ital. Congregation )
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