View allAll Photos Tagged Privacy

Really, that might be all you need. If one can click the right privacy button on a website, then perhaps their privacy may be granted.

 

Courtesy of Wietrz Sebastien

www.flickr.com/photos/wiertz/

Custom made privacy screens

There's 1 CCTV camera for every 14 people in the UK. 'Street photography' is perfectly legal in the vast majority of London's streets, where people can have no reasonable expectation of privacy. Let's face it, you're wondering around in public, people are looking at you, why shouldn't they photograph you? Provided you're not being actively harrassed by a photographer (perhaps a flash firing in your face is pushing it a bit). However, in our privacy mad society of litigation, people manage to find all sorts of loopholes. Under the Data Protection Act, for example, people have a right to know what 'personal information' about them is being stored; and all such data must be stored in a suitably protected environment. How much more personal can a portrait get? Can I contact MI5 and demand to know what information they are currently holding regarding me? Where do morals or ethics come in to all this? Would I want a photo of me picking my nose all over the internet? What about a photo just of me, scowling, on my phone, anonymous, on someone's daily photo blog site?

 

So why should I keep these symbols of anonymity over the subject's eyes?

 

All subjects are unconsenting adults.

Disrupting your privacy. Please stop.

We may have to visit your home too........

Privacy in a 2.0 World- The 411 of Social Networking Sites: Students Privacy.

Credit www.shopcatalog.com with an active link required.

 

Image is free for usage on websites (even websites with ads) if you credit www.shopcatalog.com with an active link.

On June 25, 2014, Governance Studies at Brookings hosted an event to explore the future of global technology, privacy, and data protection with Brad Smith, executive vice president and general counsel at Microsoft, to address these and other questions. ©Paul Morigi Photography

Nowadays, we continually share data: a message via WhatsApp, a picture on Instagram, an update on Facebook or an e-mail through Gmail. With whom do we really share this data? And how can we make sure that our personal data stay strictly personal?

 

This exhibition addresses issues of online privacy and digital surveillance. Next to several historical examples of encrypting, ‘Design my Privacy’ also shows some surprising contemporary strategies by more than 35 young designers and artists to maintain control over our data.

 

With work by Roel Roscam Abbing, Zineb Benassarou & Jorick De Quaasteniet, Josh Begley, Dennis de Bel, Caitlin Berner & Jana Blom, Heath Bunting, F.A.T., Giada Fiorindi, Front 404, Roos Groothuizen, Arantxa Gonlag & Eva Maria Martinez Rey, Monika Grūzīte, Rafaël Henneberke, Jan Huijben, Daniel C. Howe & Helen Nissenbaum & Vincent Toubiana, Rosa Menkman, Owen Mundy, Naomi Naus, Joyce Overheul, Ruben Pater, Wim Popelier, Freek Rutkens, Vera van de Seyp, Mark Sheppard, Dimitri Tokmetzis & Yuri Veerman, Janne Van Hooff & Christina Yarashevich, Michaele Lakova, Jasper van Loenen, Jeroen van Loon, Esther Weltevrede & Sabine Niederer, Leanne Wijnsma & Froukje Tan, Joeri Woudstra, Sander Veenhof and Simone Niquille.

 

An exhibition by MOTI, Museum of the Image in Breda (NL)

 

27.03 to 29.05.2016

 

www.z33.be/en/designmyprivacy

 

Photo: Kristof Vrancken / Z33

 

(Sketch)Notes from a one-week data protection officer course by the www.dp-institute.eu, with all spelling, grammatical, translation and content-wise mistakes very much my own. (I use them for quick reference. If you need to be 100% sure about a privacy or security related issue, I suggest you should not do your research on Flickr. ;)

This is a double sided horizontal cedar slat privacy wall. We added in a frosted plexi glass to create some interest midway on the design.

 

Your Deck Company is a deck builder in the Toronto area. We also service Markham, Richmond Hill, Thornhill, Vaughan, Woodbridge, Pickering, Ajax and surrounding areas. Your Deck Company specializes in the installation of low maintenance decking products and custom outdoor garden structures.

Feel free to visit our website at www.yourdeck.ca for more examples of our work. We would be happy to assist you with your upcoming decking or outdoor project.

Thank You.

Credit www.shopcatalog.com with an active link required.

 

Image is free for usage on websites (even websites with ads) if you credit www.shopcatalog.com with an active link.

M_ _ e e Kuzzi

Miniature restroom stall display in storefront window

 

American Sheet Metal Partition Co.

1442 Del Paso Blvd

Sacramento, California

(Project 365 Day 283)

Today's Project 365 photo is just an excuse to direct you to a couple of blog post rants I just wrote. :P

 

The phone refers to a rant about how worthless and possibly counterproductive "hands-free" cell phone driving laws are. (California has such a law that passed last year and is due to take effect on July 1, 2008.)

 

The license plate (that I blacked out in Photoshop) refers to an amusing summary of privacy issues with regard to data-mining, in this case the Ohio State Highway Patrol's use of cameras mounted on cop cars that automatically record via GPS where they've seen all the license plates they come across.

You want your own room because it will be your oasis of peace and privacy that you can retreat to after a hard day's work.

Image on Data Privacy, Data Protection and Cyber Security. Feel free to use this image, but give credits to www.cerillion.com/Products/SaaS/Cerillion-Skyline

lafayette park detroit

 

co-op courthouse

Jonathan Zittrain; Judith Donath; Aaron Schwartz; Benjamin Waber; Shava Nerad

 

Panel on privacy at MIT museum

The Internet is not a private place

data security privacy lock password

 

Credit www.shopcatalog.com with an active link required.

 

Image is free for usage on websites (even websites with ads) if you credit www.shopcatalog.com with an active link.

The perfect addition to an office with glass walls. Privacy films can help provide privacy for offices, conference rooms and more.

 

Learn more about C2 Imaging and our services at www.c2imaging.com

Fatehpur Sikri (Hindi: फ़तेहपुर सीकरी, Urdu: فتحپور سیکری‎) is a city and a municipal board in Agra district in the state of Uttar Pradesh, India. The city was founded in 1569 by the Mughal emperor Akbar, and served as the capital of the Mughal Empire from 1571 to 1585. After his military victories over Chittor and Ranthambore, Akbar decided to shift his capital from Agra to a new location 37 km WSW on the Sikri ridge, to honor the Sufi saint Salim Chishti. Here he commenced the construction of a planned walled city which took the next fifteen years in planning and construction of a series of royal palaces, harem, courts, a mosque, private quarters and other utility buildings. He named the city, Fatehabad, with Fateh, a word of Arabic origin in Persian, meaning "victorious." it was later called Fatehpur Sikri. It is at Fatehpur Sikri that the legends of Akbar and his famed courtiers, the nine jewels or Navaratnas, were born. Fatehpur Sikri is one of the best preserved collections of Indian Mughal architecture in India.

 

According to contemporary historians, Akbar took a great interest in the building of Fatehpur Sikri and probably also dictated its architectural style. Seeking to revive the splendours of Persian court ceremonial made famous by his ancestor Timur, Akbar planned the complex on Persian principles. But the influences of his adopted land came through in the typically Indian embellishments. The easy availability of sandstone in the neighbouring areas of Fatehpur Sikri, also meant that all the buildings here were made of the red stone. The imperial Palace complex consists of a number of independent pavilions arranged in formal geometry on a piece of level ground, a pattern derived from Arab and central Asian tent encampments. In its entirety, the monuments at Fatehpur Sikri thus reflect the genius of Akbar in assimilating diverse regional architectural influences within a holistic style that was uniquely his own.

 

The Imperial complex was abandoned in 1585, shortly after its completion, due to paucity of water and its proximity with the Rajputana areas in the North-West, which were increasingly in turmoil. Thus the capital was shifted to Lahore so that Akbar could have a base in the less stable part of the empire, before moving back to Agra in 1598, where he had begun his reign as he shifted his focus to Deccan. In fact, he never returned to the city except for a brief period in 1601. In later Mughal history it was occupied for a short while by Mughal emperor, Muhammad Shah (r. 1719 -1748), and his regent, Sayyid Hussain Ali Khan Barha, one of the Syed Brothers, was murdered here in 1720. Today much of the imperial complex which spread over nearly two mile long and one mile wide area is largely intact and resembles a ghost town. It is still surrounded by a five mile long wall built during its original construction, on three sides. However apart from the imperial buildings complex few other buildings stand in the area, which is mostly barren, except of ruins of the bazaars of the old city near the Naubat Khana, the 'drum-house' entrance at Agra Road. The modern town lies at the western end of the complex, which was a municipality from 1865 to 1904, and later made a "notified area", and in 1901 had a population of 7,147. For a long time it was still known for its masons and stone carvers, though in Akbar time it was known and 'fabrics of hair' and 'silk-spinning'. The village of Sikri still exists nearby.

 

ARCHITECTURE OF FATEHPUR SIKRI

Fatehpur Sikri sits on rocky ridge, 3 kilometres in length and 1 km wide, and palace city is surrounded by a 6 km wall on three side with the fourth being a lake at the time. Its architect was Tuhir Das and Dhruv Chawla and was constructed using Indian principles. The buildings of Fatehpur Sikri show a synthesis of various regional schools of architectural craftsmanship such as Gujarat and Bengal. This was because indigenous craftsmen were used for the construction of the buildings. Influences from Hindu and Jain architecture are seen hand in hand with Islamic elements. The building material used in all the buildings at Fatehpur Sikri, palace-city complex, is the locally quarried red sandstone, known as 'Sikri sandstone'. It is accessed through gates along the five-mile long fort wall, namely, Delhi Gate, the Lal Gate, the Agra Gate, Birbal's Gate, Chandanpal Gate, The Gwalior Gate, the Tehra Gate, the Chor Gate and the Ajmere Gate.

 

Some of the important buildings in this city, both religious and secular are:

 

IMPORTANT BUILDINGS

Buland Darwaza: Set into the south wall of congregational mosque, the Jama Masjid at Fatehpur Sikri, this stupendous piece of architecture is 55 metre high, from the outside, gradually making a transition to a human scale in the inside. The gate was added some five years later after the completion of the mosque ca. 1576-1577 as an 'victory arch', to commemorate the Akbar's successful Gujarat campaign. It carries two inscriptions in the archway, one of which reads: "Isa, Son of Mariam said: The world is a bridge, pass over it, but build no houses on it. He who hopes for an hour may hope for eternity. The world endures but an hour. Spend it in prayer, for the rest is unseen".

 

The central portico comprises three arched entrances, with the largest one, in the centre, is known locally as the Horseshoe Gate, after the custom of nailing horseshoes to its large wooden doors for luck. Outside the giant steps of the Buland Darwaza to left is deep well.

 

Jama Masjid: It is a Jama Mosque meaning the congregational mosque, and was perhaps one of the first buildings to come up in the complex, as its epigraph gives AH 979 (AD 1571-72) as the date of its completion, with a massive entrance to the courtyard, the Buland-Darwaza added some five years later. It was built in the manner of Indian mosques, with iwans around a central courtyard. A distinguishing feature is the row of chhatri over the sanctuary. There are three mihrabs in each of the seven bays, while the large central mihrab is covered by a dome, it is decorated with white marble inlay, in geometric patterns.

 

Tomb of Salim Chishti: A white marble encased tomb of the Sufi saint, Salim Chisti (1478–1572), within the Jama Masjid's sahn, courtyard. The single-storey structure is built around a central square chamber, within which is the grave of the saint, under an ornate wooden canopy encrusted with mother-of-pearl mosaic. Surrounding it is a covered passageway for circumambulation, with carved Jalis, stone pierced screens all around with intricate geometric design, and an entrance to the south. The tomb is influenced by earlier mausolea of the early 15th century Gujarat Sultanate period. Other striking features of the tomb are white marble serpentine brackets, which support sloping eaves around the parapet.

 

On the left of the tomb, to the east, stands a red sandstone tomb of Islam Khan I, son of Shaikh Badruddin Chisti and grandson of Shaikh Salim Chishti, who became a general in the Mughal army in the reign of Jahangir. The tomb is topped by a dome and thirty-six small domed chattris, and contains a number of graves, some unnamed, all male descendants of Shaikh Salim Chisti.

 

Diwan-i-Aam : Diwan-i-Am or Hall of Public Audience, is a building typology found in many cities where the ruler meets the general public. In this case, it is a pavilion-like multi-bayed rectangular structure fronting a large open space. South west of the Diwan-i-Am and next to the Turkic Sultana's House stand Turkic Baths.

 

Diwan-i-Khas: the Diwan-i-Khas, or Hall of Private Audience, is a plain square building with four chhatris on the roof. However it is famous for its central pillar, which has a square base and an octagonal shaft, both carved with bands of geometric and floral designs, further its thirty-six serpentine brackets support a circular platform for Akbar, which is connected to each corner of the building on the first floor, by four stone walkways. It is here that Akbar had representatives of different religions discuss their faiths and gave private audience.

 

Ibadat Khana: (House of Worship) was a meeting house built in 1575 CE by the Mughal Emperor Akbar, where the foundations of a new Syncretistic faith, Din-e-Ilahi were laid by Akbar.

 

Anup Talao: A ornamental pool with a central platform and four bridges leading up to it. Some of the important buildings of the royal enclave are surround by it including, Khwabgah (House of Dreams) Akbar's residence, Panch Mahal, a five-storey palace, Diwan-i-Khas (Hall of Private Audience), Ankh Michauli and the Astrologer's Seat, in the south-west corner of the Pachisi Court.

 

Hujra-i-Anup Talao: Said to be the residence of Akbar's Muslim wife, although this is disputed due to its small size.

 

Mariam-uz-Zamani's Palace: The building of Akbar's Rajput wives, including Mariam-uz-Zamani, shows Gujarati influence and is built around a courtyard, with special care being taken to ensure privacy.

 

Naubat Khana: Also known as Naqqar Khana meaning a drum house, where musician used drums to announce the arrival of the Emperor. It is situated ahead of the Hathi Pol Gate or the Elephant Gate, the south entrance to the complex, suggesting that it was the imperial entrance.

 

Pachisi Court: A square marked out as a large board game, the precursor to modern day Ludo game where people served as the playing pieces.

 

Panch Mahal: A five-storied palatial structure, with the tiers gradually diminishing in size, till the final one, which is a single large-domed chhatri. Originally pierced stone screens faced the façade, and probably sub-divided the interior as well, suggesting it was built for the ladies of the court. The floors are supported by intricately carved columns on each level, totalling to 176 columns in all.

 

Birbal's House: The house of Akbar's favorite minister, who was a Hindu. Notable features of the building are the horizontal sloping sunshades or chajjas and the brackets which support them.

 

Recent excavation done by ASI in 2000 led to unearthing of an ancient jain city very near to the fort complex.

 

Other buildings included Taksal (mint), 'Daftar Khana (Records Office), Karkhanas (royal workshop), Khazana (treasury), Turkic styled Baths, Darogha's Quarters, stables, Caravan sarai, Hakim's quarters etc.

 

DEMOGRAPHICS

Fatehpur Sikri has a population of 28,757. Males constitute 53% of the population and females 47%. Fatehpur Sikri has an average literacy rate of 46%, lower than the national average of 74%: male literacy is 57%, and female literacy is 34%. In Fatehpur Sikri, 59% of the population is under 6 years of age.

 

ADMINISTRATIVE ESTABLISHMENT

Fatehpur Sikri is one of the fifteen Block headquarters in the Agra district it has 52 Gram panchayats (Village Panchayat) under it.

 

The Fatehpur Sikri, is a constituency of the Lok Sabha, Lower house of the Indian Parliament, and further comprises five Vidhan Sabha (legislative assembly) segments:

 

Agra Rural

Fatehpur Sikri

Kheragarh

Fatehabad

Bah

 

In all there are 12 villages of Sisodia Rajputs near Fatehpur Sikri fort in Agra district. These are Daultabad, Nayavas, Satha, korai, Behrawati, Byara, Undera, Kachora, Singarpur, Vidyapur, Onera, Arrua.

 

TRANSPORT

Fatehpur Sikri is about 39 km. from Agra. The nearest Airport is the Agra Airport (also known as Kheria Airport), 40 km from Fatehpur Sikri. The nearest railway station is the Fatehpur Sikri Railway Station, about one km. from the city centre . It is suitably connected to Agra and neighbouring centres by road, where regular bus services of UPSRTC ply, apart from Tourist buses and taxies.

 

WIKIPEDIA

Information on any social media site can be easily extracted and saved. Businesses and schools can see and asses future employees or students by what is on their profiles. jumbletalk.blogspot.com/2013/04/internet-privacy.html

Privacy in a 2.0 World- The 411 of Social Networking Sites: Students Privacy.

A list of all the things your friends can share about you through applications and websites.

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