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Wooden printing block with metal printing plate depicting child with baby.
Accession Number: HH4748/14/88
Plates are the illustrations separately printed and inserted into a book once it is bound. The copper plate is the master surface from which printing is done.
Used at Holmes McDougall, Edinburgh. Holmes McDougall were educational publishers based at 137 - 141 Leith Walk, Edinburgh.
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org
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Screen Printing Posters for this years End of the Road Festival.
big ol' pile of 'em
All posters will be available at End of the Road Festival on the Jacknife stall and also on the Jacknife website:
211 Water Street, NYC
by navema
New York was the center of the letterpress printing industry during the 19th century. Printing offices and "job shops" clustered between Park Row and Fulton Street. Along the north-south streets crossing them were paper suppliers, newspapers, type foundries, book binders, and ink makers.
Bowne & Co., Stationers, a part of the South Street Seaport Museum, resembles a typical job shop of the late 1870's. The space would have been rather dim and lit by gas. Printing was done on presses that were powered by a treadle that had to be pumped with the foot. The shop employees had to hand-pick each piece of metal type to hand-set the text.
The shop's founder, Robert Bowne (1744-1818), set up his firm in 1775 at 39 Queen Street (later renamed Pearl Street). Like many other New York City merchants at the time, Bowne did not specialize in one particular avenue of trade but rather dealt in a variety of dry goods including cloth, paper, and cutlery. After his death, the business passed to Bowne’s sons, Robert H. Bowne (1775-1843) and John L. Bowne (1779-1847).
In 1829 “Bowne, Robert H., stationer, 111 Water Street” appeared in the New York directory for the first time. An inventory of the business’s wares at that time shows a fascinating variety. Papers included gilt-edged letter paper, pasteboard, straw paper, tissue paper, copying paper, drawing paper. The blank books available were copybooks, bill books, cargo books, bankbooks, remembrance albums, and seamen’s journals. Seals, sealing wax, and wafers were available to close letters, as envelopes weren’t yet in use. Writing quills, many colors of ink, and inkstands made out of glass, china, tin, or pewter lined the shelves alongside pounce (a fine powder) and sand, which were used to absorb excess ink.
Bowne & Co. Stationers offered lithographic as well as letterpress printing for receipts, handbills, clipper cards, and timetables throughout the rest of the 19th century, but they began to specialize in financial printing services. The company continues to this day as the world’s largest international financial printer, with headquarters at 55 Water Street.
The shop now open at 211 Water Street was recreated in 1975 as a part of the South Street Seaport Museum and evokes Bowne & Co., Stationer, as it appeared in the late 19th century. It is a working letterpress office and continues to take commissions for cards, announcements, and other social stationery. All text is set and composed by hand using Bowne’s historic antique type collection and then printed on original 19th century treadle-powered platen presses.
For more about the South Street Seaport Museum, visit: www.southstreetseaportmuseum.org/
Letterpress wedding invitations.
Design: Miguel Camacho www.miguelcm.com/
Printing: El Calotipo www.elcalotipo.com/
Invitaciones de boda estampadas en letterpress.
Diseño: Miguel Camacho www.miguelcm.com/
Impresión: El Calotipo www.elcalotipo.com/
Rights: Permission to use this image commercially must be obtained from the San Francisco History Center, San Francisco Public Library. www.sfpl.org/permissions When using this image please credit: BOOK ARTS & SPECIAL COLLECTIONS, SAN FRANCISCO PUBLIC LIBRARY.
Kay made another screen printing screen with geek motives.
Final inspection and cleaning of the pixels in the screen.
Hermes-Grotesk from Wilhelm Woellmers Schriftgießerei, Berlin SW.
Issued in 1911.
The specimen book is from Egmont H. Petersens Kgl. Hof-Bogtrykkeri, Copenhagen, appoximately1925.
A worker makes sure that a brochure is properly folded at a printing factory in Viet Nam. © ILO/Brenda Paik Sunoo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US.
Diese Briefumschlag Druckmaschine von 1980 wurde im HDR Tonemappingverfahren erstellt. HDR Printing Press. Workout in QTPFSGUI and Photoshop. a combination of 3 Operartors : Fattal,mantiuk and Reinhard02 Qtpfsgui 1.9.3 tonemapping parameters: Operator: Reinhard02 Parameters: Key: 0.36 Phi: 1 ------ PreGamma: 1