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The scripture printing room at the Derge Printing House.
On Facebook at www.facebook.com/RemoteAsiaPhoto.
More on my website www.remoteasiaphoto.com.
Raaga Block Printed Textiles (P) Ltd. (Raaga Textiles) is located in the heart of Sanganer, Jaipur. It was established in the year 2009, with the passion of conserving and promoting the art of Block Printing, through the preservation of such wonderful artistic heritage by evolving the new designs with the use of innovative ideas and design and development.
Raaga Textiles shows its dominance as a role model of excellence in business practices, and supports the revival of traditional textile skills. Block Printing is a much celebrated craft-work known for its typical traditional style in the printing industry, which was evolved in mid 17th century in India during the reign of Mughal empire.
We specializes to develop the designs with exclusive & beautifully handcrafted textiles and soft home furnishings using cotton, silk and linen, with specialized skills of Hand Block Printing, Hand Embroidery and Hand Quilting.
(Raaga Textiles uses eco-friendly and skin safe dyes and colors in its printing work.) We use all fast Azo free wet dyes for making colors. These dyes are fast, and the content in these dyes are approved by renowned and prestigious International Certification agencies, such as, SGS, CMA, ETC, FITI and Codetex Srl Textiles Laboratories.
In an attempt to maintain the highest Quality standards (as per the International norms), all the execution of fabric processing, i.e. dying, printing, finishing, checking, and packaging is completed at the workshop of Raaga Textiles. We have In-house production capacity of printing 800 meter per day with the workforce of 32 highly experienced craftsmen (devoting 8 hours/day).
Our premium product range includes/covers the entire sizes and shapes of Bedspreads, Bed-sheet, Bed-skirt, Duvet Covers, Coverlet, Quilts, Curtains, Drapes, Noreens, Cushion Covers, Pillow Covers, Pillow Shams, Bolsters, Table Linen, Kitchen Accessories, Mats & Napkins, Potholders, Costars, Tea cozy, Dish Mats, Aprons, Mittens, Sarongs, Stoles and Fabric by yards finds favor with buyers across the globe.
Wooden printing block with metal printing plate depicting two children sitting back to back.
Accession Number: HH4748/15/88
Plates are the illustrations separately printed and inserted into a book once it is bound. The copper plate is the master surface from which printing is done.
Used at Holmes McDougall, Edinburgh. Holmes McDougall were educational publishers based at 137 - 141 Leith Walk, Edinburgh.
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org
Hankies For The Heartbroken and HayFeverish.
We made these at Brown Owls last night.
We got the idea from the very excellent benignobjects.blogspot.com/
We Used:
Blue B6 Print Gocco
Gocco HiMesh B6 Screens
ATM card as squeegee
Green Gocco Fabric Ink
New Handkerchief
Derge printing house, where Tibetan religious texts and medical books are printed by hand with the old methods. All 217000 wood carved plates are kept on good order, the oldest ones are well over 200 years old.
Diseño de /// Designed by Reskate Arts & Crafts
Cliente /// Client Trending Goods (Austria) — en El Calotipo.
With the help of 3D printing PEI filament makes your printing soothing and come with 100% accuracy. Come up with quality filament and make your 3D printing more accurate.
Weltausstellung für Buchgewebe u. Graphik Leipzig 1914
Zur Erinnerung Gewidmet von J.G. Schelter & Giesecke Leipzig
Exportprobe Wilhelm Woellmer’s Schriftgiesserei und Messinglinienfabrik, Berlin SW.
310 pages. 15x21 cm.
Printing happiness.
Rights: Permission to use this image commercially must be obtained from the San Francisco History Center, San Francisco Public Library. www.sfpl.org/permissions When using this image please credit: BOOK ARTS & SPECIAL COLLECTIONS, SAN FRANCISCO PUBLIC LIBRARY.
Identity elements for lifetrailer.tv/
Business Cards + stamp marking handmade + wax seal. - Design and production: www.elcalotipo.com
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Papelería para lifetrailer.tv/
Tarjetas de visita + sello de marcaje artesanal + sello de lacre. — Diseño y producción: www.elcalotipo.com
Yellow membership card for the Society of Lithographic Artists, Designers, Engravers and Process Workers relating to the year 1979. Includes donations made to the chapel.
Accession Number: hh.5106.3.90
The Society of Lithographic Artists, Designers, Engravers and Process Workers was founded in 1885 as the National Society of Lithographic Artists, Designers and Writers, Copperplate and Wood Engravers. After a number of name changes it became the Society of Lithographic Artists, Designers, Engravers and Process Workers in 1922.
The SLADE&PW remained distinct from the Amalgamated Society of Lithographic Printers. In 1972 it absorbed the smaller United Society of Engravers. It amalgamated with the National Graphical Association in 1982 to form the National Graphical Association (1982).
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org
Description: Monotype composing machines, a brief description.
Accession Number: 4748/37A/88
Further Notes: The Monotype composing machine was invented by Tolbert Lanston (1844–1913) who first produced his machine in 1889. The Monotype was based on similar principles to the Linotype but cast characters and spacing separately.
The machine comprised two separate units: the keyboard (like a QWERTY keyboard) and the caster. The keyboard used compressed air to punch holes in a paper ribbon, according to the sequence of keys struck by the operator. The caster operated by blowing compressed air through the paper strip to select the letters and set lines out in a uniform width.
As letters were cast singly, it was possible for the caster’s attendant to make corrections ‘on the run’, whereas Linotype corrections necessitated recasting the whole line of type. The use of the Monotype system enabled casting of some 6,000 characters an hour.
Printing purists such as Bernard Newdigate were disparaging about the quality of the output from these machines largely due to the uninspring typefaces available. However, the various university presses and Francis Meynell’s Nonesuch Press, part of the Private Press movement, enjoyed excellent results and economies of scale. For this latter reason, most ‘hot-metal’ Penguins, the vanguard of the Paperback Revolution, were set on Monotype.
Realising that it was important to offer a high quality innovative service, the Monotype Corporation appointed Stanley Morison as typographic advisor in 1922. Morison set about recutting past ‘classic’ designs as well as commissioning new fonts from designers Bruce Rogers, Eric Gill and Frederic Goudy. Morison also had his most famous type cast here – Times New Roman.
History: Used at Holmes McDougall, Edinburgh. Holmes McDougall were educational publishers based at 137 - 141 Leith Walk, Edinburgh.
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org
Office decor - this was a carved wooden printing block for fabric that was sold to my mom as an antique in India - it does have a nice patina anyway :D I've used it with moldable foam blocks to make stamp patterns (without damaging the wood block)
Encantada de participar con esta seriegrafia en la muestra de carteles de Printing hop 2015 como motivo del 10º aniversario del BBK Live 2015.
No se ve en la foto, pero las tintas son flúor, a tope!!
A la venta en la exposición.
Happy to participate with this silkscreen in the Printing hop posters exhibition due to the 10th anniversary of BBK Live 2015.
It´s difficult to see in the picture that the inks are fluor!!!
On sale at the exhibition.
Identity elements for lifetrailer.tv/
Business Cards + stamp marking handmade + wax seal. - Design and production: www.elcalotipo.com
–––
Papelería para lifetrailer.tv/
Tarjetas de visita + sello de marcaje artesanal + sello de lacre. — Diseño y producción: www.elcalotipo.com
Rights: Permission to use this image commercially must be obtained from the San Francisco History Center, San Francisco Public Library. www.sfpl.org/permissions When using this image please credit: BOOK ARTS & SPECIAL COLLECTIONS, SAN FRANCISCO PUBLIC LIBRARY.
Scan, Barnhart's Stock Cut Catalogue, 1910
"Barnhart's new stock cut catalogue is a publication that should be in the hands of all printers. It contains about two hundred pages, each page listing as many cuts as it will hold so an idea of the number can be imagined. It is worth having for quick reference." — Walden's Stationer and Printer, Volume 31