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History of the Drama in Crewe
The Work of Mr Henry Taylor: Memorable Events Recalled
The recent sale [in c1914] of the Caxton Printing Offices and business premises of the late councillor Henry Taylor recalls the fact that Mr Taylor was responsible for the introduction of the drama in Crewe. As far back as February 20th, 1869, an account appeared in the crew “Guardian” of the first amateur dramatic performance given in Crewe. No less than three columns of space was devoted to the notice of the play. Mr Henry Taylor was the moving spirit in the organisation of the first amateur dramatic society, and the names of Messrs. Worrell, Platt, Rice, Chapman and Taylor loomed largely in the report of the first effort, which included the well-known comedy “Still Waters Run Deep” and the laughable force “The Area Belle.” In the latter, Mr Taylor filled the role of the massive guardsmen, Tosser, and the late Mr Edward Chapman, the diminutive bobby, Pitcher. Mr Taylor subsequently played the same part in Crewe and other places with considerable success.
The First Theatre
His first attempt at organising an established theatre in the town was made in December 1881. At a meeting of the borough justices an application was granted for a licence to perform stage plays in the building situated in Heath Street formerly occupied as a Roman Catholic Church. The stage of the present new theatre, we understand, occupies inch for inch the site of this old Catholic Chapel. At the close of the first season a packed audience assembled to witness the concluding performance, and to testify their appreciation of Mr Taylor’s efforts. During the evening, in answer to an enthusiastic call from the audience, Mr Taylor appeared before the curtain, and return his sincere thanks for the support that had so far been accorded to him. A few years later the old theatre became too small for the requirements of the town, and an idea occurred to several gentlemen that the time had arrived for the provision of a more suitable building. These townsmen, including the late Doctor James Atkinson, Councillor Charles Welch, Alderman J.W. Wilding’s, Mr T. Cliffe (occupied Crewe Gates Form) formed a company with the object of providing an entirely new and up-to-date theatre. The building, which was erected on the Heath Street site, was opened in December 1887, with a performance of George R. Sims famous play, “In the Ranks.” From time to time it was found necessary to alter and improve the theatre, and touring managers visiting Crewe were loud in their praise of the excellent accommodation provided and the general management of the theatre. In April, 1895, complementary benefit performances were given to Mr Taylor in recognition of his efforts to cater for the entertainment of the public.
Interesting Presentations.
21 years as Amusement Caterer
Some eight years later (1903) Mr’s Taylor celebrated his 21st year as amusement caterer, and his numerous friends marked the occasion by presenting him with a handsome tea and coffee service and in addressing album for. The address commemorated Mr Taylor’s 21 years successful management of Crewe Lyceum Theatre, and “your strenuous labours in the cause of dramatic Art, and the high ideals you have followed under all conditions in entering for the amusement of your fellow-townsmen during this long period.” When the late Edward Compton was in the zenith of his fame, he visited the crew theatre with a first-rate comedy company, whose repertoire included Sheridan’s “School for Scandal,” “The Rivals,” “David Garrick,” &c. Mr Taylor and Mr Compton were great friends. On the occasion of one of his visits, Mr Taylor took Mr Compton to the Park, and on their return they met that sturdy old Creweite, the late John Allman, who then farmed, Coppenhall land now forming the Queens Park. Mr Allman invited them into his large house, and joined them in a smoke. Mr Taylor introduced Mr Compton and Mr Allman asked if the latter was going to start business in Crewe. Mr Compton shook his head, and said he was appearing at the Theatre. Mr Allman immediately put his clay pipe down and said “good afternoon, Mester Taylor. I mun get into the fields again.” The very name of the Theatre was quite sufficient to settle John Allman. A few years later Mr Taylor relinquished the management of the Theatre, and it was first leased, and later sold, to the late Mr H.G. Dudley Bennett, of Coventry. In 1910 the Theatre was destroyed by fire, and on being rebuilt it was opened in 1911 by the late Mr Edwardes with the play “All for Her”.
An unknown newspaper c1915
Henry Taylor was my great grandfather.
The scripture printing room at the Derge Printing House.
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Front row L to R: High School medalists—Silver-Tate Schwarzwalder, Dixie High School (Utah); Gold-Shaunna Ford, Shawsheen High School (Mass.); Bronze-Dalton Brandenburg, Wausau East High School (Wis.). Back row L to R: College/ Postsecondary/Silver-James Mcrae, Augusta Technical College (Ga.); Gold-James Sullivan, Illinois Central College (Ill.); and Bronze-Gabriela Peters, Abram Friedman Occupational Center (Calif.).
Wooden printing block with metal printing plate depicting two children sitting back to back.
Accession Number: HH4748/15/88
Plates are the illustrations separately printed and inserted into a book once it is bound. The copper plate is the master surface from which printing is done.
Used at Holmes McDougall, Edinburgh. Holmes McDougall were educational publishers based at 137 - 141 Leith Walk, Edinburgh.
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org
Marietta fathers and their daughters celebrated Valentine's Day early at the city's annual Daddy Daughter Dance Feb. 9, 2014.
This city of Marietta photograph is being made available for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, e-mails, products or promotions that in any way suggests approval or endorsement of the city of Marietta, its elected officials or staff. Publication of this photograph must include a credit: "Photo courtesy of the city of Marietta."
Gretta printing on her old press.
Rights: Permission to use this image commercially must be obtained from the San Francisco History Center, San Francisco Public Library. www.sfpl.org/permissions When using this image please credit: BOOK ARTS & SPECIAL COLLECTIONS, SAN FRANCISCO PUBLIC LIBRARY.
Weltausstellung für Buchgewebe u. Graphik Leipzig 1914
Zur Erinnerung Gewidmet von J.G. Schelter & Giesecke Leipzig
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Block 5, the key woodblock, printing on the latest batch of "OVERLOOK" woodcuts!
Copies from this batch of the edition are available here:
Printing happiness.
Rights: Permission to use this image commercially must be obtained from the San Francisco History Center, San Francisco Public Library. www.sfpl.org/permissions When using this image please credit: BOOK ARTS & SPECIAL COLLECTIONS, SAN FRANCISCO PUBLIC LIBRARY.
Yellow membership card for the Society of Lithographic Artists, Designers, Engravers and Process Workers relating to the year 1979. Includes donations made to the chapel.
Accession Number: hh.5106.3.90
The Society of Lithographic Artists, Designers, Engravers and Process Workers was founded in 1885 as the National Society of Lithographic Artists, Designers and Writers, Copperplate and Wood Engravers. After a number of name changes it became the Society of Lithographic Artists, Designers, Engravers and Process Workers in 1922.
The SLADE&PW remained distinct from the Amalgamated Society of Lithographic Printers. In 1972 it absorbed the smaller United Society of Engravers. It amalgamated with the National Graphical Association in 1982 to form the National Graphical Association (1982).
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org
Although printed on an Ultimaker, at a groundbreaking layer height at the time, 45 microns has since been surpassed by our later profile development. The current Ultimaker for Netfabb includes "Ulta Quality" profile with a 0.04 mm (40 micron) perimeter layer height. The latest in development profile gives a 20 micron outer wall.
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Tarjetas de visita + sello de marcaje artesanal + sello de lacre. — Diseño y producción: www.elcalotipo.com
Rights: Permission to use this image commercially must be obtained from the San Francisco History Center, San Francisco Public Library. www.sfpl.org/permissions When using this image please credit: BOOK ARTS & SPECIAL COLLECTIONS, SAN FRANCISCO PUBLIC LIBRARY.