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Bookbinder's knife. Diamond steel blade with wooden handle.
Accession Number: hh.3625.5.72
Finishing tools primarily could be divided into two categories: rolls and stamps. Rolls consisted of wheels with continuous designs engraved on the circumference, used to create long lines. Fillets–which made plain, straight lines–were the most common rolls. A binder would own several line fillets of different gauges, as well as fillets containing anywhere from one to four parallel lines. Whether working in leather or cloth, binders finally tooled the design and title into the material by making impressions with heated finishing tools. After making a blind impression, the binder sometimes pressed gold leaf into the indentation with the same tools.
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org
It can print flat,oval ,round products with big size.
www.wwprinter.com/Semi-auto-Plastic-and-Glass-Bottle-Scre...
Email： printersale@126.com
Tarjetones para /// Cards to luciaM | photography
Diseño /// Design threehaus.com/ — en El Calotipo.
ABS Hi-Impact 3SP is a tough material, suitable for high quality prototypes of items in categories such as automotive and consumer goods as well as stable enough for production-quality end use parts.
ABS Hi-Impact
Im Vordergrund drei aufgefächert liegende Gummitücher, als Hintergrund Druckeinheit mit manroland-Mitarbeiterin
In the foreground a fan of three blankets, in the background printing unit with female manroland employee
Innerhalb des PRINTVALUE-Dienstleistungsportfolios stellt printcom von manroland das Angebot an verfahrenstechnischen Systemkomponenten. Nur getestete Produkte wie diese Gummitücher erhalten das printcom-Gütesiegel.
Within the PRINTVALUE services portfolio it is manroland's printcom that offers process-compliant system components. Only tested products such as these blankets receive the printcom quality label.
(Foto/Photo: Baumann/Brechenmacher, Augsburg )
-vee
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v., short for a different word each issue, researches typography and language for the Graphic Design Department at Art Center College of Design. v. is open to what typography can accomplish in any visual or linguistic context. Projects are never restricted to preconceived notions about the media, methods and purposes of art, design and writing. v. is published thrice per year in April, August and December.
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-This is the fourth issue of v.
-December 2006
-Edition of 3500
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-Publisher: v.
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-Editor-in-Chief: Joshua Trees
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-Contributing Editor: Yvan Martinez
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-Art Direction: Ricardo Beltran, Aaron Kapor and Patrick Lin
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-Contributors: Jenny Chu, Yuri Chung, Akiko Da Silva, Steven Hwang, Heui-Jin Jo, Ji Eun Kang, Nicole Lascu, Steven Lau, Ronald Lu, Christian Rocha, Eun Jin Sohn, Pieter Vos
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-Printing: American Foothill, Tujunga, CA
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-Paper/Typefaces:
-50 lb. Offset
-Courier, Tarantula "V" (Designed by Christian Rocha)
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-Information:
-v.
-Graphic Design Department
-Art Center College of Design
-www.artcenter.edu/gpk
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Hankies For The Heartbroken and HayFeverish.
We made these at Brown Owls last night.
We got the idea from the very excellent benignobjects.blogspot.com/
We Used:
Blue B6 Print Gocco
Gocco HiMesh B6 Screens
ATM card as squeegee
Green Gocco Fabric Ink
New Handkerchief
This is a photograph is from a set of photographs from the Castlepollard 5KM Road Race and Fun Run 2017, also known as the Tullynally Challenge, which was held in Castlepollard, Co. Westmeath, Ireland on Wednesday 16th August 2017 at 20:00. The race is hosted by North Westmeath Athletic Club. The weather was reasonably good for road racing. The participants had a very stiff breeze in their faces on the outward stretch and all the way to the 2KM mark within Tullynally. This then became a helpful tailwail for the final KM of the race.
Starting off many years ago the race was very much a local affair drawing runners from the sounding areas of Mullingar, North East Meath, Cavan, and Longford. However, the race has grown in stature and popularity over the years and is now one of the most well attended road races in the midlands and sees participants from all over Ireland. The race offers prizes in all categories. The Castlepollard 5KM Road Race attempts to support young runners and walkers by organising a range of underage races around the town square before the adult race at 20:00. Profits from the race go towards grassroots athletics in the region - North Westmeath Athletics, Schools Cross Country, and local community games. As summer moves into autumn the Castlepollard 5KM can be considered as the unofficial ending of summer evening road racing in the midlands as with the fading light of the late summer evenings comes less opportunities to hold races in the evening time. Castlepollard is a small town located in North County Westmeath amongst the lakes of Lough Lene and Lough Derravagh. One of the show pieces of the race landscape is Tullynally Castle which provides almost 2.5KM of the race route. The name Tullynally is an adaption of 'Tulaigh an Eallaigh' – the Hill of the Swan. The hill overlooks the mythical Lough Derravaragh. Irish folklore legend names the lake as where the Children of Lir, who were turned into swans, were destined to live for 300 years. Tullynally Castle is still a family home to this day.
One of the enduring symbols of the Castlepollard 5KM is the tireless work of Andy MacEoin of North Westmeath AC who has been a visitor to almost every road race in the Midlands and beyond over the past number of months to publicize the event. Many of the participants tonight will have seen Andy's strategically placed advertising signs around other road race routes. Certainly this work, and that of many other members of North Westmeath AC, has paid off well.
The race begins near the center of the town square and proceeds directly out the R395 towards Coole and Edgeworthstown. The first KM is flat and quick allowing the field to spread out. The race then enters the Tullynally Castle estate and proceeds up the tree-lined avenue. The gardens, like the castle are on a grand scale, taking in nearly 12 acres. This allows the race to make a big loop of the gardens with a quick downhill stretch followed by a sharp climb before the race rejoins it's outgoing path for the final 1.5KM of the race. The final 1100M from the gate of the Castle grounds to the finish is as the first - fast and flat and allows for a great finish passing the GAA grounds with finish line just outside the local Fire Station.
This year almost 400 took part in the race. It goes without saying that the Castlepollard 5KM has become one of the "must do" road race events in the midlands. Everything that is good about club road racing in Ireland can be found here.
Electronic Timing and Event Management are provided by MyRunResults and their website is www.myrunresults.com.
We have a full set of photographs from tonight's race which is available on our Flickr photostream: www.flickr.com/photos/peterm7/albums/72157684179507162
We have photographs from six of the previous Castlepollard 5KM road races - 2012 was missed. They are available here on Flickr:
Our Flickr Photographs from Castlepollard 5KM 2016: www.flickr.com/photos/peterm7/albums/72157672157788196
Our Flickr Photographs from Castlepollard 5KM 2015: www.flickr.com/photos/peterm7/sets/72157656750245820
Our Flickr Photographs from Castlepollard 5KM 2014: www.flickr.com/photos/peterm7/sets/72157646408272725
Our Flickr Photographs from Castlepollard 5KM 2013: www.flickr.com/photos/peterm7/sets/72157635070120285
Our Flickr Photographs from Castlepollard 5KM 2011: www.flickr.com/photos/peterm7/sets/72157627404031092
Our Flickr Photographs from Castlepollard 5KM 2010: www.flickr.com/photos/peterm7/sets/72157624655001130
Our Flickr Photographs from Castlepollard 5KM 2009: www.flickr.com/photos/peterm7/sets/72157622023529006
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Raaga Block Printed Textiles (P) Ltd. (Raaga Textiles) is located in the heart of Sanganer, Jaipur. It was established in the year 2009, with the passion of conserving and promoting the art of Block Printing, through the preservation of such wonderful artistic heritage by evolving the new designs with the use of innovative ideas and design and development.
Raaga Textiles shows its dominance as a role model of excellence in business practices, and supports the revival of traditional textile skills. Block Printing is a much celebrated craft-work known for its typical traditional style in the printing industry, which was evolved in mid 17th century in India during the reign of Mughal empire.
We specializes to develop the designs with exclusive & beautifully handcrafted textiles and soft home furnishings using cotton, silk and linen, with specialized skills of Hand Block Printing, Hand Embroidery and Hand Quilting.
(Raaga Textiles uses eco-friendly and skin safe dyes and colors in its printing work.) We use all fast Azo free wet dyes for making colors. These dyes are fast, and the content in these dyes are approved by renowned and prestigious International Certification agencies, such as, SGS, CMA, ETC, FITI and Codetex Srl Textiles Laboratories.
In an attempt to maintain the highest Quality standards (as per the International norms), all the execution of fabric processing, i.e. dying, printing, finishing, checking, and packaging is completed at the workshop of Raaga Textiles. We have In-house production capacity of printing 800 meter per day with the workforce of 32 highly experienced craftsmen (devoting 8 hours/day).
Our premium product range includes/covers the entire sizes and shapes of Bedspreads, Bed-sheet, Bed-skirt, Duvet Covers, Coverlet, Quilts, Curtains, Drapes, Noreens, Cushion Covers, Pillow Covers, Pillow Shams, Bolsters, Table Linen, Kitchen Accessories, Mats & Napkins, Potholders, Costars, Tea cozy, Dish Mats, Aprons, Mittens, Sarongs, Stoles and Fabric by yards finds favor with buyers across the globe.
Here are some exciting images of the first test piece of my current development for 3D printing... but can anyone guess what it is?
Wooden printing block with metal printing plate depicting two children sitting back to back.
Accession Number: HH4748/15/88
Plates are the illustrations separately printed and inserted into a book once it is bound. The copper plate is the master surface from which printing is done.
Used at Holmes McDougall, Edinburgh. Holmes McDougall were educational publishers based at 137 - 141 Leith Walk, Edinburgh.
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org
Gretta printing on her old press.
Rights: Permission to use this image commercially must be obtained from the San Francisco History Center, San Francisco Public Library. www.sfpl.org/permissions When using this image please credit: BOOK ARTS & SPECIAL COLLECTIONS, SAN FRANCISCO PUBLIC LIBRARY.
Weltausstellung für Buchgewebe u. Graphik Leipzig 1914
Zur Erinnerung Gewidmet von J.G. Schelter & Giesecke Leipzig
Are you searching for screen printing services in Fort Worth? We are most trusted screen printers in Fort Worth. Call us now on 817.231.8040 to get quote.
Te Papa and Maungarongo (Ron) Te Kawa ran a screen-printing workshop in Christchurch that produced t-shirts, cushions covers, scarves, and a Freedom Banner, printed with amazing designs and patterns from many countries. Photographed by Kirsty Macdonald, 2009.
Yellow membership card for the Society of Lithographic Artists, Designers, Engravers and Process Workers relating to the year 1979. Includes donations made to the chapel.
Accession Number: hh.5106.3.90
The Society of Lithographic Artists, Designers, Engravers and Process Workers was founded in 1885 as the National Society of Lithographic Artists, Designers and Writers, Copperplate and Wood Engravers. After a number of name changes it became the Society of Lithographic Artists, Designers, Engravers and Process Workers in 1922.
The SLADE&PW remained distinct from the Amalgamated Society of Lithographic Printers. In 1972 it absorbed the smaller United Society of Engravers. It amalgamated with the National Graphical Association in 1982 to form the National Graphical Association (1982).
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org
Although printed on an Ultimaker, at a groundbreaking layer height at the time, 45 microns has since been surpassed by our later profile development. The current Ultimaker for Netfabb includes "Ulta Quality" profile with a 0.04 mm (40 micron) perimeter layer height. The latest in development profile gives a 20 micron outer wall.
Description: Monotype composing machines, a brief description.
Accession Number: 4748/37A/88
Further Notes: The Monotype composing machine was invented by Tolbert Lanston (1844–1913) who first produced his machine in 1889. The Monotype was based on similar principles to the Linotype but cast characters and spacing separately.
The machine comprised two separate units: the keyboard (like a QWERTY keyboard) and the caster. The keyboard used compressed air to punch holes in a paper ribbon, according to the sequence of keys struck by the operator. The caster operated by blowing compressed air through the paper strip to select the letters and set lines out in a uniform width.
As letters were cast singly, it was possible for the caster’s attendant to make corrections ‘on the run’, whereas Linotype corrections necessitated recasting the whole line of type. The use of the Monotype system enabled casting of some 6,000 characters an hour.
Printing purists such as Bernard Newdigate were disparaging about the quality of the output from these machines largely due to the uninspring typefaces available. However, the various university presses and Francis Meynell’s Nonesuch Press, part of the Private Press movement, enjoyed excellent results and economies of scale. For this latter reason, most ‘hot-metal’ Penguins, the vanguard of the Paperback Revolution, were set on Monotype.
Realising that it was important to offer a high quality innovative service, the Monotype Corporation appointed Stanley Morison as typographic advisor in 1922. Morison set about recutting past ‘classic’ designs as well as commissioning new fonts from designers Bruce Rogers, Eric Gill and Frederic Goudy. Morison also had his most famous type cast here – Times New Roman.
History: Used at Holmes McDougall, Edinburgh. Holmes McDougall were educational publishers based at 137 - 141 Leith Walk, Edinburgh.
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org