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An old barn near Chili, Illinois that had seen better years. It was dilapidated to the point that a farmer passing by warned me not to get too close or go inside of it
IMG_9833
© Stephen L. Frazier - All Rights Reserved. Duplication, printing, publication, or other use of these images without written permission is prohibited.
on a leaf of a Canna.
©This photo is the property of Helga Bruchmann. Please do not use my photos for sharing, printing or for any other purpose without my written permission. Thank you!
When printing was as much an art form as a technology.
Or, the day the people at the Print Shop at History San José set me and my camera loose in their type storage cabinets.
Having had some experience with off-set printing in the past, it was interesting to see how they used to do it.
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Voor mij de grootste uitvinding ooit!
I think the greatest invention ever!
Wie vond de boekdrukkunst uit?
Laurens Janszoon Coster of Johannes Gutenberg?
Recent printing has me using rubylith to make a nice clean border on these contact prints. Contact Print - 5x7 Film Negative - Omega B66 enlarger - Dektol 1+1 - Ilford Multigrade Paper
A still image from the video I've been shooting about the traditional craft of letterpress printing, still going strong in Wotton-under-Edge.
These are 2 silver gelatin prints with elements of chemigram and lumen printing from my project "Traces".
”Traces” is a series that explores the transformation of identity over time. It delves into the fluid nature of "the self," questioning how much of who we are is shaped by our past versus the influence of fate. Through this work, I sought to deconstruct the familiar image we recognize as ourselves and rebuild it through a variety of alternative techniques. I employed methods such as manipulating the negative, experimenting with alternative chemical processes in the darkroom, and incorporating mixed media on the final prints. The portraits, captured on film first and finally printed on paper, reflect a layered process that blends traditional analog techniques with experimental approaches to reimagine the subject’s identity.
Ancoats, Manchester
A first proper outing with me ol’ mucker – Eddie ‘Rainman’ Coulson of 2021 and the chance to post something not from the last decade. We’ve both been dabbling in Etsy in recent months and decided to go and shoot some of Manchester’s historic landmarks with the view to printing some of them. I must confess I’ve never been to this part of town and initially made straight for Anita Street, which has an interesting history going back to the Industrial Revolution, but I’ll write about that in another posting. Sankey’s is further afield and quite a well-known landmark, but if you didn’t know where it was you could spend hours walking around this part of town and never spot it.
Luckily, Eddie knows the area well and pointed me in the right direction. The weather on Friday was glorious and sunny, but not a cloud in sight, so you’ll have to forgive me with this subtle replacement sky. So good to be out and about again and shooting some new material.
It has quite an history as a nightclub… here’s a condensed summary
Sankeys first opened in Manchester as "Sankeys Soap" in June 1994. It was so called due to its residence inside Beehive Mill, Ancoats, which once was used to manufacture soap. The basement of the mill was transformed into a club and live music venue by Andy Spiro and Rupert Campell. After nearly going bankrupt only six months after opening, the venue managed to keep thriving. However, in 1998, due to financial problems, Sankeys Soap closed its doors to the public.
In 2000, the club was revived by business partners David Vincent and Sacha Lord-Marchionne. This time the club was more successful than before, tackling the problems that had crippled its previous owners. In 2006, the club was forced to close once more, much to the dismay of clubbers. David Vincent announced that this time Sankeys Soap would be closed for good.
Later that summer, it was announced that the club was to re-open under the shorter name Sankeys. It would be under the direction of David Vincent who invited Andy Spiro to get involved once again. During its closure the club underwent a major refit involving a brand new LED lighting system and featured the "hatongue" who took over from the legendary "Mad Graham" after the PAR cans were removed. The main DJ booth was also replaced by a new circular box.
In 2009, owing to the success of the new club, 15 further changes were made to celebrate 15 years of the Sankeys dynasty. These included dynamic ceiling lighting in the Spektrum (the upstairs part of the club) as well as a beach constructed with 50 tonnes of Bahamas Sand and the introduction of a state-of-the-art barcoded entry system. In 2010, Sankeys was voted the number one club in the world in a DJ Mag reader poll.
Following the success of 2010, David Vincent announced plans to create "Seven Sankeys" of the World in the seven cities that inspired the original Sankeys.
The music policy at Sankeys was varied but focused on underground electronic music, mainly House & Techno. The club also hosted one-off nights from outside promoters.
Resident DJs over the years included Greg Vickers, Bushwacka!, Jozef K, Darius Syrossian, Ellesse, Ryan Croft, Adam Chappell, OD Muzique, Pete Zorba, and Luke Welsh.
On 11 April 2013, Sankeys announced they would be closing the doors again on 6 May 2013.
On 12 November 2013, Sankeys announced on their Ibiza Twitter feed that they would be re-opening Manchester in January 2014.
On 12 January 2017, Sankeys announced that they were permanently closing with immediate effect, after the building they occupied had been sold to be turned into apartments.
Structure printer mounted to a [larger] wheeled platform. Had to cheat a bit and use some wire to keep the track links straight.
Red River Printing Paper from their sample packs under Adaptalux lighting.
The paper types are (top to bottom):
Blanco Matte Canvas
Polar Gloss Metallic
Paper Canvas
und ehemaliges Druckhaus Ullstein
The old industrial architecture is the former printing house and publisher Ullstein near the Teltow channel with a small marina. .
© This photo is the property of Helga Bruchmann. Please do not use my photos for sharing, printing or for any other purpose without my written permission. Thank you!
This week's episode of the Toy Photographers Podcast is all about printing! I spoke with Shelly Corbett and Kristina Alexanderson about not only how, but why you should print your photos. You can check out our conversation here.
How the cloth is hooked with 2 iron bars inside the cylinder of the Perreau & Brault stop cylinder press at the MIAT in Gent, Belgium.
Hybrid printing system:
A digital negative image appeared on a Duobond 6 inch 2k monochrome LCD (no backlight itself, originally used for a 3D printer), herein called "virtual negative", was successfully formed on cyanotype (or Van Dyke) photographic paper using an analog photographic enlarger (light source: 395 nm UV SMD). This virtual negative method differs in this respect from previous digital negatives on OHP film (contact printing) and analog negatives as attempted by group: www.flickr.com/groups/cyanotype_wenlarger/).
Image signal is output to the LCD via HDMI from a mini-PC (OS: Windows 10) with a built-in graphics board capable of up to 4K video output.
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Printed on Cotman water colour postcard sized paper / exposed for 3hrs
Original picture: Elīna Arāja (Pexels' free photo)
Sensitizer: Jacquard cyanotype kit (Potassium Ferricyanide & Ferric Ammonium Citrate)
Toning: none
Enlarger: LPL Model 7451 large format enlarger (EL Nikkor 150mm / F5.6)
Light source: High power (50w) UV LED unit (SMD=surface mounted LED modules)
The condenser unit (= a unit in which two 16cm diameter convex lenses are set facing each other) was removed from my old Hansa patent enlarger for use in LPL Model 7451.
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New group was created. If you like, please join.
Entering prints in Western Counties Photographic Society (PAGB) hoping for ribbons.
Happily my friend Howard has a new printer, and they're looking good.
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