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If ever there was a band that deserved a better place to play for this night, it is Periphery. The stage was almost non-existent and the lighting was horrible. There were times when you could not even see the band since the lighting was so uneven. My pictures reflect this. However, Periphery did not disappoint. They are technical wizards on their respective instruments. And they have fun on stage!
Si jamás fuera una banda que mereciera un mejor sitio para tocar, sería Periphery. Casi no existía algo que se llamaría un escenario y la iluminación era horrible. Había ocasiones en las que ni siquiera se podía ver la banda debido a las luces tan inconsistentes e irregulares. Mis fotos reflejan esto. No obstante, Periphery no me desilusionó. Todos los integrantes son magos técnicos en sus instrumentos respectivos. ¡Y se divierten en el escenario!
I happened to get the most and the best photos of Periphery out of all other bands I shot that day, these photos deserve their own album. Sadly, their bassist, Nolly, did not make it to this show, he was still trapped in the UK. Periphery on the Summer Slaughter tour play at the house of blues in Hollywood on July 20th.
I happened to get the most and the best photos of Periphery out of all other bands I shot that day, these photos deserve their own album. Sadly, their bassist, Nolly, did not make it to this show, he was still trapped in the UK. Periphery on the Summer Slaughter tour play at the house of blues in Hollywood on July 20th.
August 26th, 2016 - Periphery performs live at Saint Andrews Hall in Detroit, Michigan. Credit: Mirak Habbiyyieh. www.schwegweb.com
I happened to get the most and the best photos of Periphery out of all other bands I shot that day, these photos deserve their own album. Sadly, their bassist, Nolly, did not make it to this show, he was still trapped in the UK. Periphery on the Summer Slaughter tour play at the house of blues in Hollywood on July 20th.
Located in the eastern periphery of modern Viareggio, the small site at San Rocchino was excavated in a series of campaigns between the mid 1960s and early 1970s. After evidence of occasional use between the Final Bronze Age and the Villanovan period (12th-mid 8th c. BCE), the site has produced evidence of two occupational sequences, the first from the late 8th to mid 5th c. BCE, the second from the late 4th to the 3rd/2nd c. BCE, when the site was destroyed by fire. The site sits on the edge of what was once a much larger coastal lagoon (what remains is today's lago di Massaciuccoli), built up on terraced fill starting in the 7th c. BCE. To the Archaic period, in the second half of the 6th c. BCE, can be dated four wooden huts and associated port infrastructure. The site has produced evidence of far-flung commercial contacts, including Aegean transport amphorae.
A. Corretti, San Rocchino, BTCGI
G. Fornaciari & G. Mencarini, MASSAROSA (Lucca). - Insediamento palafitticolo in località S. Rocchino, NSc
M. Bonamici, Contributo alle rotte arcaiche nell'alto Tirreno
M. Bonamici, Lo scalo portuale di San Rocchino in Versilia
Mark Holcomb
Centro Dinámico Pegaso, October 28, 2017
This photo was taken with a cell phone camera at KnotFest Mexico 2017. Centro Dinámico Pegaso, Toluca, Edo. Mex.
Periphery
Summer Slaughter Tour
@ House Of Blues
Hollywood, CA
July 20, 2012
All Photos © Kaley Nelson - www.KaleyNelson.com
If ever there was a band that deserved a better place to play for this night, it is Periphery. The stage was almost non-existent and the lighting was horrible. There were times when you could not even see the band since the lighting was so uneven. My pictures reflect this. However, Periphery did not disappoint. They are technical wizards on their respective instruments. And they have fun on stage!
Si jamás fuera una banda que mereciera un mejor sitio para tocar, sería Periphery. Casi no existía algo que se llamaría un escenario y la iluminación era horrible. Había ocasiones en las que ni siquiera se podía ver la banda debido a las luces tan inconsistentes e irregulares. Mis fotos reflejan esto. No obstante, Periphery no me desilusionó. Todos los integrantes son magos técnicos en sus instrumentos respectivos. ¡Y se divierten en el escenario!
This weeks Episode of On Tour With goes out with the Periphery, on their Thrash and Burn Tour. Watch as band and crew grind out the regualr Tour Logistics challenges and good times!
Periphery was formed by guitarist Misha Mansoor in 2005. He slowly gained a reputation on the internet, primarily via a regularly updated Soundclick account, Meshuggah and John Petrucci forums, and the sevenstring.org message boards. Before and during Periphery's tenure in the metal scene, Mansoor developed a reputation for doing his own audio production, the majority of which was performed with a home computer and a Pod XT during this period. Mansoor has continued to update his personal project, Bulb, which preceded Periphery, often transferring songs between the two projects. Mansoor continues to be involved in a number of other musical projects, including Haunted Shores with Mark Holcomb, Being (a space-prog metal outfit), and Of Man Not of Machine with Elliot Coleman (Sky Eats Airplane) and Holcomb
Watch this video on Vimeo. Video created by Stage Hands.
If ever there was a band that deserved a better place to play for this night, it is Periphery. The stage was almost non-existent and the lighting was horrible. There were times when you could not even see the band since the lighting was so uneven. My pictures reflect this. However, Periphery did not disappoint. They are technical wizards on their respective instruments. And they have fun on stage!
Si jamás fuera una banda que mereciera un mejor sitio para tocar, sería Periphery. Casi no existía algo que se llamaría un escenario y la iluminación era horrible. Había ocasiones en las que ni siquiera se podía ver la banda debido a las luces tan inconsistentes e irregulares. Mis fotos reflejan esto. No obstante, Periphery no me desilusionó. Todos los integrantes son magos técnicos en sus instrumentos respectivos. ¡Y se divierten en el escenario!
Haven't posted any strobist stuff lately, i thought i'd put one up : )
Fans of Periphery are no strangers to Mark Holcomb even before his recent recruitment to the band. He's done side projects with Misha Mansoor in Haunted Shores and have uploaded a number of guitar master classes on www.guitarmessenger.com.
He is also a teacher at Matt Halpern's BAND HAPPY, so if you're interested in learning a thing or two from him go to his profile page here.
He's certainly a great addition to the band, and i'm dying to listen to their new album!
Strobist info:
2x sb-800 into medium westcott softbox right and above camera for key
1x sb-28 behind model for rim and bounced to the wall behind me for added fill
Why so many flash power for a simple portrait? this was the setting for when i shot the band (periphery has 6 members) and since i took this in the building of the studio while they were recording their album i figured i couldn't waste a second of their time so i just moved my lights around without changing the power.
Spencer Sotelo
Centro Dinámico Pegaso, October 28, 2017.
This photo was taken with a cell phone camera at KnotFest Mexico 2017. Centro Dinámico Pegaso, Toluca, Edo. Mex.
The League of Extraordinary Gentlemen Tour featuring
Periphery
Monuments
The Safety Fire
Support: Clawerfield
live at Kiff Aarau, 18/02/2011
All photos copyright @ ProgHippie.com. All rights reserved.
RYDER HENRY
Periphery (2010)
cardboard, sawdust, fibers, acetate, plexiglass, mirrors, cassette motors, enamel, and oil paintings
Ryder Henry enjoys crafting miniature buildings and spaceships out of found cardboard, plastic, and assorted electrical components. He works on a scale of 1: 213.333. This number is derived from standard 80” doorways being shrunk to a height of 3/8”. The volumes thus become less than one 9 millionth of the real world.
The scale is the foundation for his miniature city, 4 Lydia, which has appeared in numerous exhibitions. Ryder depicts the world of 4 Lydia through paintings which begin as still-life (direct observation of the model) and move towards landscape with life activities portrayed.
Ryder interposes models of real houses (places he has lived and places where friends live) among his imaginary buildings. Aside from being a valuable exercise in craft, this gives him a more accurate sense of the scale in which he works. Pittsburgh has been his home now for a few years.