View allAll Photos Tagged Periphery
Periphery
Summer Slaughter Tour
@ House Of Blues
Hollywood, CA
July 20, 2012
All Photos © Kaley Nelson - www.KaleyNelson.com
I broke my keyboard, so have been using my laptop as a main keyboard. Its annoying, but allows me to put this underneath my main screen. Works well.
the periphery of mexicali. after a view miles i somehow sensed i had missed the interstate leading to tijuana according to the dusty street an noone being around apart from occasionally appearing suspicious looking guys...
www.phaselis.org/en/about/about-project
Phaselis Research
Phaselis
When compared with the previous period of research on the history of the city over the past quarter century it has undergone radical changes. While modern scientists follow the path of their predecessors in collecting data through systematic processes and methodically analysing them, they change the route whereby they approach the city as a context- and a process-oriented structure, having economic, social, cultural, political and environmental dimensions which come together at different levels.
This considerably more inclusive definition expands the discipline concerning the city’s historical research, which consists of archaeology, epigraphy, ancient history and the other ancillary sciences and it encourages scientists from the natural and health sciences to participate within these studies. This is because in the course of the exploration of an ancient settlement the study of both the environment and the ecological setting which make human life possible; together with health issues, such as diet and epidemics, form the context within which human beings live, and which are thereby as important as the human actors.
Within the context of the planned Phaselis Research, even certain knowledge such as the settlement’s appearing on the stage of history as a favorite break-point with its three natural harbours, it being famous for its roses, the frequent seismic upheavals at sea and on its shores and its citizens leaving their homes because of a devastating malaria epidemic suggest the necessity of the application of this multi-dimensional research methodology in order to understand more fully the historical adventure of this city.
By presenting this research project, we aim to implement and realize this multi-dimensional research method, which as yet lacks widespread application in the field in our country, however conceptually and practically with a multi-disciplinary research team consisting of both national and international scientists, we intend to register systematically every kind of data/information regarding all contexts of the city employing modern methods and to present the results to the scientific world in the form of regular reports and monographic studies, thus forming a strong tie between past and future research.
Phaselis Territorium
The boundaries of the ancient city of Phaselis’ territorium are today within the administrative borders of the township of Tekirova, in Kemer District, determined from the archaeological, epigraphic and historical-geographical evidence, reaching the Gökdere valley to the north, continue on a line drawn from Üç Adalar to Mount Tahtalı to the south and extend along the Çandır valley to the west.
Phaselis was discovered in 1811-1812 by Captain F. Beaufort during his work of charting the southern coastline of Asia Minor for the British Royal Navy. Beaufort drew Phaselis’ plan and in the course of conducting his cartographic studies, he saw the word Φασηλίτης ethnikon on the inscriptions and consequently identified these ruins with Phaselis. C. R. Cockerell, the English architect, archaeologist and author came to Phaselis by ship and met Beaufort there. Then in 1838 C. Fellows, the English archaeologist visited the city. He found the fragments of the dedicatory inscription over the monumental gate built in honour of the Emperor Hadrianus and mistakenly thought the Imperial Period main street was the stadion due to the seats-steps on either side of the street. In 1842 Lt. T. A. B. Spratt, the English hydrographer and geographer, and the Rev. E. Forbes, the naturalist came to Phaselis via the Olympos and Khimaira routes. Due to the fact that they all came by sea and they only stayed for a short time, their descriptions of the topography inland are without detailed and there are serious errors in orientation.
PhaselisThose researchers who visited Phaselis between the late 19th and the early 20th centuries concentrated primarily upon the discovery of inscriptions. In 1881-1882 while the Austrian archaeologist and the epigraphist O. Benndorf, the founder of the Austrian Archaeological Institute, and his team were conducting research in southwestern Asia Minor, they examined Phaselis. In the winter of 1883 and 1884 F. von Luschan from the Austrian team took the first photographs which provide information concerning the regional features of Phaselis’ shoreline. In the same year the French scientist V. Bérard also visited Phaselis. In 1892 the members of the Austrian research team, O. Benndorf, E. Kalinka and their colleagues continued their architectural, archaeological and epigraphical studies in Phaselis. In 1904 they were followed by D. G. Hogarth, R. Norton and A. W. van Buren from the British research team. In 1908 the Austrian classical philologist E. Kalinka visited the settlement again, collected epigraphic documents and conducted research on the history of city (published in TAM II in 1944). The Italian researchers R. Paribeni and P. Romanelli visited Phaselis in1913 and C. Anti in 1921. Anti returned to Antalya overland and in consequence discovered several epigraphs and the ruins of structures within the territorium of Phaselis.
Further archaeological, epigraphical and historical-geographical studies of Phaselis were conducted by the English researchers F. M. Stark and G. Bean, who came to the region after World War II. In 1968 H. Schläger, the German architect and underwater archaeologist began exploring the topographical and architectural structures of Phaselis’s harbours. After Schläger’s death in 1969, the research was conducted under the leadership of the archaeologist J. Schäfer in 1970. H. Schläger, J. Schäfer and their colleagues obtained important data concerning the architecture and history of Phaselis through the surface exploration of the city and its periphery. Following the excavations conducted along the main axial street of the city, in 1980 under the direction of Kayhan Dörtlük, the then Director of the Antalya Museum and between 1981-1985 under the leadership of the archaeologist Cevdet Bayburtluoğlu; underwater exploration was carried out in the South Harbour under the direction of Metin Pehlivaner, the then Director of the Antalya Museum.
Misha Mansoor from Periphery playing a Jackson Custom Shop Burled Redwood Soloist on his recent U.S. tour.
Spencer Sotelo.
This photo was taken with a cell phone camera at KnotFest Mexico 2017. Centro Dinámico Pegaso, Toluca, Edo. Mex.
Built in 1929, this forward-thinking Modern house was not inhabited long. Originally a weekend house, the structure retains a couple of acres and plentiful trees sheilding it from the current urban periphery of Paris, in Poissy.
The house was emblematic of Le Corbusier work in that it addressed "The Five Points", his basic tenets of a new aesthetic of architecture constructed in reinforced concrete:
1.The pilotis, or ground-level supporting columns, elevate the building from the damp earth allowing the garden to flow beneath.
2.A flat roof terrace reclaims the area of the building site for domestic purposes, including a garden area.
3.The free plan, made possible by the elimination of load-bearing walls, consists of partitions placed where they are needed without regard for those on adjoining levels.
4.Horizontal windows provide even illumination and ventilation.
5.The freely-designed facade, unconstrained by load-bearing considerations, consists of a thin skin of wall and windows.
The polychromatic interior contrasts with the primarily white exterior. Vertical circulation is facilitated by ramps as well as stairs. The house fell into ruin during World War II but has since been restored and is open for viewing. (Thanks Wikipedia!)
This was an unexpected, but super awesome side-trip.
If this is a photo of a boudoir, does it count as "Boudoir Photography"?
Periphery is an American metal band from Bethesda, Maryland (by way of Baltimore, Maryland), formed in 2005.
The Sonisphere Festival is a touring music festival which takes place across Europe between June and August. The festival is owned and promoted by Kilimanjaro Live with financial backing from AEG. It has hosted heavy metal bands such as Iron Maiden, Metallica, Mötley Crüe, and Slayer.
The idea for Sonisphere was first conceived when Stuart Galbraith was working for Live Nation, the organisers of Download Festival. The plan was to hold a series of events that would "translate into other territories". The event did not begin to materialize, however, until Galbraith left Live Nation for the events company Kilimanjaro Live.
Galbraith gained the support of the metal band Metallica, who were claimed to have helped curate the festival for later years; however, rumours were denied of Metallica signing a multi-million pound deal promising the band to headlining the festival for three years. The first run of festivals ran throughout the summer of 2009 at six venues, returning in 2010 with 11 venues.
Galbraith's plans for future festivals consist of increasing the number of festivals, making the event global rather than local to Europe, expanding the UK event into a 3-day festival, and increasing the UK capacity from 40,000 to 60,000 attendees
Historic Environment Record for H BUILDING, Malvern, UK
The building, having military purposes and designated locally as H building, sits on a former Government Research site in Malvern, Worcestershire at Grid Ref SO 786 447. This site was the home of the Telecommunications Research Establishment (TRE) from 1946. It has been owned by QinetiQ since 2001 and is in the process (October 2017 to February 2018) of being sold for redevelopment.
This unique building has at its heart a ‘Rotor’ bunker with attached buildings to house radar screens and operators as well as plant such as emergency generators. Twenty nine Rotor operational underground bunkers were built in great urgency around Britain to modernise the national air defence network, following the Soviet nuclear test in 1949. Two factors make H building’s construction and purpose unique; this prototype is the only Rotor bunker built above ground and it was the home to National Air Defence government research for 30 years.This example of a ROTOR bunker is unique instead of being buried, it was built above ground to save time and expense, as it was not required to be below ground for its research purpose.
H Building was the prototype version of the Rotor project R4 Sector Operations Centre air defence bunkers. Construction began in August 1952 with great urgency - work went on 24 hours a day under arc lights. The main bunker is constructed from cross bonded engineering bricks to
form walls more than 2 feet thick in a rectangle approximately 65ft x 50ft. The two internal floors are suspended from the ceiling. The original surrounding buildings comprise, two radar control and operator rooms, offices and machine plant.
The building was in generally good order and complete. The internal layout of the bunker remains as originally designed. The internal surfaces and services have been maintained and modernised over the 55 years since its construction (Figure 3). The first floor has been closed over.
There are some later external building additions around the periphery to provide additional accommodation.
In parts of the building the suspended floor remains, with 1950s vintage fittings beneath such as patch panels and ventilation ducts.
The building has been empty since the Defence Science & Technology Laboratories [Dstl] moved out in October 2008
As lead for radar research, RRE was responsible for the design of both the replacement radars for the Chain Home radars and the command and control systems for UK National Air Defence.
Project Rotor was based around the Type 80 radar and Type 13 height finder. The first prototype type 80 was built at Malvern in 1953 code named Green Garlic. Live radar feeds against aircraft sorties, were fed into the building to carry out trials of new methods plotting and reporting air activity
A major upgrade of the UK radar network was planned in the late 1950s – Project ‘Linesman’ (military) / ‘Mediator’ (civil) – based around Type 84 / 85 primary radars and the HF200 height finder. A prototype type 85 radar (Blue Yeoman) was built adjacent to H Building in 1959. live radar returns were piped into H Building.
Subsequently a scheme to combine the military and civil radar networks was proposed. The building supported the research for the fully computerised air defence scheme known as Linesman, developed in the 1960s, and a more integrated and flexible system (United Kingdom Air Defence Ground Environment or UKADGE) in the 1970s.
The building was then used for various research purposes until the government relinquished the main site to QinetiQ in 2001. Government scientists continued to use the building until 2008. Throughout its life access was strictly controlled by a dedicated pass sytem.
Notable civil spin-offs from the research in this building include the invention of touch screens and the whole UK Civil Air Traffic Control system which set the standard for Europe.
Chronology
1952 - Construction work is begun. The layout of the bunker area duplicates the underground version built at RAF Bawburgh.
1953 - Construction work is largely completed.
1954 - The building is equipped and ready for experiments.
1956-1958 - Addition of 2nd storey to offices
1957-1960 - Experiments of automatic tracking, novel plot projection systems and data management and communications systems tested.
1960-1970 - Project Linesman mediator experiments carried out including a novel display technique known as a Touch screen ( A World First)
TOUCHSCREEN
A team led by Eric Johnson in H building at Malvern. RRE Tech Note 721 states: This device, the Touch Sensitive Electronic Data Display, or more shortly the ‘Touch Display’, appears to have the potential to provide a very efficient coupling between man and machine. (E A Johnson 1966). See also patent GB 1172222.
Information From Hugh Williams/mraths
1980-1990 - During this period experiments are moved to another building and H building is underused.
1990-1993 - The building was re-purposed and the bunker (room H57) had the first floor closed over to add extra floor area.
2008- The bunker was used until late 2008 for classified research / Joint intelligence centre
2019 - Visual Recording of the buildings interior by MRATHS. Be means of a LIDAR scan and photographs being taken. The exterior was mapped with a drone to allow a 3D Image of the building to be created via Photogrammetry. This was created in Autodesk Photo Recap.
2020 - Building demolished as part of the redevelopment of the site.
Information sourced from MRATHS
Periphery - Icarus Lives Drum Transcript, Sheet Music, Chart.
Full transcript plus drum cover at:
www.youtube.com/user/wrightdrumlessons
Tags:
Drum Transcript Sheet Music Tab Tablature Chart Score
Periphery supporting for Between the Buried and Me at Lille Vega in Copenhagen.
Photos for: rockfreaks.net
A night of Textures
FRAK THE GODS TOUR! Oh happy day! The Frak The Gods Tour, featuring Periphery, The Human Abstract, Textures & The Contortionist. 4 fantastic bands which I never seen or heard before, o wait...hold on a minute... I do know a guy named Daniel de Jongh who by no chance is the lead singer of the band Textures which are touring the US and Canada just in time for me to catch up and say hello... So, hello is what we did! I hooked up with the band, hugged the boys and had an amazing night with all of them, I took my camera just in case and ended up with tons of great shots which will be represented here, o yeah! So basically I would love to thank TEXTURES for letting me hangout with them the whole night, rock with them, shoot them to bits and jump around with the rest of the crew which by no chance are really great musicians.. so check them out! (you have been warn, they are pretty heavy!!!) Periphery: www.myspace.com/periphery The Human Abstract: www.myspace.com/thehumanabstract Textures: texturesband.com/en/news The Contortionist: www.myspace.com/thecontortionistband Rock on and massive love and success to all of you, I had seriously good time! big up to Esther Viergever who connected all the dots from day one!
If ever there was a band that deserved a better place to play for this night, it is Periphery. The stage was almost non-existent and the lighting was horrible. There were times when you could not even see the band since the lighting was so uneven. My pictures reflect this. However, Periphery did not disappoint. They are technical wizards on their respective instruments. And they have fun on stage!
Si jamás fuera una banda que mereciera un mejor sitio para tocar, serÃa Periphery. Casi no existÃa algo que se llamarÃa un escenario y la iluminación era horrible. HabÃa ocasiones en las que ni siquiera se podÃa ver la banda debido a las luces tan inconsistentes e irregulares. Mis fotos reflejan esto. No obstante, Periphery no me desilusionó. Todos los integrantes son magos técnicos en sus instrumentos respectivos. ¡Y se divierten en el escenario!
Once at the periphery of the town, this corner semi-detached house boasted a large floor area, a grand porch entrance with a front lawn and tree and plenty of windows facing the street - No more.
Over the last 50 years, the original occupants left, the house was subsivided into small affordable apartments, the ground floor was taken over by transient changing retail and was extended to cover the lawn.
An ugly sight, it now provides convenience shopping for the surrounding apartment an rooming house dwellers adding to the walkability of the neighbourhood.
An example of unplanned, adaptive and enterpreneurial urbanism that comes as a retrofit.
Periphery
Summer Slaughter Tour
@ House Of Blues
Hollywood, CA
July 20, 2012
All Photos © Kaley Nelson - www.KaleyNelson.com