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Periphery è una band metal americana di Bethesda, Maryland; formata dal chitarrista Misha Mansoor nel 2005 che lentamente ha guadagnato una reputazione su internet, principalmente aggiornando regolarmente un account Soundclick, forum di Meshuggah e John Petrucci, e i message board su sevenstring.org.
Periphery performs as part of the 2013 Summer Slaughter Tour at The Fillmore in Silver Spring, Maryland.
August 2nd, 2013
Photo © Terry Dobbins 2013
**DO NOT USE WITHOUT MY PERMISSION**
A night of Textures
FRAK THE GODS TOUR! Oh happy day! The Frak The Gods Tour, featuring Periphery, The Human Abstract, Textures & The Contortionist. 4 fantastic bands which I never seen or heard before, o wait...hold on a minute... I do know a guy named Daniel de Jongh who by no chance is the lead singer of the band Textures which are touring the US and Canada just in time for me to catch up and say hello... So, hello is what we did! I hooked up with the band, hugged the boys and had an amazing night with all of them, I took my camera just in case and ended up with tons of great shots which will be represented here, o yeah! So basically I would love to thank TEXTURES for letting me hangout with them the whole night, rock with them, shoot them to bits and jump around with the rest of the crew which by no chance are really great musicians.. so check them out! (you have been warn, they are pretty heavy!!!) Periphery: www.myspace.com/periphery The Human Abstract: www.myspace.com/thehumanabstract Textures: texturesband.com/en/news The Contortionist: www.myspace.com/thecontortionistband Rock on and massive love and success to all of you, I had seriously good time! big up to Esther Viergever who connected all the dots from day one!
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Periphery è una band metal americana di Bethesda, Maryland; formata dal chitarrista Misha Mansoor nel 2005 che lentamente ha guadagnato una reputazione su internet, principalmente aggiornando regolarmente un account Soundclick, forum di Meshuggah e John Petrucci, e i message board su sevenstring.org.
RYDER HENRY
Periphery (2010)
cardboard, sawdust, fibers, acetate, plexiglass, mirrors, cassette motors, enamel, and oil paintings
Ryder Henry enjoys crafting miniature buildings and spaceships out of found cardboard, plastic, and assorted electrical components. He works on a scale of 1: 213.333. This number is derived from standard 80” doorways being shrunk to a height of 3/8”. The volumes thus become less than one 9 millionth of the real world.
The scale is the foundation for his miniature city, 4 Lydia, which has appeared in numerous exhibitions. Ryder depicts the world of 4 Lydia through paintings which begin as still-life (direct observation of the model) and move towards landscape with life activities portrayed.
Ryder interposes models of real houses (places he has lived and places where friends live) among his imaginary buildings. Aside from being a valuable exercise in craft, this gives him a more accurate sense of the scale in which he works. Pittsburgh has been his home now for a few years.
Periphery
Summer Slaughter Tour
@ House Of Blues
Hollywood, CA
July 20, 2012
All Photos © Kaley Nelson - www.KaleyNelson.com
Periphery
Summer Slaughter Tour
@ House Of Blues
Hollywood, CA
July 20, 2012
All Photos © Kaley Nelson - www.KaleyNelson.com
RYDER HENRY
Periphery (2010)
cardboard, sawdust, fibers, acetate, plexiglass, mirrors, cassette motors, enamel, and oil paintings
Ryder Henry enjoys crafting miniature buildings and spaceships out of found cardboard, plastic, and assorted electrical components. He works on a scale of 1: 213.333. This number is derived from standard 80” doorways being shrunk to a height of 3/8”. The volumes thus become less than one 9 millionth of the real world.
The scale is the foundation for his miniature city, 4 Lydia, which has appeared in numerous exhibitions. Ryder depicts the world of 4 Lydia through paintings which begin as still-life (direct observation of the model) and move towards landscape with life activities portrayed.
Ryder interposes models of real houses (places he has lived and places where friends live) among his imaginary buildings. Aside from being a valuable exercise in craft, this gives him a more accurate sense of the scale in which he works. Pittsburgh has been his home now for a few years.
On Saturday 7 October 2017, UCL Urban Laboratory and Folkestone Triennial 2017 held the second event in the EDGE symposium series, exploring the concept of situated practice in contemporary art, architecture and urbanism. The events bring together practitioners and thinkers at three ‘edge’ locations connected by the High Speed 1 railway, which acts a geographical link and embodies ideas associated with community, connectivity and escapism.
In framing these events, we have considered 'edge' as: 'Where an area that is known or privileged meets another that is unknown or ignored; a point of balance between contrary or diverse phenomena; a place of connectivity and interaction.'
'Periphery' was a day of enquiry to consider the environs of the Queen Elizabeth Olympic Park. Investment for the 2012 Games brought rapid development to the previously neglected Stratford area. Here East, within the former press and broadcasting centre of the Games, is envisaged as a cluster of innovators and digital makers, whilst the Stratford Waterside development will bring new institutions including the V&A, Sadler's Wells, London College of Fashion, and UCL.
Keynote: Jill Magid and Do Ho Suh
Speakers: Amica Dall (Assemble), Anna Harding (SPACE), Jane Rendell, Kreider + O’Leary, Liza Fior (MUF), Oreet Ashery and Mi Park, Torange Khonsari (Public Works), and Stephen Pritchard
The series is organised by the UCL Urban Laboratory and Folkestone Triennial 2017, with additional support from the Slade School of Fine Art, UCL and The Bartlett School of Architecture, UCL.
#EdgePeriphery
DoITPoMS, University of Cambridge
This sample shows a combination of white and grey cast irons. The core consists of a grey cast iron with a periphery of white cast iron.
System
Fe-C-X
Composition
Fe, C 2-4, other constituents (wt% typical) (Cast iron)
Reaction
Processing
Applications
Sample preparation
Technique
Reflected light microscopy
Contributor
Prof T W Clyne
Organisation
Department of Materials Science and Metallurgy, University of Cambridge