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This picture was encouraged by this part of our conversation and something I feel should be shared for anyone who may need to hear it themselves.
Me): you have been there to point out my mistakes or what I should have said or done
Me:( what you have never done to me is make me feel less of a woman for doing it, saying or acting out as I have through the use of my profile. (past tense) just pure acceptance with no judgments or mocking
Him): that is easy...your an amazing woman Dess and you deserve to know the truth of that...no one, least of all myself is perfect...but acceptance. not only of others but of ones own faults makes all the difference in being able to identify and perhaps most importantly, empathize
Thank you for seeing past my flaws and insecurities and noticing the woman I am. Thank you for being the friend I have always needed in a man. Thank you for the perfectly imperfect friendship.
🔗 Full 250MP resolution (monochrome version – Part II):
www.flickr.com/photo_download.gne?size=o&id=548707269...
Color Edition – Part I (Full Glory Series):
www.flickr.com/photos/stefan-zimmermann-official/54317352...
(Flickr can only display up to 20MP in the browser.)
This image is Part II of my Pixel Shift series – the monochrome continuation of the color version (Part I).
As many already know from the first image, Pixel Shift tolerates no motion: not in the frame, not in the environment. I spent hours in -3°C temperatures waiting for one single moment without a passing train or a vibrating bridge.
In that brief silence, 16 perfectly aligned sensor-shifted exposures merged into this 250MP black-and-white interpretation – stripped down to light, structure, rhythm, and the steel heartbeat of Frankfurt Central Station.
Unlike the vivid color edition, this monochrome version presents the station not as a hub of movement, but as a monumental cathedral of machinery – frozen in time.
📷 Camera: Sony Alpha 7R V
🔭 Lens: Sony FE 28–70mm F2.0 GM
📏 Focal Length: 66 mm
🌌 Resolution: 250 Megapixels via Pixel Shift (16-shot sequence)
⏱ Exposure: 16 × 16s (total sensor exposure: 256 seconds)
🌞 Aperture: f/5.6
🌙 ISO: 200
★*:.:*☆ ☆*:. .:*★
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Fitted for: Legacy/Athletic - Jake - Gianni - CZ Slim
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It's the.. PERFECTLY POSED ARMS.. for ME!
Makeup + Lipstick: Rain on me Collection (Lel evo head version) by L.W www.flickr.com/photos/lismwalker
Face Tattoo: Snotty Snot (Flow/BOM applied) by KOONZ *Get this item at the mainstore as part of the ManlySL weekend event!* www.flickr.com/photos/188042521@N04
LM to Koonz: maps.secondlife.com/secondlife/Cyprus/210/67/1502
Hair: Adora (2018 universal color hud) by EscalateD www.flickr.com/photos/145948990@N02
LM to EscalateD: maps.secondlife.com/secondlife/Bloodwine/244/179/1501
Tattoo: Elegance black tattoo by Carol G. www.flickr.com/photos/132471994@N03/
Taken from my car window :-) I've done battle with this guy for weeks, if I stop, he flies away, so this time I didn't stop, just slowed a little bit, and took the picture while driving by. No, there was no one behind me, and no oncoming traffic, made sure of that first!! Ha!
With differing arms and droplets of frozen water (rime) this snowflake is far from a perfect specimen but still beautiful in its own way.
Before some time I read in the internet a quote that really touched my heart and I wanted to do a picture about it. Also hearing the song from Niall Horan 'Flicker' leaded me to this.
"She wears it so beautifully, doesn't she? The pain... Always smiling... always positive... always happy to help... Its like a garment perfectly tailored to fit the way she carries it... with a touch of grace... and the quietness of that sad smile...
All so would never know how heavy it really was..."
(Ranata Suzuki)
My song inspiration
SSR101 and CLF1 drop down into Harden with a loaded grain train from Narromine to Port Kembla for export, using the Westons rake, as 8940.
Tuesday 2nd November 2021
23-November-2024
I should have waited for this show at the position of the previous photo, with the light reflected by the snow illuminating the ground, but I was a bit cold and went down and during the descent I had this show (that I had considered), therefore trying to stay in an area of the zone with a still fairly wide view.
It is difficult to best render similar contrasts and natural colors so powerful and saturated as to require a slight reduction in saturation during file processing, a difficult choice.
The strong contrast of both light and colors was not perfectly managed by the camera, while I should have used the tripod and decreased the shutter speed to better diffuse the light, therefore a better exposure that would have helped to contain noise and burned details.
I can say that it is a photo captured in the moment, without the appropriate equipment, but believe me that the show was truly unique.
Simplicity of the architecture of the tulli is amazing, but the skill needed to lay the stones properly, and balanced is an art long gone.
Why not to wake up at 3:30 to make a drive till the swamp where we were going to watch the sunrise... It was definitely worth it.
My next bunch of supermarket tulips are also on their way out and there may be a little series coming.
Lensbaby Sweet 22 and macro filters
Link to my 2025 100 x album: www.flickr.com/photos/28992287@N03/albums/72177720322918811/
--1/17/2022 - Thanks for adding this photo to "Explore", the invitation to "In Explore and the many comments and favorites.--
And here Smokey appears to think he is a perfect addition to the back of the sofa.
Happy Caturday!
For the 1/15/2022 Happy Caturday Group theme "I'm simply perfect!"
|| Perfectly Imperfect # 2 ||
A little side project for myself, finding the imperfect things in life that gets passed over just because they aren't perfect in our perceptions and give them a bit of exposure.
Group travel is always fraught, not least because there is always one individual in every group who is so self-aware, they never stop to consider anybody around them. This man was a serial photobomber on this particular tour.
We were in Gibraltar and had stopped for the obligatory Barbary Ape photoshoot. The Ape posed perfectly for me, and then our photobomber stepped into the frame. The Ape knew the routine, she put out a hand to stop the him, but to no avail.
Another from my GND encounter on Mull. In this shot you can see beads of water along the birds head showing just how well adapted the bird is for such an aquatic life. I don't know however I imagine that the male bird spends little to no time on land at all and is either at home on/in water or in the air.
Press L
* Since reading Ian McEwan’s 2007 novel “ On Chesil Beach “ I have wanted to see this strange geological structure .
Chesil is not your typical British beach lined with stripy deckchairs and pastel painted beach-huts but wild, rugged and at the mercy of Mother Nature. John Fowles, captures the landscape of Chesil perfectly in his quote: ..... “It is above all an elemental place, made of sea, shingle and sky, its dominant sound always that of waves on moving stone”
The beach runs for a length of 18 miles from West Bay to the Isle of Portland and in places is up to 50 ft high and 660 ft wide. Behind the beach is the Fleet, a shallow tidal lagoon. The lagoon is home to the mute swan colony at Abbotsbury, the only place in the world where you can walk through a nesting colony of mute swans.
The pebbles on Chesil Beach are graded in size from potato-sized near Portland to pea-sized at Bridport and are made up of mainly flint and chert from the Cretaceous and Jurassic rocks, along with Bunter pebbles from Budleigh Salterton. It is believed that smugglers landing on the beach at night could could judge their position along the coast simply by picking up a handful of shingle.
Both the beach and the Swannery are UNESCO World Heritage Sites.
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