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This shot epitomises both the highs and lows of being a rail enthusiast perfectly, but quite the capture for 2023. There is quite the story behind this one too! The subject is a pair of ED's - recently acquired from Govia Thameslink Southern 73202 and 73136 "Mhairi" on the 6Y42 14.05 Hoo Junction-Eastleigh East Yard departmental consisting of a healthy load of 23 JNA and MLA ballast wagons, seen at the small hamlet of Northbrook during twilight hour shortly after 20.30, nearly 3 hours later than its booked time.
I had originally arrived at this location some four and a half hours earlier in anticipation of catching this working in the fine afternoon sunlight; by this stage everything seemed to be running to time and as expected. Our woes began when the ED's stopped at Feltham Junction for 50 minutes - at this stage several passenger workings in that area were also on stop therefore, despite the obvious delay, nothing seemed out of the ordinary providing the ED's kept pushing on, which they subsequently did albeit with an unexplained 15 minute stop just outside Staines.
Things became more concerning when 6Y42 came to an abrupt halt outside Woking station. A phone call to 'control' (thanks to our on-location informant) ascertained a braking issue with the ED's and it also transpired this was the reason for the stoppage at Feltham too - our dire situation was confirmed when there had been no movement for over half an hour; with this news to hand, the gallery called the shots and left feeling bitterly disappointed, making the long walk of shame back to civilisation (anyone who's visited this spot will know its not the quickest or easiest spot to reach).
It was only once we had reached our vehicles that 'control' provided some unexpected news to my informant - 6Y42 was back on the move and it was hurtling down the main! We were back on - it was a no-brainer, the last men standing (whittled down to 3 from 6) were going back. Things appeared to be going well until another issue and a prolonged stoppage became apparent outside Basingstoke - gutter!
My informant left at this stage, but I was determined to persevere a little longer more in hope than in anticipation, after all it had already been resurrected three times earlier and I was clutching on to the belief it could go again, however the late-evening sun was now against me, dropping like a stone towards the horizon line.
I was about to call it quits one final time (I had already begun packing up) when Y42 started moving again. I wasn't going to leave without a shot now regardless of the conditions. However, haste was needed with it still some 30 minutes away and having to allow two passenger workings to pass. The informant returned having made it back to his car before getting the nod (again).
Finally, at the ungodly hour (photographically) of 20:35 and with the light just about holding out, the 73 duo finally passed us exactly 175 minutes late. I could finally make the walk of triumph back in the knowledge that my mission had been accomplished, arguably with a better result than expected with hindsight. At 5 hours spent at this location, this has to be a personal record for the longest I've had to wait (or waste - depending if you are a glass half full or empty kind of person) for a single working. Special mention goes to fellow-Flickrite Wetbag for the gen and for keeping my sanity in check, and to MJ for the initial headsup which faciliated the move.
Admittedly I was disappointed of the late-running and the low-light, but thankfully Lightroom has polished the image up immaculately to the extent that I'm absolutely chuffed with the end-product! It will be very difficult to better a shot of this working. The reward is even more satisfying now as the unreliability of the 73’s on this working meant they were dropped a few weeks later, meaning this was the only occasion I will likely capture them on a class 6 freight.
Also, taken with the assistance of a pole.
Ivy Geranium (Pelargonium peltatum)
For Pink October
We have red and white Geraniums side by side and sometimes we get some pink flowers.
This photo was inspired by Rick’s (a Flickr friend) comment on a recent photo of mine titled “Light” where he mentioned the idea of sharing photos of the contents of my sketch book. Honestly, I don’t consider anything in my sketch book as sketches but instead doodles. One day I just started drawing lines with my ink pen as a way to try to cope with intense anxiety. I noticed I was internally criticizing myself for not being able to draw straight lines so I decided to try to take some pressure off myself by embracing and intentionally making lines that were not perfectly straight. What I saw drawn on my paper seemed to match the feelings of anxiety within me—shaky, chaotic. And somehow I found interest in these lines and kept drawing them until I eventually had the whole page full (it took quite a while). Making this page of lines helped me to be able to cope in these very overwhelming moments. This lifelong struggle I face feels so dark, and taking the time and energy to find simple, manageable, and potentially helpful ways like this to cope helps add a little light to the darkness along this very challenging journey.
[I made this doodle sometime in 2019]
A brief break in the stormy February weather perfectly illuminates a snowy peak at the end of Glen Etive. A 10 stop ND filter helped to smooth out the turbulent water of Loch Etive as it crashed against this fantastic line of stones reaching out in to the depths. One of those entirely unplanned images that just presented itself - right place, right time 👍 #scotland #winter #photography
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We set up our tents in Damansen Bugyal at the end of the first day of trek to Amritganga valley, Garhwal Himalayas, India
Spent some time trying to work out a composition at this cool place up in Lofoten, but honestly nature had done a pretty good job arranging this scene by itself
She stumbled upon a vision so beautiful, it took her by surprise! Standing completely still she took in all it's splendour...wherever I am... I am sure it must be heaven, she thought to herself!
Sorry for the Iris overload... this year I have so many in my garden... I can't help myself...
But I have disabled the comments and I greatly appreciate all that visit and hope you like this image!!
Enjoy the rest of the week and end of May!!
" Imperfection is beauty, madness is genius, and it is better to be absolutely ridiculous than absolutely boring " Marilyn Monroe
👫Pose "Lovable"
🔗 Marketplace Sort by: Age: Newest First
Perfectly blue sky at the right moment with a visitor wearing an unlikely perfect hair colour to match it.
Same head as yesterday
[LEGACY] Meshbody (f) SE (1.4
Same skin as yesterday, ItGirls Cocoa Bri
TRUTH VIP Soiree Hair style.
[hh] Gianna Set & Blake Sneakers PLAINS & Veronica Bralette.
“Perfectionism is the enemy of happiness. Embrace being perfectly imperfect. Learn from your mistakes and forgive yourself, you’ll be happier. We make mistakes because we are imperfect. Learn from your mistakes, forgive yourself, and keep moving forward.”
― Roy T. Bennett
I keep continuing forward leaving a barrage of mistakes in my wake. I hope I’m learning something, but I’m not even sure of that. The times that I am able to break away and find wonderful old barns like this one along my route are the times that keep me going! Get out there and make some mistakes!! 😁❤️ Perfection is overrated!
Indian Hawthorn (Rhaphiolepis indica)
For my 100 Flowers Project - 2024
Rick's Hawthorn is looking fabulous as it flowers.
Sand dunes near Dunhuang
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...the rhododendrons are in bloom ...
at Sir Harold Hillier Gardens
Octubre Rosa / Pink October
Freitagsblümchen - friday flora
TRRA Job 201 brings a lengthy NS Luther Yard Transfer down the Broadway Main in North St. Louis. The new SD60I pair eases the train to a brief stop at Second Street and waits for permission into the yard from the NS Yardmaster.
An absolutely perfect reflection that I shot on the other side of the Kylemore Abbey lake, the Pollacapall Lough.
As a modern monarch, Her Majesty Queen Lilibet, Queen of all the Bears, knows that even when she is relaxing at Bearingham Palace, she may be called on at a moment’s notice to meet important guests like foreign dignitaries or her Bear Minister, Grizzly Sunak. Therefore, she finds her double string of pearls, a gift from her own Papa Bear, and a smart brooch to match her outfit to be the perfect accessories to wear when greeting any guest. They can lift an ensemble, dazzle the eye and impress with their simple beauty and elegance.
The theme for "Smile on Saturday" on the 4th of March is "wearing jewellery". This theme left me with many options, but the one that immediately sprung to mind was to use my new Merrythought Her Majesty Queen Elizabeth II Celebration Bear, released in a limited edition of 1,926 worldwide (she is number 10) in honour of the life of Her Majesty, whom I pre-ordered last year, but only recently arrived a few weeks ago. Beautifully crafted in the United Kingdom, this limited edition collectable bear has been carefully brought to life by the Merrythought team using the finest dusky-pink mohair plush and soft cotton velvet. Her left hind paw has been embroidered in gold thread to indicate Her Majesty’s lifetime, whilst deep blue eyes and hand-stitched smile give this bear an air of friendliness and integrity, synonymous with our former monarch. Her high quality outfit is inspired by Her Majesty’s favourite style of coat and hat, in the bold royal blue colour that she wore so often to public engagements. Her felted hat is accessorised with pretty organza flower detailing, co-ordinating perfectly with an elegant string pearl necklace. However, the real showpiece is the detailed replica of the Prince Albert Brooch that is pinned to her fully-lined woollen coat. The original gold-set sapphire and diamond piece of jewellery was given to Queen Victoria by her husband-to-be, Prince Albert, and went on to become Queen Elizabeth’s brooch of choice for many royal occasions. I hope you like Her Majesty as my choice for the theme this week, and that she makes you smile.
The wallpaper in the background is William Morris’ 1875 “Marigold” pattern. The sofa is a 1:6 replica of a Georgian piece made by high end miniature makers JBM. The chest is an early Nineteenth Century Regency fruitwood Anglo Indian perfume box with brass inlay and silver legs. On its top stands an Eighteenth Century Satsuma chrysanthemum vase.
I would like to acknowledge and thank my Flickr Friend Red Stilletto www.flickr.com/photos/thevixen/ for inspiring me to use the pairing of two images and the application of a wide white frame. Both of these design elements she uses to create great impact with her own images.