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BUILD YOUR OWN FUTURO DARKO CAR.

With this kit you'll be able to build your own FUTURO DARKO customizable muscle car. There is enough parts to build few different machines, but feel free to make changes into the file and make your own stickers, front/rear light panels, additions, etc. If you're willing to publish your model, please tag the owner and use #futurodarko hashtag.

 

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N141PR, a Basler BT-67 owned by N141PR LLC and operating for AIRtec, lining up on RWY28 at Dublin Airport after a fuel stop while routing from USA to Djibouti.

The Basler BT-67 is modified Douglas DC-3 (C-47), with changes that include stretching the fuselage, new engines, propellers, avionics, hydraulics and many may others. It provides operators with larger interior volume, more speed and larger fuel capacity.

This particular aircraft was built in late 1942, as was delivered as 42-32817 to the US Air Force in February 1943. It was transferred to the Royal Air Force later in 1943 as FD789, operating for 24 Squadron, a Transport Squadron based at RAF Hendon in North West London.. 24 Squadron split in in 1942 and 1943, with the C-47 Dakotas transferring to the newly formed 512 Squadron in 1943. After the war, the aircraft was transferred to the Royal Indian Air Force retaining its RAF serial FD789. Following India gaining its independence from the British Empire in 1947, the aircraft returned to the UK, where it went on the civilian register as G-AKNB operating firstly for Scottish Aviation Ltd (Nov 1947 - Aug 1948), then Guinea Air Traders (Aug 1948 - Feb 1950) and then Field Aircraft Services Ltd (Feb1950 - March 1950). The aircraft briefly went on the Burma aircraft register in 1950 as XY-ACN, operating for Union of Burma Airways. By mid Oct 1950, the aircraft was back in the UK, with registration G-AKNB reapplied, operating for BEA - British European Airways. It had a spell of 9yrs operating with BEA, until in 1959 it was sold to Silver City Airways, the Post War British Independent airline operating primarily between the UK and Europe. Silver City was taken over by British United Airways in 1962, and this aircraft transferred to BUA in March 1962. It operated with BUA until 1968 when ownership transferred to Ulster Air Transport, an airline founded in 1967 primarily operating flights between Northern Ireland Scotland. Later in the same year, the aircraft was leased by Autair International Airways, the British holiday charter airline based at Luton Airport. The following year the aircraft transferred to the Channel Islands, operating for Intra Airways, the charter airline operating passenger and cargo charters from the Channel Islands to the United Kingdom and Continental Europe. It had a spell of 9yrs operating for Intra Airways. In 1978, the aircraft went on the Irish register as EI-BDU, one of 2 C-47s used by the newly formed Clyden Airways. After its spell on the Irish register the aircraft was back to the UK in 1982, again as G-AKNB, transferring to Aces High Ltd, the TV and film industry aviation specialists. The aircraft was Damaged after an incident in Blackpool in Sept 1982, and it was then placed on display at Imperial War Museum in Duxford. But its time on the ground wasn't permanent, and after a repair project, it was back in the air in 1989, operating cargo services for Northern Airways as N59NA. In 1994 it transferred to Champlain Air, and then in 2007 it transferred to BGA Aviation. In 2014, it was acquired by Basler Turbo Conversions, who completed the conversion of the aircraft to a BT-67. In 2018 it was then registered as N141PR to a company called N141PR LLC, the owners of the aircraft when this photographer was taken. As I said above, the operators of the aircraft at the time was a company called AIRtec.

AIRtec is a company based at St. Marys County Airport in Maryland, which modifies and operates jet, turbo-prop, fixed and rotary-wing aircraft to deliver critical airborne services to government and science customers. It has been providing airborne support for Dept. of Defense and NASA projects since 1987.

However they sold the aircraft later in 2019 and it as bought by a Canadian Company called ALCI Aviation, going onto the Canadian register as C-GOOU. It currently operates for Enterprise Aviation based at Oshawa Executive Airport in Ontario, Canada.

Cavendish Mews is a smart set of flats in Mayfair where flapper and modern woman, the Honourable Lettice Chetwynd has set up home after coming of age and gaining her allowance. To supplement her already generous allowance, and to break away from dependence upon her family, Lettice has established herself as a society interior designer, so her flat is decorated with a mixture of elegant antique Georgian pieces and modern Art Deco furnishings, using it as a showroom for what she can offer to her well heeled clients.

 

Concerned about her beau, Selwyn Spencely’s, true affections for her, and worried about the threat his cousin and 1923 debutante, Pamela Fox-Chavers, posed to her own potential romantic plans with Selwyn, Lettice concocted a ruse to spy on Pamela and Selwyn at the Royal Horticultural Society’s 1923 Great Spring Show*. As luck would have it, Lettice ran into Pamela and Selwyn, quite literally in the latter’s case, and they ended up having tea together. Whilst not the appropriate place to talk about Selwyn’s mother, Lady Zinnia, whom Lettice suspects of arranging a match between Selwyn and Pamela, who are cousins, Selwyn has agreed to organise a dinner with Lettice where they can talk openly about the future of their relationship and the interference of Lady Zinnia. However, whilst Lettice waits for the dinner to be arranged, she has a wonderful distraction to take her mind off things.

 

That is why today we are far from London, returning to Wiltshire, where Lettice grew up at Glynes, the grand Georgian family seat of the Chetwynds, and the home of Lettice’s parents, the presiding Viscount and Countess of Wrexham and the heir, their eldest son Leslie and his new wife Arabella. However, we are not at Glynes, but rather in Glynes Village at the local village hall where a much loved annual tradition is taking place. Every year the village have a summer fête, run by the local women and overseen by Lettice’s mother, Lady Sadie, to help raise money for a worthy cause in the village. The summer fête is one of the highlights of the village and country calendar as it always includes a flower show, a cake stand, stalls run by local famers’ wives selling homemade produce, games of hoopla, a coconut shy, a tombola and a jumble sale, a white elephant stall and a fortune teller – who is always local haberdasher Mrs. Maginot who has a theatrical bent and manages the Glynes theatrical players as well as her shop in the village high street. All the stalls and entertainments are held either in the village hall or the grounds surrounding it. Not only do the citizens of the village involve themselves in the fête, but also the gentry, and there is always much excitement when matriarch of the Brutons, Lady Gwyneth – Gerald’s mother, and Lady Isobel Tyrwhitt – Arabella’s mother, attend. Neither lady have been well over the last few years with Lady Gwyneth suffering a spate of bronchial infections and Lady Isobel receiving treatment for cancer, so it is a rare treat to have both in attendance. This year’s summer fête is a special one for Arabella in particular, for as the newly minted Mrs. Leslie Chetwynd, she now joins the effort to help run the Glynes summer fête for the first time and has been given the second-hand clothing stall to run as part of the jumble sale.

 

The Glynes village hall is a hive of activity, and the cavernous space resounds with running footsteps, voluble chatter from the mostly female gathering, hammering and children’s laughter and tears as they run riot around the adults as they set up their stalls. Mr. Lovegrove, who runs the village shop, climbs a ladder which is held by the elderly church verger Mr. Lewis and affixes the brightly coloured Union Jacks and bunting that have been used every year since the King’s Coronation in 1911 around the walls. Lady Sadie casts a critical eye over the white elephant stall, rearranging items to put what she considers the best quality items on more prominent display, whilst removing a select few pieces which she thinks unsuitable for sale, which she passes to Newman, her ladies maid, to dispose of. Bramley, the Chetwynd’s butler arranges and categorises books for the second-hand book stall, perhaps spending a little too much time perusing some of the titles. Mrs. Elliott who runs the Women’s Institute manages the influx of local women bringing in cakes with regimental efficiency. And amongst all the noise, activity and excitement, Arabella busies herself unpacking boxes of old clothes and tries her best to make her trestle an attractive addition to the summer fête. Lettice perches on an old bentwood chair, offering suggestions to her sister-in-law whilst pulling faces as she lifts up various donations before depositing them in disgust where they had been beforehand.

 

“Here we are then,” Gerald announces as he walks across the busy floor of the hall bearing a wooden tray containing several teacups and a plate of cupcakes from the refreshments stand, narrowly avoiding Mrs. Lovegrove’s two youngest children as they chase one another around his legs. The sound of his jolly call and his footsteps joining all the other cacophony of setting up going on around him. “Refreshments for the hard workers,” he looks at Arabella. “And the not-so-hard-workers.” he looks at Lettice.

 

“Don’t be cheeky!” Lettice says to him with a hard stare, letting a limp stocking fall from her hand and collapse into a wrinkled pool on the trestle table’s surface.

 

Gerald puts the three tea cups down where he can find a surface on Arabella’s trestle table, followed by a long blue and gilt edged platter on which sit three very festive cupcakes featuring Union Jacks made of marzipan sticking out of white clouds of icing.

 

“Mrs. Casterton’s special cupcakes.” he announces proudly with a beaming smile.

 

“How on earth did you get those, Gerald?” gasps Lettice in surprise, eyeing the dainty cakes greedily. “Mrs. Casterton hasn’t let me take food from her kitchen since I started dining at the table with the rest of the family, never mind pinch anything from her stall for the fundraiser!”

 

“It helps when you aren’t her employer’s indulged youngest child.” Gerald says, tapping his nose knowingly.

 

“I was not an indulged child!” Lettice defends, raising her hand to the boat neckline of her frock and grasping her single strand of creamy white pearls hanging about her neck. “You were more indulged by Aunt Gwen than I ever was by Mater or Pater.”

 

“Oh, just ignore him, Tice!” laughs Arabella from her place behind the trestle. “You know Gerald has always had the ability to charm anything from anyone when he wants to.”

 

“That’s true,” Lettice replies, eyeing Gerald with a cocked eyebrow and a bemused smile as she picks up her magenta and gilt rimmed cup and sips her tea. “I had forgotten that.”

 

“What can I say?” laughs Gerald proudly with a shrug of his shoulders.

 

“It’s not so much what you can say as what you can do, Gerald.” mutters Arabella with a frustrated sigh.

 

“I am at your service, my lady?” Gerald replies, making a sweeping bow before Arabella and Lettice, who both laugh at his jester like action.

 

“Be careful what you promise, Gerald.” giggles Lettice.

 

“Bella would never expect too much from me, Lettice.” Gerald retorts with a smile. “She’s known me all her life and she knows what my limitations are.”

 

“Well, I was hoping you could help me by working some magic on my second hand clothing stall.” Arabella remarks with another frustrated sigh as she tugs at the old fashioned shirtwaister** blouse with yellowing lace about the collar. “I’ve tried and tried all morning, but nothing I seem to do helps make anything look more modern and more attractive to buy.”

 

Lettice and Gerald look around at Arabella’s stall. The shirtwaister outfit with its pretty, albeit slightly marked, lace, tweed skirt and leather belt with a smart, yet old fashioned Art Nouveau buckle really is the most attractive piece that she has on display. Around it on the surface of her trestle are a jumble of yellowing linen napkins complete with tarnished napkin rings, a selection of embroidered, tatted*** and crocheted doilies, mismatched pairs of leather and lace gloves and several rather worn looking hats that are really only suitable for gardening now, rather than being worn to church services on Sunday.

 

“I warned you Gerald.” Lettice says with a knowing wink.

 

“Don’t you remember how much we all felt sorry for whomever ran the second-hand clothing stall at the fête each year as children, Bella?” Gerald asks.

 

“It was always the short straw.” Lettice adds.

 

“Yes, being stuck under the piercing stare of His Majesty.” Gerald indicates to the portrait of King George V, dating back to the pre-war years when the King still had colour in his hair.

 

“The worst stall to have because none of the villagers ever seem to have anything nice or remotely fashionable to donate, even for a good cause like new books for the village school.” Lettice picks up a pretty primrose yellow napkin. “These are nice at least.”

 

“Except there are only three of them.” points out Arabella with a disappointed air. “I can’t seem to find a fourth.” She picks up a red dyed straw hat in the vain hope that it will be there, even though she has searched beneath it three times already. “And I’ve looked everywhere.”

 

“Tea for two, perhaps?” Gerald suggests hopefully as he picks up his own teacup and takes a sip of tea.

 

“Oh, you two are no help!” scoffs Arabella. “I’ve a right mind to stick you both with these!” She grasps a pair of knitting needles complete with some rather dreadfully made rows of incomplete knitting and a ball of wool and thrusts them through the air between she, Lettice, and Gerald. “They’ll get you working.”

 

“Even if they do, Bella, we aren’t miracle workers.” remarks Gerald.

 

All three of them laugh good heartedly.

 

“Oh I must make the best of it,” Arabella sighs resignedly as she tugs at the left leg-of-mutton sleeve**** of the shirtwaister. “After all, this is my first year as Leslie’s wife, and the first jumble sale I am actively helping to run to help raise funds for the village. I must make this stall a success no matter what.” The steely determination in her voice surprises her as she speaks. “I’m a Chetwynd now, and I can’t disappoint the villagers with a poor show.”

 

“Nor Mater.” adds Lettice, taking another sip of tea.

 

“No indeed!” agrees Gerald. “Lady Sadie will be judging you from afar, Bella, rest assured. If your stall isn’t a great success, you’ll hear about it.”

 

“In a dozen little quips.” Lettice adds.

 

“More like a hundred.” corrects Gerald.

 

“Tearing delicately phrased strips off you.” agrees Lettice.

 

“Inflicting as much pain for as long as possible.” adds Gerald with seriousness.

 

“Oh stop, Gerald!” laughs Arabella. “She isn’t anywhere near as much of a dragon as you and Tice paint her to be.”

 

“You’ve only been married to the family for a little while now,” Lettice counters, looking at her sister-in-law over the magenta and gilt painted rim of her cup. “And you and Leslie have your own lives and are left pretty much to your own devices down in the Glynes Dower House from what I can gather. We’ll give you a little while longer to find out the truth about your wicked mother-in-law.” She smiles cheekily.

 

“I have grown up alongside you, going in and out of your house, Tice,” Arabella replies with a dismissive wave of her hand. “So it’s not like Sadie is an unknown quantity to me.”

 

“But you’ve never been a recipient of her acerbic tongue either, I’ll wager.” adds Gerald dourly. “You’re far too sweet and compliant a young daughter-in-law for that, but both Lettice and I have.”

 

“I still don’t know,” Lettice queries, turning her attention to Gerald. “What was it you said to Mater that night of Hunt Ball that set her so against you, Gerald? I’ve never known her to take against anyone so vehemently, except perhaps poor Aunt Egg who can never do any right in her eyes.”

 

Gerald blushes, remembering the altercation he had with Lettice’s mother, Lady Sadie, at the ball. In a slightly inebriated state he told her that neither she nor Lettice had any sway over Selwyn Spencely’s choice of a wife, any more than Selwyn did himself, explaining that it was his mother, the Duchess of Mumford, Lady Zinnia, who would choose a wife for him. “I keep telling you, darling girl. I really don’t remember,” he replies awkwardly, covering his tracks as best as he can. “If you remember, I was rather tight***** that night on your father’s champagne.”

 

“Well,” Arabella says with a sigh. “I’m determined not to incur her wrath, even though I’m sure it’s nowhere near as awful as you two suggest.”

 

“Oh-oh!” Gerald mutters under his breath to Lettice. “In coming.”

 

“Oh no.” moans Lettice quietly in return behind the painted smile she places on her face as she, Gerald and Arabella are suddenly set upon by the Miss Evanses, the two spinster sisters who live in Holland House, a Seventeenth Century manor house in the village.

 

The trio smile benignly as the two sisters twitter to one another in crackling voices that sound like crisp autumn leaves underfoot as they approach them.

 

“Well, twice in as many weeks, Miss Chetwynd!” exclaims the younger of the Miss Evanses in delight, a joyous smile spreading across her dry, unpainted lips. “Last week at the Royal Horticultural Society’s Great Spring Show, and now here! How very blessed we are to see you again.”

 

“How do you do, Miss Evans, Miss Evans,” Lettice acknowledges them both with a curt nod from her seat. She glances at the two old women, who must be in their seventies at least, both dressed in a similar style to when she saw them last week at the Royal Horticultural Society’s Great Spring Show, in floral gowns of pre-war Edwardian era length, their equally old fashioned whale bone S-bend corsets****** forcing their breasts into giant monobosoms down which sautoirs******* of glittering Edwardian style beads on gold chains cascade. Wearing toques with feather aigrettes jutting out of them atop their waved white hair they look like older versions of Queen Mary.

 

“I’m afraid you are a little early for the jumble sale, Miss Evans and Miss Evans,” Arabella remarks sweetly. “We are still setting up.”

 

“Oh, thank you! We know, Mrs. Chetwynd.” twitters the elder of the Miss Evanses, surprising Arabella a little as she still gets used to being referred to by her new married name. “I was just remarking to Henrietta this very morning over breakfast that we do so much look forward to the village fête every year.”

 

“Yes, it’s a nice way for us to be able to support the local community in our own small way, isn’t that right Geraldine?” enthuses her sister, raising her white lace glove clad hand to her wrinkled and dry mouth as she giggles in a rather unseemly girlish way.

 

“Indeed yes, Henrietta. It is to aid the school this year, is it not?”

 

“It is Miss Evans.” Arabella confirms. “To help buy new books for the children.”

 

“A very fine cause, I must say,” the younger of the Miss Evanses remarks indulgently. “Helping the young ones to read and develop their fertile minds. Rather like gardening, wouldn’t you say?”

 

“It is not even remotely like gardening!” quips her sister. “Stop talking such nonsense Henrietta.”

 

“We shall of course be glad of your patronage when the jumble sale opens in an hour.” Arabella quickly says in an effort to diffuse any unpleasantness between the two spinster sisters, at the same time emphasising the time the sale begins.

 

“Well,” adds the elder of the Miss Evanses seriously. “We shall of course come and spend a few shillings and pence when it opens officially, but…”

 

“Oh!” interrupts the younger of the Miss Evanses. “Is your frock designed by Master Bruton, Miss Chetwynd?” She addresses Gerald in the old fashioned deference of the village and county folk when addressing the children of the bigger aristocratic houses.

 

“Yes, Miss Evans. Mr. Bruton,” Lettice applies gravatas to the correct reference to Gerald’s name now that he is of age. “Did design my frock.”

 

“Oh it’s ever so smart!” the younger of the sisters enthuses.

 

“Thank you, Miss Evans.” Gerald acknowledges her.

 

“And your hat?” Miss Evans points to the yellow straw hat. “Didn’t I see you wearing that at Master Leslie’s wedding to Miss Arabella?”

 

“Mrs. Chetwynd, I think you mean, Henrietta.” corrects her sister with a sharpness to her remark.

 

“Oh yes!” bristles the younger Miss Evans at her sister’s harsh correction, raising her hand to her mouth again. “Yes of course! Mrs. Chetwynd, I do apologise.”

 

“It’s quite alright, Miss Evans.” Arabella assures her. “I am still getting used to being Mrs. Chetwynd myself.”

 

“How very observant of you, Miss Evans.” Lettice addresses the younger of the siblings. “I did indeed have my hat made for Leslie and Bella’s wedding. It was made by a friend of Mr. Bruton’s, Miss Harriet Milford.”

 

“Yes, well thinking of hats, I…” begins the elder Miss Evans.

 

“Oh it’s most becoming, Miss Chetwynd.” the younger Miss Evans interrupts her sister again as she compliments Lettice in an obsequious manner, followed by another twittering giggle.

 

“I can send someone down to Holland House this afternoon after the fête with her details if you like.” Lettice replies. “The next time you’re in London, you might pay her a call.”

 

The two sisters give one another a sour look at the idea, their lips thinning and their eyes lowering as they nod to one another in unison before turning back to Lettice and Gerald.

 

“Aside from the Great Spring Show, we don’t have much call to go up to London these days, do we Henrietta?”

 

“Indeed no, Geraldine.” agrees the younger Miss Evans between pursed lips, a tinge of regret in her statement.

 

“Besides we find the services of Mrs. Maginot’s in the high street to be quite adequate.”

 

“Good lord!” gasps Gerald, causing the two spinster sisters to blush at his strong language. “Is old Mrs. Maginot still going?” He chuckles. “Fancy that!”

 

The elder Miss Evans clears her dry and raspy throat awkwardly before continuing. “For our more bucolic, and doubtlessly simple tastes, Master Bruton, we find Mrs. Maginot to be quite satisfactory.” Both sisters raise their lace gloved hands to their toques in unison, patting the runched floral cotton lovingly. “We aren’t quite as fashionable as you smart and select London folk down here in sleepy little Glynes, Master Bruton, Miss Chetwynd, but we manage to keep up appearances.”

 

“On indeed yes, Miss Evans.” Lettice replies with an amused smile. “No-one could fault you on maintaining your standards.”

 

“I imagine you will soon be designing Miss Chetwnd’s own wedding frock, Master Bruton.” the younger of the Miss Evanses announces rather vulgarly.

 

“That’s only if I let her get married, Miss Evans,” Gerald teases her indulgently. “I might like to whisk her away and lock her in a tower so that I can keep her all to myself.”

 

“After what we all saw with our own eyes at the Hunt Ball, I’m sorry Master Bruton, but I don’t think you are in the running for Miss Chetwynd’s affections!” the younger Miss Evans twittering giggle escapes her throat yet again as her eyes sparkle with delight at the very faintest whiff of any gossip.

 

“How is Mr. Spencely, Miss Chetwynd?” the elder Miss Evans asks pointedly, her scrutinising gaze studying Lettice’s face.

 

Lettice blushes at the directness of both Miss Evans’ question and her steely gaze. “Oh, he’s quite well, as far as I know, Miss Evans.” she replies awkwardly.

 

“As far as you know?” the older woman’s outraged tone betrays her surprise as she looks quizzically into Lettice’s flushed face.

 

“Well, I haven’t seen Selw… err, Mr. Spencely just as of late.”

 

“Oh?” the elder Miss Evans queries. “I thought we saw you leave the tent we were in at the Great Spring Show, on the arm of Mr. Spencely.”

 

“Yes, I’m sure it was him, Miss Chetwynd.” adds the younger Miss Evans as she raises a lace clad finger in thought. “He’s very striking and hard to mistake for someone else.”

 

Silently Lettice curses the beady eyed observation the two spinster sisters are known for. Of course, they of all people at the bustling and crowded Chelsea flower show, noticed her inadvertent stumble into Selwyn and then her departure with him. Although perfectly innocent, and accompanied by her married friend Margot Channon, and Selwyn’s cousin, Pamela Fox-Chavers, she can see how easily the Miss Evanses can construe the situation to their own advantage of spreading salacious London gossip about Lettice, as daughter of the local squire, around the citizenry of Glynes village.

 

“I believe you were here for a purpose, Miss Evans.” Gerald pipes up, quickly defending his best friend from any more uncomfortable cross examination.

 

“Oh,” the elder Miss Evans replies, the disappointment at the curtailing of her attempt to gather gossip clear in both her tone of voice and the fall of her thin and pale face. “Yes.” She turns to Arabella. “I have actually come early today to see you on business, Mrs. Chetwynd.”

 

“Me, Miss Evans?” Arabella raises her hand to the scalloped collar of her blouse and toys with the arrow and heart gold and diamond broach there – a wedding gift from her husband.

 

“Yes.” replies the elder of the two sisters. “You see, when I heard that you were running the second-hand stall this year, I did feel sorry for you.”

 

“Sorry for me, Miss Evans?”

 

“Yes,” she replies, screwing up her eyes. “For as you know, there is always a poor offering of donated goods by the other villagers, and it makes for a rather sad and depressing sight amidst all this gaiety.” She gesticulates over Arabella’s trestle with a lace glove clad hand, sending forth the whiff of lavender, cloves and camphor in the process.

 

“Unless you are donating one of your lovely frocks to the sale, Master Bruton?” the younger of the Miss Evanses adds with a hopeful lilt in her voice. “I should buy it, even if it didn’t fit me.”

 

Gerald splutters and chokes on the gulp of tea he has just taken as the question is posed of him. Coughing, he deposits his cup quickly and withdraws a large white handkerchief which he uses to cover his mouth and muffle his coughs.

 

“Oh, poor Master Bruton!” exclaims the younger of the Miss Evanses as she reaches out and gently, but pointlessly, taps Gerald on the shoulder in an effort to help him. “Did you tea go down the wrong way?”

 

“I arrest my case.” her elder sister snaps giving Gerald a steely, knowing look.

 

“Now be fair, Miss Evans,” Lettice defends her friend, filled with a sudden burst of anger towards the hypocritical old woman, who despite having plenty of money of her own, only spends a few shillings at the fundraiser every year. “Gerald is still establishing himself in London! He cannot afford to give one of his frocks away when he has to pour what little profit he currently makes back into supporting and promoting his atelier.”

 

“As you like, Miss Chetwynd.” Miss Evans replies dismissively. “It is a pity though that neither Master Bruton, nor yourself could cast something Mrs. Chetwynd’s way, to help make her stall more,” She pauses momentarily as she considers the correct word. “Appealing.”

 

Lettice feels the harshness of the old woman’s rebuke, but she says nothing as she feels a flush of shame rise up her neck and fill her face.

 

“Geraldine!” her younger sister scolds her. “That’s most uncharitable of you.”

 

“Charity, my dear Henrietta, begins at home.” She looks critically at the knotted half completed knitting, the yellow and age stained linen and the mismatched gloves. “And Mrs, Chetwynd, I see that try as you might, you cannot disguise the usually dispirited efforts of the village used clothing drive this year.”

 

“Oh, well I haven’t really finished setting up yet, Miss Evans.” Arabella defends herself. “There are still some things to unpack from the boxes behind me.” She indicates to several large wooden crates stacked up behind her against the wall under the watchful gaze of the King.

 

“Which are items that doubtlessly didn’t sell last year, or the year before that have been shuffled away, only to make their annual reappearance.”

 

“Perhaps you have something appealing,” Lettice emphasises her re-use of the elder Miss Evans’ word as she tries to regain some moral standing against the older woman. “To offer at this year’s second-hand clothing stall, Miss Evans.”

 

“As a matter of fact,” the elder Miss Evans replies with a self-satisfied smile and sigh. “That is exactly why I am here.”

 

With a groaning heave, she foists the wicker basket, the handle of which she has been grasping in her bony right hand, up onto the trestle table’s surface. She opens one of the floral painted flaps and withdraws a large caramel felt Edwardian style picture hat of voluminous pre-war proportions from within the basket’s interior. The brim of the hat is trimmed with coffee and gold braid, woven into an ornate pattern whilst the crown is smothered in a magnificent display of feathers in curlicues and the brim decorated with sprigs or ornate autumnal shaded foliage and fruit.

 

“As I said, charity begins at home, so I thought I would add some style and panache to your stall, Mrs. Chetwynd, with the addition of this beautiful hat.”

 

“Oh, thank you, Miss Evans.” Arabella says with a sweet, yet slightly forced smile as the older woman tears off a smaller blue stiffed lace hat from a wooden hatstand and replaces it with her enormous millinery confection.

 

“I know it is only a hat from Mrs. Maginot, and not a London milliner,” she looks pointedly at Lettice. “But I dare say it will be more than suitable for our modest little country jumble sale.”

 

“Oh I’m sure it will be,” Arabella lies politely as she looks in dismay at the old fashioned headwear.

 

“Geraldine!” gasps her sister in disbelief. “You love that hat! I remember you had Mrs. Maginot make it for the King’s Coronation celebrations at great expense!”

 

“That’s true, Henrietta, but it just sits in a box at home these days and never gets worn anymore. It seems a shame to hide it away when it could look fetching on another’s head in church on Sunday. No-one will have anything to rival it. Not even you, Miss Chetwynd.”

 

“I agree with that,” whispers Lettice discreetly into Gerald’s ear, unnoticed by either of the spinster sisters. “I’d rather die than be caught in that ghastly thing. It looks every minute of it’s age.”

 

“Just a touch Miss Havisham, don’t you think?” Gerald whispers back, causing both he and Lettice to quietly snort and stifle their giggles.

 

“Well, that really is most kind of you, Miss Evans.” Arabella says loudly and brightly with a polite nod of acknowledgement, anxious to cover up the mischievous titters from her friend and sister-in-law.

 

“It’s my pleasure.” she replies with a beatific smile. “Well, we shan’t hold you up any longer from doing your setting up of the clothes, Mrs. Chetwynd. Come along Henrietta. Let’s go and make sure Mr. Beatty has my floral arrangement in a suitably advantageous place. I’m not having it shunted to the back like last year.”

 

“Oh, yes Geraldine.” her sister replies obsequiously.

 

Lettice, Gerald and Arabella watch as the two old ladies slowly retreat and heave a shared sigh of relief.

 

Gerald deposits his cup on the trestle’s surface and walks up to the grand Edwardian hat and snatches it off the wooden stand before placing it atop his own head with a sweeping gesture. “Do you think it suits me?” he laughs.

 

Lettice and Arabella laugh so much they cannot answer.

 

“Well,” Gerald sighs, returning the hat to the stand. “Even if Hattie could make hats a hundred times more fashionable than this, maybe some local lady who is a bit behind the times will want to take this beauty home.” He arranges it carefully on the rounded block so that it shows off the autumnal themed fruit garland pinned to the wide felt brim.

 

“That’s the spirit I need, Gerald.” Arabella manages to say as she recovers from laughing at her friend’s theatrical modelling of the hat, and quietly she hopes that someone will buy the hat and everything else she has in her remit to sell, to help raise money for schoolbooks for the local village and country children that attend the Glynes Village School.

 

*May 20 1913 saw the first Royal Horticultural Society flower show at Chelsea. What we know today as the Chelsea Flower Show was originally known as the Great Spring Show. The first shows were three day events held within a single marquee. The King and Queen did not attend in 1913, but the King's Mother, Queen Alexandra, attended with two of her children. The only garden to win a gold medal before the war was also in 1913 and was awarded to a rock garden created by John Wood of Boston Spa. In 1919, the Government demanded that the Royal Horticultural Society pay an entertainment tax for the show – with resources already strained, it threatened the future of the Chelsea Flower Show. Thankfully, this was wavered once the Royal Horticultural Society convinced the Government that the show had educational benefit and in 1920 a special tent was erected to house scientific exhibits. Whilst the original shows were housed within one tent, the provision of tents increased after the Great War ended. A tent for roses appeared and between 1920 and 1934, there was a tent for pictures, scientific exhibits and displays of garden design. Society garden parties began to be held, and soon the Royal Horticultural Society’s Great Spring Show became a fixture of the London social calendar in May, attended by society ladies and their debutante daughters, the occasion used to parade the latter by the former. The Chelsea Flower Show, though not so exclusive today, is still a part of the London Season.

 

**A shirtwaister is a woman's dress with a seam at the waist, its bodice incorporating a collar and button fastening in the style of a shirt which gained popularity with women entering the workforce to do clerical work in the late Nineteenth and early Twentieth Centuries.

 

***Tatting is a technique for handcrafting a particularly durable lace from a series of knots and loops. Tatting can be used to make lace edging as well as doilies, collars, accessories such as earrings and necklaces, and other decorative pieces.

 

****A leg of mutton sleeve is a sleeve that has a lot of fullness around the shoulder-bicep area but is fitted around the forearm and wrist. Also known as a gigot sleeve, they were popular throughout different periods of history, but in particular the first few years of the Twentieth Century.

 

*****’Tight’ is an old fashioned upper-class euphemism for drunk.

 

******Created by a specific style of corset popular between the turn of the Twentieth Century and the outbreak of the Great War, the S-bend is characterized by a rounded, forward leaning torso with hips pushed back. This shape earned the silhouette its name; in profile, it looks similar to a tilted letter S.

 

*******A Sautoir is a long necklace consisting of a fine gold chain and typically set with jewels, a style typically fashionable in the late Nineteenth and early Twentieth Centuries.

  

Whilst this charming village fête scene may appear real to you, it is in fact part of my 1:12 miniatures collection, including items from my own childhood.

 

Fun things to look for in this tableau include:

 

Perhaps the main focus of our image, the elder Miss Evans’ camel coloured wide brimmed Edwardian picture hat is made of brown felt and is trimmed with miniature coffee coloured braid. The brim is decorated with hand curled feathers, dyed to match the shade of the hat, as well as a spray of golden “grapes” and dyed flowers. Acquired from an American miniatures collector who was divesting herself of some of her collection, I am unsure who the maker was, other than it was made by an American miniature artisan. 1:12 size miniature hats made to such exacting standards of quality and realism such as these are often far more expensive than real hats are. When you think that it would sit comfortably on the tip of your index finger, yet it could cost in excess of $150.00 or £100.00, it is an extravagance. American artists seem to have the monopoly on this skill and some of the hats that I have seen or acquired over the years are remarkable.

 

The shirtwaister dummy, complete with lace blouse, tweed skirt and Art Nouveau belt attached to a lacquered wooden base, is an artisan miniature as well, once again by an unknown person. It came from Kathleen Knight’s Doll House Shop in the United Kingdom.

 

The divine little patriotic cupcakes, each with a Union Jack on the top, has been made in England by hand from clay by former chef turned miniature artisan, Frances Knight. Her work is incredibly detailed and realistic, and she says that she draws her inspiration from her years as a chef and her imagination. Each cupcake is only five millimetres in diameter and eight millimetres in height! The plate on which they stand and the teacups on the table are made by the Dolls House Emporium and are part of a larger sets including plates, tureens and gravy boats.

 

Miss Evans’ wicker picnic basket that can be seen peeping out near the right-hand side of the picture was made by an unknown miniature artisan in America. The floral patterns on the top have been hand painted. The hinged lids lift, just like a real hamper, so things can be put inside. When I bought it, it arrived containing the little yellow napkins folded into triangles and the hand embroidered placemats that you see on the table in the foreground.

 

The knitting needles and tiny 1:12 miniature knitting, the red woven straw hat, the doilies, the stockings and the napkins in their round metal rings all came from Kathleen Knight’s Doll House Shop in the United Kingdom. The elbow length grey ttravelling gloves on the table are artisan pieces made of kid leather. I acquired these from a high street dolls house specialist when I was a teenager. Amazingly, they have never been lost in any of the moves that they have made over the years are still pristinely clean.

 

The wooden boxes in the background with their Edwardian advertising labels have been purposely aged and came from The Dolls’ House Supplier in the United Kingdom.

 

The Portrait of King George V in the gilt frame in the background was created by me using a portrait of him done just before the Great War of 1914 – 1918. I also created the Union Jack bunting that is draped across the wall in the background.

Db owned 67007 on the rear of the London- Shrewsbury charter@ Peterborough,over to the left Wcrc 47802 can just be seen on the rear end of a London- Skegness charter with Flying Scotsman@ the helm

Up chơi thôi không cần fave hay gì nữa hihi ♥

I love the flame stamp, but so long I don't make any card. Today I got the inspiration from my last card. So I get this simple but nice card! TFL!

"I would not wish any companion in the world but you"

 

William Shakespeare The Tempest

 

Sunny Ignoia with her boy Rocky

 

ANIMOSITY POSES

Couples Pose C-450

@ The Mainstore

maps.secondlife.com/secondlife/Cravone/217/136/31

 

BLACK FRIDAY SALE NOW ON

 

Warrington's Own Buses Alexander Dennis Enviro 400 312.LK58CNY at Warrington Interchange on the 5th July 2023. (Ex Metroline TE907)

Owned by a local electricity comapny.

In Veliko Tarnovo, Bulgaria.

www.brockholes.org/

  

Brockholes is a new kind of nature reserve, an unreserved reserve owned and managed by The Wildlife Trust for Lancashire, Manchester and North Merseyside.

 

There's lots to see and do at Brockholes, you can hunt out our floating Visitor Village with a restaurant, shops and Welcome Centre or explore our family-friendly hides, walking trails and play area.

  

www.brockholes.org/visit

  

At Brockholes you can explore our beautiful reserve, see the wildlife that call it ‘home’ or hunt out our Visitor Village with restaurant and shops, all of which float (yes really!) on one of our lakes.

 

Our floating Visitor Village features a gift shop and a restaurant providing stunning views across the lake. You can also discover our interactive Welcome Centre and learn all about the wildlife that you could see on-site. Be sure to call in to pick up a welcome leaflet that will help you plan your day. You can view the reserve map in our Welcome Leaflet here to help you plan your first visit.

  

2013/14 Opening Times:

 

4th November 2013 to 31 March 2014 10am-4pm

1st April 2014 to 31st October 2014 10am-5pm

 

Closed Christmas Eve and Christmas Day only

  

Car Park Charges

 

We don't charge for entry and any profits made here go back into looking after the reserve. So every time you pay for parking, treat yourself in the shop or enjoy some lunch, you are helping look after the reserve and the wildlife that visits us!

  

Sorry no dogs allowed!

 

There is a good reason! Dogs can disturb wildlife, especially nesting birds. If your dog was to get too close to a nesting bird it would cause the mother to leave the nest. So to avoid any accidents we ask that you don’t bring your dog. (Assistance dogs are welcome.)

  

Explore the reserve

 

Brockholes is one of the best sites in the UK for many species of bird and has one of the largest strips of ancient woodland in the county. You can take a stroll by the River Ribble, explore our woods or enjoy the lakes on site, which have all been specially designed to attract all kinds of wildlife for you to see!

  

Walks around Brockholes

 

What can I see at Brockholes?

Read about the happy habitats we've been working hard to create at Brockholes.

Watch out!

  

The Visitor Village floats on water and there are lots of areas of open water on the reserve. Take care in these areas and keep an eye on any children with you. The following activities are not allowed on the reserve:

 

Barbecues and fires

Fishing

Swimming

  

Please do not feed the birds

 

Big gulls know it’s much easier to find food when we leave it lying around rather than finding their own lunch. Here at Brockholes we have lots of species breeding with us, little ringed and ringed plover, lapwing, oystercatcher and redshank. Unfortunately the big gulls will eat the chicks of these special birds so if we feed the gulls and encourage them to stay there is a big chance that they will eat our important chicks, so please do not feed the birds and take your leftover picnic away with you.

  

www.brockholes.org/our-journey

  

The Lancashire Wildlife Trust has been working on developing Brockholes for nearly 20 years, here is an overview of our journey.

 

1992 Lancashire Wildlife Trust first contests the quarrying of Brockholes.

 

27 November 2006 The Lancashire Wildlife Trust has four weeks to raise £50,000 to buy the Brockholes site, near Preston, and protect it from development. Brockholes sits next to J31 of the M6 and is the size of 120 football pitches.

 

15 January 2007 The Lancashire Wildlife Trust makes the biggest land purchase in its history - thanks to donations from Wildlife Trust members, and an investment of £800,000 from the Northwest Regional Development Agency (NWDA) under the Newlands scheme. The project to buy and develop Brockholes is also supported by The Tubney Charitable Trust.

 

3 May 2007 Ian Selby is appointed as Brockholes project manager. Ian has 20 years' experience of managing the North West's canal network for British Waterways, followed by environmental regeneration work. Sophie Leadsom, Brockholes' new reserve manager, has worked in conservation for 14 years.

 

July 2007 The Royal Institute of British Architects (RIBA) announced the launch of a new open competition to design new visitor facilities.

 

5 October 2007 The Lancashire Wildlife Trust announced the shortlist for the new multi-million pound visitor centre. 61 architects from all over Europe submitted designs. The five were Adam Khan Architects, Arca, Architecture 2B, AY Architects, McDowell + Benedetti.

 

25 February 2008 The Lancashire Wildlife Trust (LWT) and partners announce the winner of its competition to design a visitor facility. Adam Khan Architects was selected for its inspirational design concept: "A Floating World". Designed as a cluster of buildings constructed largely of wood and other sustainable materials, it resembles an ancient marshland village.

 

April 2008 The Lancashire Wildlife Trust announced the completion of its first phase of preparatory work, including the restoration of the wetlands, creation of ponds, seeding of meadows, planting new hedgerows and trees, making access paths and building proper bird watching hides.

 

March 2009 The Lancashire Wildlife Trust secured £8million of funding from the North West Regional Development Agency (NWDA). The investment was made under ‘Newlands’, a NWDA and Forestry Commission programme that is regenerating brownfield land across the Northwest into economically viable community woodland.

 

Summer 2009 Volunteers gave us 134 hours of their time to help propagate our own reed seedlings on-site. We ended up with 20,000 new redd seedlings ready to plant out around our new visitor centre, creating two hecatres of brand new reedbed.

 

August 2009 The Lancashire Wildlife Trust were granted detailed planning permission for the site.

 

December 2009 Contractors first day of work as they begin to construct the iconic floating visitors centre. Press conference being held with a ‘cutting of the first sod’

 

November 2010 A herd of longhorn cattle move into Brockholes to graze the reserve.

 

December 2010 BBC Countryfile fronted by Julia Bradbury visit Brockholes to film a feature that airs in January 2011.

 

March 2011 Brockholes makes history as the Visitor Village is floated for the first time.

 

Easter Sunday 2011 Brockholes opens its doors to the public for the first time!

  

www.brockholes.org/happy-habitats-brockholes

  

Happy habitats at Brockholes

 

The Lancashire Wildlife Trust are using their expertise to create habitats that will encourage lots of different species to visit the site, read more about the work we are doing on the reserve...

  

Number 1 Pit

 

Uniform and steep, the edges around the original gravel pit used to look very different. The island looked different too – an egg-shaped piece of land sticking out of the water by three metres. These land profiles weren’t great for the bird species and aquatic invertebrates we wanted to attract. So, with bulldozer and digger we pushed earth into the lake to create shallow, underwater ledges and peninsulas where birds can roost and feed, safe from predators. Diving ducks, such as Great Crested Grebe, now hunt for fish in the deep water.

  

Nook Pool

 

The edge of this pool has been planted with reed to create places for small fish and aquatic invertebrates like dragonfly larvae to hide and grow, away from predator fish. The shelter provided by the vegetation provides an ideal hunting ground for lots of species of dragonfly including the impressive Brown Hawker and Emperor Dragonfly.

  

Meadow Lake

 

This shallow lake is great for bird watching: when the water level is down, wading birds feed on small invertebrates in the exposed mud. This lake has some of the richest water plant life in and around it, including White Water Lily and Cuckooflower. The reed fringes are becoming well established and hold some of the largest populations of birds on site. The islands provide safe roosting and breeding areas, we keep the vegetation short so the birds can watch out for predators.

  

Boilton Marsh

 

This area is part of our newly created wet grassland habitat. We remodelled 17,000 cubic metres of quarry spoil to create 10 hectares of wet grassland with nearly 2km of channels and five pools. This is the ideal habitat for breeding wading birds such as Lapwing, Redshank and Snipe. We now graze traditional breeds of cattle and sheep that thrive on the coarse grasses and rushes and provide the low grassland sward that encourages wading birds to nest.

 

The channels and pools are kept topped up by using a high-level reservoir, filled from Number One Pit by way of a solar pump.

  

Woodland

 

Brockholes is fringed by the ancient woodland of Boilton, Red Scar and Tunbrook Woods. Woodland has grown here for thousands of years and developed a very rich variety of wildlife. Looking after our trees and paths will help the woodland to thrive and enable you to see the wildlife safely.

  

Reedbeds

 

Reedbeds are home to Sedge Warblers, Reed Warblers, Reed Buntings and Water Rail. We protect the new reed from grazing birds like Coot, Mute Swan and Canada Goose, by erecting chicken wire fences and baling string barriers. It will take several years before our lak fringes start to look like reedbeds. You might notice that the Visitor Village has been nestled in reedbed. This helps it to blend into the reserve and allows you to hear the song and chatter of the birds that nest there.

  

www.brockholes.org/brockholes-partners-and-funders

  

Brockholes partners and funders

  

For the past ten years, The Wildlife Trust for Lancashire, Manchester and North Merseyside have been working to secure this site of national environmental importance, and restore habitats to their full potential.

 

The £8.6 million of regeneration funding was provided for the Brockholes Wetland and Woodland Reserve project has been granted under 'Newlands' - a £59 million, Northwest Regional Development Agency and Forestry Commission programme to transform brownfield land into durable community woodland, which act as catalysts for economic, social and environmental gain.

 

The Lancashire Environmental Fund awarded £446,000 for the development of the education facilities, hides and infrastructure on the site. Tubney Charitable Trust granted £350,000 for Biodiversity and Natural England DEFRA's Aggregates Levy Sustainability Fund awarded circa. £300,000. The Environment Agency granted £50,000 for the continued development of Brockholes.

 

The support of these funders helped make Brockholes a reality, as did the amazing support from our public appeal, which raised an amazing £63,000 - the most successful public appeal the Lancashire Wildlife Trust has ever run!

  

www.brockholes.org/volunteer

  

Volunteering at Brockholes

  

Around 200 volunteers have now been recruited, inducted and trained to begin volunteering at Brockholes, so we offer an enormous thank you to all who are helping it make such a big impact on our visitors... Volunteers truly are the face of Brockholes.

 

There are currently some exciting opportunities to be had volunteering here at Brockholes. Please have a look below at roles (you can click on the titles to download a full role description) which might suit you and click here to register, mentioning Brockholes and the role on the form.

  

Seasonal Activities Volunteer

 

Our seasonal activities program is the ideal opportunity for young people aged 16-23 to get involved here at Brockholes.

 

Running throughout all school holiday periods, you are expected to volunteer for 7 hours per week (normally one full day).

 

The Seasonal Activities Volunteer role is ideal for friendly, outgoing people who want to utilise their creative skills and help visitors – in particular children – enjoy the reserve. You will work alongside other volunteers to plan and deliver a variety of activities including pond dipping, guided walks, bird watching. The role will also include assisting with larger events such as our Extreme Adventure Weekend and Craft Fayres. Support will be given to you by the Events & Communications Manager.

 

This placement is perfect for those undertaking various award schemes, such as the Duke of Edinburgh award, as over the course of the summer you have the opportunity to gain upto 50 volunteering hours.

 

For full details on the role and what it entails, click here.

  

Seasonal Retail & Visitor Services

 

Our seasonal activities program is the ideal opportunity for young people aged 16-23 to get involved here at Brockholes.

 

As a volunteer for Retail & Visitor Services you will provide a warm welcome for visitors, helping to ensure that their Brockholes experience is a positive one. You will help visitors by providing them with information about products on sale in our gift stores and help them plan their visit by telling them about the various events and activities we have on offer.

 

The role suits a friendly, outgoing person who has an interest in wildlife and conservation.

 

Running throughout the school holiday periods, you are expected to volunteer for 7 hours per week (normally one full day).

 

This placement is perfect for those undertaking various award schemes, such as the Duke of Edinburgh award, as over the course of the summer you have the opportunity to gain upto 50 volunteering hours.

  

Each volunteer will be required to undergo a minimum of 1 and a half days training before they start. If you’d like to find out more or ask questions about any of these roles do not hesitate to get in touch with Catherine Haddon, Volunteering Support Officer on 01772 324 129 or email volunteer@lancswt.org.uk

  

www.brockholes.org/awards

  

Awards

 

Brockholes has scooped many high profile awards since opening in April 2011:

 

2013 Lancashire Tourism Award for Best Conference/Meeting venue

 

VisitEngland's Visitor Attraction Quality Assurance Scheme (VAQAS) 'Excellent'

 

Green Tourism Gold Award

 

Customer at the Heart Award

 

Lancashire and Blackpool Tourism Awards 'Marketing Campaign of the Year'

 

National Wood Award

 

BREEAM ‘Outstanding’ for the interim design stage

 

Chartered Institute of Building Services – Building of the Year 2011

 

Civic Trust Award

 

Civic Trust Special Award for Sustainability

 

Highly Commended in portfolio of Newlands sites in Landscape Awards

 

CIWEM Living Wetlands award

 

Greenbuilds award

 

Green Apple Awards for the Visitor Centre

 

Sustainable Project of the year – 2012 Building Awards

 

RICS North West – Overall award

 

RICS North West – Tourism and Leisure

 

RICS NW – Design & Innovation

 

RIBA North West Building of the Year

 

RIBA North West Sustainability Award

 

RIBA Award for top 50 new buildings in the UK

  

www.brockholes.org/business-0

  

Brockholes is an award winning-venue, which floats on one of our lakes - the only one of its kind in the UK.

 

Combine this unique design with access straight off the M6, a beautiful nature reserve, ample parking and on site catering, and you have found yourself the perfect venue for your next event. View our Conference Brochure here.

 

We think Brockholes is the natural place to do business, our dedicated centre can cater for 50 to 130 delegates.

 

We have a choice of two conference rooms and a reception/break-out area.

  

www.brockholes.org/conference-packages

  

At Brockholes we want you to be in control of your event as much as possible. This is why we have created these basic packages, enabling you to tweak each element to build an individual event.

 

Alternatively, we can cater to your specific requests if you require half day, early morning or evening hire.

 

Here is an overview of our conference packages, please contact us for a quote.

 

Our Conference brochure can be viewed in digi-book format here.

  

Day Delegate Package

  

Private room hire from 9am - 5pm

Tea and coffee served on arrival with bacon rolls

Mineral water for each guest

Tea and coffee served mid-morning

Buffet lunch served with tea, coffee and fresh fruit platter

Tea, coffee and biscuits served mid-afternoon

Use of a flip chart, screen and projector

Recycled pen and notepad for each delegate

Dedicated co-ordinator to assist you throughout the planning to delivery of your meeting

24 Hour Delegate Package

 

All of the above plus;

 

Three course dinner

Full breakfast

Accommodation in a standard bedroom at our recommended accommodation supplier

  

Accommodation

 

Preferential rates are available on request from a local hotel when booking through the Brockholes Sales Team.

 

We can tailor our packages to suit your needs. Make the UK's first floating venue your next choice

 

Please contact us for more information or to arrange a meeting or showround with our Conference Sales Co-ordinator

 

Call us on 01772 872005 or enter your details below and we will contact you to discuss your requirements.

  

www.brockholes.org/sponsorship-opportunities

  

Sponsorship Opportunities

  

Brockholes is an award winning nature reserve owned and manages by the Lancashire Wildlife Trust, which was opened in 2011. The 250 acre reserve is already attracting record numbers of breeding birds and around 170,000 visitors each year. Brockholes runs a wide range of events throughout the year and has a particularly strong offer for families. Events include wild families, school holiday clubs, school and community group visits, self led trails and larger festivals during the summer holidays.

 

The key marketing campaigns run targeting families include Christmas, Summer and Easter. Each campaign targets a series of family focused publications across the North West, with a monthly average reach online of over 40,000 people through the website and social media. Advertising and direct marketing campaigns have an average reach of 70% of the total North West population.

  

Sponsorship and Partnership Opportunities

 

Summer at Brockholes sees a host of family events each year, from school holiday clubs to open air theatre, guided walks to family fun. Over the Summer period, Brockholes expects to welcome over 60,000 visitors. The marketing campaign is multi channel and will reach a wide audience of families across the North West. Brockholes has also been featured in the National Press for some of the unique events run. We have some new opportunities for sponsorship and partnership, which will allow your business to raise brand awareness and fulfill part of your Corporate Social Responsibility by supporting Brockholes and The Lancashire Wildlife Trust.

 

Summer at Brockholes Headline Sponsorship £4500

 

Expose your brand to thousands of families across the North West.

- Logo on all Summer promotional material

- Inclusion in all four of the Summer e-news and Lancashire Wildlife Trust e-news

- Sponsor Feature on Brockholes.org

- On site promotion

- Promotion through social media channels

- Inclusion in all PR activity

- Temporary use of Brockholes logo on promotional material directly related to the partnership

  

Wild Families Sponsorship £4000 per year

  

Our Wild Families events are always fully booked. With themes ranging from scarecrow hunts to nature detectives, each event provides quality family time for family members of all ages. Events are run throughout school holidays.

-Logo on marketing materials for Wild Families

-Inclusion in PR for trail launch

-Inclusion in social media activity

-Inclusion in Brockholes e-news

  

Seasonal Trail Sponsorship £500 per trail

Each visitor to Brockholes can collect their free seasonal trail on arrival. The trail helps visitors to explore the reserve, learn more about what to see and how the reserve changes with the season and challenges them to spot things.

-Logo on sponsorship trail

-Inclusion in PR for trail launch

-Inclusion in social media activity around the trail

  

Half term at Brockholes £1500

-Logo on all marketing materials

-Inclusion in launch PR

-Social media promotion

  

Annual Headline Sponsorship £10,000

- Logo inclusion on all Promotional Material

- Dedicated web page on Brockholes.org

- On site promotion

- Dedicated stand area on key event days

- Promotion through Brockholes and LWT e-news, member magazine

- Promotion through social media channels

- Inclusion in all PR activity

-Discounted delegate rate on our conference facilities

 

Children's Corner £500

 

Would you like to help brighten up the children's corner in our restuarant for our younger visitors?

 

-Inclusion in PR activity

 

-Recognition in the children's area

 

-Inclusion in activity to our database promoting the new area

  

To talk to us more about sponsorship opportunities, contact Ruth Gaskell rgaskell@lancswt.org.uk or call 01772 324129.

  

www.brockholes.org/commercial-opportunities

  

Commercial Opportunities

  

Make Brockholes your business

 

Businesses are being offered an opportunity to become partners in a North West tourism and wildlife success story.

 

Brockholes nature reserve is entering the second phase of development which will provide commercial opportunities for other businesses and boost local employment.

 

The Lancashire Wildlife Trust attraction attracted 185,000 people to its nature reserve and the first ever floating visitor village in the UK, last year. It is looking to top that visitor figure this year.

 

Just off the M6 at Preston and easily accessible from anywhere in the UK, Brockholes has received more than 30 regional and national awards despite only opening in 2011. Visitors continue to pour in despite the reserve being surrounded by the attractions of Manchester, Blackpool and Liverpool.

 

The business has shown year-on-year growth and, as a result, is seeking commercial partners for the next phase of development.

 

Anne Selby, Chief Executive of the Wildlife Trust said “Brockholes has performed incredibly well despite being launched in a recession. We have steered the business through the stormy weather and achieved fantastic results.

 

“We are now looking to move into the next phase of development. As a conservation charity, we want to ensure our focus remains on the nature conservation of the reserve, whilst ensuring the commercial income supports this work. We are looking for expressions of interest at this stage and asking businesses to be creative with their proposals.”

 

The Visitor Village has a restaurant, shops, conference centre, welcome centre and education centre. Major companies have made use of the conference centre including RBS and Aldi. The surrounding nature reserve is continuing to grow, with an increasing population of resident creatures and rare visitors like red kite, bittern and otter.

 

Anne continued: “Brockholes received funding for the initial start up and development phases but it was always designed to be a self-sustaining model. By making the most of the commercial opportunities and keeping these balanced carefully with the needs of nature, we believe we can continue to success of Brockholes into the future and achieve even more fantastic results for wildlife, our wide range of visitors and the tourism economy”.

 

Opportunities include retail, water sports (non-motorised), indoor play provision, events partners and mobile food concessions. However, the Trust is open to hear if any investors would wish to develop sympathetic commercial facilities on the site.

 

An opportunity information pack is available by request from:

Karen Williams Karen.Williams@brockholes.org

 

Expressions of interest should initially be made to

Lindsey Poole, Commercial Development Manager lpoole@lancswt.org.uk

  

www.brockholes.org/groups

  

Group Visits

 

Whether it’s a full day out or just a quick stop off on the way to your destination, Brockholes is the ideal place for groups to visit.

 

There's so much for all ages to see and learn about at Brockholes. Everyone from toddlers to seniors will find something to fascinate them, whether through our exciting range of organised events, or by just wandering around the site.

 

We are passionately committed to lifelong learning for all – our belief is that everyone should leave knowing something they didn't when they arrived! The Lancashire Wildlife Trust has over a decade of experience in delivering environmental education, so you can relax, enjoy the surroundings and be sure to come away both enchanted and enlightened...

 

We have several options for various groups, each with a variety of benefits. For more information click on the relevant link below…

 

Coach Groups

School Groups

Community Groups

 

To enquire about group visits please call 01772 872000 or email info@brockholes.org. Or leave your details on the form below and a member of our team will get back to you as soon as possible.

  

Coach Groups

 

Situated next to Junction 31 on the M6, we are the ideal stop for coach trips, whether it is for a short stop, as a green motorway services, or as part of a full day visit.

 

​Free entry for coaches and convenient coach drop-off point

 

We have a variety of walking trails for your group to explore, ranging from half an hour to 2 hours in length.

 

We have our floating visitor village that features a stunning waterside restaurant, 2 unique gift shops and a welcome centre with exhibits, which are ideal should your guests decide for something less active (or if the weather lets you down)!

 

All our buildings are fully accessible, while the vast majority of our paths are well surfaced, level and suitable for wheelchairs.

 

We now have a more convenient drop-off point exclusively for coaches and in addition have a number of benefits for coach groups:

 

• Free entry to the reserve and visitor centre

• Free coach parking

• Refreshment voucher for the coach driver

• Free familiarisation visit for group organisers

• Free meet and greet at the coach (on request)

• Free Brockholes welcome leaflet and trail guide

• Free events and activities throughout the year (visit our events calendar for details)

• Free play area

• Pre-booked guided tours (available at an extra charge)

• Adapted toilets available at the visitor centre

 

Please note that there is a 4 metre high bridge on the entrance to Brockholes. We also advise all coaches to let us know of their visit in advance by calling us on 01772 872000.

 

For any further information please just call 01772 872000, email info@brockholes.org

  

School Groups

 

Our 250 acre nature reserve and Visitor Village is a great place for school groups to visit. Children can learn about the geological history and how the quarrying has shaped the land today. And because we are a new nature reserve, you can watch it grow! It is also home to the UK's first floating Visitor Village.

 

Most importantly of all, the children will be able to see that Brockholes is home to a host of wildlife, with many different species of bird popping by throughout the year, along with brown hare, dragonfly and deer to name a few!

  

Facilities

 

Your school will have use of the education centre on our floating visitor village and you will have at least one Education Officer dedicated to your group throughout the day.

 

Plus... NEW FOR 2014!

 

Next year your school will be able to get even closer to nature at Brockholes by booking an education session in our new purpose-built bird hide classroom, right on the edge of the lake!

 

The hide will overlook No 1 Pit Lake which is home to many different species of birds and you'll also be able to look across to the new sand martin wall, which will provide valuable breeding habitat when they arrive in spring.

 

Why not your details below if you'd like us to keep to informed of these exciting new developments!

  

Programmes

 

We offer a wide range of programmes including:

 

Big Adventure in a Miniature World

Life Cycles

Migration and Hibernation

Environmental Art

Geography and Geology

​Forest School

 

You can read more about the education programmes available at Brockholes here. ​

  

Education Team

 

Our Education Team are based at Brockholes and have a huge amount of experience in inspiring young people about the natural world. They are a lively bunch and pride themselves on creating an exciting and memorable experience for your school. You can read about how great our team is here: Meet the Education Team.

  

Outreach

 

Can't get to us? Then we can come to you! Our outreach education programme is very popular and offers a wide range of programmes for those who are unable to reach Brockholes.You can view our Outreach Programmes here.

 

For any information just call us on 01772 872000 for more information, email eduadmin@lancswt.org.uk

  

Community Groups

 

Brockholes is a great place to bring your community group, whether it's the Scouts, Guides, Cubs, Brownies or Beavers or a rambling or photography group, there is something for everyone!

 

As well as exploring our stunning nature reserve you can enjoy an activity such as a guided walk, a mini-beast hunt or an environmental art session.

 

You can visit Brockholes during the day or we have special community group evenings when the reserve is open beyond our usual opening hours. Group activities usually take place between 5.30pm and 7.30pm.

  

Forest Schools

 

Forest Schools is a unique outdoor learning experience that improves children's self-esteem, confidence and abilities.

 

Brockholes provides an inspirational setting for Forest Schools sessions and training, and is conveniently located just off junction 31 of the M6 at Preston.

 

Our Forest School sessions are designed and delivered by our experienced and fully qualified Education Team including our Level 3 Trained Forest Schools Practioner.

 

Our next Forest Schools adult training session will be running in October. To find out more about Forest School sessions at Brockholes please call 01772 872017 or email kphillips@lancswt.org.uk

  

www.brockholes.org/shop

  

Shop til you flock

 

Why not drop into our two on-site shops, The Nest and Village Store, which are packed with all sorts of goodies. We've a variety of products from local beverages and food, to cards and books and crafts and jewellery. They are the perfect place to pick up a unique gift... and there's plenty of treats for the little ones too!

  

The Nest

 

The Nest is home to an inspiring collection of gifts, jewellery, books, toys, arts & crafts. Discover what's inside The Nest here.

  

The Village Store

 

The Village Store stocks a wide range of products, from locally sourced food and drink treats to bird food, garden accessories and wildlife books. Come and look inside here.

  

Membership of the Wildlife Trust

 

Brockholes is a Lancashire Wildlife Trust Nature Reserve. You can become a member today or talk to our friendly staff members and volunteers on your next visit to Brockholes. Gift membership is available in The Nest or you can buy it online here.

  

www.brockholes.org/eat

  

Our restaurant is the perfect place to stop and watch the world go by with panoramic views of our lake. Scrumptious homemade dishes and a taste bud tingling selection of Lancashire's finest local produce are all here to tempt you, along with fair trade tea and coffee.

 

Our restaurant is open from 10am to 5pm.

  

www.brockholes.org/very-special-occasions

  

Brockholes is a fantastic place for your very special occasions.

 

Our floating venue is one of the newest and most unique in Lancashire and promises you and your guests an unforgetable event whatever the occasion.

 

We have a dedicated function centre that can accomodate weddings, christenings and all sort of functions.

 

The clean, contemporary finish of our venue means that you have the perfect opportunity to put your own stamp on your event, with a flexible range of catering available from our on-site restaurant.

 

We have a dedicated Conference and Events Co-ordinator that will be available to help you plan your special occasion.

  

Very Special Weddings

 

We had our first wedding celebration September 2011 and since then it's been all go with Wedding Fayres and lots more bookings for this year and next. Find out more about weddings at Brockholes here.

  

Very Special Christenings

 

Brockholes is a real family friendly venue for a Christening celebration that you will remember for years to come. Find out more here.

 

For general enquiries about holding a function at Brockholes please call 01772 872005 or email philip.dunn@brockholes.org.

Owned by GoSky D-FTAO currently operates for a skydiving club in Greece.

www.skydive-athens.gr

 

ZZZZ Kopaida Airfield I 06.03.2016 I Pacific Aerospace PAC-750XL I D-FTAO

My own take on the Ronin Class from Titanfall 2. The new nexo knight torsos have made it possible for the main torso to be light weight. That in turn I was able to make the legs as thin as possible without any weight issues.

I've never tried to create my own meme before, but this one's been rolling around in my head for awhile, and I finally decided to just do it. So, you know how to play - answer the questions, type in your answer to flickr's search engine and pick an image on the first page that comes up. Enter each of your 12 images into fd's flickrtoys and make a little mosaic. (Make sure to also include a list with your actual answers so people know what your answers actually are).

 

1 - How old were you when you got your first camera? eight

2 - What was your first camera? Bugs Bunny (no idea what brand - it crapped out quickly and my parents exchanged it for a Kodak Instamatic)

3 - What was your first serious camera? Canon Rebel SLR (film)

4 - What is your current camera? Canon Rebel DSLR

5 - Current favorite lens? 50mm

6 - The next lens on your list to buy? wide angle

7 - Favorite subject to shoot? Little Buddha and Tiny Dancer

8 - What you've been learning about lately? white balance

9 - What you hope to learn more about? macro

10 - A favorite shot by someone else this year. Love in the Eternal City by Gad Lim

11 - A favorite shot of your own this year. Anniversary of a Rescue

12 - What inspires you? Honesty (especially honest self-portraiture)

 

1. Eight-Spotted Skimmer, 2. After the love has gone..., 3. April Showers, 4. Color Me Happy Seen on Explore, 5. another view of my street., 6. The Old Library II, 7. Swallowing the Ruins, 8. Piano keys, 9. Color Addict, 10. Love in the Eternal City, 11. 365.39 - anniversary of a rescue, 12. Honesty and Humility are bought or learned?_2507

 

Created with fd's Flickr Toys.

Texture for you're use. For a more dramatic look overlay in "Multiply" mode in photoshop layers palette, or for a softer look use "over lay" mode. Looks nice on landscapes with a lot of barren sky.

 

Have fun and all I ask is you do not sell this texture or claim it as your own.

 

To see this used on an image and for sharing/ texture information please join me here: FACEBOOK

Yorktown VA

 

Press "L" to view on black.

 

8/17 Flickr Explore

Kiel (Germany), 2021

 

Fujifilm GFX50R, Minolta MC Rokkor PF 58/1.4 & Duto Filter

 

sooc jpeg with own recipe ("Dark Punch").

 

Recipe in

English: www.schlicksbier.com/fujifilm-recipe-dark-punch

German: www.schlicksbier.com/dark-punch-ein-fujifilm-jpeg-rezept

 

More about great cheap lenses on the Fujifilm GFX (Google translated): www-schlicksbier-com.translate.goog/altglas-u-a-fuer-die-...

 

Original German version: www.schlicksbier.com/altglas-u-a-fuer-die-fujifilm-gfx100...

Original work. My own graphic.

 

I have been an artist for over fifty years. However, trying to master digital artistry has been a challenge! It is very gratifying to feel that I'm making progress in that respect. We each follow our own artistic 'beat', which for me, gives me a sense of great satisfaction and integrity. Art is truly a gift to give and to receive. I get an inordinate amount of pleasure from viewing others' artworks, across all genres.

 

Thanks for all awards, comments, group invites and fave adds.

Blogged for Thomas @ 4BIDDEN, available at The Man Cave, featuring the V Briefs. For full details you can check out my blog

Owned by: BFI Browning-Ferris Industries

Chassis: International CargoStar

Body manufacturer: Dempster

Type of truck: Rear Loader

Addition notes: N/A

Location of photo: CRT-MSN

My own take on the comic version of Peni Parker's Sp//dr mech :D The one in the comics is very close to an actual Eva from the Evangelion anime :D So this build is kinda like a test bed before i embark on an actual Eva!! Build video is on youtube youtu.be/xByNomIwt60

Strong people of the best country in the world!

I want to begin this address with words of congratulations. On my own behalf and on your behalf, on behalf of all our citizens of Ukraine to the employees of the Security Service of Ukraine. Today is their day.

30 years ago, on March 25, the Security Service of our state was founded.

The Service has come a long way. And we all know that. But we also know that during the eight years of the war in Donbas and during the 30 days of Russia's full-scale invasion of Ukraine, many members of the Security Service have shown themselves from the best - heroic - side.

They have shown themselves principled, courageous and able to inflict losses on the enemy that the enemy does not expect. This is exactly what Ukraine needs now.

I am grateful to all our heroes from the Security Service of Ukraine. I am grateful to everyone in the Service who during 30 years of our common history broke the plans of enemies and worked in the interests of the Ukrainian people only.

Congratulations on the holiday! Respect to everyone!

And we will always remember all the employees of the Service who died for Ukraine while performing tasks to counter Russian aggression.

During this month of hostilities, 77 employees of the Security Service were awarded state awards. Two of them were posthumously awarded the title of Hero of Ukraine. Both distinguished themselves in the battles near Makariv, Kyiv region. Thanks to their courageous actions, the enemy headquarters and more than 20 occupiers were destroyed.

I can't tell you the names of our heroes. This is the specifics of the service. But I can say with confidence: the memory of them will truly be eternal!

Today I signed a decree on state awards to 63 law enforcement officers of Ukraine. Seven of them were awarded posthumously.

Police, rescuers, border guards, special service officials of the State Bureau of Investigation and employees of the Court Protection Service. Thank you to everyone!

Over the past week, our heroic Armed Forces have dealt powerful blows to the enemy, significant losses. They say that the Minister of Defense of Russia has disappeared somewhere… I wonder if he personally wanted to visit Chornobaivka?

I am grateful to our defenders who showed the occupiers that the sea will not be calm for them even when there is no storm. Because there will be fire. As on those Russian ships that departed this week on the famous route from the port of Berdyansk.

I want to warn all traitors of Ukraine who sided with the enemy in Crimea years ago. You switched sides because you thought you would live better, right? Not because you want to repeat the tragic fate of your colleagues who died on those ships or somewhere else on land or at sea in Ukraine. Well, live. Stay as far away from our cities and our army as possible.

The number of Russian casualties in this war has already exceeded 16,000 killed. Among them are senior commanders. There have not been reports about killed Russian colonels-general or admirals yet. But the commander of one of the occupying armies and deputy commander of the Black Sea Fleet are already there.

The Armed Forces continue to repel enemy attacks in the south of the country, in Donbas, in the Kharkiv direction and in the Kyiv region.

By restraining Russia's actions, our defenders are leading the Russian leadership to a simple and logical idea: talk is necessary. Meaningful. Urgent. Fair. For the sake of the result, not for the sake of the delay.

16,000 Russian servicemen have already died. For what? What does it give and to whom?

The conversation must be meaningful. Ukrainian sovereignty must be guaranteed. Ukraine's territorial integrity must be ensured. That is, the conditions must be fair. And the Ukrainian people will not accept others.

During the week we managed to establish 18 humanitarian corridors. A total of 37,606 people were rescued from the blocked cities.

In particular, 26,477 Mariupol residents were evacuated from Mariupol to Zaporizhzhia via the humanitarian corridor. The situation in the city remains absolutely tragic. The Russian military does not allow any humanitarian aid into the city. They only use Mariupol residents in fakes for their propagandists. Pretending to start giving something to people.

I will continue to inform the nations of other countries in great detail about such disgusting cynicism of the occupiers, about all the war crimes of Russia against the civilians of our heroic Mariupol and other cities of Ukraine. It is very important. I want to emphasize: not only politicians and government officials, but nations. Everyone on the planet needs to know what Russia is doing. So that the responsibility for crimes against the Ukrainian people becomes inevitable and as severe as possible for the Russian military.

During the week alone, I addressed the parliaments of Italy, Japan, France and Sweden. I spoke at the summits of NATO, the G7 and the leaders of the European Union.

Each of these speeches attracted maximum attention in the respective countries and in the world as a whole. The reviews show that the Ukrainian position was heard. And this is my main goal in such speeches.

You know perfectly well what a powerful system of state propaganda Russia has built. They have spent and are spending tens of billions of dollars on it. Probably no one in the world has ever spent such crazy money on lies. But they did not take into account one thing. Where the path of lies needs to be paved with money and the result is not guaranteed, the path of truth is difficult, but the path of truth paves itself. The main thing is to be honest.

Next week I will continue this important work for our interests. Interests of Ukraine. Interests of freedom and independence.

I had a conversation today with Turkish President Erdoğan. The results of the NATO summit were discussed. Of course, we also talked about the efforts that could bring peace closer to Ukraine and end this senseless Russian invasion of a foreign land.

There is important news from our government officials.

First. They have already started paying pensions for April. In particular, the Pension Fund has transferred to Oschadbank the entire amount of pensions for the Chernihiv and Luhansk regions. Tomorrow people will have money on their bank cards and Ukrposhta will deliver cash.

Tomorrow or the day after tomorrow, the payment of April pensions will continue in other regions of Eastern and Central Ukraine. The other day a wave of payments will cover the entire state.

This is one of our priorities: the Ukrainian state has fulfilled and will fulfill all obligations to our citizens, to our pensioners.

Second. Under the eSupport program, more than 20 billion hryvnias have already been paid to people who have lost their jobs or the opportunity to have business. The amount of payment is 6,500 hryvnias.

Third. Officials are preparing a new support program for our IDPs from the war zones.

Regional administrations have been given a clear task to quickly allocate land for the construction of temporary housing for displaced persons. I want to emphasize once again - this is temporary housing. Once we establish peace, we will begin the immediate, large-scale reconstruction of our state. But now people need a temporary home. Their home.

And it is better to have a home in Ukraine than somewhere abroad. We pay aid, we give a job. Native people. Native country. All the details of this support program will be presented by Prime Minister Denys Shmyhal.

And a few more words about the path of truth. About those who bring you and us true information about everything that is happening in our country.

I would like to express special gratitude to our journalists today. To all those who ensure the work of the national telethon "United News", to all our media people. Correspondents, presenters, editors, media managers, cameramen, directors, video editors, make-up artists, producers - everyone without whom it is impossible to imagine television. Everyone who united and together with other defenders of our people provides Ukrainians with truthful information and, last but not least, confidence 24/7.

I am grateful to all of you! And, I'm sure, I can say this on behalf of all Ukrainians.

Glory to you all!

Glory to all our heroes!

Glory to Ukraine!

Warrington Own Buses 192 heading out of service. 14th September 2023.

This was a cool place in Walthamstow to shoot at the weekend. One of the largest collections of neon signs outside the US.

 

This picture is Copyrighted © Adrian Chandler - All Rights Reserved. Please do not download and use without my permission.

 

Please follow me here for regular uploads. Alternately you can follow me on facebook if you prefer.

Reg is not backwards at going forwards when it comes to having his photo taken. Though, his lack of shyness probably has more to do with the fact that he can see his own reflection in the lens:-)

owned by 七仔

C-GGWX - Boeing B-737-408 - OWG (operated by Nolinor Aviation -

(with large Hamilton TIGER-CATS - sticker)

at Hamilton International Airport (YHM)

 

c/n 24804 - built in 1990 for Icelandair -

operated by Flair Air as C-FLDX between 2013 and 2019

 

O W G - stands for "Off We Go"

VIEW LARGE ON BLACK

 

Hello again, everyone. I’m not quite back yet. But things are not as crazy anymore and I will soon be visiting your streams to see what I’ve missed. Please give me a week or two to catch up.

 

I don’t have much to write for this image. No poems, no essays. But here’s a song to go with it, which I hope you will all enjoy: ON MY OWN (Will open in a new window. Thanks for the tutorial, sharaf.)

 

This number was performed by Lea Salonga during the 10th year anniversary celebration of Les Miserables in London. Lea happens to be a fellow Filipino, perhaps the most celebrated performing artist from my country of this generation. She has won multiple awards, including the Tony Award, for her role as Kim in the musical, Miss Saigon.

 

HAVE A GREAT WEEKEND, EVERYONE!

Abellio Northern Class 150/2 departs Langho on 1m50 Preston - Hellifield,soon to be owned by Arriva,taken on 28/02/2016

Owns the courtyard

1964 Massey Ferguson 42.8

 

Own collection.

 

My good old fellow Massey Ferguson 42.8, awaiting restoration, and always at work.

 

If it look like a little dragster, it's due to his curious architecture : a mix between an MF65 rear axle, a bonnet from FE-35 and 42 HP Perkins 3.152 three cylinder Diesel engine. it prefigure the next generation, know as "MF 145".

 

"42" is for horsepower, and ".8" extension indicate a french built tractor (Beauvais plant)

 

It's an excellent tractor, probably one of the best of this era. Strong as a bear, but smooth to use, very reliable - except, perhaps, brakes, who need a precise adjustment- and incredibly robust.

 

This one have, estimated, 12.000 hours of running, in regard of general wearing (As expected, the hour-meter was been broken from a long time when I bought it), wasn't never really nicely weathered protected before and stored outside from a long time ago before it come at home...

Adding my own little Winter wonderland to Flickr, I love it when come Winter in the northern hemisphere Flickr start to fill up with snowy white photos...they are so beautiful! Today I brought out my frozen blueberries to shoot, I was pleasantly surprised when they started to frost over as they defrosted. Unfortunately I'm a day late for the Macro Monday's fruit theme.

 

Today is day 3 of my 5 day B&W challenge, I was nominated by Eric. I would now like to nominate my longtime Flickr buddy Oana to post 5 B&W images, 1 pic a day for the next 5 days, and nominate a contact of her own each day to do the same.

 

Catch up on my 215 in 2015 journey.

 

BLOG | INSTAGRAM @jessyysue

ev GVU 134 Utrecht a Verheul Holland Coach from 1955 here in Rotterdam, Rotterdam Art Festival on 5 Febr. 2015. The bus is owned by SVA - Stichting Veteraan Autobussen. Wonderful old Utrecht city bus, no power steering, semi autimatic, power brakes, great festival public, the other terminus was the old Van Nelle factory, now a classified building, me driving. I used to go to school with cars like this.

Rotterdam

Zuid-Holland

Nederland

Photo by ; Maurits Vink

5 Feb 2015

I just wanted to share an image and it’s story from more than twenty years ago …. it was long before digital, and at that time I hardly ever made shots just for myself … but shortly after I left NYC I had just opened a studio in Pittsburgh's South Side … just the nite before I had a dream that I took a picture of a kid holding my horn ... and that was the first day I had the trumpet there in my studio .... serendipity...fate .... who knows ... but some moments in your life just have a lasting affect and meaning ... was alone inside with Louis Armstrong playing on the stereo … and this little shirtless kid just popped in off the street ... drawn in I guess by the music …. well … I rose up … inspired by the moment imaged in my dream … and right away asked his dad if I could use the boy for a quick shot of him holding my trumpet …. I’m still often drawn back to that image I made that day …. turns out the kid's father was a drama professor and little Nicholas wasn't even blowing the horn - he was acting for the shot .... and I so vividly remember the time when I put it in the studio window … Louis Armstrong was again blaring from my sound system …and a guy just walked in off the street …. he had to show me the tears in his eyes … and told me that when he saw this image and heard that music he became emotional … he just wanted to tell me that …. well … even though so much time has passed …. my emotion still wells up within me each time I revisit this shot … this week I just added a little color to the horn for this this iteration… I don’t know if it’s the innocence of children… Louis Armstrong … my own trumpet … my photography … leaving NYC … well …. whatever it is , I just love this image and wanted to share it here with my friends on Facebook …. wishing you all good music and continued innocence in your own lives and memories ….

The moon in all it's glory

Owned by: USA Waste Services

Chassis: Peterbilt 320

Body manufacturer: Heil (Rapid Rail)

Type of truck: Automated Side Loader

Additional notes: Ex Western Waste

Location of photo: Asset Auctions/Asset Nations

“Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.”

 

Kafka on the Shore - Haruki Murakami

Do the one thing you think you cannot do.

Fail at it. Try again. Do better the second time.

The only people who never tumble

are those who never mount the high wire.

 

This is your moment. Own it.

 

{ Oprah Winfrey }

 

- - - - -

 

Thank you for all your comments, visits, faves! XO

Have a wonderful week ahead!

 

Santa Fe 2-10-4 #5000, nicknamed Madame Queen.

The locomotive is tender-driven but houses an own Power Functions L-Motor to help the coupling rods and valve gear rotate smoothly.

The head lamp is lit by an old style 9V lamp and two additional 9V light bars produce a flickering fire in the fire box.

The locomotive measures 10 studs across the cab.

 

Madame Queen has been featured on Brick Model Railroader! Read my interview here:

brickmodelrailroader.com/index.php/2018/05/11/madame-quee...

Being woken up by a stranger is quite a frightening experience, but it takes a wicked type of person to wake someone up with your own shotgun placed against your head. “Wake up, you’re in my bloody bed, and I’m tired now. You’ve been out for a few days – got concussed when a helicopter crashed into your building.” I tried to get up, but my brain short-circuited when I got vertical. “Where am I? Who are you?” I asked. “Don’t do names, kid. You’re on the roof of the cinema down the street, in my little outpost. You’ve got two options here mate: you either get up off my bed and piss off, or you can stay, but you’re gonna need to help forage for food. You need to decide, and you need to do it now.” I reached for the pocket in my trench coat and he prodded me with the barrel of the gun. “Don’t even think of it, or I’ll splatter your brains all over this roof.” I grabbed the chocolate bar and handed it over to him, as a peace offering. “You look hungry man, here is something I’ve been saving.” He took the bar and hungrily began wolfing it down, before turning to me. Giving me the rest of the bar, he put his hand out and, after a stiff handshake, he simply said, “So, friends then?”

 

I hope you enjoy this entry guys!

My own 1987 305 Break at work.

 

The roomy estate version was derived from the 305 Berline, which was designed by Pininfarina and introduced in Nov. 1977.

The 305 Break Phase I was presented in March 1980.

The Phase II Berline/Break followed late 1982 and was built till 1988. The break till 1989.

 

1580 cc.

990 kg.

Production Peugeot 305: 1977-1989.

Production 305 Break Phase 2: Autumn 1982-1989.

Original Dutch reg. number: June 12, 1987.

 

Amsterdam-N., car-park Gamma store, Klimopweg, Oct. 11, 2016.

 

© 2016 Sander Toonen, Halfweg | All Rights Reserved

Shopping for Jeans should be a type of community service.

 

It’s worst of all when you have, in your youth, already owned the Holy Grail of jeans - a pair that made your bum look the best it could ever look and your legs as long as a foal’s. The jeans were legendary in your head, but the minute you bought them you were anxious. Anxious about what would happen in the future when those jeans wore out and you could find no pair to fit as beautifully around your derriere. Each wearing of them, although wondrous, was tinged with fear of the future, you couldn’t even enjoy the time you had with them, and instead you anticipated the immense loss.

 

“Wow, your arse looks incredible in those jeans!”

 

“Thank you, but make the most of it. When these wear out I will no longer have an incredible denim arse, it will all be over for me. You might want to take a photo, or make a rubbing.”

 

I think that this is how it must feel for beautiful women – at some point as a teenager, they realise they are beautiful from the reactions they get from scaffolders and their friends’ dads. From the moment they realise this though they are petrified of the day when their beautiful exterior wanes and they no longer receive such awestruck receptions.

 

My Holy Grail jeans were found in the basement of a really seedy second-hand Levis shop in Camden. I think I must have bought them on my very first visit to the shop, for I would never have gone back otherwise. The fear started there. From then onwards I would revisit Camden on a monthly basis to try to find a duplicate pair. Many pairs were bought, but none were quite as spectacular. They were 501s – it was the late 90’s – and they made one’s bum look wonderfully succulent. Two tightly confined buttocks, with a seam lodged suggestively right up in-between. A little crease under each cheek, highlighted the flesh, the meat, the living body, moving about in there. Walking behind a woman in well fitting 501s was hypnotic, like walking behind a racehorse, the undulating, swaying buttocks, muscular, powerful, inviting. Yes, horses arses are inviting - just ask flies.

 

And then fashion goes and ruins everything. The cut of jeans changes so regularly, that one minute your jeans are in, then they are so horrifically out that you must beg the charity shop to take them.

 

“Didn’t you see the sign? I’m afraid we don’t take anything with a high waist and a straight leg, goodness, even the rag man won’t take THOSE!”

 

Five years later they are back in again. Whenever I hear Passenger’s song ‘You let her go’ I think of my ex jeans. I am of the school of thought that once you find the cut that gives you the best possible arse and legs that your arse and legs are capable of then you should stick with it, regardless of fashion, because fashion gets led in strange directions by fickle, strangely proportioned people who have no bums, who therefore want everyone else to wear jeans that take away their bums too.

I foolishly thought that if I could find one pair of jeans that looked right, then there would, in the future be others, that my bum could move with the decades, but no, it was only ever really happy in that one pair of vintage 501s from the 90’s.

 

Nowadays I put off shopping for jeans for as long as possible. There is never a day when I feel strong enough. If I could afford one of those Vitamin IVs that millionaire businessmen have before long flights or marathon sex sessions with high-class hookers then I would have nine of those.

 

Each denim brand has about twenty different varieties of shape and cut, so for each brand you have to try on at least five styles (this during the first wave of trying on, and the waves are many because they only let you take six at a time to the fitting room), and then at least three different sizes in each of the five styles. Brands, cuts, styles and sizes, how many were going to St Ives’s?!

 

While you are trying on a mountain of denim you still have, in the back of your mind, the legendary jeans. Is this really the best I can expect my bum will look now? Do I have to accept no bum and comically tapered, stumpy legs? Surely someone somewhere makes the right cut for my crack? It’s incredible the difference the cut of jeans can make to your shape. Just a slight difference in waist height, pocket positioning, crotch depth can make you look horrendous or really horrendous. There are so many considerations that a mental ‘fit checklist’ is required when trying on each ‘jean’:

 

How would my bum look if I was standing with my legs together at a bar ordering martinis, and my date was sitting down looking at me from about ten metres away?

 

How would my bum look if I was being frisked by the police, at night, legs akimbo?

 

How would my legs look if I was riding a horse, side-saddle, wearing orthopaedic shoes?

 

What would happen to my tummy if I crouch down to rescue a bald fledgling that has fallen from its nest? Fleshy overhang?! Multiple creases like a roast belly of pork?

 

How would my arse look if I was walking through Paris in 9-inch heeled over-knee suede boots, an oversized camel jumper and walking a pair of haughty Borsoi?

 

How would my arse look if I was fighting off a mugger on a tube train? Or if I came out of a public toilet without realising I had toilet paper trailing from my foot?

 

How would they look if I was bending over and turning to look behind me in a mirror in a jeans shop?

 

My bloke always had his own very specific way of trying on clothing. He would stand in front of the mirror looking as though he was warming up for a run. He would shake his arms out, kick out each leg in turn, tweak his neck left and right, rotate his shoulders vigorously. Eventually he would actually go inside the changing room and put on the garment. When he emerged he would spend ten minutes fiddling with the cuffs and sleeves, buttoning his jacket right up to the neck. He was trying on trousers. Finally he would look in the mirror and stand in positions that I had NEVER seen him stand in, except in front of a mirror, in a shop. My favourite was the legs wide apart, leaning forward like Michael Jackson in the Smooth criminal video, arms about to grab two imaginary Smith and Wessons from an invisible holster stance. It looked as though he was letting some pee dribble down the inside of his leg and out of the bottom of the trousers without it touching the fabric. If he looked good in that position then he felt they were worth purchasing, makes sense now I think about it.

 

I have to go through all of my own position scenarios for each pair I try on. I get to the fitting room; the assistant opens the black lead-weighted x-ray curtain for me. I walk in. Where are the mirrors? Where is A mirror? Where is the light? In G Star Raw you have to come out onto the shop floor to look at yourself. In front of everyone in the store, and an irritated, disdainful assistant, you have to go through the above described ‘fit checklist’ – and you can still NEVER see your own arse properly. I have to do the ‘turning away from the mirror and suddenly looking back to catch my arse by surprise’ stance, over and over again. I never sweat as much as I do when trying clothes on - my whole face goes red and shiny (I lie, its almost constantly like that) my boob cleavage starts to drip (actually it does that too, quite often) the slimy backs of my knees cling to the denim (that is definitely only when I’m jeans shopping) It is one of the most arduous, self confidence annihilating activities, and you have to deal with your disappointment at the sight of your bottom in public.

 

“No NO! NO! I KNOW it has looked better than this. I KNOW how it SHOULD look, I once had the perfect fitting jeans, strangers said nice (but filthy) things to me in the street when I wore them. No-one would say a word to me in these horrors!! “

 

“Is it nothing to do with the fact that you are at least 15 years older now madam?”

 

“How DARE you?! My face has certainly wizened over time, but somehow I have maintained much of my arse turgidity. I put it down to continually clenched buttocks due to IBS.”

 

I have photos of me in my perfect arse jeans, but never a photo of me from behind – Why? Why? Why?! Idiot – that would be the picture I would take around to the shops and say “Have you got anything that can do THIS?” I would want that photo sitting on my casket at my funeral; I would show it to my grandchildren (before I’m in the casket) who would develop immediate respect for me.

 

“Oh Grandmamma, please will you read me the story about the girl with the perfect arse jeans?”

 

“Oh, alright then my darling. Once upon a time there was a girl who dearly wanted a pair of jeans that would make her arse look incredible. She set off one Saturday morning to the enchanted mall (just off the magic wishing M25) She tried on pair, after pair, after pair, but nothing was quite right.

 

The skinny jeans with stretch in them crept down her bum and left her with a saggy crotch - like a little girl’s tights. They flattened her pert little bottom and made it look like a suburban road-wide speed bump. As she stared at her reflection in the mirror she looked as though she had scopic hips, fat thighs and short, bowed legs. ‘If my hips were too narrow, I had emaciated thighs, a great shelf of an arse and knock knees then these jeans would be great. But I don’t!’ So she flung them out of the fitting room in a temper.

 

The boot cut jeans made her legs look long and athletic but she immediately felt as though she were a foreign exchange student, or an American country singer - she started to crave a rucksack to put on both shoulders and some cowboy boots. She pulled the jeans off before all of her style drained away out of the legs.

 

The low-waisted jeans were the pair that she was most hopeful about. The girl pulled on the jeans, they clung beautifully around her bum but in order to stay up they had to hug her hips so tightly that all of her flesh was pushed upwards where it squeezed out between the waistband of the jeans and the hem of her t-shirt like butter cream. She was not a chubby girl but as she bent over in the mirror she was horrified to see a vast slab of back flesh looking grey and clammy behind and several inches of stomach overhanging at the front. She stood up straight very quickly and removed the jeans with her eyes closed, whilst holding her breath.

 

When she pulled on the ‘boyfriend’ jeans (without even undoing the flies) she felt wonderfully skinny, her stomach looked as flat as a flat thing as it disappeared into the pubic-bone-skimming waistband. She was delighted to look so emaciated and knew that it was very good to get lots of air to one’s nether regions in the eternal battle against thrush, but her bum had entirely vanished and she could sense that the low crotch would start to chaff her inner thighs as she walked.

 

By this time she was tired and in a foul mood so she hurried home to shout at her boyfriend, that always cheered her up.

On Sunday the girl woke up with renewed vigour, having taken her bad Saturday out on her boyfriend, and went out shopping again, this time to the big City of Londinium where the streets were paved with chewing gum. But her search was just as futile, she tried on dozens more jeans and got so frustrated that she shouted at someone else’s boyfriend.

 

She was just about to give up and buy some jeggings when she stumbled upon a dingy little shop in the base of an old Oak tree in Camden. As she went downstairs, six foreign shop assistant squirrels asked her, one after the other, if she needed any help. She hadn’t even got down the stairs yet.

 

“I’m fine thanks, just browsing.”

 

The squirrels went back to hovering around the rails of jeans, nervously chewing on hazelnut husks.

 

The girl honed in on a rail of jeans that looked like her size, she skimmed through them and one pair stood out – they looked as though a very nice, toned bottom had already worn them in and enjoyed some very nice compliments whilst inside. She asked to try them on. The six squirrels squabbled over who would put the pair of jeans in the changing room for her. The six squirrels then waited outside anxiously. The girl slipped on the jeans, turned to look at her bum in the mirror, which glowed, and she felt as happy as any girl could feel. She bought the jeans (the squirrel with the longest, sharpest claws got the commission) and the girl left the oak tree feeling happy.

 

As soon as she got outside though she felt instant panic. ‘No jeans will ever be as good as these jeans.’ She thought. ‘I have found my perfect jeans, but I am so young, they cannot possibly last me til I die, what will I do when they wear out?!’ She tried to put these thoughts aside and she began to wear the jeans, though only on special occasions or hot dates. Whenever she wore them she felt as though her arse was a glowing beacon of pertness, she felt good, but scared of the inevitable day when the jeans would die.

Soon enough, when she wore the jeans she began to avoid sitting down, or leaning against anything, or walking too briskly, in case she wore out the denim too quickly. Eventually she became so fearful of the end of her perfect arse era that she decided not to go out at all. She couldn’t wear the jeans, and she wouldn’t go out in anything less flattering so she stayed at home, pleased to think that the only memory that would remain of her would be a few sightings when she had possessed what appeared to be the most perfect bottom in the world.

 

The girl grew old and died a recluse. One man who went to her funeral remembered that she had possessed the greatest arse he had ever seen, but no one else remembered anything about her. The jeans were bagged up and sent to a charity shop. They were bought by a shrunken old man who wanted some trousers to wear whilst digging his vegetable patch. He tried them on without even looking in the mirror. The other old geezers at the allotment thought that he had the best arse of anyone at the National Society of Allotment and Leisure Gardeners Ltd. When he eventually wore them out he dressed his scarecrow in them. Some weeks later his scarecrow was sexually assaulted and the jeans were bagged up and given to the police for forensic evidence.

 

The End.”

 

“Oh grandmamma, will I ever find the perfect pair of jeans?”

 

“But darling, don’t you see, the girl who found those jeans was not happy. Because of those jeans she felt that the only good thing about her was her arse, and only if it was in those jeans. She wasted her life and only one person remembered her by the end.”

 

“Yes but he thought she had the best arse in the world. That’s all I want.”

 

“Well you are a shallow little whore and let me tell you this young lady, I once had a splendid arse. But now, now it is wrinkled and droopy and old but it is still better than your arse will ever look because you have your father’s fat arse genes. So there. Now sleep tight you little Lolita whore, we can go and feed the ducks tomorrow.”

 

D-HUEY (ex 73+39) / Bell UH-1D Iroquois / Private / Malsch

 

After the Army retired their legendary Hueys in 2021, D-HUEY was the first flyworthy privately owned UH1D in Germany.

Now there are a handful of other civil registered UH1D in Germany and the number is growing...

Great to see there are dedicated aviation enthusiasts and pilots who keep the legend flying and as military looking as legally possible.

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