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Beauty and Art,Art photograph ,sakuramakoto kichijoji,美脚,美しい脚,吉祥寺桜真琴

 

This Subtractive Filter Harris Shutter Effect image was constructed from three successive frames after warping/registering static details on the sidewalk and parking lot. A moving subject gave colored ghosts, while camera wobble generated background details. Two pedestrian images fortuitously overlap, appearing to make one an outline of the other.

 

Quick links to related images

Read how to construct this type of image from three sequential photos.

Other subtractive filter Harris shutter effect images

View all subtractive filter images.

 

Beautiful leg shape,fine art,akari,美しい脚の形,きれいな足,

 付言しておく。誤解を招く危険を無視して、ある種の性別無視の時期(お分かりだろう)にのみ、まれに表出する人体美の極致(トーマス・マンが言うように)、の脚である。

As day flows into night,

and the world grows dimmer

through the fading of the light,

A few turn to warm fires.

while the pale moon's glimmer

gives others what they desire.

- a fragment

 

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The seasonal Van Cleve park hockey rink has become like a pond due to unseasonal weather. Through weeds it reflects the neo-brutalist apartments converted from a pre-brutalism concrete grain mill.

A quick snap while headed to an appointment. When I returned later for a better shot the bike was gone.

 

Processing notes:

Contrast enhanced with a "Daidoish" preset (contrast 90+, clear view 50+, blacks -40 or less, dark orange filter, tone curve adjusted to crush blacks and blow highlights)

 

Noise reduction makes this camera seem like a much larger sensor camera. (DXO Prime, in Photolab) The small sensor and mediocre sensitivity makes very noisy images in most cases except full sun. Yes, it has a nice, bright f2.0, f2.8, or f8.0 at the widest aperture, but this quickly decreases to f4.8, f6.3, or f18 at full telephoto. I try to keep the middle aperture for sharpness.

 

(Europe)

Stefan Jansson frequently visits That Old Tree, and this one is beginning to feel similarly like a friend of mine. It's in many images, even if not actually shared yet.

 

Processing note:

Silvermax Film simulation (DXO filmpack) follwed by increasing exposure (+0.85) and adjusting curve to crush blackest blacks.

 

Quick links to related images

My B&W images sorted by interestingness

Get the lowdown on ground perspective images.

 

Utata's weekend project asks us to seek out "unintended art" in its diverse forms. This image was generated from a rainy day photo walk a couple of months back, as the allowed archival shot.

Foggy mornings are an opportunity to find crepuscular rays.

 

Processing Note:

Ray contrast enhanced with Silver EFX (Wet Rocks preset).

This backlit Rubik's cube is about 5.5cm across each face, and each segment is about 1.7cm across. It seemed a formidable challenge when the logic was new, in 1980, but now it is easy to learn algorithms.

A polarizing filter was used.

 

Processing note

I was shooting towards the sun, expecting the camera meter to be overwhelmed, and much detail to be underexposed. The benefit I saw was the bright reflection highlighting the rails to the horizon. The RAW image has very little contrast between the greenery, the browns, and the backs of the kids. Monochrome conversion with Silver Efex (cool tones 1 preset) gave good subject/background separation and darkened the edges sufficiently to obviate cropping of distracting elements.

Fading through the mists of time

our memories are nothing more than

monuments in the fog.

- a fragment

 

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Before modern building codes, one could build at the edge of a road or alleyway.

 

Processing note: This camera needs noise reduction. I used DXO prime, with Fuji Velvia film simulation, followed by Analog Efex (Classic camera 5 preset).

In-camera focus stacking of back-lit mandarin peel, stretched over a ~2cm flashlight, and covered with the mesh bag it came in.

 

I'm looking outside at the maple leaves I should be raking and can't think beyond something 'orange' for the challenge.

Sliding and spinning

while the music flows around her

Life is good

and her joy fills the air.

- a fragment

 

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The morning fog is so thick that, occasionally, you can see a cloud of droplets wafting through the air. This morning the sun cooperated, briefly giving backlit sunbeams. A blurred car seemed better suited to the scene than a sharp one, thus low shutter speed was used.

 

(Processing: Lightroom was used to correct distortion, exposure, and straighten before Kodak Tri-X film was simulated with DXO Filmpack)

 

I named this after a Bob Dylan song at the instigation of UTATA's iron photographer 101 challenge, needing to include:

 

1 - pavement

2 - a shadow (non-human)

3 - title from a Dylan song

 

Otherwise this would be "Morning fog (1 of 3)"

 

How to make it:

This image resulted from practice, although I didn't know I was practicing at the time. I had several foggy days to tinker with. Early on I found the contrast under the trees was interesting. When the opportunity to shoot sunbeams arose I tried it with just trees. I liked that but it seemed out of balance, even without the sun in frame. I was on a busy road, so I added passing cars to the image. None made it better until I tried blurring. I thought I had my image but, to be certain, I tried several with the sun in frame and found this. In short: I found something I liked (sunbeams) and tried more variations than I thought I needed before the opportunity was gone.

Processing Note: The image was contrast enhanced with a "Daidoish" preset (exposure, contrast, and clear-view increased; blacks increased and whites decreased in curves to clip blacks and highlights).

Freedom

It can be from constraint

Or permission to act.

It can be an unleashed tongue

Or the power to move

Without thought of how others

Could look askance.

 

Movement

and attitude

Matter naught when spinning

with unconstrained joy.

- a fragment

 

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Utata's iron photographer 322 asks for photos with:

 

1. Something used for a past-time or hobby (gaming keyboard)

2. Something which smells good (fast food)

3. A dreamy processing style (Analog EFX toy camera9 +rotation blur)

 

Quick links to related images

See all my Iron Photographer compositions

Bell & Howell (Canon) Dial 35 (this one)

4 year expired Kodak gold 400

Shutter priority (1/125), focus distance 3 feet, aperture=?

 

Camera thoughts:

The first roll I shot was an expired 24 frame roll, from which I got 53 half-frame images. The efficiency is pretty good - it took a month to finish the short roll, and I tried things I might not have with a full frame camera. This image is perhaps my favorite on the roll, showing the strength of the camera for shooting nearby (e.g. frame filling) objects. Film limitations make farther objects less appealing, but I have not yet tried something like Ferrania p-30 or Ilford pan-f 50. I suspect that is what I will keep in the camera after finishing the current color roll. Aside: this parallels what I found most pleasing with an APS Canon Ixy/Elph 27 years ago. BW film was harder to find locally, but monochrome Konica sepia was available and more pleasing as film limitations limited resolution of distant objects.

 

Scene info:

Can Can Wonderland is a hybrid music venue/bar/mini golf and arcade that I have yet to visit.

 

I was curious about the music and found Youtube has (currently low viewership) videos for:

Troll Foot Frass

Bitter, Inc.

Father Paranoia

 

Please press "L" to view this in the light box.

 

Related Things

See my Rain photos

See what I saw after wrapping this camera in a bread bag.

Walk around Dinkytown with me.

I was walking through a railroad underpass one rainy day and noticed a passing pedestrian, so took an intentionally blurred photo. It was only at home that I noticed the graffiti, which lends a menacing underworld vibe.

 

Processing note: The low-key image was finished in Topaz Studio, using the KC Sunset preset with 20% normal blending mode, accentuating the walls and light glare.

This moving-subject-registered version of Liminal Viewing No. 2 gives a static seeming subject and moving background.

 

This composite is from a sequence of photos taken at a Walker art center. I imagined viewing an installation through the 'ghosts' of passing people, as generated by the Harris shutter effect, might express the liminal experience of people interacting with the art.

 

Details

This modified Harris Shutter Effect image generates colored "ghosts" on a black background. Things that move and other differences between three more-or-less sequential photos are emphasized while static features turn black.

 

Quick links to related images

Read how to construct this type of image from three sequential photos.

Other subtractive filter Harris shutter effect (HSE) images

View all subtractive filter images.

 

This memento mori reflects the ongoing demolition of the middle class (particularly merchants) in small towns across the USA. Van Dyke's grocery managed 120 years and 6 generations, closing March 5, 2026.

With music lilting through the night air

our inhibitions melted with the setting sun.

Life awakens as Spring warms over the land

and we emerge from our Winter dens.

- a fragment

 

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Contrast and color enhanced with Analog Efex classic camera 5 preset.

Back to the flow.

With the heat and the glow

whirling about

in the cool night air.

Back to the night.

With the dancers alight

with the flames,

writhing without a care.

-- a fragment

 

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An angry cat stares balefully from behind the stairs.

"Move along, little man," she seems to hiss.

"I've things to do and places to be,

and you are in my way."

After a moment's thought,

the sound of my departing train

woke me from my reverie,

and I ascended the stairs into a new day.

- a fragment

 

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Subtractive filter Harris shutter effect (subtractive filter HSE, SFHSE) constructed from three sequential moving camera images (walking) registered on a relatively stationary subject.

 

Stacked version is here.

 

Details

This modified Harris Shutter Effect image generates colored "ghosts" on a black background. Things that move and other differences between three more-or-less sequential photos are emphasized while static features turn black. Weak colors and soft blacks made more intense by modifying brightness in HSV space.

 

Quick links to related images

Read how to construct this type of image from three sequential photos.

Other subtractive filter Harris shutter effect images.

 

additional search terms:

aleatoric Futurism colors rainbow surreal kinetic dynamic dynamism action motion movement

 

前回サンブールの兄さんをモチーフに描いたのは去年の10月。

そこからだいぶ絵柄も塗り方も変わったので、リトライしました。

捜し物をしているときに、以前にナイロビで買ったサンブールの写真集を発見したので、それを参照に。いやほんとサンブールは美しい。

 

The last time I drew a motif of Samburu's brother was last October.

The style and technique have changed a lot since then, so I retried.

When I was looking for another one, I found a photo book about Samburu that I had bought in Nairobi earlier, so I used that as a reference. No really, Samburu is beautiful.

 

2022-03-12

Illustrated by 尾津杏奈 Oz Anna. The tool is Clip Studio Paint.

尾津杏奈 Oz Anna / Rehana all right received.

 

Johnny was a rock star,

kicking the tunes to new heights.

Johnny was an aviator,

always daring in his flight.

We are just here to stand agape

as he sets the stage alight.

- a fragment

 

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The '70s US TV show "Kung Fu" depicts Master Po referring to his student, Kane, as "Grasshopper".

 

Subtractive filter Harris shutter effect (subtractive filter HSE, SFHSE) constructed from three sequential images.

 

Details

This modified Harris Shutter Effect image generates colored "ghosts" on a black background. Things that move and other differences between three more-or-less sequential photos are emphasized while static features turn black. Weak colors and soft blacks made more intense by modifying brightness in HSV space.

 

Quick links to related images

Read how to construct this type of image from three sequential photos.

Other subtractive filter Harris shutter effect images

View all subtractive filter images.

  

Exposure for the shaded area minimized background distraction while slow shutter speed added to the feeling of motion.

Walking and shooting, practicing Daido Moriyama style imaging.

 

Processing Note: The image was contrast enhanced with a "Daidoish" preset (exposure, contrast, and clear-view increased; blacks increased and whites decreased in curves to clip blacks and highlights).

College students include chemical structures in their graffiti.

 

Processing note: Daidoish contrast adjustment (adjust curves to blow highlights, clip blacks) followed by Analog Efex (classic camera 5 preset). This combination happened to make the graffiti a lurid red.

The vibrance of Pride

makes one sing out loud.

Sing free and strong

while dancing in the crowd.

- a fragment

 

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The old phone poles in Dinkytown, long used for stapled advertisements, are being replaced with newer ones lacking this stapled character.

 

Processing note: This camera needs noise reduction. I used DXO prime.

Walking and shooting, practicing Daido Moriyama style imaging on a rainy day. A relatively slow shutter and moving camera were employed during capture.

 

A "Daidoish" preset was applied (DXO Filmpack AGFA Scala preset, contrast 90+, clear view 50+, blacks -40 or less, dark orange color filter added, tone curve adjusted to crush blacks and blow highlights)

 

Quick links to related images

My B&W images sorted by interestingness

See other Daidoish experiments.

 

Taking a quick walk on a 0F/-17C day.

(Press 'L' to view in lightbox)

 

It rained like a slow divorce - Robyn Hitchcock

 

Processing notes:

Contrast enhanced with Analog Efex (classic camera 7 preset)

 

Related Things:

See my Rain photos

or just those with backjets

Get the lowdown on ground perspective images.

 

The night unleashes us.

In the evening glow

we can shed the day's stress

and let loose

through our personal flow.

We can create.

We can move.

We can live in the moment,

or we can plan

for moments to come.

- a fragment

 

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