View allAll Photos Tagged Order
I am a smidge bit obsessed with Lush products and ordered myself a haul from the UK Lush in February. After a few snafus I finally got my order in late April.
These stylish new Van Hool double-deck coaches are now starting to replace the five-year-old Neoplans on Stagecoach's Oxford Tube between Oxford and London. T44 UBE (a "cherished" registration transferred from one of the Neoplans) is seen here in Oxford turning from High Street into St. Aldates on Monday 3rd August, the first day in public service for these vehicles. The full fleet of 26 should be in service by the end of September.
Interview about the 1993 "split" in Melody Maker august 1993.
That was then..
CREDIT: Mari
-----
Barney's Angels - More photos and discussion about Bernard Sumner and New Order
so this si my arealight order! it will take at least 2 weeks (i hope that's what it took in my first order!) so yeah! NONE for trade
So yep i made a lego order like 2 weeks ago and it finally came. This are the sets that i got. They are pretty good and i will make reviews of them on youtube.
The Jesuits shortly after the Council of Trent in 1563 came to Poland. Their mission was to protect the Catholic faith against the ideas of the Reformation. Thanks to the support of King Stefan Batory, they obtained the Krakow Barbara church, alongside of which a modest seat of the Order emerged. Soon it turned out that the small size of the church did not meet pastoral requirements. So arose the plan to build a new church.
The site was chosen in Grodzka street in the neighborhood of Clarissan or Poor Clare monastery and Andreas church. Thanks to the intercession of the preacher Piotr Skarga, King Sigismund III. Wasa the for this purpose necessary funds made available, and in the years 1597-1619 the new church was built. The Jesuit Church was the first church in Poland which was held in the then new Baroque style. The construction was not free of obstacles. It was only the third architect, Giovanni Trevano, who managed to crown the church with a dome and to design the imposing natural stone façade.
The towerless facade clearly follows the model of the Church Il Gesù in Rome, which played a big role model in the era of the early Baroque. At the beginning of the 18th century was from the side of Grodzka street a fencing with pedestals erected, designed by Kacper Bażanka, on which stand late baroque figures of the Twelve Apostles, a work of the German sculptor and Jesuit David Heel. As to the sculptures which can be seen today, these are copies.
The interior space of the church bears a monumental and austere character. The semicircular closed choir fills an altar of Kacper Bażanka in which an image from the 19th century with the representation of the handing over of the keys to Saint Peter is housed. The attention is attracted by the elaborate stucco decoration of the apse vault of Giovanni Battista Falconi, in which the history of Saints Peter and Paul becomes illustrative. In the crypt (which can be visited) Piotr Skarga lies buried - theologian, writer, preacher and confessor of King Sigismund III. Wasa.
Since 1832, the church in the succession of demolished church of All Saints serves as a parish church.
The church is bordered by the so-called Collegium Broscianum. These buildings were more or less constructed in the same time as the church and served as Collegium, in which today in place of the Jesuit clerics students of the Jagiellonian University attend lectures.
Die Jesuiten kamen kurz nach Abschluss des Konzils von Trient im Jahr 1563 nach Polen. Ihre Mission war es, den katholischen Glauben vor den Ideen der Reformation zu schützen. Dank der Unterstützung durch König Stefan Batory erhielten sie die Krakauer Barbarakirche, neben der ein bescheidener Sitz des Ordens entstand. Bald stellte es sich heraus, dass die kleinen Ausmaße der Kirche den seelsorgerischen Anforderungen nicht gerecht wurden. So entstand das Vorhaben, eine neue Kirche zu errichten.
Der Standort wurde in der Grodzka-Straße in der Nachbarschaft des Klarissinnenklosters und Andreaskirche gewählt. Dank der Fürsprache des Predigers Piotr Skarga stellte König Sigismund III. Wasa für diesen Zweck entsprechende Geldmittel zur Verfügung, und in den Jahren 1597-1619 wurde die neue Kirche errichtet. Die Jesuitenkirche war die erste Kirche in Polen, die in dem damals neuartigen Barockstil gehalten war. Der Bau verlief nicht ohne Hindernisse. Erst dem dritten Architekten, Giovanni Trevano, gelang es die Kirche mit einer Kuppel zu krönen und die imposante Hausteinfassade zu gestalten.
Die turmlose Fassade folgt eindeutig dem Vorbild der Kirche Il Gesù in Rom, die eine große Vorbildrolle in der Epoche des Frühbarocks spielte. Zu Beginn des 18. Jahrhunderts wurde von der Seite der Grodzka-Straße nach einem Entwurf von Kacper Bażanka eine Umzäunung mit Postamenten errichtet, auf denen spätbarocke Figuren der Zwölf Apostel stehen, ein Werk des deutschen Bildhauers und Jesuiten David Heel. Bei den heute zu sehenden Skulpturen handelt es sich um Kopien.
Der Innenraum der Kirche trägt einen monumentalen und strengen Charakter. Den halbrund geschlossenen Chor füllt ein Altar von Kacper Bażanka aus, in dem ein Bild aus dem 19. Jahrhundert mit der Darstellung der Schlüsselübergabe an Petrus untergebracht ist. Die Aufmerksamkeit zieht die kunstvolle Stuckdekoration des Apsisgewölbes von Giovanni Battista Falconi auf sich, in der die Geschichte der Heiligen Petrus und Paulus anschaulich wird. In der Krypta (die besichtigt werden kann) liegt Piotr Skarga bestattet – Theologe, Schriftsteller, Prediger und Beichtvater des Königs Sigismund III. Wasa.
Seit 1832 dient die Kirche als Pfarrkirche in der Nachfolge der abgerissenen Allerheiligenkirche.
An die Kirche grenzt das so genannte Collegium Broscianum. Diese Gebäude entstanden in etwa gleichzeitig mit der Kirche und dienten als Collegium, in dem heute anstelle der Jesuitenkleriker die Studenten der Jagiellonen-Universität Vorlesungen besuchen.
www.krakau.travel/reisef-hrer/besichtigung-von-krakau/alt...
If you like to order prints visit www.roadsidegallery.com/store/catalog/automotive/-/broken...
Broken Headlight
PRINT FOR SALE---WHAT A GREAT IMAGE.
RUSTED AND BUSTED. This photo has a lot of character with this close up of the ancient headlight. This would be a wonderful photo to hang in your entryway, it welcomes people with one good eye.
this is a Fine Art photograph of a rusted headlight. It is a problem when rust attacks and your head light goes out. No doubt in this photo the headlight went out first then the rust followed. Parked in an old junkyard, this vintage truck has been waiting for a new owner for along time. Who knows if that will ever happen, but the vintage beater looks like it is worth saving. The same as 'almost has been' people, spent on their luck and down on their hopes, there is something in their eyes that says, save me, love me. Show your love today by purchasing this photo of a rusted head light, it may save the life of another lost light.
The Süleymaniye Mosque, built on the order of Sultan Süleyman (Süleyman the Magnificent), "was fortunate to be able to draw on the talents of the architectural genius of Mimar Sinan" (481 Traditions and Encounters: Brief Global History). The construction work began in 1550 and the mosque was finished in 1557.
This "vast religious complex called the Süleymaniye...blended Islamic and Byzantine architectural elements. It combines tall, slender minarets with large domed buildings supported by half domes in the style of the Byzantine church Hagia Sophia (which the Ottomans converted into the mosque of Aya Sofya)" (481 Traditions and Encounters: Brief Global History).
The design of the Süleymaniye also plays on Suleyman's self-conscious representation of himself as a 'second Solomon.' It references the Dome of the Rock, which was built on the site of the Temple of Solomon, as well as Justinian's boast upon the completion of the Hagia Sophia: "Solomon, I have surpassed thee!"[1] The Süleymaniye, similar in magnificence to the preceding structures, asserts Suleyman's historical importance. The structure is nevertheless smaller in size than its older archetype, the Hagia Sophia.
Order your Mexican Food Delivery now! We have everything from full meals to party snacks and game day finger food. Ask about us catering! Our kitchen is open late 7 days a week.
Source: instagram.com/lacasita101
La Casita Gastown
Mexican Food Restaurant
Delivery, lunch, dinner and events!
101 West Cordova str, V6B 1E1
Vancouver, BC, CANADA
Phone: 604 646 2444
#lunch #yum #healthyfood #dinner #foodgasm #foodpic #eat #foodphotography #foodblogger #fresh #eating #delish
In order to get to the chrome-y center, I had to do a little demolition work. I pulled off the black trim piece, the inner padding, and the two pieces of the chin-strap.
It was actually surprising how easy it was to take apart. In fact, the tools you see here weren't even used. But they look cool.
Achryson surinamum (Linnaeus, 1767)
Det. Jim Wappes
Location: Bolivia - Santa Cruz - Amboro National Park - Los Volcanos - c. 1000m - S18°06’:W63°36’
Collected by: Dr. Maxwell Barclay
Date: 20/12/2004
All specimens are catalogued. More detailed photographs/ alternate aspects of all specimens available on request.
Photographed by: Kiran Lyn / Noah Baker
Date: 24.03.2011
Location: Amsterdam Noord, NDSM Werf
Wall: Hall of fame
During the free days, all artists could team up in small groups in order to paint together and expolre the city.
The NDSM Werf is an old harbour terrain in Amsterdam Noord that got transformed into a creative melting point of artists in residence, ateliers, cultural-related small businesses, a big skate part and the Hall of Fame. The area is left with the ruff industrial buldings, crans and old ship wrecks that give this space a unique touch. The spot is also one of the few free spaces that are tied to subcultures in the commercially changing city of Amsterdam.
Artists: Tiws, Soten, Bomr, Wame, Skiny, Enso, Gomer, Burning Saxony Crew, Sket185, Erase, Roy Schreuder, Nychos, Tomsta and Frau Isa.
URBAN ART MURALISM - ARTIST EXCHANGE in AMSTERDAM
A group of 36 Urban Artists coming from six European countries – Netherlands, Denmark, Germany, Italy, France and Austria – took part in the European Art Exchange Project “SH(OUT)!!!” from 18.03.11 to 27.03.11 in Amsterdam.
The main activities included several mural paintings in the city of Amsterdam, an exhibition in the Dokhuis Gallery as well as a common art workshop with local young people.
Nowadays Urban Art has worldwide acceptance as a young art form. Urban Artists form and transform public spaces and present their work, free of charge, throughout the cities. The event gives respect and pays tribute to art from the streets and makes this art form more accessible to a broader audience through various live painting activities in the city, two innovative group exhibitions and workshops.
Visit our website: www.urban-art-muralism.com/
Check our Facebook Page: www.facebook.com/urbanartattack
Beef burger sitting on olive-oil-marinated eggplant, under cheddar, tomatoes and sauteed kale, all between a bbq'd blackened roll.
A visit to Lacock Abbey, Fox Talbot Museum and Village in Wiltshire.
Lacock Abbey in the village of Lacock, Wiltshire, England, was founded in the early 13th century by Ela, Countess of Salisbury, as a nunnery of the Augustinian order. The abbey remained a nunnery until the suppression of Roman Catholic institutions in England in the 16th century; it was then sold to Sir William Sharington who converted the convent into a residence where he and his family lived. It was fortified and remained loyal to the crown during the English Civil War, but surrendered to the Parliamentary forces once Devizes had fallen in 1645.
The house was built over the old cloisters and its main rooms are on the first floor. It is a stone house with stone slated roofs, twisted chimney stacks and mullioned windows. Throughout the life of the building, many architectural alterations, additions, and renovations have occurred so that the house is a mish-mash of different periods and styles. The Tudor stable courtyard to the north of the house has retained many of its original features including the brewhouse and bakehouse.
The house later passed into the hands of the Talbot family, and during the 19th century was the residence of William Henry Fox Talbot. In 1835 he made what may be the earliest surviving photographic camera negative, an image of one of the windows.
In 1944 artist Matilda Theresa Talbot gave the house and the surrounding village of Lacock to the National Trust. The abbey houses the Fox Talbot Museum, devoted to the pioneering work of William Talbot in the field of photography. The Trust markets the abbey and village together as "Lacock Abbey, Fox Talbot Museum & Village". The abbey is a Grade I listed building, having been so designated on 20 December 1960.
William Sharrington's Tudor Courtyard - C16th
There used to be a tearoom down there but it's closed.
But you could see the Tudor brewhouse and bakehouse.
Grade I Listed Building
Description
LACOCK LACOCK ABBEY
ST 9168
4/118 Lacock Abbey
with Stable yard
20.12.60
GV I
Country house, mid C16 remodelling and extension of cloister court
of C13 to C15 Augustinian nunnery founded 1229 and sold to Sir W.
Sharington at the Dissolution 1540. Some alterations of c1700 and
c1740 for Sir John Talbot and John Ivory Talbot and entrance front
rebuilt as Gothick great hall 1754-5 by Sanderson Miller for J.I.
Talbot. South front alterations in Tudor style 1828-30 for W.H.
Fox-Talbot and c1900-10 restoration of medieval parts by H.
Brakspear for C.H. Talbot. Ashlar and rubble stone with stone
slate roofs generally and numerous ornate C16 twisted stacks.
Mostly 2 storeys, the major part of the house on first floor only
over unaltered medieval basement. The medieval basement comprises
three sides of a lierne-vaulted C15 cloister with two C14 bays at
south-west angle. Largely C14 spaces off. To east fine series of
vaulted rooms, sacristy, chapter house and warming house, intact
apart from openings on east side that are of c1900. This part was
under the Dormitory. West side, under great hall, but originally
under Abbess' lodging has 2 rooms and main entrance passage. North
side is undercroft to refectory. In upper part of house medieval
roofs survive, concealed, to north side refectory, C15 with arch
braced collar trusses and 3 tiers of windbracing, and to south side
dormitory, C14 with 3 tiers of cusped windbracing. Exterior: west
front has 1754-5 ashlar fronted hall-to centre, full-height, with
slate half-hipped valley roof. Octagonal angle turrets with ogee
cupolas, delicate pierced parapet and 2 large ogee-headed windows
flanking central door reached by two-arm balustraded outside stair.
An important landmark of the C18 Gothic revival. To left, former
medieval kitchen refronted in C18. Balustraded parapet, buttresses
and two 2-light pointed windows similar to those on Bath House at
Corsham Court by Capability Brown (q.v. Corsham C.P.). To right a
plain parapetted range with two 15-pane C18 sashes and heavy
stepped corner buttress. South front is similarly severe, being
essentially the inside north wall of the Abbey church with
balustrading and south-east tower added by Sharington and 3 oriels
of varied sizes added 1828-30. The north-west angle of the church
is marked by a heavily buttressed projection, west of this, in
plain walling, another 15-pane sash. Sharington's tower possibly
designed by John Chapman, octagonal, 3-storey, divided by string
courses, has top belvedere, balustrade and stair turret. Finely
detailed 2-light mullion windows. East front is the most medieval
in outline, but C13 style Gothic ground floor windows are of 1900-
10. Adjoining tower, 2-storey range parallel to main range, the
ground floor the medieval east end of chapter house and sacristy,
the parapetted upper floor with 6 stone cross windows added in mid
C16. To right, the main range has buttressed ground floor and,
above, four C18 Gothic 4-light windows, 2 each side of fine C16
outside stack. Battlemented parapet. South end cross-wing appears
largely C16 with coped gables, heraldic finials and dentil eaves
cornice. Mullion-and-transom windows of flush chamfered type with
unusual roundel motif on intersections. Medieval stonework to
ground floor. Two-gabled C16 north extension with first floor C18
sashes and attic mullion windows. North of house is stable court,
mid C16 on east and north sides, an exceptionally complete Tudor
service court, notable for the large timbered gabled dormers, some
with deep eaves on scroll brackets and higher cross-gabled clock-
tower at west end of north range. Mullion windows, dripcourse and
Tudor-arched doorways but 4 doorways in the Renaissance style of
some of the interior C16 work. C19 low coach-houses and 2 early to
mid C18 lodges form a screen across west side linking to an
apparently late C17 addition to north of former kitchen, 2-storey,
5-window with sashes replacing cross-windows above and chamfered
recessed mullion windows below. Fine timber dentil cornice. South
end wall bolection moulded doorcase. From here projects a mid C18
Gothick ogee-headed carriage-arch with screen wall each side.
Interiors: outstanding mid C18 Gothick work in great hall with
exuberant terracotta figures by V.A. Sederbach in canopied niches
and shallow tunnel vault with armorial decoration. c1740 south-
west room in style of William Kent. South Gallery remodelled 1828-
30. Panelled parlour beyond of c1700-20. South-east tower has
vaulted octagonal strong room with pendants to vaults and
magnificent stone table attributed to J. Chapman. Similar but
damaged table in belvedere. Stone gallery in east range is C16
with Renaissance style fireplace and doorcase, and Brown Gallery in
north range has fine C16 windows to courtyard. Corbels of
refectory roof visible. In service court a complete surviving
brewery at west end of north range. W.H. Fox-Talbot 1800-77,
pioneer of photography spent his life here and made his first
photographic experiments here.
(National Trust, Lacock Abbey, 1984; N. Pevsner, Wiltshire, 1975,
284-9; Country Life, 3, 10 and 17 March 1923; J. Summerson,
Architecture in Britain 1530 to 1830, 1970, 42-5, 399-400)
Listing NGR: ST9194768469
Brewhouse
Chemrey Gompa of Ladakh.
It was founded by Lama Tagsang Raschen and dates back to the 17th century. Situated at a distance of approximately 40 km to the east of the town of Leh, this monastery belongs to the Drugpa Order. It serves as the residence of approximately 20 monks of the diminishing Drugpa community and also their young apprentices. Chemrey Monastery of Leh Ladakh was initially built to serve as a memorial to King Sengge Namgyal. There are a number of shrines situated inside the monastery.
"Order 55" is an an Australian visual artist and muralist renowned for his intricate, transparently layered abstract paintings.
For more information, or to follow this artist references refer to -
INSTAGRAM: www.instagram.com/order55/
#Order55 #Order #SebHumphreys