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The Streets of America in Disney's Hollywood Studios
Please do not use without permission.
See more at Makin' Memories Photoblog
Partitions itératives is a series of performances consisting of composing music with data streams, generally from outer space objects.
Photo showing:Guillaume Pascale
@POSTCITY
Photo: tom mesic
Obverse: Laureate, draped and cuirassed bust of Septimius Severus to right. Inscription in Greek around. Reverse: Apollo, in long high-girt chiton, stands to the right with a kithara. He is being crowned by a Nike flying to the left. In front of him is a table with a prize-crown. Inscription in Greek around. (see media screen for Greek inscriptions)
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Provenance
By date unknown: Hans von Aulock Collection, Istanbul, Turkey (SNG von Aulock 18 [1968], no. 8381); 1978: with Auctiones A.G., Aeschengraben 14, Basel, Switzerland (Auction 8, June 27-28, 1978, lot 449); 1978: purchased by Cornelius C. Vermeule III at Auctiones AG Auction 8; 2004-2008: lent by Cornelius C. Vermeule III to MFA (as L-G 115.4.2004); gift of Cornelius C. Vermeule III to MFA, October 22, 2008
Credit Line
Gift of Cornelius C. Vermeule III
Roman Provincial, Imperial Period, A.D. 193–211
Mint
Hierapolis, Asia: Phrygia
Dimensions
Diameter: 36 mm. Weight: 25.00 gm. Die Axis: 6
Accession Number
2008.1059
Medium or Technique
Bronze
Heels on Wheels at the Edinburgh Festival of Cycling 2013.
For full set and the option to buy any of the images for personal use click on the following link bit.ly/EdFoC2013 All money raised will be donated to the Rock Trust a charity that works with young people you are homeless or at risk of becoming homeless in Edinburgh and the Lothians.
For commercial use contact the photographer directly at claire@clairewatson.co.uk
A rainbow of tulips in a field in the Skagit Valley during the Skagit Valley Tulip Festival, Mount Vernon, Washington, USA.
To purchase prints or license images, please contact dongeyer@mountainscenes.com
All Images copyright: Don Geyer
Visit www.mountainscenes.com
The view of the Temple of Bacchus at Painshill sitting impressively on the bluff above Wheel Meadow.
Copyright © John G. Lidstone, all rights reserved.
It is an offence under law if you remove my copyright marking, or post this image anywhere else without my express written permission.
Copyright City of Philadelphia. Photograph by Samantha Madera.
This Mayor's Office photograph is being made available only for publication by news organizations and for noncommercial personal use. The photograph may not be manipulated in any way and may not be used in advertisements, emails, products, or promotions that in any way suggests approval or endorsement of the Mayor or his Administration. Reproduction of this photograph requires attribution of ownership to the City of Philadelphia.
Institute of Chartered Accountants in England & Wales BASE event at Bradford Bulls Provident stadium Bradford
In the SF MOMA. The exhibit is called the Art of Participation [you participate in the art]. We didn't have any cameras on us, so we had to run out and buy disposable ones at the nearest Walgreens. Not allowed flash. I think this ended up really cool unexpectedly.
[I took a little bit off the left on accident when scanning it... i didn't get it on CD, just prints. Oh well.]
Security Council unanimously adopts Resolution 2808 (2025) extending until 20 December 2026 the mandate of the United Nations Organization Stabilization Mission in the Democratic Republic of the Congo (MONUSCO) in the Democratic Republic of the Congo, during the meeting on the situation concerning the Democratic Republic of the Congo.
UN Photo/Loey Felipe
19 December 2025
New York, United States of America
Photo # UN820591
Velodrome Taster Session - Edinburgh Festival of Cycling - Sat 18 June 2016 - Meadowbank Velodrome, Edinburgh (photographer Andy Catlin • www.andycatlin.com)
This must be one of the most lavish publicity books issued regarding British poster design in the inter-war period. The 'Boro Billposting Company were a major player in both the production and display of advertising posters and, as this book shows, they had the capacity to design, produce and fix posters across many sites in both London and the 'Provinces'. At the time of publication 'Boro were part of the Odhams Press Ltd., having purchased them from the founder A.E. Abrahams in 1920, and this must have enabled significant synergies in design and printing. The book gives twelve reasons why poster advertising 'pays' and then looks at the production line of a poster, through intial design, artwork and printing before discussing the positioning on hoardings of different types, suited to various campaigns.
The company had some major agencies and clients on their books and various still familiar brands and names are shown here. The book uses touched up photographs, of many fascinating London streetscenes, and illustrations in colour to display the power of design in poster art. The latter are all by Reginald Mount (1906 - 1979) a noted British poster designer and artist who would in wartime work for the Ministry of Information and later be associated with the agency "Artist Partners". In the 1930s Mount worked freelance for various agencies including Odhams and that is, I suspect, the reason for the appearance of his works here.
The book is not dated and there may be other ediitons? This appears to be mid-1930s by the style and photography; London Transport makes an appearance and the organisation was formed in 1933. At the time of publication 'Boro were based in Ranelagh Rd, SW1 and the general manager was Norman Smith.
The introductory page shows this marvellous vignette in 'deco' style, of Piccadilly Circus and Eros, hinting at speed and modernity with the quiet Edwardian scene swept away by Thirties bustle, by Mount. Amongst the cars the red Central Area buses of London Transport that mix with the operator's Green Line coaches.
END OF THE LINE - Paradise senior outside hitter Hannah Johnson tries to hit the ball through the block of Nocona's Zowie O'Neal.
Diable of BNK FEARX is seen back stage at First Stand Tournament Group Stage Day 3 on March 18, 2026 at the Riot Games Arena in São Paulo, Brazil. (Photo by Bruno Alvares/Riot Games)
Idbury is a small village set high on the escarpment above the Evenlode valley between Stow and Burford. An Iron age hill fort west of the village bears witness to the longevity of this settlement whose name is Saxon in origin.The inhabitants were reputed to be slow of thought and attempted to pen the cuckoo in order to achieve perpetual summer, the cuckoo flew away. Cecil Sharp recorded the Idbury Morris dancing tradition and these dances were key in the revival of folk dance in the Cotswolds.
The church of St Nicholas is Norman in origin and belonged to the nearby Bruern Abbey between 1147-1536 perhaps generating the local tradition of a tunnel between Idbury Manor and the abbey. A fine Norman door and the masonry of the south wall remain from this period. The church was remodeled in the 14th century when a north aisle was added and slightly later a north-west tower was built within the west end of this aisle. The Perpendicular period is represented by a passage squint between the north aisle and chancel, many of the windows and the nave roof with it's carved corbels. In the churchyard is an elaborate monument to Sir Benjamin Baker the architect of the Forth bridge and the Aswan dam. The wonderful village website www.idbury.com provides a wealth of further information.
On April 17, 2013 the Honolulu City Council held its monthly meeting at Kapolei Hale.
Awards, Certificates, and Recognition awards were given to individuals, businesses, community groups, and organizations for their outstanding service to the community, anniversaries, distinguished service, annual events, excellence, and special recognition.
From the Up To SNOW Good opening ceremony, through the fulfillment and delivery of agency wish list items, to wrapping more than 700 gifts at the “It’s A Wrap” Party, COD Cares volunteers brightened the winter season for those in need.
Extract from the Court Circular for 9 May 2012
“The Queen, accompanied by The Duke of Edinburgh, travelled in State to the Palace of Westminster today to open the Session of Parliament.
Her Majesty and His Royal Highness drove in a Carriage Procession, escorted by a Sovereign's Escort of The Household Cavalry, under the command of Major Simon Deverell, The Blues and Royals, and were received at the Sovereign's Entrance by the Earl Marshal and the Lord Great Chamberlain.
Guards of Honour were mounted at Buckingham Palace by The Queen's Guard found by 1st Battalion Irish Guards, under the command of Major Tom Oakley, and at the Palace of Westminster by 1st Battalion Coldstream Guards, under the command of Major James Coleby.
A staircase party of The Household Cavalry was on duty at Victoria Tower, House of Lords.
Royal Salutes were fired in Green Park by The King's Troop Royal Horse Artillery, under the command of Major Mark Edward, and from the Tower of London Saluting Battery by the Honourable Artillery Company, under the command of Major Michael Joy.
The Imperial State Crown, the Cap of Maintenance and the Sword of State were conveyed previously to the House of Lords in a Carriage Procession, escorted by a Regalia Escort of The Household Cavalry.
Her Majesty's Body Guard of the Honourable Corps of Gentlemen at Arms was on duty in the Prince's Chamber and The Queen's Body Guard of the Yeomen of the Guard was on duty in the Royal Gallery.
The Queen's Bargemaster and Watermen were on duty.
The Ladies and Gentlemen of the Household and the Pages of Honour to The Queen (Lord Stanley, Andrew Leeming, Arthur Chatto and the Hon. Charles Armstrong-Jones) were in attendance at the Palace of Westminster.”
Information from the Ministry of Defence website:
“The pomp and ceremony that takes place during the event is an essential part of the State Opening of Parliament, and over 1,300 Service personnel were on show in a variety of ceremonial roles.
The State Opening of Parliament marks the formal start of the next parliamentary session and primarily this colourful tradition is for Her Majesty The Queen to set out the government’s legislative agenda to both Houses of Parliament in her speech.
Elements of four of the Regiments of Foot Guards provided street-liners and other support, while an escort to Her Majesty was provided by members of the Household Cavalry Mounted Regiment.
In honour of the State Opening, gun salutes were fired by the King’s Troop Royal Horse Artillery in Green Park, and by the Honourable Artillery Company at the Tower of London. Musical accompaniment at various locations was provided by all five Foot Guards Bands and by the Royal Artillery Band.
The General Officer Commanding London District, Major General George Norton, commanded the tri-Service military elements on parade.
The Crown Procession, accompanied by the Regalia Escort of the Household Cavalry, left Buckingham Palace at 1037 hours, arriving at the House of Lords at 1052 hours. It was followed by the Sovereign’s Procession which left Buckingham Palace at 1100 hours.
The King’s Troop Royal Horse Artillery fired a 41-gun Royal Salute from Green Park from the moment the Sovereign’s Procession, accompanied by the Sovereign’s Escort of the Household Cavalry, arrived at the Sovereign’s Entrance of the House of Lords.
After delivering her speech, Her Majesty returned to Buckingham Palace. She left via the Sovereign’s Entrance of the House of Lords at midday as the Honourable Artillery Company fired the first round of a 41-gun salute from the Tower of London.
The King’s Troop Royal Horse Artillery, followed by the Sovereign’s Escort and Regalia Escort of the Household Cavalry Mounted Regiment, and members of the 1st Battalion Irish Guards, provided a Guard of Honour at Buckingham Palace and marched past Her Majesty before returning to their barracks.”