View allAll Photos Tagged NegativeLabPro
dramatic typewriter lighting, studio
Taken 1 September
Rolleiflex 3.5F
Zeiss Planar 75mm/ 3.5
Japan Camera Hunter StreetPan 400
Home developed in Ilford Ilfotec-DDX 1:4
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
I find myself shooting chairs and doors a lot, when I get both (+ a Boston terrier) it's definitely worth a frame of film.
north end, boise, id
taken 20 march 2025
mamiya 7ii
mamiya 43mm f/4.5
ilford hp-5 400
Scanned with dslr
Home developed
kodak d76 1:1
13min
Leica M6 | Rollei Retro 400S 400
Scanned with Epson V850Pro | Lomography Digitaliza
Home developed in HC-110 b | 6min 30sec
west end, boise, id
15 may 2025
mamiya 7ii
mamiya 50mm f/4.5
ilford hp5 400 400
Scanned with dslr
Home developed
kodak d76 stock
8min 30sec/22º
Nikon FM3a | Nikon Series E 50mm f/1.8 | Silberra Color 160
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Nikon FM3a | Nikon AF Nikkor 28mm f/2.8D | Kentmere Pan 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: Frontier
Nikon FM3a | Nikon AF Nikkor 28mm f/2.8D | Kentmere Pan 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: Frontier
sprinkler on Harrison Blvd.
North End, Boise, ID
Taken 21 July 2023
Rolleiflex 3.5F
Zeiss Planar 75mm/ 3.5
Japan Camera Hunter StreetPan 400
Intrepid 4x5 MK4 | Fujinon W 180mm 1:5.6 | Kodak Portra 160
Scanned with Epson Perfection V800 Photo
Home developed in Arista C-41 | 4:08/102F | SP-445 tank
Negative Lab Pro v2.1.9 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: LAB - Soft | WB: Auto-Warm | LUT: None
Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80 | Ilford FP4+ 125 @ 200, +1 dev
Digitized with GFX 50S with 120mm f/4 Pentax Macro | Kaiser Slimlite Plano | Digitaliza 120mm Holder
Home developed in Ilfotec DD-X 1:4 | 13 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Shadow Hard | WB: None | LUT: Frontier
michael smith's "government approved home fallout shelter snack bar" installation
moma, new york city, ny
taken 9 august 2024
mamiya 7ii
mamiya 43mm f/4.5
kodak gold 200
Scanned with dslr
Home developed
cinestill cs41
3 min 30 sec
Intrepid 4x5 MK4 | Fujinon SWD 90mm f/5.6 | Kodak Ektar 100 | Toyo 69/45 Roll Film Holder
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder
Home developed in Arista C-41 | 3:59/102F | Paterson Tank
Negative Lab Pro v2.2.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Warm | LUT: None
Intrepid 4x5 Mk4 | Nikkor SW 65mm f/4 | Kodak Portra 160 | Toyo 69/45 Roll Film Holder
Scanned with Epson Perfection V800 Photo
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Ilford HP5 Olympus OM2n | G.Zuiko 35mm 2.8 | Ilford HP5+ 400 @ 800, +1 dev Scanned with Plustek OpticFilm 8200i
Olympus OM2n // G.Zuiko 35mm 2.8 // Ilford HP5+ 400 @ 800, +1 dev
Scanned with Plustek OpticFilm 8200i
Negative Lab Pro v2.4.2 // Color Model: B+W // Pre-Sat: 4 // Tone Profile: LAB - Standard // WB: None // LUT: Frontier
Chamonix 45F-2 | Fujinon W 180mm f/5.6 | Kodak Portra 160 | Toyo 69/45 Roll Film Holder
Digitized with Sony a7R III & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 120 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v3.0.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Mix | LUT: None
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kentmere Pan 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
craters of the moon, Idaho
Taken 7 June 2024
Mamiya 7ii
Mamiya 43mm f/4.5
Kodak Portra 400 coverted to BW
Scanned with DSLR
Home developed
Cinestill CS41
3 min 30 sec
Negative Lab Pro v2.2.0 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Warm | LUT: None
laguardia, New York City, ny
taken 12 august 2024
mamiya 7ii
mamiya 43mm f/4.5
kentmere 400
+1 dev
Scanned with dslr
Home developed
kodak d76
8min 23sec/26º
Nikon N80 | Nikon AF Nikkor 35mm f/2D | Kodak ColorPlus 200
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Nikon N80 | Nikon AF Nikkor 35mm f/2D | Siberra Color 160
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Kodak Tri-X 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
Fuji GA645zi | Fujinon Super-EBC Fujinon 55-90mm 4.5-6.9 | Kodak Portra 400NC 200
Scanned with Nikon D750 w/ Nikkor 55 3.5 Ai-Converted | Raleno Light Panel | Essential Film Holder V3
Negative Lab Pro v2.2.0 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Standard | LUT: Frontier
Zoobia rolling with the Hassleblad 500CM
- Rolleiflex 3.5F
- Lomography CN 400
- Home developed with Flic Film C-41
- Kodak Portra 400
- Mamiya RB67 Pro SD with K/L 90mm f/3.5
Strobist Info:
*Main Light - Westcott FJ400 with 63 inch silver para-deep umbrella with diffusion cover camera right
* Fill - Wetcott Fj400 bounced off white wall back wall
- Home developed with Flic Film C-41
Nikon FM3a | Nikon AF Nikkor 50mm f/1.4D | Kentmere Pan 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Kodak Tri-X 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
Nikon FM3a | Nikon AF-S Zoom-Nikkor 80-200mm f/2.8D IF-ED | Kentmere Pan 400
Digitized with Nikon D7200 & Micro-Nikkor 55mm f/2.8 AI-s | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: None
Fuji GA645zi | Fujinon Super-EBC Fujinon 55-90mm 4.5-6.9 | Kodak Portra 400 400
Scanned with Nikon D750 w/ Nikkor 55 3.5 Ai-Converted | Raleno Light Panel | Essential Film Holder V3
Negative Lab Pro v2.2.0 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: Linear | LUT: Frontier
Nikon Nikonos V | Nikon Nikkor 35mm F2.5 | Fuji Neopan Acros II 100
Scanned with Epson v800 | Epson
Kodak HC110 B
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Cinematic - Rich | WB: Auto-Neutral | LUT: Frontier
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Ilford Delta 3200
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder
Home developed in Kodak HC-110 1+15 | 8:00/68F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Kentmere Pan 400 @ 800
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 9:30/68F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None
Nikon FE2 | Nikkor 50mm f/1.4 | Ilford HP5+ 400 @ 800, +1 dev
Scanned with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Kamerakraft FSC1 Pro
Home developed in Ilfotec DD-X 1:4 | 10 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
Olympus Pen S
D.Zuiko 28/3.5
Fotopick Express 200, exp. 09/2003 shot @EI50
ars-imago C41 Kit in Jobo1520
DSLR-Scan
Digitaliza on Essential Film Holder
Negative Lab Pro
Nikon FM3a | Nikon AF Nikkor 35mm f/2D | Kentmere Pan 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
Mamiya-Press G, 50mm, Portra 800 in an RB67 back, digitized with a Fujifilm XT2, Minolta Celtic 50mm/3.5 macro lens and Negative Lab Pro.
Chamonix 45F-2 | Fujinon W 180mm f/5.6 | Ilford FP4 Plus 125
Scanned with Epson Perfection V800 Photo
Home developed in Kodak HC-110 1+31 | 9:00/68F | Paterson Tank, B's Reel
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
These Tuk-Tuk's are common in Asian countries and super affordable to take if your tale bone can manage all the Love these three-wheeled motorized carts have to offer. At 35 km/h they will get you there!
Leica M6 Re-Issue / 35mm Summilux f1.4 Steel-Rim (Re-Issue)
Kodak Ektar 100 / Plustek 8300AI Scanner / Negative Lab Pro
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known as Sri Govindaji (29 years of age) initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Lomography Color Negative 800
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None