View allAll Photos Tagged NegativeLabPro
Nikon Nikonos V | Nikon Nikkor 35mm F2.5 | Fuji Neopan Acros II 100
Kodak HC110 B
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
by Fitzhugh Karol
Corner of Washington Street and Prospect Street in Brooklyn
Contax G2
Ilford HP5 400
Canon EOS 1V
Canon EF 35 mm f/1.4 L II
Cinestill 800T (@500)
Developed by Conns Cameras
Scanned with Canon EOS 1D X Mark III
Processed with Negative Lab Pro
Ilford FP4 Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: None
Pentax Espio Mini | Pentax 32mm 3.5 | Ilford FP4+ 125
Scanned with Plustek OpticFilm 8200i
Home developed in Ilfotec HC 1:30
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: None
This is from an ongoing project I am doing entitled "reflectives". It is exploring the idea of reflections in relationship with perspectives. In an ever-growing divisive world I'm always intrigued by the variety of perspectives people have.
downtown boise, id
taken 7 march 2025
mamiya 7ii
mamiya 65mm f/4
kodak ektar 100
+2 dev
Scanned with dslr
Home developed
cinestill cs41
pushed 2 stops
4 min 55 sec
This is another shot I printed for a school assignment.
Taken 25 February 2024
Leica m6
Leica Summicron 35mm/2
Ilford HP5 Plus 400
Home developed
Kodak D76
Nikon Nikonos V | Nikon Nikkor 35mm F2.5 | Fuji Neopan Acros II 100
Kodak HC110 B
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Minolta X-700 // Minolta MD 28-70mm f3.5-4.8 // Cinestill 800T 800
Scanned with Kodak Pakon F-135 Plus
Lab developed in Studio Argentique
Negative Lab Pro v2.4.2 // Color Model: Basic // Pre-Sat: 3 // Tone Profile: LAB - Standard // WB: Auto-Neutral // LUT: Frontier
Bronica RF645 | Fuji Pro 400H
Scanned with Sony A7RIII & Sigma 70mm macro
Converted with Negative Lab Pro
IG: @e.vondell
Kiev 6C | Zeiss Jena Biotar 80mm f/2.8 | Fujifilm Acros II 100
Scanned with Canoscan 8800f | 120 w/ acrylic ANR sheet
Home developed in Rodinal 1:100 | 1 hour / 68 degrees | Semi-stand
Just a photo I like of Milly, one of my favorite dogs ever
Minolta CLE | Minolta M-ROKKOR 40mm f/2.0 | Ilford HP5+ 400 @ 1600, +2 dev
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Kamerakraft FSC1 Pro
Home developed in Ilfotec DD-X 1:4 | 13 minutes at 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Shadow Soft | WB: None | LUT: Frontier
Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80mm | Ilford FP4+ 125
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3
Home developed in Ilfotec DD-X 1:4 | 10 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: Frontier
san francisco, ca
taken 8 september 2024
leica m6
leica summicron 35mm/2
kodak portra 800
Scanned with dslr
Home developed
cinestill cs41
3 min 30 sec
Kiev 88 | Vega Vega 12B 90mm f/2.8 | Fujifilm Acros II 100
Scanned with Canoscan 8800f | 120 w/ acrylic ANR sheet
Home developed in Rodinal 1:25 | 6:30 min / 68 degrees | Agitation
You really get the best light at the southern end of Manhattan Island
Leica M7
Leica 35mm Summicron v4
Fujifilm Superia 400
Pentax LX | Pentax Fa 43mm F1.9 limited | Ildford Pan F Plus 50
Scanned with Pentax K1 FA Macro 50mm at F8 | Led Tablet | Essential Film Holder
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None
Ilford HP5 Canon Canonet QL17 | Canon 40mm 1.7 | Ilford HP5 400 @ 800, +1 dev Scanned with Plustek OpticFilm 8200i
Canon Canonet QL17 // Canon 40mm 1.7 // Ilford HP5 400 @ 800, +1 dev
Scanned with Plustek OpticFilm 8200i
Negative Lab Pro v2.4.2 // Color Model: B+W // Pre-Sat: 3 // Tone Profile: LAB - Standard // WB: None // LUT: Frontier
craters of the moon, id
taken 8 june 2025
mamiya 7ii
mamiya 43mm f/4.5
lomography redscale 200
Scanned with dslr
Home developed
cinestill cs41
3 min 30 sec
new york city, ny
taken 12 august 2024
mamiya 7ii
mamiya 43mm f/4.5
kentmere 400, +1 dev
Scanned with dslr
Home developed
kodak d76
pushed 1 stop
8min 23sec/26
laguardia, New York City, ny
taken 12 august 2024
mamiya 7ii
mamiya 43mm f/4.5
kentmere 400
+1 dev
Scanned with dslr
Home developed
kodak d76
pushed 1 stop
8min 23sec/26º
Nikon Nikonos V | Nikon Nikkor 35mm F2.5 | Fuji Neopan Acros II 100
Scanned with Epson v800 | Epson
Kodak HC110 B
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Cinematic - Log | WB: Auto-Neutral | LUT: Frontier
Museo al aire libre, Paseo de la Castellana
Pentax LX | Pentax Fa 43mm F1.9 limited | Ildford Pan F Plus 50
Scanned with Pentax K1 FA Macro 50mm at F8 | Led Tablet | Essential Film Holder
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None
- Mamiya RB67 Pro SD with K/L 90mm f/3.5
- Kodak Gold 200
Strobist Info:
*Westcott FJ400 + Strobepro 33 inch Deep Silver Beauty Dish
- Home developed with Unicolor C-41
cactus bar, downtown, Boise, ID
Taken 10 April 2023
Leica m6
Leica Summicron 35 mm/2
Fuji Superia 400
Hasselblad 501CM | Zeiss Planar 2.8/80 CFE (Ext Tube 21) | Kodak TMAX 100 100
Digitized with D750 w/ Nikkor 55 3.5 | Raleno LED Panel | Essential Film Holder V3
Home developed in HC-110 B (1+31)
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Nikon FM2n + Nikkor 50mm-F1,4+ Kodak Ektar 100. Negative Lab Pro v2.2.0 | Color Model: None | Pre-Sat: 3 | Tone Profile: Linear | LUT: Frontier. fotoplenka.in.ua/p591531878-fotoplenka-kodak-professional...
First frames from the new (to me) Pentax 645II at Haute Hops and Vines Fest (which was an absolute success and a totally great time). Anyone who tells you there isn't much of a difference between 35mm and "baby medium format" is an absolute liar. The negatives are 2.7x larger and have every bit of that MF "pop." I picked up this camera because I want to finally make the move to incorporating film work into my professional workflow, and the ability to have medium format with autofocus and between 33 and 60% more frames per roll is essential for that. I love my 6x6 and 6x7 cameras, but 645 is made for boots-on-the-ground volume shooting where larger negatives are still important. Also, the data imprinting on the border is just *chef's kiss*.
If you read this far, please consider following my film-only Insta (and FB and Twitter) @lookslikefilmbecauseitis where more of my casual day-to-day work will be posted. I've also got a group on here by the same name where anyone can submit their film work.
Pentax 645NII | Pentax SMC Pentax-A 645 75mm f/2.8 | Kodak Portra 400 @ 200, +1 dev
Scanned with Epson V750 Pro | BetterScanning Dual MF Film Holder
Home developed in Cinestill Cs41 Liquid | JOBO CPE2 Rotary Processor
Negative Lab Pro v2.3.0 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Shadow Hard | LUT: Frontier
Nikon FE2 | Nikkor 55mm f/3.5 Micro | Ilford HP5+ 400 @ 800, +1 dev
Scanned with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Kamerakraft FSC1 Pro
Home developed in Ilfotec DD-X 1:4 | 10 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Highlight Soft | WB: None | LUT: Frontier