View allAll Photos Tagged NegativeLabPro
Canon EOS 1V
Canon EF 35 mm f/1.4 L II
Cinestill 800T (@500)
Developed by Conns Cameras
Scanned with Canon EOS 1D X Mark III
Processed with Negative Lab Pro
Ilford FP4 Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: None
Pentax Espio Mini | Pentax 32mm 3.5 | Ilford FP4+ 125
Scanned with Plustek OpticFilm 8200i
Home developed in Ilfotec HC 1:30
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: None
This is from an ongoing project I am doing entitled "reflectives". It is exploring the idea of reflections in relationship with perspectives. In an ever-growing divisive world I'm always intrigued by the variety of perspectives people have.
downtown boise, id
taken 7 march 2025
mamiya 7ii
mamiya 65mm f/4
kodak ektar 100
+2 dev
Scanned with dslr
Home developed
cinestill cs41
pushed 2 stops
4 min 55 sec
This is another shot I printed for a school assignment.
Taken 25 February 2024
Leica m6
Leica Summicron 35mm/2
Ilford HP5 Plus 400
Home developed
Kodak D76
Nikon Nikonos V | Nikon Nikkor 35mm F2.5 | Fuji Neopan Acros II 100
Kodak HC110 B
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Minolta X-700 // Minolta MD 28-70mm f3.5-4.8 // Cinestill 800T 800
Scanned with Kodak Pakon F-135 Plus
Lab developed in Studio Argentique
Negative Lab Pro v2.4.2 // Color Model: Basic // Pre-Sat: 3 // Tone Profile: LAB - Standard // WB: Auto-Neutral // LUT: Frontier
Pentax LX | Pentax SMC K 28mm F3.5 | Kodak Color 200
Scanned with Pentax K1 FA Macro 50mm at F8 | Essential Film Holder
Bronica RF645 | Fuji Pro 400H
Scanned with Sony A7RIII & Sigma 70mm macro
Converted with Negative Lab Pro
IG: @e.vondell
Kiev 6C | Zeiss Jena Biotar 80mm f/2.8 | Fujifilm Acros II 100
Scanned with Canoscan 8800f | 120 w/ acrylic ANR sheet
Home developed in Rodinal 1:100 | 1 hour / 68 degrees | Semi-stand
Just a photo I like of Milly, one of my favorite dogs ever
Minolta CLE | Minolta M-ROKKOR 40mm f/2.0 | Ilford HP5+ 400 @ 1600, +2 dev
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Kamerakraft FSC1 Pro
Home developed in Ilfotec DD-X 1:4 | 13 minutes at 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Shadow Soft | WB: None | LUT: Frontier
Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80mm | Ilford FP4+ 125
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3
Home developed in Ilfotec DD-X 1:4 | 10 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: Frontier
san francisco, ca
taken 8 september 2024
leica m6
leica summicron 35mm/2
kodak portra 800
Scanned with dslr
Home developed
cinestill cs41
3 min 30 sec
Kiev 88 | Vega Vega 12B 90mm f/2.8 | Fujifilm Acros II 100
Scanned with Canoscan 8800f | 120 w/ acrylic ANR sheet
Home developed in Rodinal 1:25 | 6:30 min / 68 degrees | Agitation
You really get the best light at the southern end of Manhattan Island
Leica M7
Leica 35mm Summicron v4
Fujifilm Superia 400
Pentax LX | Pentax Fa 43mm F1.9 limited | Ildford Pan F Plus 50
Scanned with Pentax K1 FA Macro 50mm at F8 | Led Tablet | Essential Film Holder
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None
Ilford HP5 Canon Canonet QL17 | Canon 40mm 1.7 | Ilford HP5 400 @ 800, +1 dev Scanned with Plustek OpticFilm 8200i
Canon Canonet QL17 // Canon 40mm 1.7 // Ilford HP5 400 @ 800, +1 dev
Scanned with Plustek OpticFilm 8200i
Negative Lab Pro v2.4.2 // Color Model: B+W // Pre-Sat: 3 // Tone Profile: LAB - Standard // WB: None // LUT: Frontier
craters of the moon, id
taken 8 june 2025
mamiya 7ii
mamiya 43mm f/4.5
lomography redscale 200
Scanned with dslr
Home developed
cinestill cs41
3 min 30 sec
new york city, ny
taken 12 august 2024
mamiya 7ii
mamiya 43mm f/4.5
kentmere 400, +1 dev
Scanned with dslr
Home developed
kodak d76
pushed 1 stop
8min 23sec/26
laguardia, New York City, ny
taken 12 august 2024
mamiya 7ii
mamiya 43mm f/4.5
kentmere 400
+1 dev
Scanned with dslr
Home developed
kodak d76
pushed 1 stop
8min 23sec/26º
Nikon Nikonos V | Nikon Nikkor 35mm F2.5 | Fuji Neopan Acros II 100
Scanned with Epson v800 | Epson
Kodak HC110 B
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Cinematic - Log | WB: Auto-Neutral | LUT: Frontier
Museo al aire libre, Paseo de la Castellana
Pentax LX | Pentax Fa 43mm F1.9 limited | Ildford Pan F Plus 50
Scanned with Pentax K1 FA Macro 50mm at F8 | Led Tablet | Essential Film Holder
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None
cactus bar, downtown, Boise, ID
Taken 10 April 2023
Leica m6
Leica Summicron 35 mm/2
Fuji Superia 400
Hasselblad 501CM | Zeiss Planar 2.8/80 CFE (Ext Tube 21) | Kodak TMAX 100 100
Digitized with D750 w/ Nikkor 55 3.5 | Raleno LED Panel | Essential Film Holder V3
Home developed in HC-110 B (1+31)
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Pentax MZ3 | Pentax FA 43mm F1.9 limited | Ildford Pan F Plus 50
Scanned with Pentax K1 FA Macro 50mm Essential Film Holder
Nikon FM2n + Nikkor 50mm-F1,4+ Kodak Ektar 100. Negative Lab Pro v2.2.0 | Color Model: None | Pre-Sat: 3 | Tone Profile: Linear | LUT: Frontier. fotoplenka.in.ua/p591531878-fotoplenka-kodak-professional...
First frames from the new (to me) Pentax 645II at Haute Hops and Vines Fest (which was an absolute success and a totally great time). Anyone who tells you there isn't much of a difference between 35mm and "baby medium format" is an absolute liar. The negatives are 2.7x larger and have every bit of that MF "pop." I picked up this camera because I want to finally make the move to incorporating film work into my professional workflow, and the ability to have medium format with autofocus and between 33 and 60% more frames per roll is essential for that. I love my 6x6 and 6x7 cameras, but 645 is made for boots-on-the-ground volume shooting where larger negatives are still important. Also, the data imprinting on the border is just *chef's kiss*.
If you read this far, please consider following my film-only Insta (and FB and Twitter) @lookslikefilmbecauseitis where more of my casual day-to-day work will be posted. I've also got a group on here by the same name where anyone can submit their film work.
Pentax 645NII | Pentax SMC Pentax-A 645 75mm f/2.8 | Kodak Portra 400 @ 200, +1 dev
Scanned with Epson V750 Pro | BetterScanning Dual MF Film Holder
Home developed in Cinestill Cs41 Liquid | JOBO CPE2 Rotary Processor
Negative Lab Pro v2.3.0 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Shadow Hard | LUT: Frontier
Nikon FE2 | Nikkor 55mm f/3.5 Micro | Ilford HP5+ 400 @ 800, +1 dev
Scanned with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Kamerakraft FSC1 Pro
Home developed in Ilfotec DD-X 1:4 | 10 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Highlight Soft | WB: None | LUT: Frontier
- Mamiya RB67 Pro SD with K/L 90mm f/3.5
- Kodak Gold 200
Strobist Info:
*Westcott FJ400 + Strobepro 33 inch Deep Silver Beauty Dish
- Home developed with Unicolor C-41
I recall framing for the two policemen and this guy walked into the frame as I snapped the photo. While I wish I had seen him coming and composed to include all of him, there is something about this image I really like. One hand in his coat pocket, the other holding the jacket closed perhaps. The man cutting so closely in front of the officers. He and one officer looking at me while the other officer seems oblivious to any of it.
Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Rollei Infrared 400 | Tiffen 23A Red Filter
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:00/68F | Paterson Tank
Negative Lab Pro v2.4.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None