View allAll Photos Tagged Negative
Hangzhou 1981 China. Kodak safety color negative scanned by Nikon 9000 ED. Photos shot by Mr. Armstrong
Woman running throught the park early in the morning.
Fujifilm FP-100c instant film. Negative scan. Bleached and cleaned and then scanned with an Epson Perfection V700
How was this made?! Click link below for instructions.
Negative No: 1972-1921 - Negatives Book Entry: Central Station and Liverpool Rd Station, Various Views
[143/366] I had to look up "negative space" for this theme. Hopefully I understand it correctly. I simply put on my invisibility cloak and posed for the camera.
This negative came in a group of four. Three of them were clearly taken as part of the Dewey Celebration parade in honor of Admiral George Dewey’s victory in the battle of Manila Bay in the Philippines in 1898. For now I’ll assume that this image is also tied to that celebration in some way.
Image derived from the original glass negative.
Origami tesselation; design by Eric Gjerde. 64-unit triangular grid, hexagon from elephant hide paper (slightly larger than A3). Completed on 6th Dec 2014.
picassocam pinhole camera, paper negative, 12-sec exposure
I guess I never uploaded this image before- a blooming yucca from Summer, 2010, part of the annually-growing Urban Yucca series
image made June 6, 2010
Digitised image from the Town Hall Photographer's Collection - GB127.M850.
The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.
The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.
The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.
The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.
What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.
A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.
This album represents the result of their work to date.
This is to answer itcho1954's question. The Epson Perfection 4490 Photo Scanner has these two film holders, either of which you may position on the scanning bed. The left one holds a 2.25" wide negative which may be up to 4.75" long. One is in there now. The other one holds either up to four 35mm slides or two strips of 35mm wide film, some of which is in there now. The negatives may be either B&W or color; the software that loads with the scanner immediately inverts the image to a positive after scanning. Also, the film you put in may be a positive instead of a negative.
Source: livinghistories.newcastle.edu.au/nodes/view/32628
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
Digitised image from the Town Hall Photographer's Collection - GB127.M850
The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.
The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.
The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.
The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.
What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.
A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.
This album represents the result of their work to date.
Digitised image from the Town Hall Photographer's Collection - GB127.M850.
The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.
The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.
The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.
The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.
What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.
A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.
This album represents the result of their work to date.
Photographer: David Sinclair, Non-Indian
Subject: Museum of the American Indian, Research Branch (Annex), 1926-1989
Date Created: 1935
Catalog Number: N21651
Format: Acetate negative
Dimensions: 5 x 7 in.
Collection History: Presumably commissioned by George Heye to document the early work of the Museum of the American Indian.
Description: View of the entrance of a concrete replica of a Sioux tipi on the Research Branch grounds, Museum of the American Indian/Heye Foundation, with painted warriors on horseback in midsection, and stars painted above, and leather or cloth door flap. Dwellings and fence in background.
Place: Research Branch, Museum of the American Indian/Heye Foundation; New York City, Bronx, Pelham Bay; Bronx County; New York; USA
Site Name: Research Branch, Museum of the American Indian/Heye Foundation
Culture/People: Sioux
Culture Hierarchy: Central Plains>Sioux
Persistent URL:http://www.americanindian.si.edu/searchcollections/item.aspx?irn=345934
Repository:National Museum of the American Indian