View allAll Photos Tagged Negative
pictionid62493011 - catalog230000835 - title gsconvair negative-convair 240 front spar splice lkg dwn and aft right side sta. 303-318.7 - filename230000835.tif---Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--
I've always been fascinated by negative space, so here is my attempt at drawing a character that's mostly not there.
Drawn in Photoshop on the graphic tablet.
Want to see more? Check out my new blog! All the cool kids are doing it!
ODC2...Negative space...Goddess of Wisdom, I had to fill that negative space with one of her quotes.
PictionID:47061858 - Catalog:14_024571 - Title:GD/Astronautics Details: Mock Up Series "D"; AIG Part 2; View Toward Quad 4-Vernier 1 Date: 03/18/1959 - Filename:14_024571.TIF - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
pictionid58871054 - catalog230000081.tif - titleconvair 240 production line - filename230000081.tif--Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive
Source: livinghistories.newcastle.edu.au/nodes/view/32459
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
Peter Keller negative space star
Thanks to Peter´s "MINI" tutorial, after several trials, I got it.
I used EH paper for the final model.
pictionid62489339 - catalog230000585 - title gsconvair negative-convair 240 preasurized tubeg schematic - filename230000585.tif---Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--
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SOOC
I can't exactly take credit for this photo.. is was Sydney's idea.. haha :)
check out her photostream! www.flickr.com/photos/sydney001/
Also, please check out my blog!! :)
Source: livinghistories.newcastle.edu.au/nodes/view/32460
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
PictionID:47060490 - Catalog:14_024703 - Title:GD/Astronautics Details: Pneumatic Booster Engine Disconnect Panel Date: 03/11/1966 - Filename:14_024703.TIF - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
I couldn't think of what to do for a 365 photo today - totally lacking in ideas.
I thought. "That's a pretty negative attitude!" … So I took a negative photo using the CamWow app on my iPhone :)
Lok Ma Chau, July 1972.
There are a ton of photos on Flickr taken at this spot-it was the closest you could get to "red" China in 1972. To see this was the reason I went on a rather boring tour of the New Territories.
These two glass negatives were found in a junk shop in Huntsville, AL. They were tucked away in a corner, underneath a few old canvas paintings. I happened upon them by pure chance, shuffling through the odds and ends of the shop. They look to me like they are from the late 1800s or right at the turn of the century, judging from the dress and from the film process used that was popular at the time (ambrotypes, I think?). I scanned the plates in with my scanner and then reversed them in Ps. The detail of the images is spectacular and the plates (4x5s) haven't degraded very much over the years.
Any help to identify and pinpoint the time period would be greatly appreciated!