View allAll Photos Tagged Negative
ODC2...Negative space...Goddess of Wisdom, I had to fill that negative space with one of her quotes.
Format: Negative
Find more detailed information about this photographic collection: acms.sl.nsw.gov.au/item/itemDetailPaged.aspx?itemID=15005
From the collection of the State Library of New South Wales : www.sl.nsw.gov.au/
pictionid58870795 - catalog230000060.tif - titleconvair 240 wind tunnel photos - filename230000060.tif--Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive
PictionID:47061858 - Catalog:14_024571 - Title:GD/Astronautics Details: Mock Up Series "D"; AIG Part 2; View Toward Quad 4-Vernier 1 Date: 03/18/1959 - Filename:14_024571.TIF - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
pictionid58870906 - catalog230000069.tif - titleconvair 240 electrical equipment in cargo compartment - filename230000069.tif--Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive
4x5 Paper negative - uncropped.
I was disapppointed with the lack of close focus (2.5m) on the Red Aviar Camera, so I modified the wooden body to include an additional 4 cm.
The result is exactly as I wanted - I'm really happy with the close focus point - probably 1.8m - maybe a bit less - just right for Head and shoulders portraits.
This is my first picture with the new body modification.
pictionid58871091 - catalog230000084.tif - titleconvair 240 production line - filename230000084.tif--Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive
Digitally inverted from original new calotpe negative.
Pelegry dry calotype process with modified dr. Keith iodization (dropped free Iodine)
Canson Marker Layout Paper (batch 6-no 8 cut in two)
Sensitized 3.3.12 according to Pelegry procedure (0,4 l sensitizer) with a preserving bath 2 weeks old (kept cool). 3,5 -4 min sens., 10min single wash, 2-3 min saltbath, 20 min 3 x wash, 3 min preserving bath)
German tailboard field camera 10 x 15 cm, paper negative not covered by glass
Exposure on lightly overcast afternoon, short lens at f/11 for 10 min
Super fast developing and removed after 25 min from 0,8% gallic acid booseted after 10 min with acetonitrate (2 ml AgNO3 and 10 drops of glacial acetic acid)
Highlights visible before development.
Source: livinghistories.newcastle.edu.au/nodes/view/32459
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
The negative space was what I had in mind when I took this photo. However, when I looked at it on the computer screen it looked wrong so I decided to do something I wouldn't normally dream of doing; I flipped the image. This led to a little bit of necessary jiggery-pokery in Photoshop as the labels on the girl's Hunter wellingtons were then the wrong way round so I had to fiddle a bit to correct them. Anyway, this young lass was in the tender of a steam ploughing engine which was giving a practical demonstration on the hillside known as Hook Bank.
Sandwiched in between two days of constant rain, Saturday was definitely the best day to visit the three-day Welland Steam Rally as the show was cancelled on Sunday because of the adverse weather conditions.
opobs.wordpress.com/2015/07/26/people-and-the-two-hour-qu...
This image is the copyright of © Michael John Stokes; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at mjs@opobs.co.uk for permission to use any of my photographs.
PLEASE NOTE: Before adding any of my photographs to your 'Favorites', please check out my policy on this issue on my profile.
Source: livinghistories.newcastle.edu.au/nodes/view/32432
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
PictionID:45827083 - Catalog:14_019949 - Title:GD Astronautics Facilities Details: Blockhouse; Complex 36-Cable Entry, Lower Floor Date: 01/31/1961 - Filename:14_019949.TIF - - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Bain News Service,, publisher.
Ella W. Wilcox
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.29644
Call Number: LC-B2- 5060-14
I couldn't think of what to do for a 365 photo today - totally lacking in ideas.
I thought. "That's a pretty negative attitude!" … So I took a negative photo using the CamWow app on my iPhone :)
pictionid62489339 - catalog230000585 - title gsconvair negative-convair 240 preasurized tubeg schematic - filename230000585.tif---Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--
These two glass negatives were found in a junk shop in Huntsville, AL. They were tucked away in a corner, underneath a few old canvas paintings. I happened upon them by pure chance, shuffling through the odds and ends of the shop. They look to me like they are from the late 1800s or right at the turn of the century, judging from the dress and from the film process used that was popular at the time (ambrotypes, I think?). I scanned the plates in with my scanner and then reversed them in Ps. The detail of the images is spectacular and the plates (4x5s) haven't degraded very much over the years.
Any help to identify and pinpoint the time period would be greatly appreciated!
I've been riding my bike past a cinderblock wall that has patterns of vines that were stripped away. They're all lovely looking.
Snapseed
PictionID:43824987 - Catalog:14_007770 - Title:Atlas 557 Date on Neg: 04/17/1962 - Filename:14_007770.TIF - - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Bain News Service,, publisher.
Carlisle School - Printing Shop
[between ca. 1910 and ca. 1915]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Photo shows students at United States Indian School, Carlisle, PA. (Source: Flickr Commons project, 2008)
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.11206
Call Number: LC-B2- 2484-10
Yet another bleached negative with stains, I like the original photo better (will scan it later), but somehow I do not dislike the stains and water spots. The other side of the Burgerking building I liked better, but the sun light made it impossible to take a picture there.
Bleached negative, Polaroid 600se, 127mm f/4.7 Mamiya, Fuji FP-100C, Burgerking Amsterdam, the Netherlands
Digitised image from the Town Hall Photographer's Collection - GB127.M850.
The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.
The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.
The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.
The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.
What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.
A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.
This album represents the result of their work to date.
Source: livinghistories.newcastle.edu.au/nodes/view/32551
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
pictionid58873977 - catalog230000306.tif - titleconvair 240 radio rack - filename230000306.tif-Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive
Digitised image from the Town Hall Photographer's Collection - GB127.M850
The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.
The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.
The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.
The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.
What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.
A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.
This album represents the result of their work to date.
Digitised image from the Town Hall Photographer's Collection - GB127.M850
The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.
The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.
The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.
The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.
What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.
A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.
This album represents the result of their work to date.
Playing around with an abstract shot, just used the negative setting on SilkyPix, I really like how it looks.
PictionID:47060490 - Catalog:14_024703 - Title:GD/Astronautics Details: Pneumatic Booster Engine Disconnect Panel Date: 03/11/1966 - Filename:14_024703.TIF - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Linhof Kardan Standard / Schneider Symmar / Agfa MCP paper negative
When you pick a rail camera for the first time, you tend to use it like a rigid camera for some time, until you begin to understand how it really works and that the advantages of such a camera don't end with the large frame size.
When you want to control perspective, you stop taking pictures with your intuition and start MAKING them with your intellect instead. This is such a picture, with the rail camera close to the subject, rail facing down and vertical convergence eliminated. This is how our brains tell us we see things, even if we don't really see them like that. That is the reason for perspective control: making pespective look real in the 2d, decieving light in order to look into the frame the same way our brains decieve us to see things.
Of course, if you are not obsessed with a naturalistic view of photography, this gets boring and you start looking for something else. In the meantime you stop worrying about perspective control and maybe even start twisting perspective yourself...