View allAll Photos Tagged Moderne

Olympus digital camera

esplanade, montpellier, mai 2010

Kulturhistorische Kleinode

Die Shophouses von Singapur sind Paradebeispiele für zeitlosen architektonischen Reiz, und die Stadt hat viele gut erhaltene Exemplare zu bieten.

 

Cultural and historical gems

The shophouses of Singapore are prime examples of timeless architectural charm, and the city has many well-preserved examples to offer.

Apartments in Tilla-Durieux-Park, Potsdamer Park, Berlin

Pinakothek der Moderne

München

 

Architekt

Stephan Braunfels

Während der Großteil der E-Loks schon ziemlich modern ist, halten sich bei den Diesellokomotiven die alten Modelle noch sehr hartnäckig. Das soll aber nicht heißen, dass es keine neueren Modelle mehr gibt. So brachte Vossloh 2010 die DE 18 auf dem Markt.

Usseln, Willingen, Hessen

 

Shot with a Mamiya M645 Pro on Kodak 400TX.

Missglückter Versuch eines Tropfen-auf-Tropfen-Fotos (TaT)

 

Unsuccessful attempt of a drop-on-drop photo

Set i det forandrede Odense.

am Ufer der Spree an der Grenze Friedrichshain - Kreuzberg

Modern tramway depot

 

Valenciennes, dépôt de Saint-Waast

NH Hotel Fiera Milano EXPO

Architetto Dominique Perrault

Am 20. Mai 2023 rollen 159 207 und 159 243 mit einem Kesselwagen Zug am DB Museum in Koblenz-Lützel vorbei

An historic Streamline Moderne-styled filling station, just north of downtown Tucson, Arizona.

 

Alleyway Theatre, Curtain Up Alley at Main Street, Buffalo, New York state.

 

Partial quote from the theatre's web site:

 

"Alleyway Theatre is located in Buffalo, New York’s Theatre Historic District. Constructed in 1941 by Central Greyhound Lines, the building served for decades as the city’s primary bus depot. It is one of the many terminals designed by nationally prominent architect William S. Arrasmith of Louisville who created over one hundred stations for Greyhound in the late thirties and early forties.

 

The Alleyway Building is one of Buffalo’s most prominent examples of the Art Moderne style. The streamlined two story structure boasts the important features which defined the work of W. S. Arrasmith including round windows, curved wall surfaces, stainless steel and aluminum alloy trimmings, terrazzo floors, limestone façade, and exterior surfaces of glazed tile. This building is one of only a handful of Mr. Arrasmith’s creations which is still standing."

 

xxxxxxx

 

Over the Canadian Thanksgiving/ Columbus Day (in the U.S.) long weekend, I met up with Eridony (Brandon) in Buffalo, New York. It was the third time that Brandon and I met up.

 

Buffalo is a city in western New York state on the eastern shore of Lake Erie, it's located about 17 miles (27 kms) south of Niagara Falls. During the 19th century and up to the 1950s, Buffalo was a boom town and a major industrial and transportation hub due to its location along the Erie Canal, railroads and Lake Erie. Between the 1860s and 1910s, Buffalo actually ranked as the top 10 largest cities in the U.S. (Thanks for that info, Brandon!) During that period, Buffalo built many impressive public and private buildings, many of which have survived till today.

 

Buffalo had suffered decades of economic and population decline, but in the past ten years, appears to be recovering very slowly.

In april 2017 was voor de laatste maal kermis op de Dam: het werd té druk, vond de gemeente en schrapte de vergunning.

Een jaar later zou ook lijn 14 hier voorgoed verdwijnen....

 

Meer foto's met een nét even andere blik op OV:

www.flickr.com/photos/meijkie/albums/72157703057880262/wi...

quand le futur rencontre la passé

 

Un señor defiende su librería de fotógrafos indeseables

Huizenblok - een van de twee - uit 1926 aan de 2e Scheepvaartstraat in Hoek van Holland van architect J.J.P. Oud. De architect zelf vond dat er in zijn ontwerp sprake was van 'poëtisch functionalisme'. Dat poëtische zal 'm in de rondingen aan de uiteinden van de blokken zitten. Theo van Doesburg vond het maar niks ('een ver doorgevoerde Van de Velde-architectuur'); het leidde tot een breuk tussen Oud en De Stijl, waar hij tot dan toe deel van uitmaakte. Het was voor hem een afscheid van het pure functionalisme, gaandeweg zouden zijn ontwerpen een zekere monumentaliteit, om niet te zeggen pompeusheid krijgen.

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