View allAll Photos Tagged Moderne
Aan vrijwel niets is te zien dat deze foto alweer 5 jaar oud is:
alleen de bestemmingsdisplay op de 2023 verraadt dat. De tram is op 22 november 2016 in een fraai herfstdecor door de Plantage op weg naar "het wilde westen" en vormde toen nog, samen met zusterlijn 7, een verbinding tussen twee zwembaden aan tegenovergestelde randen van de stad.
Het album Tram-O-Rama is HIER te vinden:
www.flickr.com/photos/meijkie/albums/72157718503889369
En kleurrijke herfstfoto's van trams in en rond Amsterdam zie je HIER:
I was out this afternoon and saw this in someone's garden, just had to take a photo.
Better viewed large and thank you for your favourites.
a return to the museum series
life goes on, but let us please not forget to give continued support to our japanese friends in their time of need. thank you to all of you who have so generously bid on my print or on the many beautiful images up for auction to raise money for relief efforts.
Am Nachmittag des 23.Juni 2016 verlässt 245 013 mit einem Doppelstockzug die Landeshauptstadt München Richtung Mühldorf
Le bâtiment Richard Meier, d'un blanc éclatant, se dresse au cœur de la nature environnante. Que les visiteurs se réjouissent : là où l'art et le nouveau bâtiment du musée s'harmonisent, ils seront les gagnants. Ici, pas de compétition pour occuper la vedette, mais un lieu empreint d'art, un lieu qui révèle sa vraie nature et offre un écrin aux œuvres de l'artiste-mécène du musée ainsi qu'à l'art contemporain.
« Mon architecture ouverte et transparente crée des transitions fluides entre l'intérieur et l'extérieur et reflète le même lien avec la nature que celui exprimé dans les œuvres de Hans Arp. »
En tant que l'un des plus grands architectes de musées internationaux, Richard Meier se réfère dans son architecture aux principes du modernisme classique, un style qui a connu son apogée au début du XXe siècle. Cette époque a également façonné l'œuvre du duo d'artistes Hans Arp et Sophie Taeuber-Arp. Le bâtiment de Meier est baigné de lumière et semble emmener les visiteurs hors de leur quotidien. Ici, les œuvres trouvent un espace propice à leur épanouissement.
The dazzling white Richard Meier Building stands out in the heart of the surrounding nature. Visitors can rejoice: wherever art and the new museum building harmonize, they will be the winners. Here, there's no competition for the spotlight, but a place imbued with art, a place that reveals its true nature and provides a showcase for the works of the museum's artist-patron as well as contemporary art.
"My open and transparent architecture creates seamless transitions between indoors and outdoors and reflects the same connection with nature expressed in the works of Hans Arp."
As one of the greatest international museum architects, Richard Meier refers in his architecture to the principles of classical modernism, a style that reached its peak in the early 20th century. This era also shaped the work of the artist duo Hans Arp and Sophie Taeuber-Arp. Meier's building is bathed in light and seems to transport visitors away from their everyday lives. Here, the works find a space conducive to their development.
I tried to get a whole line of high-voltage pylons in the picture, like some oversized fence, but of course, very small Legos and huge masts really don't fit together.
Toy Project Day 1142
Nürnberg - Blick aus dem fahrenden ICE auf einen anderen ICE im Hauptbahnhof
The sleek geometric lines of many diners were based on the “Art Deco” style. This art form was derived from a modernistic design trend that appeared in France in 1925 and gained in popularity following the release of the expressionistic German sci-fi film “Metropolis” in 1927. Over time a sub-genre developed known as “Streamline Moderne” – this was a design shift that placed emphasis on horizontal lines as seen in this photo.
The Musée d'art moderne André Malraux (also known as Musée Malraux and simply MuMa) is a museum in Le Havre, France containing one of the nation's most extensive collections of impressionist paintings. It was designed by Atelier LWD, an architecture studio led by Guy Lagneau, Michel Weill and Jean Dimitrijevic. It is named after André Malraux, Minister of Culture when the museum was opened in 1961. Le Signal, a concrete sculpture by Henri Georges Adam, frames a fragment of the landscape and strongly emphasizes the exceptional situation of the building at the harbor entrance.
Perspective on the façade of the wonderful Florin Court - a residential building on the eastern side of Charterhouse Square in Smithfield, London, UK.
The building is an example of 'streamline moderne', an international style of Art Deco architecture and design that emerged in the 1930s.
It was built in 1936 by Guy Morgan and Partners and features a beautiful, curved façade with projecting wings, a roof garden, setbacks on the eighth and ninth floor and a basement swimming pool.
Being fans of Agatha Christie and actor David Suchet, we visited because in the LWT television series 'Agatha Christie's Poirot', the building was used as Whitehaven Mansions, the fictional London residence of private detective Hercule Poirot.
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