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Another of my bunch of dead roses.
Textures courtesy of Sienna62 and Distressed Jewell, blended in PS Multiply and Overlay modes.
The light reflecting from the clouds and mountains give the perception of layers. Amazing late evening view near Mount Shasta , California.
St Mary the Virgin, The Marneys had lived here since the 12th century, but it was only in the time of Henry VII and Henry VIII that the family, in the person of Sir Henry, came to be nationally important. The tower and church reflect that status and wealth.
The church is built with patterning (called diapering) in blue brick. This is especially noticeable in the tower, which also has stone dressed buttresses, and the overall effect is very harmonious. The plan of the church is unusual in that it has two south porches; one giving entrance to the chancel.
Inside the church is beautifully kept, light and airy.
There are two screens, wall monuments, and even an old plough to draw the eye, but it is the memorials to three Marneys that stand out. First is Sir William, whose early 15th century alabaster effigy was in the earlier church on this site. Then comes Sir Henry himself, in black marble, under an ornate terracotta canopy. Last is his son, John, 2nd and last Lord Marney, who died in 1525. Each figure has a lion at its feet.The brick church of a similar date to the tower. Layer Marney Tower is an incomplete early Tudor country house, with gardens and parkland, dating from about 1523, in Layer Marney, Essex, England, between Colchester and Maldon. The building was designated Grade I listed in 1952.
The large gatehouse tower is much the most striking element to be completed and to survive.Layer Marney Tower is an incomplete early Tudor country house, with gardens and parkland, dating from about 1523, in Layer Marney, Essex, England, between Colchester and Maldon. The building was designated Grade I listed in 1952.
The large gatehouse tower is much the most striking element to be completed and to survive.
As the sun rises over the Lombok coast, the layers of jungle between the beach and the distant peak of Gunung Rinjani are gradually revealed. Magical.
A perfect September day. This is state-owned land, but if it werent, I'd definately want to build a house here!
Set of layered embellishments created for a swap-bot swap. The peacock and kaleidoscope flowers utilize a stamp from Stamplistic. The lacy mats were done using border punches from Martha Stewart. The day lilies are an original design of mine.
February 2016
At Kilve beach with my family.
A rather watermarked roll of Legacy Pro 100. Developed collaboratively by me & Sophie, scanned by me. Needs Ilfotol.
ZEN MAGNETS - Neodymium Magnetic Balls (Varies) - Fun with 2-layer-hex
(@1080) - Pentakis dodecahedron = (18-ball-2-layer-hex) x 60
(@0144) - Triangle subunit ball
This was made entirely of 12 18-ball 2-layer hexagon sheets. The Petals were created using a special magnet origami technique of folding the hexagons without removing anything.
This is part of some fun and experimentation for the Zen Magnets contest 36: Single Set Simplification
www.zenmagnets.com/blog/36-single-set-simplification/
Lighting - led crystal light base
Proof of concept experiment. I had this idea that I could paint or draw different elements on separate pieces of paper, scan them, and combine them on the iPad in separate layers. I’d have the look of analog and the editing capabilities of digital.
Bee Paper Co-Mo Heavyweight Sketch Paper 9x12 inches (22.9x30.5 cm), Turner Acryl Gouache, and Crayola Black crayon.
iPad Pro
Apps: Superimpose X and Sketch Club.
I took this photo from a mountain on Guemes Island, the view offers layers of the San Juan Islands as well as the Olympic Peninsula. I set the White Balance in 5300 since the lens was facing the sun directly and got overexposed. I set ISO at 100, 1/500s shutter speed to get clarity since this is a zoom-in shot.
In post-production, I applied some colder colors and haze to get the cinematic look.
First attempt for printing on fabric since oh, april 2005! (has it really been that long? wow.) Consensus: not too bad! Printing on fabric is an entirely different beast than on paper. I was pretty foolish and didn't consider the image I was making in relation to the size of the screens I bought, so there was very little room to play with and I was working with a 14" squeegee on a 13.75" wide image, all on a 20x24 screen. Ooops! So that thick outline did not print the way I wanted to, but I will revise that in the design. Fortunately the fabric soaks up ink so even with multiple passes you can't see the lines or anything.
Error two: print on the left (well, the middle) was the first print, and I seriously underestimated how much ink to mix. Remixing it, I wound up making the rest a little yellower. This is what happens when we're low-fi, folks! I think it'll be okay though.
Layer two tomorrow? Hmm, we'll see!
PS: I need a better drying rack :(
This 1960's log home had the cambian layer still on the logs after all these years. We had to ozzy (sand) all of the logs using buffing pads and it took a lot of time. Once we had the cambian layer of wood removed we vacuumed the interior and cleaned the logs with Log Wash. We then applied Perma Chink chinking in Sandstone. The chinking line is 2" and the logs are around 14" - 22" diameter. We caulked along the tongue and groove boarding and all of the checks in the logs. We applied Benjamin Moore StaysClear stain to all of the logs and dimensional wood in the building. This was a fun project and the result speak for themselves. 50 years of soot and dirt turned into shining beautiful wood.
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More fog on our trip home from San Jose, creating different layers in the trees on the hillsides.