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Layer upon layer. Several plants have taken footing in these rock and sediment layers. Noccalula Falls Park, 1450 Noccalula Road, Gadsden, Etowah County, Alabama. September 7, 2020.
Lifting shadows with layers page 2
You’ve noticed defects in this image really start to become more obvious. Uneven areas in the shadows are now more noticeable. Also, the golf ball sized film grain
across the snapshot is due to fast film, possibly old Kodak Tri-X rated at 400 ASA, large shadow areas that were under-exposed, under-developed film or just printed on
textured photo paper. We dealt with grain in the last chapter. This will always be best printed in smaller print sizes. Another defect found in this layer is the telltale
brown stain on the lower left of the dress. Left of that is a bluish metallic stain. This is an excellent example of why copying old originals in color is a responsible
choice. Color defects are easier to select and remedy. We encourage you to observe the tones of old sepia and selenium prints so that you can replicate the patina and
color tones found in the old originals. The [Techniques] section has chapters about [Silvery tarnish] and [Conflicting lighting sources] and are good guides to these
corrections. This may be the perfect time to work on these two problems when they may be more visible on one of the layers.
The next step is using the Alpha channel method we’ll use in the two high-tech contrast control chapters near the end of this [Projects] section. In fact, the alpha
channel methodology is designed to work together with the original dark layer below. An Alpha channel is a transparency map of the selection and in this case the dark
areas are the least transparent while lightest areas fade to nearly transparent. Done properly, these transparent alpha highlights will have little effect on the darker
original layer below. When you are satisfied with the restored shadow layer, select and Copy the entire layer, Ctrl-All, Ctrl-Copy.
Layers of black cotton sewn together with random zig zagging lines.
Freehand machine embroidery done with cotton thread.
This was made with 2 layers. 1st was a close up of some of my son's computer cards and the top layer is from one of my textures--
www.flickr.com/photos/hollytree38/3925757198/in/set-72157...
This was where my time-lapse video was on display at The National Steinbeck Center in Downtown Salinas, CA
I'm sorry that I've been inactive for so long on Flickr (an apology to you all, as well as myself). I've been swamped with school, and work. It's been exceedingly hectic, as it's my last semester at school before graduating as well. It didn't help either that my computer was fried and I couldn't edit my pictures until I got a new one which I just received yesterday.
The video description follows:
PLEASE WATCH IN HD
This was a time lapse video I created (with my Canon EOS 7D) which is currently part of an installation (with the exception of the music) I have in the National Steinbeck Center in Salinas. The exhibit is part of the 2013 33rd Annual National Steinbeck Festival whose theme was "Home."
Still Images: Monterey County Historical Society
Music: "Soul Purpose" by Nightmares On Wax
© Copyright 2013
This photograph is copyrighted and I retain sole ownership, please do not use, copy, transmit, modify, use, print or display this image or any of my photographs in any context without explicit written permission from me... that includes Tumblr as well.
I love all the layers of hills and mountains and fog.
Press L to view on black.
Scavenger Hunter Gatherer photo challenge #95 - shades of grey
originally, i had changed this to sepia or something like it, but upon looking again, someone pointed out all of the layers of blue there and how beautiful they were, so i changed it back.
Before deleting the folder of unused photos from our trip to Bosnia Herzegovina I noticed this shot. The quality isn't great but I love the layers of different shades and contrasts
From a short hike along the Haunted Forest Trail in the Haapy Jack area of the Medicin Bow National Forest near Laramie. A 3D (stereo) crosseye view.
TO SEE THIS IN 3D, there's a tutorial here:
St John the Baptist, Layer de la Haye, Essex
The largest of the Layers, and usually referred to as simply Layer. Open. A small, pretty little church beside Abberton reservoir. Inside is homely and warm, late Victorian. Very cosy. There is an Easter Sepulchre tomb from the 1540s, exceptionally late and the liturgy it would have served can only have had months to run when it was installed.
Very friendly churchwardens inside doing the books and playing the organ, although they assured me that the church is always open every day. Unfortunately, I was so busy talking that I left my Essex Pevsner beside the visitors book, and had to go back for it the following week.
@dailyshoot #ds211 Make a photo of a flag today: national, state, or otherwise. Try to compose it in a unique way. Plus other Daily Shoot images for Assignment #ds211
This version is not really a photo, in the sense that it never actually entered a physical camera. It's something generated based on the raw screencap, with added layers and filtering of the rather low-resolution flag icon.
This might be a better alternative, at least the flags are more active. The video in the link is in fact entirely derived from the image layers here, converted to a PSD file, and rendering the layers individually via Sony Vegas Pro. Be warned: this option is only available in Sony Vegas Pro versions newer than 9.0d, a fairly recent upgrade freely available to those with registered copies of Vegas Pro 9.0.
Flags to me represent so many things about social conventions, coercion, struggle and contradiction. They are an artifact, and at the moment also, one of the things that disturbs me about many online communities. Or maybe this was just my reaction to seeing the preview of AMC's new Rubicon series?
file ref:flaggg2NoPhoto
St John the Baptist, Layer de la Haye, Essex
The largest of the Layers, and usually referred to as simply Layer. Open. A small, pretty little church beside Abberton reservoir. Inside is homely and warm, late Victorian. Very cosy. There is an Easter Sepulchre tomb from the 1540s, exceptionally late and the liturgy it would have served can only have had months to run when it was installed.
Very friendly churchwardens inside doing the books and playing the organ, although they assured me that the church is always open every day. Unfortunately, I was so busy talking that I left my Essex Pevsner beside the visitors book, and had to go back for it the following week.