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Because There’s a There, Here’s Just Fine
Acrylic, cedar, cigarette butts, eurocast, fertilizer, foam, found plastic, garbage from Denver parks, insulation, lichen, moss, organic material from Denver, sponge, steel 55 gallon drum, wood lumber.
Installation created for The Nature Of Things at the Biennial of the Americas 2010 in Denver, CO.
Hashimoto Contemporary is pleased to present Floating Worlds - the gallery's debut solo exhibition with Los Angeles-based painter Stacey Rozich. The vibrant and richly detailed watercolor and gouache works on paper depict mystic scenes from the artist's folklore.
The alternate realm Rozich has created through her prismatic work is equal parts familiar and strange - a bird-like creature stops in a garden for a smoke break, a plastic bag sits beneath the seesaw where he sits and a miniaturized doppelgänger hands him a lighter. More spectral scenes depict curious rituals where cloaked and masked figures are surrounded by peculiar iconography.
The artist states, "Compelled by the enigmatic notion that our everyday terrestrial lives may be coexisting with another fully-functioning surrealistic plane alongside our own, I have sought to create this world through a series of vivid scenarios and portraits. As it turns out, this surreality may not be so different from our own reality: you’ll find that moments of miscommunication, embarrassment and awkward first dates can still occur regardless of your astral plane."
Installation by Sarah Barrow with Iris Radovic for 'bower: family portrait', April 2009, as part of Sanctum Theatre's Zero Projects season.
Photos by Matthew Kneele and Sarah Barrow.
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"Bottom Fermentation"
Youngblood Gallery
Atlanta Georgia July 2005
A collaborative installation by Mickael Broth, Ross Trimmer, and Jason Wasyk
It's alive!! The cave.
Installation View - Kate Sully. Four (26 January - 24 February 2013). Cornerhouse, Manchester. Photo credit We Are Tape
Hashimoto Contemporary is pleased to present In the Abstract, a group exhibition curated by Dasha Matsuura featuring new works by Abel Macias, Ellen Rutt, Rachel Strum and Madeleine Tonzi. Each artist brings a fresh perspective to contemporary abstraction, from geometric shapes to the suggestion of surreal forms.
Ranging from the purely abstract patterns in Ellen Rutt's textile based works to the loose landscape references of Abel Macias' work, each of the artists featured express intangible moments in each piece. Rachel Strum's (pictured above) work blaze in a riot of color and texture, creating a cosmic depth in each color field. Working with reclaimed and scrap textiles, Ellen Rutt engages the tradition of quilting in times of crisis to create fluid patterns and bold compositions.
Punctuating her works with points of entry, Madeleine Tonzi's paintings float across blush toned planes dotted with surreal architectural structures. Abel Macias' gestural paintings examine texture and pattern while intimating a natural space and visualizing a warm summer breeze. Each of the artists featured creates a non- specific space for the viewer to pour into.
U.S. Army Installation Management Command Organizational Day Festivities
Soldiers, Civilian employees and their Families took a break from their normal, busy work schedules to participate in team building activities and celebrate the recent transition of the IMCOM headquarters to San Antonio, Texas.
To learn more about the move to San Antonio, visit here:
www.army.mil/-news/2010/10/06/46153-headquarters-imcom-mo...
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About IMCOM – The U.S. Army Installation Management Community:
We are the Army’s Home.
Our mission is to provide standardized, effective and efficient services, facilities and infrastructure to Soldiers, Families and Civilians for an Army and Nation engaged in persistent conflict.
Our vision:
Army installations are the Department of Defense standard for infrastructure quality and are the provider of consistent, quality services that are a force multiplier in supported organizations’ mission accomplishment, and materially enhance Soldier and Family well-being and readiness.
To find out more about IMCOM, visit us online:
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The CINC Installation Excellence Award Team Visited Travis AFB, Calif., on Jan. 6, 2014, to consider the base for their 2013 award. Already a finalist, Travis Airmen showed off a multitude of innovations and efforts that help make the base "America's First Choice." (Air Force photo/Ken Wright)
'Nomathemba', installation, 2021
'Nomathemba' is een inter- en multi-dimensionaal gesprek. Experimenteel en voortvloeiend uit de ‘Alakondre Krutu’ met kunstenaars aangesloten bij Readytex Art Gallery.
Deze installatie is ook een gesprek tussen Kurt Nahar en EdKe. Voor EdKe heeft dit kunstwerk tot doel een ’magische polymorfe substantie’ te doen activeren. Deze substantie van kleur prikkelt alle zintuigen (Taussig, 2010). Kurt Nahar relateert het kunstwerk aan Nomathemba: de moeder van vertrouwen en hoop; een godin die over al haar kinderen waakt. Kurt stelt: "Ze verschijnt in moeilijke tijden als hoopgevend.”
Het kunstwerk is onderdeel van het onderzoeksproject 'deeep blue', van Miguel Keerveld. De verbeelding van het menselijke en het niet-menselijke is gebaseerd op de verstrengeling van het biologische, geologische, mechanische en spirituele: een cyborg feminist performance van het bovenmenselijke. Daarom bestaat het kunstwerk uit 55 onzichtbare brieven die zich via maskers manifesteren.
Bron: 'What Color Is the Sacred', Michael Taussig (AU)
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'Nomathemba' is an inter- and multi-dimensional conversation. Experimental and resulting from the ‘Alakondre Krutu’ with artists affiliated with Readytex Art Gallery.
This installation is also a conversation between Kurt Nahar and EdKe. For EdKe, the aim of this artwork is to activate a ‘magical polymorphic substance’. This substance of color triggers all senses (Taussig, 2010). Kurt Nahar relates the artwork to Nomathemba: the mother of trust and hope; a goddess who watches over all her children. Kurt says: "She appears in difficult times as the giver of hope.”
The artwork is part of the research project 'deeep blue', of Miguel Keerveld. The imagining of the human and the non-human is based on the entanglement of the biological, geological, mechanical and spiritual: a cyborg feminist performance of the superhuman. This is why the artwork consists of 55 invisible letters that manifest themselves through masks.
Source: 'What Color Is the Sacred', Michael Taussig (AU)
What: 'UDUBAKI part one'
When: December 10, 2021-January 1, 2022
Where: Readytex Art Gallery, Steenbakkerijstraat 30, Paramaribo, Suriname
PHOTO Courtesy Readytex Art Gallery (RAG)/Gilbert Jacott
Art installation idea, investigated a site in East London with a lot of graffiti. Enlarged and focused on parts of the graffiti artwork and the idea was to create large decorative panels and place them in surrounding areas to add colour and interest to plain and dull spaces.
Installation of Martha Walker's Work in the Dana Gallery at The Phillips Museum of Art, Franklin and Marshall College, Lancaster, PA, January 2009.