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Installation im Henry Ford Bau, Wissenschaftler, Ehrenbürger und Alumni der Freien Universität Berlin.
Mortuos Plango, Vivos Voco installation at St. Thomas church in Huddersfield for the hcmf// festival.
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Former UNC Chancellor James Moeser and wife Susan Moeser stand in celebration of the installation of current UNC Chancellor Carol L. Folt at UNC Chapel Hill on Saturday afternoon October 12, 2013.
Installation photo by Roger Castonguay, Jr. of The Defining Photo, LLC.
Nancy Graves: Inspired Vision
On view at the Joseloff Gallery April 14, 2009 through June 28, 2009
Sounds of improvisation by Tomoya Deguchi immediately become movement of light and distort one’s sight. The tension and vibes of music propagates to audience / player himself, not only as sound but also as light reflected in a mirror, feeding back to the next sound.
Date: February 21 (Mon.), 2011 20:00 (Doors Open 19:30)
Venue: Tokyo Wonder Site Shibuya
Four Soldiers retire Jan. 27 at the Quarterly Installation Retirement Ceremony
hosted by Network Enterprise Technology Command (NETCOM) at Brown Parade Field, Fort Huachuca, Arizona. (U.S. Army photo by Karen Sampson)
how we are in time and space: Nancy Buchanan, Marcia Hafif, Barbara T. Smith
This exhibition is shaped by the forces of proximity, friendship, generosity, and longevity. Buchanan, Hafif, and Smith met in the newly formed MFA program at UC Irvine and remained friends for life. Structured around the subjects of bodies, communication, and dwelling, this exhibition reveals a remarkable range of pursuits explored by the three artists for the past 50 years. Though each followed their own trajectory, this exhibition highlights the differences as well as the "empathic overlaps" of these life-long friends.
This exhibition was organized for the Armory by guest curator Michael Ned Holte.
Learn more at armoryarts.org/timespace.
Photo by Ian Byers-Gamber. Courtesy Armory Center for the Arts.
Hashimoto Contemporary is pleased to present Homeward Bound the debut solo exhibition of Oakland-based artist Christopher Martin. Utilizing the visual vernacular of traditional American tattooing, Martin interweaves imagery from the African Diaspora, his own mythology and iconic navy tattoos to create bold banners and paintings.
Working across mediums including tattooing, textile and painting, each facet of Christopher Martin’s practice informs the others. Imagery commonly found in traditional sailor tattoos are prevalent influences for the current body of work featured in Homeward Bound. The history and superstition embedded in archetypical nautical motifs such as anchors, mermaids and animals are re-coded to reflect the history and stories of the African American experience.
The reclamation of cotton as a primary medium, applied in the large-scale tapestry works and the fiber based paintings on paper, reflect the Atlantic slave trade and the artist’s North Carolina roots. Steeped in Southern and Black history, Christopher Martin’s work layers the confrontation of contemporary injustice and folkloric storytelling to create a new lexicon for black culture.
Installation ceremony of Rtn. Atul Shah as President of the Rotary Club of Nagpur, the largest Club in RI Dist. 3030 and one of the largest in South-East Asia. He was installed by out-going President Tauby Bhagwagar at Hotel Centre Point on Thursday, 5th July, 2012.
Hashimoto Contemporary is pleased to present Floating Worlds - the gallery's debut solo exhibition with Los Angeles-based painter Stacey Rozich. The vibrant and richly detailed watercolor and gouache works on paper depict mystic scenes from the artist's folklore.
The alternate realm Rozich has created through her prismatic work is equal parts familiar and strange - a bird-like creature stops in a garden for a smoke break, a plastic bag sits beneath the seesaw where he sits and a miniaturized doppelgänger hands him a lighter. More spectral scenes depict curious rituals where cloaked and masked figures are surrounded by peculiar iconography.
The artist states, "Compelled by the enigmatic notion that our everyday terrestrial lives may be coexisting with another fully-functioning surrealistic plane alongside our own, I have sought to create this world through a series of vivid scenarios and portraits. As it turns out, this surreality may not be so different from our own reality: you’ll find that moments of miscommunication, embarrassment and awkward first dates can still occur regardless of your astral plane."
Hashimoto Contemporary is pleased to present Homeward Bound the debut solo exhibition of Oakland-based artist Christopher Martin. Utilizing the visual vernacular of traditional American tattooing, Martin interweaves imagery from the African Diaspora, his own mythology and iconic navy tattoos to create bold banners and paintings.
Working across mediums including tattooing, textile and painting, each facet of Christopher Martin’s practice informs the others. Imagery commonly found in traditional sailor tattoos are prevalent influences for the current body of work featured in Homeward Bound. The history and superstition embedded in archetypical nautical motifs such as anchors, mermaids and animals are re-coded to reflect the history and stories of the African American experience.
The reclamation of cotton as a primary medium, applied in the large-scale tapestry works and the fiber based paintings on paper, reflect the Atlantic slave trade and the artist’s North Carolina roots. Steeped in Southern and Black history, Christopher Martin’s work layers the confrontation of contemporary injustice and folkloric storytelling to create a new lexicon for black culture.
This installation started with ideas of environment. Had been looking at direction of light and how it travels, reflects off surfaces and when put in a diagram, creates all sorts of angles and shapes. In the small room, I projected shadows of wooden structures onto the wall, different projections overlapping, some shadows of different strengths. To Add more shadow and depth to the installation I then added structures off the walls, some from paper and some with chicken wire, to make different qualities of shadow. The filters on the lights were all slightly different purities when overlapped and i liked that, like two different environments.
Hashimoto Contemporary is pleased to present Homeward Bound the debut solo exhibition of Oakland-based artist Christopher Martin. Utilizing the visual vernacular of traditional American tattooing, Martin interweaves imagery from the African Diaspora, his own mythology and iconic navy tattoos to create bold banners and paintings.
Working across mediums including tattooing, textile and painting, each facet of Christopher Martin’s practice informs the others. Imagery commonly found in traditional sailor tattoos are prevalent influences for the current body of work featured in Homeward Bound. The history and superstition embedded in archetypical nautical motifs such as anchors, mermaids and animals are re-coded to reflect the history and stories of the African American experience.
The reclamation of cotton as a primary medium, applied in the large-scale tapestry works and the fiber based paintings on paper, reflect the Atlantic slave trade and the artist’s North Carolina roots. Steeped in Southern and Black history, Christopher Martin’s work layers the confrontation of contemporary injustice and folkloric storytelling to create a new lexicon for black culture.
Tristan Perich: Interval Studies
LEAP (Berlin)
LEAP is pleased to present a solo exhibition by New York-based artist and composer Tristan Perich. Perich will be exhibiting a body of work that include the sound sculptures Interval Studies and two mural-sized Machine Drawings – the result of a long-standing interest in code and systems. (Interval Studies was created during the Copenhagen Artist in Residence through Mikrogalleriet).
Opening: Friday, September 16, 2011 at 8PM (with live performance)
On View: September 16 through 30, 2011
LEAP: Lab for Electronic Arts and Performance
Berlin Carré 1. Stock, Karl-Liebknecht-Str. 13
Berlin, Germany