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Pentacon Six TL, Zeiss Flektogon 50mm, Rollei Superpan 200, Microphen

 

Installation at the Sofiero 2nd International Land Art Festival by Swedish artists Sara-Lisa Ludvigson and Oskar Sörenson.

Tournai, Belgique, 2022.

Camera: Rolleiflex T

 

Lense: Carl Zeiss, Tessar, 75mm, F3.5

 

Film: Fuji PROVIA 100 F

 

Processing: E6 by PS13, digitized with Epson V850 Pro

Installation auf der Treppe vor der Stiftskirche in Tübingen zum 250. Geburtstag Hölderlins.

 

www.ottmar-hoerl.de/en/index.php

 

Part of an art installation on the steps of the Stiftskirche church in Tübingen as part of the celebrations for the poet Friedrich Hölderlin's 250th birthday.

Pentacon 6 TL, Arsat PCS Shift 55mm, Kodak Portra 160

The white structure on the hilltop is one of many Peace Pagodas constructed by Myouhouji Temple of Japan (日本山妙法寺). They have a talent to find prime locations in respective tourism areas. This is a southward view from Pokhara Lakeside.

 

View of Himalayas from the pagoda is great although it is overshadowed by Sarangkot on the opposite side of the lake.

Canon 7D, Walimex PRO 35 mm F1.4

Sculpture or Art installation located at Wynard Station in Sydney Australia

Melbourne Fashion Week is madness and these photos wre taken of an awesome installation at the GPO building where an International Artist set up umbrellas in a beautiful display. I wish I coud remember his name....

installation of Drager Meurtant and George Kabel at "(With)in or (With)out - Boders and Boundaries, May 27 - June 18, De Melkfabriek, 's-Hertogenbosch, NL

Katharina Grosse suddenly started to paint. That was in 1981 when she was studying English Literature. She made her first spray painting in 1998 inside the Kunsthalle Bern: she picked up a spray gun and found she could paint space itself and then began painting without limits. Here we see what she is doing now.

designed by Tomás Saraceno at K21 Ständehaus, Kunstsammlung Nordrhein-Westfalen. Dusseldorf, Germany.

 

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This art installation on the South Bank of the Thames is called 'Pick Yourself Up And Pull Yourself Together' and was created by artist Alex Chinook. The inverted car seemingly tearing up the tarmac is a Vauxhall.

Relative impact

Parallel experiment

Variable attributes

 

Video installations by Philippe Parreno the Foundation Louis Vuitton.

Pentacon Six TL, Arsat PCS 55mm Shift, Fomapan 100, Microphen

 

light installations in the Berlin zoo

JOSE DÁVILA

KÖNIG GALERIE, BERLIN

Pentacon 6 TL, Arsat PCS Shift 55mm, Kodak Portra 160

Pentacon 6 TL, Arsat PCS Shift 55mm, Kodak Portra 160

Artist: Robert Seidel / Beamer Projection

20161005_1926 / Canon 5 D Mark II

Pentacon 6 TL, Arsat PCS Shift 55mm, Kodak Portra 160

MAC, São Paulo. Brazil

Les Zicos partent en live

  

virtual-times.tumblr.com/

 

cartel29.tumblr.com/

 

Fred Olsen Windcarrier

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Bremerhaven / July 2016

Mamiya 645 1000 S, Mamiya Sekor Shift 50mm F4.0, Fuji Provia 100 F, E-6 by pixelgrain

Pentacon 6 - Arsat PCS Shift 55mm, Fuji Provia 100 F

 

E-6 by pixelgrain

Pentacon 6 TL, Arsat PCS Shift 55mm, Kodak Portra 160

Camera: Voigtländer BESSA L

 

Lense: Voigtländer HELIAR 15mm, F4.5

 

Film: Agfa CT Precisa 100

 

Processing: E6 by PS13,

digitized with Epson V850 Pro

 

... in Brugge.

 

Last August, in Bruges, visitors could cross the water on his installation entitled BRUG (The Bridge) by Jarosław Kozakiewicz.

With the many bridges that span the canals in the city centre and link neighbourhoods with each other, BRUG is a contemporary interpretation with another function.

Instead of bricks and cobblestones, the artist uses metal profiles and canvas to create a bridge on which you can cross from one side of the canal to the other.

 

Paul explored it and I photographed him in it...

 

Thank you for your time and comments, M, (*_*)

  

For more: www.indigo2photography.com

 

Please do not use this image on websites, blogs or any other media without my explicit permission. © All rights reserved

 

Pentacon Six TL, Carl Zeiss Flektogon 50mm F4.0, Kodak Ektachrome E100

 

Mamiya C33, Sekor 65mm F3.5, Fuji Provia 100 F

E6 by PS13, digitized with Epson V850 Pro

designed by Tomás Saraceno at K21 Ständehaus, Kunstsammlung Nordrhein-Westfalen. Dusseldorf, Germany.

 

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