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Chiharu Shiota
"Für den WhiteCube der Kunsthalle Rostock kreierte Chiharu Shiota eine ortsspezifische Installation namens „Letters of Thanks“. Dafür wurden Dankesbriefe in einer lokalen, Kampagne gesammelt und zusammen mit verschickten Briefen aus Japan, Dänemark und Brasilien, wo sie diese Arbeit schon realisiert hat, in die Installation der Kunsthalle Rostock integriert. Der Realisierung dieser Arbeit ging als Impuls die Dankbarkeit der Künstlerin gegenüber ihrem persönlichen Kontext voraus. Sie überträgt ihre eigenen Erfahrungen in einen Versuch, die Menschen dazu anzuregen, Gefühle, die schwer zu formulieren sind, in Worte zu fassen. Durch die Verwendung der neuen Medien sind die Beziehungen virtuell und abstrakter geworden. Die Geschwindigkeit von SMS, WhatsApp, WeChat, Facebook, Twitter und anderer Kommunikationsmedien verhindert die Auswahl spezifischer und persönlicher Begriffe. Das Briefeschreiben soll hier Teil des Entschleunigungsprozesses der Ausstellungsteilnehmer werden. Die Empfänger der Briefe sind Gott, Familienmitglieder, Freunde, das Universum..."
Quelle:http://www.kunsthallerostock.de/kunsthalle-rostock/2017/chiharu-shiota/
Près de 250 pendules suspendus au plafond se balancent selon un rythme savamment orchestré, dessinant un labyrinthe en mouvement constant.
Le visiteur est alors invité à observer ce fascinant ballet ou à tenter de traverser cet environnement aux évolutions imprévisibles.
Contraint à éviter les pendules, il est aussi amené à anticiper ses déplacements.
Happy birthday Brian Peter George St. John le Baptiste de la Salle Eno, best known as Brian Eno, one of the best artists in the last decades.
Chamber Lightness: youtu.be/ZpPbmPHJTG0
pienw.blogspot.com/2022/01/de-wereld-volgens-roger-ballen...
Installation by Roger Ballen at the fotomuseum, The Hague
petite série de 2013, prise à Pantin (93)
Suite de la visite de la galerie Thaddaeus Ropac, qui était alors ouverte depuis peu, et son exposition Die Ungeborenen de l'artiste Anselm Kiefer.
www.youtube.com/watch?v=i1cLzAos6ng
You're the colour
You're the movement and the spin
Never could it stay
With me the whole day long
Fail with consequence
Lose with eloquence and smile
I'm not in this movie
I'm not in this song
Do you imagine they are installing updates or viruses? I only have a few of these figures to work with so I am experimenting and trying out different ideas. There are many creative artists who have already shot lots of interesting and clever images with miniatures but I haven't, there is always room for different interpretations.
...
detail of Conversation, Tim Lowly © 2005, installation (in the North Park University Art Faculty exhibition 2005) with drawing, microphone, cable, spackle and text
The following text, which was displayed on the wall beside the installation, apparently is a transcription of people discussing this artwork as recorded via the microphone suspended above the piece. The cable from the microphone goes into the wall and it is unclear whether the microphone is actually functional or not.
Text part two (part one)
Humming woman: “…springtime calls her children until she lets them go at last…”
Loud woman: Not that song again! My room-mate said her art prof listened to that guy all the time last year!
Humming woman: You mean the guy who made this?
Loud woman: What? No the guy who made that big river painting last year.
Humming woman: I think that this is the same guy.
Loud woman: Oh, I guess so. This is pretty different. Maybe he got tired.
Humming woman: I think this is about the end times.
Loud woman: (laughing) You are so full of it!
Humming woman: (laughing) “…a baby sings in all our bones, so scared to be alone!”
(lobby noise)
Woman with Korean accent: Do you know Yoon Hee?
Tim Lowly: Yes. How did you…
Woman with Korean accent: She goes to my church. She said, “My teacher Tim Lowly looks like Jesus.”
Tim Lowly: (laughing) Do you think so?
Woman with Korean accent: Not really.
Tim Lowly: Actually I made this drawing on top of a sketch Yoon Hee left lying in the drawing studio.
Woman with Korean accent: You made this? Is this a painting?
Tim Lowly: Well there is some paint on it…
Woman with Korean accent: Are you recording?
Tim Lowly: I can never remember which way that on-off switch works on the microphone.
Woman with Korean accent: I like the shadow…
(lobby noise)
Man with soft voice: Look this is the one I was telling you about. I think it’s kind of funny.
Anxious Woman: Really? It makes me nervous. I don’t like things hanging over my head.
Man with soft voice: Well, I think it’s safe, but you can stand over here in case it falls.
Anxious Woman: Yes, but the drawing seems kind of insolent.
Man with soft voice: Insolent? You mean arrogant?
Anxious Woman: Asking, asking. Everybody always asking…
Man with soft voice: Relax Courtney…
(lobby noise)
Jock: (noise of ball bouncing on floor) This one makes me think of what is going on down on the Gulf Coast.
Skeptical Woman: What?
Jock: You know, people giving to other people. Like this hand is offering and the microphone is listening…
Skeptical Woman: (snorting) Jocks!
Jock: Hey, I took an art class!
Skeptical Woman: And that makes you some kind of expert!
Jock: (drifting off, bouncing ball) I didn’t say I was…
(lobby noise)
Man: Maybe it’s about gas prices.
Woman: What? (laughing) You are nuts! Everything is about cars for you.
Man: No, it’s kind of like one of those gas pump lines that hangs down…
Woman: All you need is a steering wheel for that hand to grab!
Man: (grumbling) I paid for lunch…
(lobby noise)
Art Major with Generic Voice: This reminds me of this art book I saw in the library. It was about an Italian artist…Margarita Mozerella or something like that. There was this long text based on a stenographer’s transcript of people at a gallery opening. No way I could read all that!
Man with mellow voice: I like to read things like that. And crossword puzzles. Have you played one of those new Japanese puzzle games in the paper.
Art Major with Generic Voice: I don’t like newspapers. That fence thing uses newspaper.
Man with mellow voice: This is kind of like a puzzle….maybe.
Art Major with Generic Voice: I’m taking advanced painting with this guy…he’s kind of strange….
Man with mellow voice: You’re one to talk.
Art Major with Generic Voice: Hey, just because I dress different…
(lobby noise)
A
Installation in the Collection Lambert, Avignon, by Claude Leveque, 2000. Neon, fog, and sonorous tape.
Anne Imhof, still from installation with movie, at exhibition YOUTH in Stedelijk Museum Amsterdam, NL
I photographed this ghosts installation at some house in our neighborhood, then I got the idea to "move" it to the creepy woods to make it a Halloween scene :))
"Selbstportrait" auf Hohlspiegel-Installation von Adolf Luther im KWM, Krefeld
"Self-portrait" on a concave mirror installation by Adolf Luther, in the KWM Krefeld
Installation Shalekhet – Fallen leaves 10 000 faces punched out of steel are distributed on the ground of the Memory Void, the only "voided" space of the Libeskind Building that can be entered. Israeli artist Menashe Kadishman dedicated his artwork not only to Jews killed during the Shoah, but to all victims of violence and war. Visitors are invited to walk on the faces and listen to the sounds created by the metal sheets, as they clang and rattle against one another. Other art installations exhibited permanently in the museum are by Arnold Dreyblatt, Minka Hauschild, and Via Lewandowsky
This morning we visited the Will's Memorial Building to see a 7m spherical internally lit art installation by Luke Jerram which depicted planet earth rotating, it was both impressive and beautiful to see it, as almost from space!
Technical details: Gaia features 120dpi detailed NASA imagery of the Earth’s surface. The artwork provides the opportunity to see our planet on this scale, floating in three-dimensions.
Camera: Rolleiflex T
Lense: Carl Zeiss, Tessar, 75mm, F3.5
Film: Fuji PROVIA 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
Installation auf der Treppe vor der Stiftskirche in Tübingen zum 250. Geburtstag Hölderlins.
www.ottmar-hoerl.de/en/index.php
Part of an art installation on the steps of the Stiftskirche church in Tübingen as part of the celebrations for the poet Friedrich Hölderlin's 250th birthday.