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The installation is a reconstructed house on stilts 1.8m tall by 1.5m wide and 30cm deep. The idea was to use the house’s structure as my canvass. On the outside are images of Asia printed onto old wood panels like a collage. I used ideas from Joseph Cornell to create an inside sub-reality view through a wooden shutter. Inside I hung a clothesline of large dried squid which were illuminated from behind giving a yellowish –nicotine tint to the inside. The light came from a bare bulb hung by a tangle of wire. The squid added scent to the display with pungent dried fish which is a typical scent in Asian markets. I also created a collaged sound scape of music, voices, and background sounds that I recorded in various places around Kuala Lumpur.
The objective was to create a reflection of what I observe around me. The smell, sound and visual aspects of my environment wrapped up in a wooden box.
Many congrats to Robert Rosales, a member of our parish who was installed Saturday as Acolyte by Bishop Mulvey. Robert is a candidate for the Permanent Diaconate. The office of Acolyte is the last step in the process before ordination as Deacon. Our congratulations to Robert and his family on this occasion!
Installation View - Tristram Aver. Four (26 January - 24 February 2013). Cornerhouse, Manchester. Photo credit We Are Tape
Installation ceremony of Rtn. Atul Shah as President of the Rotary Club of Nagpur, the largest Club in RI Dist. 3030 and one of the largest in South-East Asia. He was installed by out-going President Tauby Bhagwagar at Hotel Centre Point on Thursday, 5th July, 2012.
CCS offers top digital sign installation. Learn more about digital sign display walls and other digital display installations by CCS Presentation Systems. bit.ly/yQSGab
On display at the 'Speel! De Kunst van het Spel' (Play! The art of the game exhibition) at the Cobra Museum, 2006
Because There’s a There, Here’s Just Fine
Acrylic, cedar, cigarette butts, eurocast, fertilizer, foam, found plastic, garbage from Denver parks, insulation, lichen, moss, organic material from Denver, sponge, steel 55 gallon drum, wood lumber.
Installation created for The Nature Of Things at the Biennial of the Americas 2010 in Denver, CO.
Hashimoto Contemporary is pleased to present In the Abstract, a group exhibition curated by Dasha Matsuura featuring new works by Abel Macias, Ellen Rutt, Rachel Strum and Madeleine Tonzi. Each artist brings a fresh perspective to contemporary abstraction, from geometric shapes to the suggestion of surreal forms.
Ranging from the purely abstract patterns in Ellen Rutt's textile based works to the loose landscape references of Abel Macias' work, each of the artists featured express intangible moments in each piece. Rachel Strum's (pictured above) work blaze in a riot of color and texture, creating a cosmic depth in each color field. Working with reclaimed and scrap textiles, Ellen Rutt engages the tradition of quilting in times of crisis to create fluid patterns and bold compositions.
Punctuating her works with points of entry, Madeleine Tonzi's paintings float across blush toned planes dotted with surreal architectural structures. Abel Macias' gestural paintings examine texture and pattern while intimating a natural space and visualizing a warm summer breeze. Each of the artists featured creates a non- specific space for the viewer to pour into.
Installation by Sarah Barrow with Iris Radovic for 'bower: family portrait', April 2009, as part of Sanctum Theatre's Zero Projects season.
Photos by Matthew Kneele and Sarah Barrow.
"Bottom Fermentation"
Youngblood Gallery
Atlanta Georgia July 2005
A collaborative installation by Mickael Broth, Ross Trimmer, and Jason Wasyk
It's alive!! The cave.
Installation View - Kate Sully. Four (26 January - 24 February 2013). Cornerhouse, Manchester. Photo credit We Are Tape
Hashimoto Contemporary is pleased to present In the Abstract, a group exhibition curated by Dasha Matsuura featuring new works by Abel Macias, Ellen Rutt, Rachel Strum and Madeleine Tonzi. Each artist brings a fresh perspective to contemporary abstraction, from geometric shapes to the suggestion of surreal forms.
Ranging from the purely abstract patterns in Ellen Rutt's textile based works to the loose landscape references of Abel Macias' work, each of the artists featured express intangible moments in each piece. Rachel Strum's (pictured above) work blaze in a riot of color and texture, creating a cosmic depth in each color field. Working with reclaimed and scrap textiles, Ellen Rutt engages the tradition of quilting in times of crisis to create fluid patterns and bold compositions.
Punctuating her works with points of entry, Madeleine Tonzi's paintings float across blush toned planes dotted with surreal architectural structures. Abel Macias' gestural paintings examine texture and pattern while intimating a natural space and visualizing a warm summer breeze. Each of the artists featured creates a non- specific space for the viewer to pour into.
The CINC Installation Excellence Award Team Visited Travis AFB, Calif., on Jan. 6, 2014, to consider the base for their 2013 award. Already a finalist, Travis Airmen showed off a multitude of innovations and efforts that help make the base "America's First Choice." (Air Force photo/Ken Wright)
'Nomathemba', installation, 2021
'Nomathemba' is een inter- en multi-dimensionaal gesprek. Experimenteel en voortvloeiend uit de ‘Alakondre Krutu’ met kunstenaars aangesloten bij Readytex Art Gallery.
Deze installatie is ook een gesprek tussen Kurt Nahar en EdKe. Voor EdKe heeft dit kunstwerk tot doel een ’magische polymorfe substantie’ te doen activeren. Deze substantie van kleur prikkelt alle zintuigen (Taussig, 2010). Kurt Nahar relateert het kunstwerk aan Nomathemba: de moeder van vertrouwen en hoop; een godin die over al haar kinderen waakt. Kurt stelt: "Ze verschijnt in moeilijke tijden als hoopgevend.”
Het kunstwerk is onderdeel van het onderzoeksproject 'deeep blue', van Miguel Keerveld. De verbeelding van het menselijke en het niet-menselijke is gebaseerd op de verstrengeling van het biologische, geologische, mechanische en spirituele: een cyborg feminist performance van het bovenmenselijke. Daarom bestaat het kunstwerk uit 55 onzichtbare brieven die zich via maskers manifesteren.
Bron: 'What Color Is the Sacred', Michael Taussig (AU)
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'Nomathemba' is an inter- and multi-dimensional conversation. Experimental and resulting from the ‘Alakondre Krutu’ with artists affiliated with Readytex Art Gallery.
This installation is also a conversation between Kurt Nahar and EdKe. For EdKe, the aim of this artwork is to activate a ‘magical polymorphic substance’. This substance of color triggers all senses (Taussig, 2010). Kurt Nahar relates the artwork to Nomathemba: the mother of trust and hope; a goddess who watches over all her children. Kurt says: "She appears in difficult times as the giver of hope.”
The artwork is part of the research project 'deeep blue', of Miguel Keerveld. The imagining of the human and the non-human is based on the entanglement of the biological, geological, mechanical and spiritual: a cyborg feminist performance of the superhuman. This is why the artwork consists of 55 invisible letters that manifest themselves through masks.
Source: 'What Color Is the Sacred', Michael Taussig (AU)
What: 'UDUBAKI part one'
When: December 10, 2021-January 1, 2022
Where: Readytex Art Gallery, Steenbakkerijstraat 30, Paramaribo, Suriname
PHOTO Courtesy Readytex Art Gallery (RAG)/Gilbert Jacott
Secure the water (that's navy talk for "turn it off"), then disconnect it. The copper pipe is the water line for the dishwasher. The line that comes out the top goes to the faucet on the sink.
Art installation idea, investigated a site in East London with a lot of graffiti. Enlarged and focused on parts of the graffiti artwork and the idea was to create large decorative panels and place them in surrounding areas to add colour and interest to plain and dull spaces.
Installation of Martha Walker's Work in the Dana Gallery at The Phillips Museum of Art, Franklin and Marshall College, Lancaster, PA, January 2009.
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