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The CINC Installation Excellence Award Team Visited Travis AFB, Calif., on Jan. 6, 2014, to consider the base for their 2013 award. Already a finalist, Travis Airmen showed off a multitude of innovations and efforts that help make the base "America's First Choice." (Air Force photo/Ken Wright)
'Nomathemba', installation, 2021
'Nomathemba' is een inter- en multi-dimensionaal gesprek. Experimenteel en voortvloeiend uit de ‘Alakondre Krutu’ met kunstenaars aangesloten bij Readytex Art Gallery.
Deze installatie is ook een gesprek tussen Kurt Nahar en EdKe. Voor EdKe heeft dit kunstwerk tot doel een ’magische polymorfe substantie’ te doen activeren. Deze substantie van kleur prikkelt alle zintuigen (Taussig, 2010). Kurt Nahar relateert het kunstwerk aan Nomathemba: de moeder van vertrouwen en hoop; een godin die over al haar kinderen waakt. Kurt stelt: "Ze verschijnt in moeilijke tijden als hoopgevend.”
Het kunstwerk is onderdeel van het onderzoeksproject 'deeep blue', van Miguel Keerveld. De verbeelding van het menselijke en het niet-menselijke is gebaseerd op de verstrengeling van het biologische, geologische, mechanische en spirituele: een cyborg feminist performance van het bovenmenselijke. Daarom bestaat het kunstwerk uit 55 onzichtbare brieven die zich via maskers manifesteren.
Bron: 'What Color Is the Sacred', Michael Taussig (AU)
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'Nomathemba' is an inter- and multi-dimensional conversation. Experimental and resulting from the ‘Alakondre Krutu’ with artists affiliated with Readytex Art Gallery.
This installation is also a conversation between Kurt Nahar and EdKe. For EdKe, the aim of this artwork is to activate a ‘magical polymorphic substance’. This substance of color triggers all senses (Taussig, 2010). Kurt Nahar relates the artwork to Nomathemba: the mother of trust and hope; a goddess who watches over all her children. Kurt says: "She appears in difficult times as the giver of hope.”
The artwork is part of the research project 'deeep blue', of Miguel Keerveld. The imagining of the human and the non-human is based on the entanglement of the biological, geological, mechanical and spiritual: a cyborg feminist performance of the superhuman. This is why the artwork consists of 55 invisible letters that manifest themselves through masks.
Source: 'What Color Is the Sacred', Michael Taussig (AU)
What: 'UDUBAKI part one'
When: December 10, 2021-January 1, 2022
Where: Readytex Art Gallery, Steenbakkerijstraat 30, Paramaribo, Suriname
PHOTO Courtesy Readytex Art Gallery (RAG)/Gilbert Jacott
Installation of Martha Walker's Work in the Dana Gallery at The Phillips Museum of Art, Franklin and Marshall College, Lancaster, PA, January 2009.
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The installation of 30 printed photographs at Croydon Clocktower, capturing Croydon's identity past and present. Archive images have been snapped in their contemporary context, creating a powerful image.
Fragmented and Forgotten: Amber Quinn Master of Arts Thesis Exhibition, July 8-24, 2020, The Arts Council Gallery, Dinah Washington Cultural Arts Center, Tuscaloosa. More here: art.ua.edu/loupe/amber-quinn-presents-ma-exhibition/
Hashimoto Contemporary is pleased to present Floating Worlds - the gallery's debut solo exhibition with Los Angeles-based painter Stacey Rozich. The vibrant and richly detailed watercolor and gouache works on paper depict mystic scenes from the artist's folklore.
The alternate realm Rozich has created through her prismatic work is equal parts familiar and strange - a bird-like creature stops in a garden for a smoke break, a plastic bag sits beneath the seesaw where he sits and a miniaturized doppelgänger hands him a lighter. More spectral scenes depict curious rituals where cloaked and masked figures are surrounded by peculiar iconography.
The artist states, "Compelled by the enigmatic notion that our everyday terrestrial lives may be coexisting with another fully-functioning surrealistic plane alongside our own, I have sought to create this world through a series of vivid scenarios and portraits. As it turns out, this surreality may not be so different from our own reality: you’ll find that moments of miscommunication, embarrassment and awkward first dates can still occur regardless of your astral plane."
"The Edge of Trees is an installation artwork located in the courtyard of the Sydney Living Museum. This installation artwork was created by Fiona Foley and Janet Laurence."
installation documentation of David Sullivan's Fugitive Emissions show at Lawndale Art Center in Houston, Texas, 2010
Installation ceremony of Rtn. Atul Shah as President of the Rotary Club of Nagpur, the largest Club in RI Dist. 3030 and one of the largest in South-East Asia. He was installed by out-going President Tauby Bhagwagar at Hotel Centre Point on Thursday, 5th July, 2012.
Installation of woven artworks for Toiora exhibition at Tūranga.
Monday 16 June 2025.
File reference: 2025-06-1-toiora-1
From the collection of Christchurch City Libraries