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installation of 25 moulds of covered body of resin, enamelled on the migrations of the body to the meeting of the other. the installation names “migration intimates”
by Mickael Caruge and Claude Cauquil
southSILO installation - Shrewsbury Flaxmill Maltings - 6-8 September 2013
Andy McKeown and Misha Crawford
Special thanks to the fabulous Bill McCabe for overseeing the physical staging and to Glow People for an live awesome set at Friday nights Private View.
Thanks to Reuben Penny, Richard Benjamin, Patrick Benjamin, Simon Benjamin and Glow People for sonic works for the event
Misha for dance
Deborah Freeman Voizin for video
Installation view from "Vessel" a group exhibition curated by Dasha Matsuura at Hashimoto Contemporary
New Lion Mac Eld’s recent induction into Parma Lions brings the membership total to EIGHTY. Only the Mountain Home club is larger in Idaho. Shown standing from left to right are Lion Del Oswald, Mrs. Martha Eld, new Lion Mac, Sponsor Lion Fred Faulks, and Lion Roger Reynoldson conducting the installation. 2009
Installation view from "Vessel" a group exhibition curated by Dasha Matsuura at Hashimoto Contemporary
The installation is a reconstructed house on stilts 1.8m tall by 1.5m wide and 30cm deep. The idea was to use the house’s structure as my canvass. On the outside are images of Asia printed onto old wood panels like a collage. I used ideas from Joseph Cornell to create an inside sub-reality view through a wooden shutter. Inside I hung a clothesline of large dried squid which were illuminated from behind giving a yellowish –nicotine tint to the inside. The light came from a bare bulb hung by a tangle of wire. The squid added scent to the display with pungent dried fish which is a typical scent in Asian markets. I also created a collaged sound scape of music, voices, and background sounds that I recorded in various places around Kuala Lumpur.
The objective was to create a reflection of what I observe around me. The smell, sound and visual aspects of my environment wrapped up in a wooden box.
Installation View - Tristram Aver. Four (26 January - 24 February 2013). Cornerhouse, Manchester. Photo credit We Are Tape
Installation ceremony of Rtn. Atul Shah as President of the Rotary Club of Nagpur, the largest Club in RI Dist. 3030 and one of the largest in South-East Asia. He was installed by out-going President Tauby Bhagwagar at Hotel Centre Point on Thursday, 5th July, 2012.
CCS offers top digital sign installation. Learn more about digital sign display walls and other digital display installations by CCS Presentation Systems. bit.ly/yQSGab
Site specific installation designed and produced by SOFTlab for the Frankfurter Kunstverein.
Group Exhibit:
The Systemized World
Curated by:
Photo: Marius Watz
they have this cool public art sound installation on centre island where each person pedals on on a bike, which generates an electronic noise. each bike makes a unique sound but depending on the speed you're pedaling at, it's tone changes.
Hashimoto Contemporary is pleased to present In the Abstract, a group exhibition curated by Dasha Matsuura featuring new works by Abel Macias, Ellen Rutt, Rachel Strum and Madeleine Tonzi. Each artist brings a fresh perspective to contemporary abstraction, from geometric shapes to the suggestion of surreal forms.
Ranging from the purely abstract patterns in Ellen Rutt's textile based works to the loose landscape references of Abel Macias' work, each of the artists featured express intangible moments in each piece. Rachel Strum's (pictured above) work blaze in a riot of color and texture, creating a cosmic depth in each color field. Working with reclaimed and scrap textiles, Ellen Rutt engages the tradition of quilting in times of crisis to create fluid patterns and bold compositions.
Punctuating her works with points of entry, Madeleine Tonzi's paintings float across blush toned planes dotted with surreal architectural structures. Abel Macias' gestural paintings examine texture and pattern while intimating a natural space and visualizing a warm summer breeze. Each of the artists featured creates a non- specific space for the viewer to pour into.
Hashimoto Contemporary is pleased to present Floating Worlds - the gallery's debut solo exhibition with Los Angeles-based painter Stacey Rozich. The vibrant and richly detailed watercolor and gouache works on paper depict mystic scenes from the artist's folklore.
The alternate realm Rozich has created through her prismatic work is equal parts familiar and strange - a bird-like creature stops in a garden for a smoke break, a plastic bag sits beneath the seesaw where he sits and a miniaturized doppelgänger hands him a lighter. More spectral scenes depict curious rituals where cloaked and masked figures are surrounded by peculiar iconography.
The artist states, "Compelled by the enigmatic notion that our everyday terrestrial lives may be coexisting with another fully-functioning surrealistic plane alongside our own, I have sought to create this world through a series of vivid scenarios and portraits. As it turns out, this surreality may not be so different from our own reality: you’ll find that moments of miscommunication, embarrassment and awkward first dates can still occur regardless of your astral plane."
Installation by Sarah Barrow with Iris Radovic for 'bower: family portrait', April 2009, as part of Sanctum Theatre's Zero Projects season.
Photos by Matthew Kneele and Sarah Barrow.
"Bottom Fermentation"
Youngblood Gallery
Atlanta Georgia July 2005
A collaborative installation by Mickael Broth, Ross Trimmer, and Jason Wasyk
It's alive!! The cave.
Hashimoto Contemporary is pleased to present In the Abstract, a group exhibition curated by Dasha Matsuura featuring new works by Abel Macias, Ellen Rutt, Rachel Strum and Madeleine Tonzi. Each artist brings a fresh perspective to contemporary abstraction, from geometric shapes to the suggestion of surreal forms.
Ranging from the purely abstract patterns in Ellen Rutt's textile based works to the loose landscape references of Abel Macias' work, each of the artists featured express intangible moments in each piece. Rachel Strum's (pictured above) work blaze in a riot of color and texture, creating a cosmic depth in each color field. Working with reclaimed and scrap textiles, Ellen Rutt engages the tradition of quilting in times of crisis to create fluid patterns and bold compositions.
Punctuating her works with points of entry, Madeleine Tonzi's paintings float across blush toned planes dotted with surreal architectural structures. Abel Macias' gestural paintings examine texture and pattern while intimating a natural space and visualizing a warm summer breeze. Each of the artists featured creates a non- specific space for the viewer to pour into.
The CINC Installation Excellence Award Team Visited Travis AFB, Calif., on Jan. 6, 2014, to consider the base for their 2013 award. Already a finalist, Travis Airmen showed off a multitude of innovations and efforts that help make the base "America's First Choice." (Air Force photo/Ken Wright)
'Nomathemba', installation, 2021
'Nomathemba' is een inter- en multi-dimensionaal gesprek. Experimenteel en voortvloeiend uit de ‘Alakondre Krutu’ met kunstenaars aangesloten bij Readytex Art Gallery.
Deze installatie is ook een gesprek tussen Kurt Nahar en EdKe. Voor EdKe heeft dit kunstwerk tot doel een ’magische polymorfe substantie’ te doen activeren. Deze substantie van kleur prikkelt alle zintuigen (Taussig, 2010). Kurt Nahar relateert het kunstwerk aan Nomathemba: de moeder van vertrouwen en hoop; een godin die over al haar kinderen waakt. Kurt stelt: "Ze verschijnt in moeilijke tijden als hoopgevend.”
Het kunstwerk is onderdeel van het onderzoeksproject 'deeep blue', van Miguel Keerveld. De verbeelding van het menselijke en het niet-menselijke is gebaseerd op de verstrengeling van het biologische, geologische, mechanische en spirituele: een cyborg feminist performance van het bovenmenselijke. Daarom bestaat het kunstwerk uit 55 onzichtbare brieven die zich via maskers manifesteren.
Bron: 'What Color Is the Sacred', Michael Taussig (AU)
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'Nomathemba' is an inter- and multi-dimensional conversation. Experimental and resulting from the ‘Alakondre Krutu’ with artists affiliated with Readytex Art Gallery.
This installation is also a conversation between Kurt Nahar and EdKe. For EdKe, the aim of this artwork is to activate a ‘magical polymorphic substance’. This substance of color triggers all senses (Taussig, 2010). Kurt Nahar relates the artwork to Nomathemba: the mother of trust and hope; a goddess who watches over all her children. Kurt says: "She appears in difficult times as the giver of hope.”
The artwork is part of the research project 'deeep blue', of Miguel Keerveld. The imagining of the human and the non-human is based on the entanglement of the biological, geological, mechanical and spiritual: a cyborg feminist performance of the superhuman. This is why the artwork consists of 55 invisible letters that manifest themselves through masks.
Source: 'What Color Is the Sacred', Michael Taussig (AU)
What: 'UDUBAKI part one'
When: December 10, 2021-January 1, 2022
Where: Readytex Art Gallery, Steenbakkerijstraat 30, Paramaribo, Suriname
PHOTO Courtesy Readytex Art Gallery (RAG)/Gilbert Jacott