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The Creative Act: Performance, Process, Presence, opens on March 7 at Manarat Al Saadiyat in Abu Dhabi. This second exhibition from the Guggenheim Abu Dhabi’s unique collection features works by more than 25 artists from different nationalities and generations who have emphasised performance, process, and human presence in their practice, through a variety of mediums. Learn more: www.guggenheim.org/exhibition/the-creative-act-performanc... Photos: Jonathan Gibbons
Clockwise from Left:
Dirge II - Paper Shoe installation by Tara Bursey / Photo by Tara Bursey
Flaming Flakes - laser-cut banners by Day Milman / Photo By ???
Reverend Aitor's Unflattering Portraits (at Uncle Fun in Chicago) / Photo by Becky Johnson
City of Craft (Toronto) is looking for crafty artists and artsy crafters to create installations for this year’s City of Craft, which will take place both in and around The Theatre Centre during the weekend of December 12-13, 2009. This year’s installation programming will be greatly expanded to include more installation artists and even more fantastic Queen Street West venues. For this year’s installations we hope to include a wide range of crafty approaches, which reflect the diversity and conceptual richness of contemporary craft practices. Several venues will be available to artists for City of Craft installation programming this year, from Queen West galleries, storefront windows and public spaces to the nooks and crannies of City of Craft's fabulous and historic venue, The Theatre Centre. Some ideas for proposals could include (but are certainly not limited to!) the exploration of:
- crafty public interventions
- “digital craft” (craft + video, craft + kinetics, etc)
- crafty performance
- textile-based installations
- participatory craft-based installations
To propose an installation, go here:
red tape was an installation i set up as part of cms day50 art exhibition. the theme was 'christ plays in 10 000 places'. this was the blurb that went with it...
Red Tape
Mission is a border crossing experience whether geographical or cultural - into new areas, risky spaces, out of the comfort zones onto other peoples turf. In those spaces we are likely to be guests rather than hosts. Someone else is throwing the parties. When we make that journey invariably Christ is already there ahead of us.
Red tape (that great symbol of heavy handed control and stifling beaurocracy seemingly so much loved by religious institutions) explores how easy it is to forget this.
Do we cross borders or create them?
Whilst Christ plays in ten thousand places the church time and again has done her best to keep him wrapped in red tape.
southSILO installation - Shrewsbury Flaxmill Maltings - 6-8 September 2013
Andy McKeown and Misha Crawford
Special thanks to the fabulous Bill McCabe for overseeing the physical staging and to Glow People for an live awesome set at Friday nights Private View.
Thanks to Reuben Penny, Richard Benjamin, Patrick Benjamin, Simon Benjamin and Glow People for sonic works for the event
Misha for dance
Deborah Freeman Voizin for video
CEA Project Logistics were contracted for the transportation, assembly and installation of a metal press for a Metal Stamping and Assembly Factory in Rayong province, Thailand.
CEA received a combination of containerized and flat rack OOG cargo to their Cargo Consolidation Facility in Laem Chabang. Each container was unloaded and unstuffed. Several sections of the main bed and tie-rod uprights were assembled by CEA before transportation.
Upon arrival at the factory, the remaining press parts and sections were unloaded and assembled. As several sections were of considerable size and weight CEA erected a temporary gantry crane to assist in installation. The crane was placed over a pre-constructed pit which would house the completed press. The press bed section was lifted and placed into position and aligned on the pit floor.
Other sections were carefully lifted and moved into place with the crown section being installed last. Tie rods and bolts were tightened to complete the assembly of the major sections. The gantry crane was removed to allow a small mobile crane and Elevated Work Platform to install the smaller parts. Upon the project completion, both CEA and the client were very happy with the efficiency and expertise of the installation.
Book pages, installation, February-March 2008.
A small area of the room is sectioned off with tables. Along these tables are what appear to be origami in many different forms (such as stars, chains, etc.). Each piece/grouping of origami has a tag beside it with a book title and author- implying that each piece of origami is a book. The book title is reflected in the style of the origami.
The tiles are hauled up to the platform at the top of three storey scaffolding. They are then laid out on the platform as they will be on the wall. In sets of five vertical lines the cement is applied to the wall and the tiles carefully pressed into place. Once this is completed the grouting between each tile is applied.
The tiles are hauled up to the platform at the top of three storey scaffolding. They are then laid out on the platform as they will be on the wall. In sets of five vertical lines the cement is applied to the wall and the tiles carefully pressed into place. Once this is completed the grouting between each tile is applied.
General John F. Campbell, vice chief of staff of the United States Army greets members of the Soldier Shows April 8, at Joint Base San Antonio-Fort Sam Houston. (U.S. Air Force photo by Joel Martinez)
Installation of the 'Great Wall of China' exhibition.
File # 00z17011
Photography by Jean-François Lanzarone.
CEA Project Logistics were contracted for the transportation, assembly and installation of a metal press for a Metal Stamping and Assembly Factory in Rayong province, Thailand.
CEA received a combination of containerized and flat rack OOG cargo to their Cargo Consolidation Facility in Laem Chabang. Each container was unloaded and unstuffed. Several sections of the main bed and tie-rod uprights were assembled by CEA before transportation.
Upon arrival at the factory, the remaining press parts and sections were unloaded and assembled. As several sections were of considerable size and weight CEA erected a temporary gantry crane to assist in installation. The crane was placed over a pre-constructed pit which would house the completed press. The press bed section was lifted and placed into position and aligned on the pit floor.
Other sections were carefully lifted and moved into place with the crown section being installed last. Tie rods and bolts were tightened to complete the assembly of the major sections. The gantry crane was removed to allow a small mobile crane and Elevated Work Platform to install the smaller parts. Upon the project completion, both CEA and the client were very happy with the efficiency and expertise of the installation.
The tiles are hauled up to the platform at the top of three storey scaffolding. They are then laid out on the platform as they will be on the wall. In sets of five vertical lines the cement is applied to the wall and the tiles carefully pressed into place. Once this is completed the grouting between each tile is applied.
Reference Code: BR.001.01.054
Title: BM Installation Photo 1
Date: May 1945
Extent (inches): 7.25 x 9
Creator: Herbe Heise, Staff Photographer, Cincinnati Enquirer
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▶ from Bishop Mussio Photographs (001.001.1)
▶ The photos on the Diocese of Steubenville Archive's Flickr site may be used by non-commercial entities only for educational and/or research purposes as long as credit is given to the "Diocese of Steubenville Archive, Steubenville, OH." These photos may not be reproduced in any format for profit or other presentation without the permission of the Diocese.
Paver Installation
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Mayako Nakamura Solo show
"No_One = Evey_One"
Gallery Mirume Chofu, Tokyo
2021.01.15-30
・・・・・・・・・・・・・・・
☆だれでもない誰か 情報☆
この度 調布・ギャラリーみるめにて
中村眞弥子展 ”だれでもない誰か”を
開催させていただく運びとなりました。
ご案内・ご報告申し上げます。
緊急事態宣言。
2020年5月から2ヶ月ほど
アトリエにこもって描き続けた
"顔"のシリーズを発表いたします。
水と絵の具。その現象。
生まれては 定着してゆく それぞれの"顔"。
近くにいるのに 遠くにいるような。
”だれでもない誰か”。
はじめてのアニメーション。
年末年始に制作した カラフルな新作。
プリントファブリックのワンピースやトートバッグも
あわせて展示・販売いたします。
再び 緊急事態宣言が発出されることになり
不安な毎日がつづきますが
現時点では しっかりと対策をとりながら
予定通り開催したいと考えております。
どうぞよろしくお願いいたします。
・・・・・・・・・・・・・・・・・・・・
中村眞弥子展 "だれでもない誰か"
2021年1月15日(金)-30日(土)*
ギャラリーみるめ
〒182-0024 調布市布田 2-32-8
Tel: 042-488-2120
FBイベント
www.facebook.com/events/157215636193302
*イベントの都合上29日(11時)までになっておりますが
正しくは30日(18時)までです。
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Photography: Martina Pipprich
For a detailed list of all authors please refer to lyriklabor.de/
Das LyrikLabor ist ein Projekt von Studierenden der Lehreinheiten Kommunikationsdesign und Innenarchitektur der Fachhochschule Mainz und des Deutschen Instituts der Johannes Gutenberg-Universität Mainz.
Das LyrikLabor entführt seine Besucher in eine literarische Traumwelt. Vom 19. bis zum 22. März entsteht in Mainz ein poetisches Design- und Kommunikationszentrum.
Poesie für alle Sinne
Auf drei Ebenen zeigt das LyrikLabor Installationen, die Traumgedichte aus verschiedenen Epochen künstlerisch interpretieren. Der Besucher kann hier selbst aktiv werden; er darf nicht nur entdecken, sondern mitgestalten. Lyrik wird aus den Anthologien befreit und zu einem Erlebnis für alle Sinne.