View allAll Photos Tagged Installation
Photography: Martina Pipprich
For a detailed list of all authors please refer to lyriklabor.de/
Das LyrikLabor ist ein Projekt von Studierenden der Lehreinheiten Kommunikationsdesign und Innenarchitektur der Fachhochschule Mainz und des Deutschen Instituts der Johannes Gutenberg-Universität Mainz.
Das LyrikLabor entführt seine Besucher in eine literarische Traumwelt. Vom 19. bis zum 22. März entsteht in Mainz ein poetisches Design- und Kommunikationszentrum.
Poesie für alle Sinne
Auf drei Ebenen zeigt das LyrikLabor Installationen, die Traumgedichte aus verschiedenen Epochen künstlerisch interpretieren. Der Besucher kann hier selbst aktiv werden; er darf nicht nur entdecken, sondern mitgestalten. Lyrik wird aus den Anthologien befreit und zu einem Erlebnis für alle Sinne.
Crews ready some of the light installations for Lightscape at Brooklyn Botanic Garden. Photo by Elizabeth Peters.
Atlas Shrugged Installation, 2007, coke bottles, Ayn Rand quotes, opaque projector, transparencies, paper
Creative Stars: Lost is Found
14 Jan - 19 Feb 2012
Installation shot
Lucy Ridges
Image courtesy the artist and Cornerhouse, Manchester
Photo credit Paul Greenwood
This is my video installation for my very recent group exhibition which known as The 3rd eyes. It is a video projection on fishing line curtains & the end result can be seen in this image.
MOMO (° 1974, San Francisco), is an American artist. His work is not intended to be representative, but is purely sensual. In addition to his studio work, he paints murals and public installations. The ideas he develops in his paintings and three-dimensional installations are conceptual and aesthetically post-digital: they have the look and feel of digital paintings with their geometric compositions and the superposition of layers drawn across the surface. For MOMO, work preparation is an integral part of the process. For example, he develops specific working tools for each project. MOMO plays with color theories and manipulates our sensual experience of his art. The resulting graphic work has strong, vibrant features composed of clean lines and pure and primary colors.
This work was on display in 2016 at the MIMA in Molenbeek, Brussels, on the occasion of the opening of the museum.
MOMO (° 1974, San Francisco), is een Amerikaanse kunstenaar. Zijn werk heeft niet de bedoeling representatief te zijn, maar is puur sensueel. Naast zijn studiowerk schildert hij muurschilderingen en openbare installaties. De ideeën die hij ontwikkelt in zijn schilderijen en driedimensionale installaties zijn conceptueel en esthetisch post-digitaal: ze hebben de look en feel van digitale schilderijen met hun geometrische composities en de superpositie van lagen die over het oppervlak zijn getrokken. Voor MOMO maakt de voorbereiding van een werk integraal deel uit van het proces. Zo ontwikkelt hij per project specifieke werkinstrumenten. MOMO speelt met kleurentheoriën en manipuleert onze sensuele ervaring van zijn kunst. Het resulterende grafische werk heeft sterke, levendige kenmerken die zijn samengesteld uit strakke lijnen en pure en primaire kleuren.
Dit werk was in 2016 te zien in het MIMA in Molenbeek, Brussel, naar aanleiding van de opening van het museum.
MOMO (° 1974, San Francisco), est un artiste américain. Son travail ne se veut pas être représentatif, mais est purement sensuel. En plus de son travail en atelier, il peint des peintures murales et des installations publiques. Les idées qu'il développe dans ses peintures et installations tridimensionnelles sont conceptuellement et esthétiquement post-numériques: elles ont l'aspect et la sensation des peintures numériques avec leurs compositions géométriques et la superposition de couches dessinées sur la surface. Pour MOMO, la préparation du travail fait partie intégrante du processus. Par exemple, il développe des outils de travail spécifiques pour chaque projet. MOMO joue avec les théories de la couleur et manipule notre expérience sensuelle de son art. Le travail graphique qui en résulte présente des caractéristiques fortes et vibrantes composées de lignes épurées et de couleurs pures et primaires.
Cette œuvre a été exposée en 2016 au MIMA de Molenbeek, Bruxelles, à l'occasion de l'ouverture du musée.
Website of the artist: momoshowpalace.com/About
Website of the MIMA: www.mimamuseum.eu/
Book pages, installation, February-March 2008.
A small area of the room is sectioned off with tables. Along these tables are what appear to be origami in many different forms (such as stars, chains, etc.). Each piece/grouping of origami has a tag beside it with a book title and author- implying that each piece of origami is a book. The book title is reflected in the style of the origami.
The installation of Michael Parekowhai's spectacular Venice Biennale installation "On first looking into Chapman's Homer".
File reference: CCL-2012-06-26IMG_4507
From the collection of Christchurch City Libraries.
Pastor installation ceremony for Fr. Kevin Kahman at Mary Queen of Heaven Church in Erlanger, KY. Filename: USA-KY-2011-2731
Creative Stars: Lost is Found
14 Jan - 19 Feb 2012
Installation shot
Mark Beecroft
Untitled (2010)
Dimensions Vary
Mixed Media
Image courtesy the artist and Cornerhouse, Manchester
Photo credit Paul Greenwood
Enjoy this Jumping Brain installation at Toy Art Gallery till Oct. 10th. This is part of Emilio Garcia's Brain Evolution Show located at 7571 Melrose Ave., Hollywood, CA. Those huge resin pieces are hand made in Spain by Emilio Garcia at the Secret Lapo Laboratories. Thanks Elena and Ron for help to set up in record time!
documentation of a multi-sited installation project.
i am really interested in how context alters a piece of art and vice versa. i use the same group of objects within my installations, bringing in others found on site. the expectations and connotations brought to the piece are very different depending on the situation eg: a gallery, shop or outdoors. with this ongoing set of work i am interested in how this affects the reading of the piece.
this and other images on my page are specifically put on this site to be viewed in a different context. i am exploring as i said above, the way context alters the interpretation of a piece or image. by putting these pieces on the net, they exist in a completely different context and become images instead of installations. i am interested in this shift.
Cable Installation
As part of the installation of an offshore wind facility, a cable must be installed to bring the electricity to shore. A special cable laying ship is used. In this case, the method of installation is called jet plowing, where a high pressure stream of water is used to suspend sediments in a channel. The cable is laid into the trench of suspended sediment. The sediment settles in on top of the cable, thus burying it. The cable is brought to shore and connected to the grid.
You can learn more about the cable laying here: Observing Cable Laying and Particle Settlement During the Construction of the Block Island Wind Farm
For more information the RODEO program, please visit www.boem.gov/rodeo
(Photo by BOEM)