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Fairytales Installation
Plants, soil, rock, paintings
Spring 2011
Fairy tales and mythology are timeless accounts that are deeply embedded in the history of humanity and culture. Though often considered fantasies, and dismissed as children's stories, they can serve as profound metaphors of issues that occur in our realities. The exaggerated and fantastical elements allow them to become narratives of fascination, to be observed, cherished, and reflected upon.
My pieces are modern day fairy tales. Using the motif of the wolf, a re-occuring and foreboding character in many narratives and myths, an exploration of love and sexuality is depicted. There is a fluidity in the nature of the beast, and it appears and disappears, can be donned, and torn away.
However, these tales are hidden. In the exterior of this fantasy, there is a construction, an alluring and fertile environment within which they dwell. It is through this constructed fantasy that one can explore the complications that occur in our day to day life.
Crew member putting the finishing touches on the concrete sections prior to drying and installing on the Coverstar lid forming system.
c. 2003
This was part of another persons installation.
The installation was part of a group of installations for a conference on communication and technology. I was designated a room that I filled with wires and telephone cords. The cords were everywhere, hanging from the ceiling, all about the floor. The viewer (or participant) could not pass through the room with out touching/interacting with the piece. Touching and interacting with an art piece was still an uncommon concept since so many of us have imbedded in our heads that art is meant to be seen and not to be touched. The piece also had several telephone receivers hanging from the ceiling. If the participant would put one up to their ear the would have heard an audio track.
I wrote a program in Max MSP to cue specific audio sounds when certain wires were tripped. I haven't touched the program since, but would not be opposed to revisiting this concept. I find that as we are all becoming more wireless and the traditional phone is becoming obsolete many of us are becoming better and more connected.
Reference Code: 001.02.212
Title: Installation Photo 102
Date: 22 November 1977
Extent (inches): 8 x 10
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â–¶ from Bishop Ottenweller Photographs (001.002.1)
â–¶ The photos on the Diocese of Steubenville Archive's Flickr site may be used by non-commercial entities only for educational and/or research purposes as long as credit is given to the "Diocese of Steubenville Archive, Steubenville, OH." These photos may not be reproduced in any format for profit or other presentation without the permission of the Diocese.
Reference Code: 001.02.184
Title: Installation Photo 73
Date: 22 November 1977
Extent (inches): 8 x 10
__________________________________________________
â–¶ from Bishop Ottenweller Photographs (001.002.1)
â–¶ The photos on the Diocese of Steubenville Archive's Flickr site may be used by non-commercial entities only for educational and/or research purposes as long as credit is given to the "Diocese of Steubenville Archive, Steubenville, OH." These photos may not be reproduced in any format for profit or other presentation without the permission of the Diocese.
Installation of catch fence in Gibraltar using rope access techniques with the famous rock in the background.
Installation View - Tristram Aver. Four (26 January - 24 February 2013). Cornerhouse, Manchester. Photo credit We Are Tape
HNIA + ASM
"COME TO THE FRONT"
Three performances 24th - 27th February in NYC
COME TO THE FRONT is His Name is Alive's Warn Defever and Anti-Social Music
joining forces for a three-day residency in New York City. Performances include a
chamber ensemble piece that begins peacefully but catches fire quickly at Monkeytown,
a film of the mythical "Wolfman of Detroit," a noisy electric kalimba installation
at Brooklyn's Soundfix, and an all electric thumb piano composition at The
Living Theatre in Manhattan.
SCHEDULE OF EVENTS
Anti-Social Music + His Name is Alive
COME TO THE FRONT
Sun 24 February 8 pm $10/$7
The Living Theatre
21 Clinton St NYC. Subway: FJMZ to Essex/Delancey
(212) 792-8050
ASM plays the premiere of Warn Defever's THE SILVER PIANO
Daniel Littleton from Ida performs
Part of the Vision/RUCMA Series.
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Mon 25 February
Monkeytown
58 N 3rd St (btw Wythe & Kent) Williamsburg, Brooklyn
Subway: L Train (Bedford stop)
718.384.1369
Music for ASM (Dalek)
After Devils Night (His Name is Alive)
With film by Warn Defever
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Wed 27 February
Sound Fix
110 Bedford Ave, Brooklyn NY 11211
(718) 388-8090
ELECTRIC KALIMBA Installation/ Exhibition by War
This show was made possible by support from the great folks at Meet The
Composer's MetLife Creative Connections program, Meet the
Composer/JPMorganChase Fund for Small Ensembles, NYSCA, and public funds
from the New York City Department of Cultural Affairs.
Installation of Pastor Candice Combs at New Life Lutheran, May 23, 2021 Preaching: Bishop Sue Briner
Concept design for responsive table installation. Collaborative soundscape using gesture based manipulation of sonic forms
A cool LED light installation in the lobby of the Telus Tower in Toronto, Ontario, Canada. The LEDs cycle through the visible colour spectrum in a coordinated manner which was pretty cool to watch.
This is an Installation I created at School of Visual Art Summer Residency Program. The piece took five weeks working up to 10 hour days. The size took up two walls of the room. I look for inspiration from the surrounding architecture of the room and incorporate elements into the work. The architecture also leads the direction of the piece.
Art installation at INSCAPE (a portmanteau acronym: INS / Culture, Arts, Preservation and Engagement). Former U.S. Immigrant Station and Assay Office in Seattle, Washington, also known as INS ("Immigration and Naturalization Service") Building.
This was originally (in the early 1930s) the infirmary.
mixed media installation in the "passageway gallery (2nd floor)" part of my early career survey exhibition "baby's on fire" at the center for exploratory and perceptual art (CEPA gallery) and squeaky wheel. the exhibition spanned 4 floors of gallery, cinema, and storefront spaces, and featured many of my videos, photographs, sculptures and installations. april - may 2015.